CONFLUENCE TRIO ft. Alessandro Napolitano, Bill O’Connell & Dany Noel | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO ft. ALESSANDRO NAPOLITANO, BILL O’CONNELL & DANY NOEL | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO

ft. Alessandro Napolitano, Bill O’Connell & Dany Noel

Contemporary Latin Jazz (IT/US/CU)

AVAILABILITY FOR EUROPE

2026 | TBA

Line-up

Alessandro Napolitano | Drums
Dennis Chambers, Virgil Donati, Jerry Bergonzi, Joey DeFrancesco, Eric Marienthal, Fabrizio Bosso, Rosario Giuliani.

Bill O’Connell | Piano
Mongo Santamaría, Jerry González / Fort Apache Band, Dave Valentin, Paquito D’Rivera; collaborations also include Chet Baker and Gato Barbieri.

Dany Noel | Electric Bass & Vocals
Pino Daniele, Paolo Fresu, Omara Portuondo, Vicente Amigo.

Style

A groove-forward, drummer-led trio where Afro‑Cuban clave and Brazilian pulse meet contemporary jazz harmony—odd meters, polymetric turns, and lyrical improvisation.

Overall profile 

Italian drummer/composer Alessandro Napolitano convenes a transatlantic meeting point in Confluence Trio, pairing New York Latin‑jazz authority Bill O’Connell with Cuban bassist/vocalist Dany Noel. The debut album Beyond Borders (Soundiva; available 2025-12-01 in digital and physical formats) frames seven originals and three reimagined standards as a single narrative arc: odd‑meter themes, conversational polyrhythms, and open improvisation that never abandons melody.

The band DNA is Rhythm/Groove first (clave awareness, tumbao/montuno as engines, metric elasticity), with a post‑bop/Latin harmonic palette (extended voicings, modal color, chromatic side‑steps) and a clear division of roles: drums as narrative architect, piano as rhythmic-harmonic driver, bass/voice as melodic anchor. The result is a compact, high-impact trio sound designed for audiences who want both danceable momentum and modern-jazz depth.

Member details

Alessandro Napolitano — Drums
• Leads the trio as composer and form-shaper, foregrounding odd meters and polymetric design as expressive tools.
• Beyond Borders blends jazz, Afro‑Cuban jazz, Brazilian Latin-jazz and fusion with an emphasis on rhythmic architecture and collective interplay.
• Direction from the kit is “compositional”: cueing dynamics, re‑framing sections, and keeping the narrative arc in focus.
(“A record marked by a broad, skillful use of odd meters, polymeters and polyrhythms.” — Stefano Dentice, Sound Contest, 2025-12-02)

Bill O’Connell — Piano
• A key New York voice in Latin jazz: montuno fluency, post‑bop clarity, and a pianist’s ability to steer the groove from inside the harmony.
• Longstanding work across the Latin‑jazz continuum (including Dave Valentin, Jerry González and Mongo Santamaría) informs the trio’s rhythmic confidence.
• In Confluence Trio, his touch moves from percussive engine to luminous colorist, shaping transitions and harmonic perspective.
(“His signal contributions to Latin jazz with Dave Valentin, Jerry Gonzalez and Mongo Santamaria are familiar to devotees.” — Richard J. Salvucci, All About Jazz, 2023-08-19)

Dany Noel — Electric Bass & Vocals
• Cuban-born, Madrid-based bassist/vocalist with deep roots in Afro‑Latin forms and a flexible modern time-feel.
• Singing bass tone and vocal presence add a song‑centered layer to the trio’s explorations (voice featured on selected tracks).
• Functions as both anchor and catalyst: locking tumbao, opening melodic counterlines, and coloring the texture with voice.
(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Discography highlights

Beyond Borders — Alessandro Napolitano Confluence Trio (Soundiva)
• Availability: digital + physical from 2025-12-01.
• 10 tracks: 7 originals (O’Connell: “Alpha Alpha”, “Sitting Bull”; Noel: “Confluence”, “Despertar”, “Sullelgada”; Napolitano: “Mentality Disease”, bonus track “My Voice”) + 3 standards (“Bésame Mucho”, “Chan Chan”, “Summertime”).
• Produced in collaboration with Laboratori d’Arte (Soc. Coop.) with support from IMAIE (Bando Nuove Produzioni Discografiche 2024/2025).

Alessandro

  • 2000 — Berklee College of Music scholarship (as reported in multiple Italian press/bios).

  • 2012 — Curator/organizer of “Drum Day” events; documented as an active educator/scene catalyst in Southern Italy.

  • 2015 — Listed by Modern Drummer among “100 Best Drum Teachers in the World” (reported in Italian press/bios).

  • 2025 — Beyond Borders released with Soundiva (with Laboratori d’Arte) and supported by IMAIE’s “Nuove Produzioni Discografiche 2024/2025”.

Bill

  • Four-time recipient — SESAC “Jazz Writer of the Year” (award count stated in official bio and major press listings).

  • 2022 — GRAMMY nomination (Best Instrumental Arrangement) for a Latin-jazz retooling of “Chopsticks,” on Richard Baratta’s The Reel Deal.

  • 1977 — First major Latin-jazz break: joins Mongo Santamaría’s band (Latin-jazz/salsa NYC scene).

  • 1980s–2011 — Long-running role as musical director/keyboardist with Dave Valentín (recording + touring era documented in profile features).

Dany

  • 2004 — Co-founds ITALUBA with drummer Horacio “El Negro” Hernández (bassist, composer, arranger).

  • Mid-2000s — ITALUBA described in official/venue bios as GRAMMY-nominated for ITALUBA 1 (Best Latin Jazz Album).

  • 2006 — Debut solo album Mi Sentir (also as vocalist); presented at MIDEM (Cannes).

  • 2019 — ITALUBA Big Band project wins CubaDisco in the Jazz category (award listings for CubaDisco 2019).

  • 2020 — Laurus releases a custom “Dany Noel” signature bass model (endorsement milestone; reported in event listings/endorser pages).

  • Ongoing — Documented collaborations span Cuban roots and global jazz: Omara Portuondo, Celia Cruz, Roy Hargrove, Chucho Valdés, Bebo Valdés, Giovanni Hidalgo, Rubén Blades, Paquito D’Rivera, and others (multiple festival/venue bios).

Blackbyrds Groove Collective

BLACKBYRDS GROOVE COLLECTIVE by Blackbyrd McKnight | Funk (USA)

BLACKBYRDS GROOVE COLLECTIVE | P-Funk (USA)

BLACKBYRD McKNIGHT – BOBBY SPARKS
DENNIS CHAMBERS – GARY GRAINGER

AVAILABILITY FOR EUROPE

2026 | JANUARY 16th/26th

BlackByrdGrooveCollectiveTITLE4tetR BLACKBYRDS GROOVE COLLECTIVE by Blackbyrd McKnight | Funk (USA)
BlackByrdGrooveCollectiveTITLE4tetR BLACKBYRDS GROOVE COLLECTIVE by Blackbyrd McKnight | Funk (USA)
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Line‑Up

BlackByrd McKnight | Guitar
Parliament‑Funkadelic, Herbie Hancock, Red Hot Chili Peppers

Dennis Chambers | Drums
Santana, John Scofield, George Clinton, John McLaughlin

Bobby Sparks | Keyboards
Snarky Puppy, Prince, Marcus Miller

Gary Grainger | Bass
John Scofield, Pockets (Earth, Wind & Fire protégé), Acoustic Alchemy, Bill Evans


Overview

BlackByrds Groove Collective is a once‑in‑a‑generation all‑star ensemble uniting four iconic voices from the worlds of funk, jazz‑fusion and high‑octane improvisation. At its core stands legendary guitarist DeWayne “Blackbyrd” McKnight (Parliament‑Funkadelic, Herbie Hancock/Headhunters, Red Hot Chili Peppers), whose cutting‑edge work helped shape the sound of a musical revolution. This new line‑up pairs McKnight with the heavyweight rhythm section of Gary Grainger (John Scofield, Pockets — Earth, Wind & Fire protégé band, Acoustic Alchemy, Bill Evans, Luther Ingram) and Dennis Chambers (Santana, John Scofield, George Clinton/P‑Funk, John McLaughlin), plus the kaleidoscopic keys of Bobby Sparks (Snarky Puppy, Prince, Marcus Miller) — an elite unit designed for maximum pocket, fearless interplay and modern show impact.

This configuration has never shared the stage in this exact combination, and that’s the point: the chemistry is fresh, the language is shared, and the result is a live experience with festival‑level energy and club‑grade intimacy. Expect tight arrangements, deep groove, explosive solos and a set that moves like a well‑oiled film sequence — strong open, dynamic arc, and a closer built for standing ovations.


What Happens On Stage

(Audience Experience)
  • Instant impact: the show opens on an unmistakable groove, hook forward, FOH‑ready sonics from bar one.

  • Pocket first: Grainger and Chambers lock a low‑end foundation that is both muscular and elastic; time feels big, confident and danceable.

  • Call & response: McKnight’s riffcraft and Sparks’s harmonic colors bounce lines and hits back and forth, creating genuine conversation on stage.

  • Dynamics that breathe: half‑time drops, stop‑time breaks, double‑time lifts and unison hits that cue audience response without derailing flow.

  • Signature moments: guitar features over vamp‑based codas, talkbox/lead‑synth eruptions, and a drum‑and‑bass spotlight with precision fireworks.

  • Memorable close: a reprise/medley that leaves an ear‑worm designed for highlight reels and social clips.


Artistic Direction & Sound Design

  • MD direction: McKnight keeps arrangements lean and focused. Themes are concise, solos are purposeful, transitions are musical — no dead air.

  • Keys palette: Sparks blends Rhodes/Clavinet with contemporary synth layers; strategic synth‑bass doubling adds extra weight on select sections.

  • Bass authority: Grainger’s tone is round yet articulate, supporting harmony while carving melodic counterlines and song‑within‑the‑song motifs.

  • Drum engine: Chambers brings micro‑time accuracy and massive dynamic headroom; ghost notes and a granite backbeat make the pocket feel inevitable.

  • FOH notes: tight kick, present bass, midrange clarity for guitar/keys, stereo keys bus L/R; fast changeovers and short line checks.


Repertoire & Set Flow

The set weaves original material from the Collective with modern takes on the Headhunters/P‑Funk canon and select features that spotlight each member. BPMs, keys and textures are sequenced for an arc that works equally well in 60/75/90‑minute formats. The center slot allows for measured improvisation; the final third ramps energy for a festival‑grade finish.


Why It Works (For Promoters & Festivals)

  • Bankable musicianship: four top‑tier players with headline résumés; rock‑solid reliability and world‑class stagecraft.

  • Scalable show: translates from 400–1200‑cap clubs to main festival stages; compact footprint, big sound.

  • Audience value: musically sophisticated yet accessible; instant hooks and physical groove.

  • Marketing narrative: “brand‑new super‑band configuration” + “masters of the pocket” is a storyline that converts across trade and consumer media.

  • Content engine: the show generates high‑impact clips (drops, finales, features) optimized for social and press.


Member Profiles (What They Bring)

Blackbyrd McKnight — Guitar / MD
A living architect of the P‑Funk vocabulary with a rock edge: razor‑sharp riffing, fearless lead voice and a producer’s ear for pacing and dynamics. McKnight aligns the set around groove integrity and the dramatic turnarounds that make a live show memorable.

Bobby Sparks — Keyboards
A colorist and catalyst whose roots in gospel‑jazz and modern fusion translate to Rhodes warmth, Clav bite and synth‑lead attitude. Sparks expands the harmonic field, shapes transitions and delivers the kind of feature moments that audiences talk about.

Gary Grainger — Bass
The anchor and architect of the low end: impeccable intonation, authoritative tone and a DC/Baltimore pocket culture that fuses funk, R&B and jazz. Grainger’s PRS signature lineage and band‑leader sensibility keep the groove deep and the lines musical.

Dennis Chambers — Drums
A once‑in‑a‑lifetime drummer whose backbeat authority, micro‑timing and dynamic control set an elite standard. Chambers drives the ensemble with stadium‑grade punch and studio‑grade precision — the drop‑to‑hit moments become events.


Marketing & Positioning

  • Taglines: Funk authority, jazz freedom, rock energy. · The pocket elite. · Four masters, one groove.

  • Imagery: on‑black or color‑gel portraits with instrument focus; video capture of drops/climaxes; short member‑ID bumpers for socials.

  • Copy block (short): A new super‑band led by P‑Funk legend Blackbyrd McKnight, with Bobby Sparks (keys), Gary Grainger (bass) and Dennis Chambers (drums). BlackByrds Groove Collective blends funk, jazz and rock into a high‑impact live show: deep pocket, fearless interplay and a finale built for standing ovations.


Technical Snapshot (for buyers)

  • Set lengths: 60/75/90 min.

  • Changeover: lean patch, short line check; IEM preferred, click optional for cues.

  • Backline: professional standard; detailed rider on request (bass/amp, drums, keys minimal list).

  • Advance: press kit, photo assets, social IDs and staging plot available upon confirmation.


Availability

European tour window: 16–26 January 2026. (Additional holds on request.)


Press Excerpts

“The Making of ‘God Make Me Funky’ by The Headhunters… became one of the most‑sampled grooves ever, thanks to Herbie Hancock’s funky fusionists.”
— Uncut Magazine, January 2025

“The Seventies were the building blocks for who and what I was to become. Now it’s time to fly on until I become a nebulous mist.”
— Blackbyrd McKnight, Guitar World, November 2024

“Funk master Blackbyrd McKnight, on stage with P‑Funk, gets freaky with the Framus Diablo Pro.”
— Premier Guitar, 2018

“Blackbyrd McKnight is one of the greatest guitar players around.”
— George Clinton, Premier Guitar, 2016

“McKnight’s guitar can become a sarod, synthesizer, melotron, and laser all at once.”
— Funk: The Music, The People, and The Rhythm of The One

“A jammin’ stomp of P‑Funk’s ‘Tear the Roof Off the Sucker’… highlighted by an appearance by Funkadelic/Headhunters guitar great Blackbyrd McKnight.”
— Los Angeles Magazine, 2025

“McKnight played a customized teal Stratocaster, squeezing out a tone so sharp and hot it could cut through steel.”
— RIFF Magazine, 2020

“McKnight launched into a cosmological guitar solo… with tones that shredded away my shortcomings, my insecurities and my sins.”
— The Daily Lobo, 2019

“A jazz‑funk solo affirming that he is indeed a rock god.”
— Eponymous Review, 2019

“One of the most epic guitar jams of all time… McKnight channeled the spirit of Eddie Hazel beautifully.”
— Soundblab, 2018

“Blackbyrd McKnight… a ten‑minute‑plus guitarmageddon… the most ridiculously ignored player in popular music.”
— B24/7, 2017

Blackbyrd Groove Collective — Member Profiles

(Selected Credits)

A compact, promoter‑friendly module for press kits, one‑sheets, and web pages.


DeWayne “Blackbyrd” McKnight — Guitar / Musical Director

A living architect of the P‑Funk vocabulary with a rock edge and deep jazz‑fusion fluency. Razor‑cut riff design, fearless lead voice, and a producer’s ear for pacing and dynamics. As MD, McKnight keeps the show groove‑first, tightly arranged, and built for big payoffs.

Selected credits: Parliament‑Funkadelic · George Clinton & P‑Funk All Stars · Herbie Hancock / The Headhunters · Red Hot Chili Peppers · Bernie Worrell.


Dennis Chambers — Drums

Micro‑timing precision, granite backbeat, and unmatched dynamic headroom. Chambers propels the band with stadium‑grade punch and studio‑grade control; drops turn into events and unison figures stay laser‑tight at any BPM.

Selected credits: Parliament‑Funkadelic (George Clinton) · John Scofield · John McLaughlin · Santana · Mike Stern · Niacin · CAB.


Bobby Sparks — Keyboards

A colorist and catalyst: Rhodes/Clavinet heritage meets modern synth architecture and talkbox/lead‑synth attitude. Sparks expands the harmonic field, sculpts transitions, and delivers the kind of spotlight moments audiences remember.

Selected credits: Snarky Puppy · Prince · Marcus Miller · Kirk Franklin · Lalah Hathaway.


Gary Grainger — Bass

The low‑end anchor and architect: authoritative tone, immaculate intonation, and a DC/Baltimore pocket culture that fuses funk, R&B, and jazz. Natural melodist in counterlines, rock‑solid bandleader instincts, and total reliability on any stage.

Selected credits: John Scofield · Pockets (Earth, Wind & Fire protégé band) · Acoustic Alchemy · Bill Evans (sax) · Luther Ingram · PRS Band · Grainger (Phase I–III).


Notes for Buyers

  • Set formats: 60 / 75 / 90 minutes · compact changeover · FOH‑ready mix guidelines available.

  • Assets: portrait on‑black / color‑gel imagery, short member‑ID bumpers, highlight drops/closers.

  • Advancing: full tech riders and stage plot on request.

Bobby Sparks

BOBBY SPARKS II | Fusion Jazz (USA)

BOBBY SPARKS II

AVAILABILITY FOR EUROPE
2026 | OCTOBER 27th TO NOVEMBER 15th

2027 | MAY
ITALIAN EXCLUSIVE

Bobby1 BOBBY SPARKS II | Fusion Jazz (USA)
Bobby1 BOBBY SPARKS II | Fusion Jazz (USA)
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Bobby Sparks II | Jazz-Funk / Fusion | USA

Line-up

Bobby Sparks II | keys
Snarky Puppy, Prince, Herbie Hancock, Ray Charles, Nelly Furtado, Marcus Miller, Kirk Franklin, St. Vincent, Tower of Power, Lizz Wright

Jay McK / Justin “Jay Mack” McKinney | bass
Ghost-Note, Erykah Badu, Kirk Franklin, MonoNeon, Chaka Khan, Fred Hammond, Bobby Brown, Liv Warfield, Bobby Sparks II, GLOW

Keith Anderson | sax
Roy Hargrove, Marcus Miller, Les McCann, Erykah Badu, Kirk Franklin, Kanye West, Prince, Paul Jackson Jr., Bobby Sparks II, The RH Factor

Cam Lee | guitar
Nile Rodgers, Musiq Soulchild, Bobby Sparks II

DeAnthony McGee | EWI
Bobby Sparks II, Kirk Franklin, Michael McDonald, Joe Sample, Snarky Puppy

Adarian Roberts | drums
Bobby Sparks II, Tye Tribbett, Kirk Franklin, Anita Baker, The Crusaders, D’Angelo

Style

Vintage-key funk, gospel harmony and Texas jazz-fusion pressure, led from a fortress of organs, synths, Rhodes and Clavinet.

A rhythm section built for deep pocket, elastic backbeat and sudden gear-shifts, with bass and drums pushing the band toward body-level impact.

Sax, guitar and EWI expand the music into a high-voltage Black American continuum: blues, church, fusion, soul, hip-hop, funk opera.

Profile

Bobby Sparks II’s live project is not a keyboard showcase with accompaniment: it is a pressure system of groove, church harmony, jazz freedom and analog electricity. Sparks leads from the center, shaping Hammond, Rhodes, Clavinet, synths and sound-design into a dense orchestral field, while Jay McK and Adarian Roberts keep the music physical, flexible and dangerous. Keith Anderson brings the Roy Hargrove/RH Factor lineage into the front line, Cam Lee adds clipped funk guitar and R&B color, and DeAnthony McGee’s EWI opens a synthetic horn register that suits Sparks’ futuristic vocabulary. The result is a band that treats funk as architecture: heavy in the pocket, open in form, saturated in timbre, and built for improvisation without losing the body.

Details

Bobby Sparks II | keys. Leader, composer and producer, Sparks is the project’s harmonic and timbral engine. His language connects gospel voicings, Texas blues, jazz-funk, Prince-derived funk, analog synthesis and orchestral sound design. Verified work includes Snarky Puppy, Kirk Franklin, Roy Hargrove’s RH Factor, Marcus Miller, Herbie Hancock, Ray Charles, St. Vincent and Lizz Wright. In interview, he has described gospel as the source of his harmonic ear and Prince as a decisive inspiration.

Jay McK / Justin “Jay Mack” McKinney | bass. Low-end anchor and groove stabilizer, Jay McK gives the band the rounded, syncopated floor needed for Sparks’ dense keyboard architecture. Public sources identify him with Ghost-Note and list collaborations or credits connected to Erykah Badu, Kirk Franklin, MonoNeon, Chaka Khan, Fred Hammond, Bobby Brown and Liv Warfield. His role in this project is to keep the pocket wide while leaving space for Sparks’ rhythmic displacements and left-hand synth-bass gestures.

Keith Anderson | sax. Front-line saxophonist with a Dallas/RH Factor profile, Anderson brings a vocal, blues-rooted horn voice into Sparks’ high-density funk. Verified associations include Roy Hargrove, Marcus Miller, Les McCann, Erykah Badu, Kirk Franklin, Kanye West and Prince-related contexts, with credits on RH Factor recordings. In the band, he works as a melodic counterweight: gritty tenor/alto phrasing, call-and-response energy and direct links to the neo-soul/jazz-funk language Sparks helped shape.

Cam Lee | guitar. The current French ticketing material identifies the guitarist as Cam Lee, while management material lists “Cam” with Nile Rodgers and Musiq Soulchild. In this ensemble, the guitar chair is functional and coloristic: rhythmic chanks, R&B glue, blues-rock bite and tight comping around Sparks’ organ and Clavinet. Because public documentation is limited, no additional collaborations are added beyond those verified in current project materials.

DeAnthony McGee | EWI. McGee supplies the band’s most explicitly electronic wind color. Sources list him as EWI player in Bobby Sparks II’s live band and connect him with Kirk Franklin, Michael McDonald, Joe Sample and Snarky Puppy-related contexts. His role is not decorative: the EWI extends the horn section into synth-like bends, vocal phrasing, pitch manipulation and futuristic solo textures that match Sparks’ analog-electronic vocabulary.

Adarian Roberts | drums. Roberts is the live band’s young rhythmic engine, documented in Bobby Sparks II line-ups and reviewed live as a strikingly focused drummer. Management and venue materials connect him with Tye Tribbett, Kirk Franklin, Anita Baker, The Crusaders and D’Angelo. His function is to make the band move: deep pocket, gospel chops, responsive accents and enough propulsion to hold long-form funk-fusion structures together.

Discography

Bobby Sparks II: as leader, Schizophrenia: The Yang Project (2019) and Paranoia (2022). Verified associated recordings include Roy Hargrove/The RH Factor’s Hard Groove (2003), Strength (2004) and Distractions (2006), plus Snarky Puppy-related credits including Culcha Vulcha and Immigrance as reported in artist/booking biographies.

Jay McK / Justin “Jay Mack” McKinney: verified public credits include bass on Bobby Sparks II’s Paranoia material and Liv Warfield’s “Edge” (2023). Touring/live documentation also places him with Ghost-Note and Bobby Sparks II. No leader discography was verified from accessible public sources.

Keith Anderson: verified discographic credits include Les McCann’s Listen Up! (1995), The RH Factor’s Hard Groove (2003) and Distractions (2006), plus Bobby Sparks II’s Schizophrenia: The Yang Project and Paranoia contexts. Public artist biographies also list his own releases Diversity and Let’s Roll.

Cam Lee: no principal leader discography was verified from accessible public sources. Current live documentation verifies his guitar chair in Bobby Sparks II’s band and management material lists collaborations with Nile Rodgers and Musiq Soulchild.

DeAnthony McGee: no principal leader discography was verified from accessible public sources. Current live and ticketing documentation verifies him as EWI player in Bobby Sparks II’s band, with listed associations including Kirk Franklin, Michael McDonald, Joe Sample and Snarky Puppy.

Adarian Roberts: no principal leader discography was verified from accessible public sources. Current live documentation verifies him as drummer in Bobby Sparks II’s band, with public listings connecting him to Tye Tribbett, Kirk Franklin, Anita Baker, The Crusaders and D’Angelo.

Quotes

“Gospel music got me into harmony.” — Bobby Sparks II; interview by Charles Waring; Soul and Jazz and Funk; 2019-04-05; https://www.soulandjazzandfunk.com/interviews/all-aboard-the-battlespark-galactica-bobby-sparks-ii-talks-schizophrenia-chilli-sauce-and-prince/

“I’m a student of all music.” — Bobby Sparks II; interview by Charles Waring; Soul and Jazz and Funk; 2019-04-05; https://www.soulandjazzandfunk.com/interviews/all-aboard-the-battlespark-galactica-bobby-sparks-ii-talks-schizophrenia-chilli-sauce-and-prince/

“He’s my biggest inspiration.” — Bobby Sparks II on Prince; interview by Charles Waring; Soul and Jazz and Funk; 2019-04-05; https://www.soulandjazzandfunk.com/interviews/all-aboard-the-battlespark-galactica-bobby-sparks-ii-talks-schizophrenia-chilli-sauce-and-prince/

Reviews

CD REVIEW: Bobby Sparks II – Schizophrenia: The Yang Project — London Jazz News; Rob Mallows; 2019-03-04;
https://londonjazznews.com/2019/03/04/cd-review-bobby-sparks-ii-schizophrenia-the-yang-project/
The review frames Sparks’ debut as a powerful double album of funk, jazz and fusion, praising the quality of the playing and collaborators while noting that a tighter edit would have made the work stronger.

Bobby Sparks II: Schizophrenia: The Yang Project — All About Jazz; Roger Farbey; 2019-03-19;
https://www.allaboutjazz.com/schizophrenia-the-yang-project-bobby-sparks-ii-delta-review-by-roger-farbey
Farbey presents the album as an extraordinary, genre-wide debut, emphasizing Sparks’ gospel and jazz foundations, the breadth of the writing and the large-scale Black music vocabulary behind the record.

Bobby Sparks II ‘Paranoia’ 3LP/2CD (Leopard) 4/5 — UK Vibe; Imran Mirza; 2022-06-17;
https://ukvibe.org/album_reviews/bobby-sparks-ii/
The review treats Paranoia as a grand, all-encompassing funk-opera project, connecting it to Sparks’ Snarky Puppy and RH Factor background and highlighting its broad palette across soul, funk, jazz, gospel, blues, hip-hop and orchestral writing.

Bobby Sparks II – Paranoia — Jazz Views; George Cole; 2022-10-12;
https://jazzviews.net/bobby-sparks-ii-paranoia/
Cole describes Paranoia as an ambitious, wide-ranging album with superb musicianship, noting Sparks’ affinity for 1970s synth technology, high-energy jazz-fusion workouts and a huge cast of leading players.