CONFLUENCE TRIO ft. Alessandro Napolitano, Bill O’Connell & Dany Noel | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO ft. ALESSANDRO NAPOLITANO, BILL O’CONNELL & DANY NOEL | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO

ft. Alessandro Napolitano, Bill O’Connell & Dany Noel

Contemporary Latin Jazz (IT/US/CU)

AVAILABILITY FOR EUROPE

2026 | TBA

Line-up

Alessandro Napolitano | Drums
Dennis Chambers, Virgil Donati, Jerry Bergonzi, Joey DeFrancesco, Eric Marienthal, Fabrizio Bosso, Rosario Giuliani.

Bill O’Connell | Piano
Mongo Santamaría, Jerry González / Fort Apache Band, Dave Valentin, Paquito D’Rivera; collaborations also include Chet Baker and Gato Barbieri.

Dany Noel | Electric Bass & Vocals
Pino Daniele, Paolo Fresu, Omara Portuondo, Vicente Amigo.

Style

A groove-forward, drummer-led trio where Afro‑Cuban clave and Brazilian pulse meet contemporary jazz harmony—odd meters, polymetric turns, and lyrical improvisation.

Overall profile 

Italian drummer/composer Alessandro Napolitano convenes a transatlantic meeting point in Confluence Trio, pairing New York Latin‑jazz authority Bill O’Connell with Cuban bassist/vocalist Dany Noel. The debut album Beyond Borders (Soundiva; available 2025-12-01 in digital and physical formats) frames seven originals and three reimagined standards as a single narrative arc: odd‑meter themes, conversational polyrhythms, and open improvisation that never abandons melody.

The band DNA is Rhythm/Groove first (clave awareness, tumbao/montuno as engines, metric elasticity), with a post‑bop/Latin harmonic palette (extended voicings, modal color, chromatic side‑steps) and a clear division of roles: drums as narrative architect, piano as rhythmic-harmonic driver, bass/voice as melodic anchor. The result is a compact, high-impact trio sound designed for audiences who want both danceable momentum and modern-jazz depth.

Member details

Alessandro Napolitano — Drums
• Leads the trio as composer and form-shaper, foregrounding odd meters and polymetric design as expressive tools.
• Beyond Borders blends jazz, Afro‑Cuban jazz, Brazilian Latin-jazz and fusion with an emphasis on rhythmic architecture and collective interplay.
• Direction from the kit is “compositional”: cueing dynamics, re‑framing sections, and keeping the narrative arc in focus.
(“A record marked by a broad, skillful use of odd meters, polymeters and polyrhythms.” — Stefano Dentice, Sound Contest, 2025-12-02)

Bill O’Connell — Piano
• A key New York voice in Latin jazz: montuno fluency, post‑bop clarity, and a pianist’s ability to steer the groove from inside the harmony.
• Longstanding work across the Latin‑jazz continuum (including Dave Valentin, Jerry González and Mongo Santamaría) informs the trio’s rhythmic confidence.
• In Confluence Trio, his touch moves from percussive engine to luminous colorist, shaping transitions and harmonic perspective.
(“His signal contributions to Latin jazz with Dave Valentin, Jerry Gonzalez and Mongo Santamaria are familiar to devotees.” — Richard J. Salvucci, All About Jazz, 2023-08-19)

Dany Noel — Electric Bass & Vocals
• Cuban-born, Madrid-based bassist/vocalist with deep roots in Afro‑Latin forms and a flexible modern time-feel.
• Singing bass tone and vocal presence add a song‑centered layer to the trio’s explorations (voice featured on selected tracks).
• Functions as both anchor and catalyst: locking tumbao, opening melodic counterlines, and coloring the texture with voice.
(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Discography highlights

Beyond Borders — Alessandro Napolitano Confluence Trio (Soundiva)
• Availability: digital + physical from 2025-12-01.
• 10 tracks: 7 originals (O’Connell: “Alpha Alpha”, “Sitting Bull”; Noel: “Confluence”, “Despertar”, “Sullelgada”; Napolitano: “Mentality Disease”, bonus track “My Voice”) + 3 standards (“Bésame Mucho”, “Chan Chan”, “Summertime”).
• Produced in collaboration with Laboratori d’Arte (Soc. Coop.) with support from IMAIE (Bando Nuove Produzioni Discografiche 2024/2025).

Alessandro

  • 2000 — Berklee College of Music scholarship (as reported in multiple Italian press/bios).

  • 2012 — Curator/organizer of “Drum Day” events; documented as an active educator/scene catalyst in Southern Italy.

  • 2015 — Listed by Modern Drummer among “100 Best Drum Teachers in the World” (reported in Italian press/bios).

  • 2025 — Beyond Borders released with Soundiva (with Laboratori d’Arte) and supported by IMAIE’s “Nuove Produzioni Discografiche 2024/2025”.

Bill

  • Four-time recipient — SESAC “Jazz Writer of the Year” (award count stated in official bio and major press listings).

  • 2022 — GRAMMY nomination (Best Instrumental Arrangement) for a Latin-jazz retooling of “Chopsticks,” on Richard Baratta’s The Reel Deal.

  • 1977 — First major Latin-jazz break: joins Mongo Santamaría’s band (Latin-jazz/salsa NYC scene).

  • 1980s–2011 — Long-running role as musical director/keyboardist with Dave Valentín (recording + touring era documented in profile features).

Dany

  • 2004 — Co-founds ITALUBA with drummer Horacio “El Negro” Hernández (bassist, composer, arranger).

  • Mid-2000s — ITALUBA described in official/venue bios as GRAMMY-nominated for ITALUBA 1 (Best Latin Jazz Album).

  • 2006 — Debut solo album Mi Sentir (also as vocalist); presented at MIDEM (Cannes).

  • 2019 — ITALUBA Big Band project wins CubaDisco in the Jazz category (award listings for CubaDisco 2019).

  • 2020 — Laurus releases a custom “Dany Noel” signature bass model (endorsement milestone; reported in event listings/endorser pages).

  • Ongoing — Documented collaborations span Cuban roots and global jazz: Omara Portuondo, Celia Cruz, Roy Hargrove, Chucho Valdés, Bebo Valdés, Giovanni Hidalgo, Rubén Blades, Paquito D’Rivera, and others (multiple festival/venue bios).

Dany Noel Trio PROMO VIDEO

Dany Noel Trio | PROMO VIDEO

Dany Noel Trio | PROMO VIDEO

https://youtu.be/sPea38xppOc


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Dany Noel Trio

DANY NOEL TRIO | Latin Jazz (CU)

Dany Noel Trio

Latin Jazz (CU)

AVAILABILITY
2026 | Upon request
DanyNoelTrio DANY NOEL TRIO | Latin Jazz (CU)
DanyNoelTrio DANY NOEL TRIO | Latin Jazz (CU)
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Line-up

Dany Noel | bass and voice
Italuba, Horacio “El Negro” Hernández, Celia Cruz, Omara Portuondo, Chucho Valdés, Bebo Valdés, Paquito D’Rivera, Concha Buika, Jerry González, Ojos de Brujo

Roberto Carcassés | piano
Interactivo, Chucho Valdés, Changuito, Wynton Marsalis, George Benson, Descemer Bueno, Yusa, Telmary, Ojos de Brujo, Selma Reis

Alejandro Chávez Báez | drums
Dany Noel, Adrián Estévez, Raúl Venegas, Agnese Carrubba, Michel Herrera, David Lechuga, Yadier Noa, TimbaLive

Style

A Cuban Latin jazz trio centered on melodic bass, percussive voice and high-density interplay.
Clave becomes architecture: tumbao, montuno and drums converse with open harmonies and modern colors.
A compact, physical and narrative sound suspended between jazz, bolero, timba, funk, flamenco and Afro-Cuban roots.

Profile

Dany Noel Trio is built around Dany Noel’s instrumental and vocal voice: the bass is not only a harmonic foundation, but a melodic guide, rhythmic engine and call point for collective dialogue. With Roberto Carcassés on piano and Alejandro Chávez Báez on drums, the project brings three schools of contemporary Cuban music into tension: tumbao as structural thinking, Afro-Cuban pianism open to funk, timba and modern jazz, and drumming able to translate clave, songo and swing into an elastic language. The result is an essential but dense trio, where singing, groove and improvisation build a direct, urban and deeply Cuban narrative.

Details

Dany Noel | bass and voice. Leader, composer, arranger and producer of the project, he brings to the trio a bass-led approach in which low-end line, singing and rhythmic phrasing act as a single voice. His path crosses Italuba, the European Latin jazz scene, flamenco-jazz and collaborations with Celia Cruz, Omara Portuondo, Chucho Valdés, Bebo Valdés, Paquito D’Rivera, Concha Buika and Jerry González. In a 2022 interview he summed up his relationship with the language this way: “Jazz is simply freedom.”

Roberto Carcassés | piano. Pianist, composer, arranger, producer and director of Interactivo, he works in the trio as a harmonic and rhythmic architect: montuno, reharmonization, timba-funk and modern jazz coexist in a mobile writing style. Public sources connect him with Chucho Valdés, Changuito, Wynton Marsalis, George Benson, Descemer Bueno, Yusa, Telmary and Ojos de Brujo. In a 2021 interview he stated: “You cannot censor yourself,” a phrase consistent with his idea of music as a space for speech and relationship.

Alejandro Chávez Báez | drums. A Cuban drummer documented in Dany Noel Trio contexts and on Dany Noel’s album Detalles, he supports the project with drumming that combines clave precision, dynamic control and contemporary drive. His presence acts as a hinge between Noel’s bass-led voice and Carcassés’ pianism: he does not merely accompany, but opens transitions, answers vocal phrases and gives the trio a dancing trajectory without stiffening the improvisation. Publicly traceable collaborations include Dany Noel, Adrián Estévez, Michel Herrera, David Lechuga, Yadier Noa and TimbaLive.

Discography

Dany Noel: Mi Sentir, Dime Si Tú Sabes, Proposición, Confidence with Dario Chiazzolino, Tinta Unida, Por la Habana, Haciendo Camino, Intercambio, Detalles; with Italuba: Italuba, Italuba II.

Roberto Carcassés: Invitation, Matizar; with Interactivo: Goza Pepillo, Cubanos Por El Mundo, Qué lindo es el amor, Interactivo en vivo en El Sauce, Interactivo en vivo en Fuji Rock, En fa sostenido; relevant credits on Jazz Timbero, Trampas Del Tiempo, Breathe, Techarí, Havana Cultura: The Search Continues.

Alejandro Chávez Báez: Dany Noel’s Detalles; documented activity with Dany Noel Trio and in Afro-Cuban sessions/live contexts with musicians connected to the Cuban, Madrid and Latin jazz scenes.

Quotes

“Jazz is simply freedom.” — Dany Noel; interview for the presentation of Intercambio; Normanno.com; 2022-05-16; https://normanno.com/cultura/la-musica-di-dany-noel-suona-al-retronoveau-di-messina-il-jazz-e-liberta/

“Music is what I feel; I never plan something precise, I sit down and what has to happen happens.” — Dany Noel; interview for the presentation of Intercambio; Normanno.com; 2022-05-16; https://normanno.com/cultura/la-musica-di-dany-noel-suona-al-retronoveau-di-messina-il-jazz-e-liberta/

“I started playing at the age of 10 and since then I have never stopped, and I think I will never stop as long as I have the strength.” — Dany Noel; interview/article by Laura Lipari; LetteraEmme; 2022-05-18; https://www.letteraemme.it/giovedi-jazz-al-retronoveau-dany-noel-presenta-intercambio/

“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney; live review, Alex Wilson and Friends / London Latin Jazz Festival; London Jazz News; 2016-10-02; https://londonjazznews.com/2016/10/02/review-alex-wilson-and-friends-at-the-2016-london-latin-jazz-festival/

“You cannot censor yourself. I have not stopped expressing myself and backing up what I say with my work.” — Roberto Carcassés; interview by Ismario Rodríguez and Jesús Jank Curbelo; Periodismo de Barrio; 2021-01-23; https://periodismodebarrio.org/2021/01/roberto-carcasses-todas-las-personas-tienen-derecho-a-decir-lo-que-piensan/

“I feel that the culture of a country opens many doors for people, and I think the Cuban government understood that.” — Roberto Carcassés; interview on Interactivo and cultural expression; Miami New Times; 2014-02-28; https://www.miaminewtimes.com/music/interactivos-roberto-carcasses-on-democracy-in-cuba-liberty-is-something-very-personal-6456438/

“I know Dany Noel, we have been working together, is an excellent bass player capable of playing any music genre with absolute mastery.” — Chucho Valdés; testimonial for Dany Noel’s Bass Latin teaching material; Dany Noel official site; 2022; https://www.danynoel.com/projects

Reviews

REVIEW: Alex Wilson and Friends at the 2016 London Latin Jazz Festival — London Jazz News; Sebastian Scotney; 2016-10-02;
https://londonjazznews.com/2016/10/02/review-alex-wilson-and-friends-at-the-2016-london-latin-jazz-festival/
Live review that mentions Dany Noel as a Cuban bassist based in Madrid and highlights his ability to play a fast solo while vocalising it at the same time.

La musica di Dany Noel suona al Retronoveau di Messina: «Il jazz è libertà» — Normanno.com; Alessandra Mammoliti; 2022-05-16;
https://normanno.com/cultura/la-musica-di-dany-noel-suona-al-retronoveau-di-messina-il-jazz-e-liberta/
Interview/article on the European presentation of Intercambio: Noel describes the album as a journey through different sonorities, from Latin jazz to blues and flamenco, and defines jazz as expressive freedom.

Giovedì jazz, al Retronoveau Dany Noel presenta “Intercambio” — LetteraEmme; Laura Lipari; 2022-05-18;
https://www.letteraemme.it/giovedi-jazz-al-retronoveau-dany-noel-presenta-intercambio/
Article presenting the Intercambio release party: it retraces Noel’s Cuban training, collaborations with Pio Leyva, Omara Portuondo and Celia Cruz, and the role of Italuba in his path.

Interactivo, Goza Pepillo — The Guardian; John L Walters; 2007-05-17;
https://www.theguardian.com/music/2007/may/18/worldmusic.shopping
Review of Interactivo’s album Goza Pepillo, a collective also built around Roberto Carcassés: the text highlights its mixture of Afro-Latin music, progressive funk, rap and high-level Cuban musicians.

Que Lindo Es El Amor – Interactivo Review — All About Jazz; James Nadal; 2015-05-24;
https://www.allaboutjazz.com/que-lindo-es-el-amor-interactivo-self-produced-review-by-james-nadal
Review of the album Que Lindo Es El Amor: Interactivo is described as an experimental collective directed by Roberto Carcassés, with a timba-funk concept that integrates rumba, rap, reggae, hip-hop and Cuban tradition.

JazzAmore, all’Unical Dany Noel con Fabrizio Bosso e Roberto Carcassés — Meraviglie di Calabria; author not indicated; 2026;
https://www.meravigliedicalabria.it/jazzamore-allunical-dany-noel-con-fabrizio-bosso-e-roberto-carcasses/
Article presenting the AfroJazz Experience, led by Dany Noel with Roberto Carcassés on piano: the project is presented as a meeting of Afro-Cuban roots, modern jazz, interplay and creative freedom.

Jazz Plaza 2020 | Stanley Jordan interview with Cubaness

Jazz Plaza 2020 | Stanley Jordan interview with Cubaness

Jazz Plaza 2020

Stanley Jordan interview with Cubaness

After the concert at Jazz Plaza Festival 2020

Stanley Jordan can add Cuba to his list ✅ Were you lucky enough to catch his epic performance last night? 🎸 Don’t miss the full interview with the guitar-tapping genius on our website❗️Stanley Jordan ya puede sumar a Cuba a su lista ✅ ¿Tuviste la suerte de ver su presentación épica de anoche? 🎸 No te pierdes la entrevista exclusiva con Cubaness en nuestro sitio de web ❗️#cubacurated #liveshow

Posted by Cubaness Journal on Saturday, January 18, 2020

Stanley Jordan interview with the Cubaness Journal magazine from Cuba, here in preview, realized just after his show at the Jazz Plaza Festival 2020 in La Habana. Once again, great success and mesmerized people that couldn’t believe in their eyes.

It’s been a great occasion for Stanley too, to met Cuban musicians and taste their quality and completeness.

stanley jordan 3 vernon nash VISTAR Jazz Plaza 2020 | Stanley Jordan interview with Cubaness

Some review

https://medium.com/revista-alma-mater/stanley-jordan-tres-en-uno-ad952c679962

https://cubanessjournal.com/lifestyle/culture-shot/42691


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