CONFLUENCE TRIO ft. Alessandro Napolitano, Bill O’Connell & Dany Noel | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO ft. Alessandro Napolitano, Bill O’Connell & Dany Noel | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO

ft. Alessandro Napolitano, Bill O’Connell & Dany Noel

Contemporary Latin Jazz (IT/US/CU)

AVAILABILITY FOR EUROPE

2026 | TBA

Line-up

Alessandro Napolitano | Drums
Dennis Chambers, Virgil Donati, Jerry Bergonzi, Joey DeFrancesco, Eric Marienthal, Fabrizio Bosso, Rosario Giuliani.

Bill O’Connell | Piano
Mongo Santamaría, Jerry González / Fort Apache Band, Dave Valentin, Paquito D’Rivera; collaborations also include Chet Baker and Gato Barbieri.

Dany Noel | Electric Bass & Vocals
Pino Daniele, Paolo Fresu, Omara Portuondo, Vicente Amigo.

Style

A groove-forward, drummer-led trio where Afro‑Cuban clave and Brazilian pulse meet contemporary jazz harmony—odd meters, polymetric turns, and lyrical improvisation.

Overall profile 

Italian drummer/composer Alessandro Napolitano convenes a transatlantic meeting point in Confluence Trio, pairing New York Latin‑jazz authority Bill O’Connell with Cuban bassist/vocalist Dany Noel. The debut album Beyond Borders (Soundiva; available 2025-12-01 in digital and physical formats) frames seven originals and three reimagined standards as a single narrative arc: odd‑meter themes, conversational polyrhythms, and open improvisation that never abandons melody.

The band DNA is Rhythm/Groove first (clave awareness, tumbao/montuno as engines, metric elasticity), with a post‑bop/Latin harmonic palette (extended voicings, modal color, chromatic side‑steps) and a clear division of roles: drums as narrative architect, piano as rhythmic-harmonic driver, bass/voice as melodic anchor. The result is a compact, high-impact trio sound designed for audiences who want both danceable momentum and modern-jazz depth.

Member details

Alessandro Napolitano — Drums
• Leads the trio as composer and form-shaper, foregrounding odd meters and polymetric design as expressive tools.
Beyond Borders blends jazz, Afro‑Cuban jazz, Brazilian Latin-jazz and fusion with an emphasis on rhythmic architecture and collective interplay.
• Direction from the kit is “compositional”: cueing dynamics, re‑framing sections, and keeping the narrative arc in focus.
(“A record marked by a broad, skillful use of odd meters, polymeters and polyrhythms.” — Stefano Dentice, Sound Contest, 2025-12-02)

Bill O’Connell — Piano
• A key New York voice in Latin jazz: montuno fluency, post‑bop clarity, and a pianist’s ability to steer the groove from inside the harmony.
• Longstanding work across the Latin‑jazz continuum (including Dave Valentin, Jerry González and Mongo Santamaría) informs the trio’s rhythmic confidence.
• In Confluence Trio, his touch moves from percussive engine to luminous colorist, shaping transitions and harmonic perspective.
(“His signal contributions to Latin jazz with Dave Valentin, Jerry Gonzalez and Mongo Santamaria are familiar to devotees.” — Richard J. Salvucci, All About Jazz, 2023-08-19)

Dany Noel — Electric Bass & Vocals
• Cuban-born, Madrid-based bassist/vocalist with deep roots in Afro‑Latin forms and a flexible modern time-feel.
• Singing bass tone and vocal presence add a song‑centered layer to the trio’s explorations (voice featured on selected tracks).
• Functions as both anchor and catalyst: locking tumbao, opening melodic counterlines, and coloring the texture with voice.
(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Discography highlights

Beyond Borders — Alessandro Napolitano Confluence Trio (Soundiva)
• Availability: digital + physical from 2025-12-01.
• 10 tracks: 7 originals (O’Connell: “Alpha Alpha”, “Sitting Bull”; Noel: “Confluence”, “Despertar”, “Sullelgada”; Napolitano: “Mentality Disease”, bonus track “My Voice”) + 3 standards (“Bésame Mucho”, “Chan Chan”, “Summertime”).
• Produced in collaboration with Laboratori d’Arte (Soc. Coop.) with support from IMAIE (Bando Nuove Produzioni Discografiche 2024/2025).

Alessandro

  • 2000 — Berklee College of Music scholarship (as reported in multiple Italian press/bios).

  • 2012 — Curator/organizer of “Drum Day” events; documented as an active educator/scene catalyst in Southern Italy.

  • 2015 — Listed by Modern Drummer among “100 Best Drum Teachers in the World” (reported in Italian press/bios).

  • 2025Beyond Borders released with Soundiva (with Laboratori d’Arte) and supported by IMAIE’s “Nuove Produzioni Discografiche 2024/2025”.

Bill

  • Four-time recipient — SESAC “Jazz Writer of the Year” (award count stated in official bio and major press listings).

  • 2022 — GRAMMY nomination (Best Instrumental Arrangement) for a Latin-jazz retooling of “Chopsticks,” on Richard Baratta’s The Reel Deal.

  • 1977 — First major Latin-jazz break: joins Mongo Santamaría’s band (Latin-jazz/salsa NYC scene).

  • 1980s–2011 — Long-running role as musical director/keyboardist with Dave Valentín (recording + touring era documented in profile features).

Dany

  • 2004 — Co-founds ITALUBA with drummer Horacio “El Negro” Hernández (bassist, composer, arranger).

  • Mid-2000s — ITALUBA described in official/venue bios as GRAMMY-nominated for ITALUBA 1 (Best Latin Jazz Album).

  • 2006 — Debut solo album Mi Sentir (also as vocalist); presented at MIDEM (Cannes).

  • 2019 — ITALUBA Big Band project wins CubaDisco in the Jazz category (award listings for CubaDisco 2019).

  • 2020 — Laurus releases a custom “Dany Noel” signature bass model (endorsement milestone; reported in event listings/endorser pages).

  • Ongoing — Documented collaborations span Cuban roots and global jazz: Omara Portuondo, Celia Cruz, Roy Hargrove, Chucho Valdés, Bebo Valdés, Giovanni Hidalgo, Rubén Blades, Paquito D’Rivera, and others (multiple festival/venue bios).

Dany Noel Cuban Collective — Detalles | Cuban Jazz / Latin Jazz (CU/ES)

Dany Noel Cuban Collective — Detalles | Cuban Jazz / Latin Jazz (CU/ES)

Dany Noel Cuban Collective

Cuban Jazz / Latin Jazz (CU/ES)

 AVAILABILITY FOR EUROPE
2026 | July / August / September

Style

A journey of fusion from the heart of Cuban Latin Jazz: Afro-Cuban pulse, modern harmony and funk propulsion—DETALLES turns micro-textures into big emotion, on record and on stage.

Profile

Recognized as one of the most versatile and expressive bassists on the international scene, Dany Noel is a key figure in the evolution of contemporary Latin Jazz. Originally from Cuba, he is a bassist and composer who has found his voice within the vibrant world of Latin Jazz. With a strong background in both traditional Cuban music and contemporary jazz, he has been part of major ensembles both on the island and internationally.

He stands out for his virtuosity, rhythmic sensitivity, and his ability to craft a unique musical language—one where Afro-Cuban roots meet jazz, flamenco, funk, and wider world-music colours. In his latest project, DETALLES, Dany Noel offers a sonic fusion that transcends genres, blending Latin Jazz with Afro-Cuban elements and funk. This work highlights not only his prowess as a bassist but also his vision as a producer and architect of a contemporary proposal full of nuance, colour, and emotion.

DETALLES is an invitation to listen beyond the obvious: to dive into the textures of rhythm and harmony, and to rediscover the richness of Cuban music from a modern, global perspective. More than just an album, it is a musical statement where technical precision meets heartfelt emotion. Each piece is carefully crafted to showcase the beauty of the small, the intimate, the essential. Dany Noel leads from the bass with elegance—also with his voice—and with the rhythmic drive that defines his signature.

Originally conceived as a trio recording, the project explores subtleties of rhythm and melody with a modern, minimalist aesthetic. In its live version, DETALLES evolves into something bigger: a vibrant collective experience with a full band of eight musicians on stage. With the expanded line-up, the music becomes a thrilling performance—where improvisation, polyrhythms and the energy of live interplay connect the audience to the pure essence of contemporary Latin fusion.

Details

DETALLES blends Latin Jazz with Afro-Cuban elements and funk, balancing technical precision with a direct emotional narrative.

Studio-born as a trio-minded concept with a modern, minimalist aesthetic, the repertoire expands live into a full-band set that amplifies energy, polyrhythm and real-time interaction.

The live format features bass and voice at the centre, surrounded by piano, electric guitar, trumpet, drums, percussion and two backing vocalists—built for call-and-response, groove development and open improvisation.

(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Line-up

Dany Noel | Bass & Voice
Cuban-born bassist/composer; bass-led writing, vocal phrasing and Afro-Cuban rhythmic drive at the core of the project.

Adrián Esteves | Piano
Modern voicings and montuno-derived comping; harmonic colour and rhythmic propulsion.

Dani Morales | Drums
Drum-set architecture that shifts between tight funk articulation and open Latin-jazz swing.

Haime Vázquez | Congas
Afro-Cuban percussion layers, tumbao-support and conversational accents with the drum set.

Raúl Venegas | Guitar
Electric-guitar colours: rhythmic hooks, counterlines, and textural support for the melodic writing.

Julio Rigal | Trumpet
Brass lead voice: melodic statements, bright call-and-response and improvisational lift.

Agnese | Backing Vocals
Vocal textures and rhythmic unisons; expands the chorus dimension of the live set.

Elizabeth | Backing Vocals
Backing-vocal power and phrasing; reinforces the groove and opens timbral contrast in the arrangements.

Discography Highlights

DETALLES (album, 2024)

Intercambio (album, 2022)

Haciendo Camino (album, 2020)

Por la Habana (album, 2017)

Tinta Unida (album, 2013)

CONFIDENCE (album, 2013 — with Dario Chiazzolino)

Proposición (album, 2011)

Dime Si Tú Sabes (album, 2006 — as Duo Chocolate)

Mi Sentir (album, 2007)


QUOTES

  1. “Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02

  2. (Translation) “The bottom-end of things is held firm by the superb rumbling of Dany Noel’s bass lines.” — Raul Da Gama, Latin Jazz Network, 2020-12-10

  3. “The accompaniment … is punchy and crisp on a wide soundstage …” — Peghead Nation (review), 2020-09-12

  4. (Translation) “I started playing at the age of 10… and I don’t think I’ll ever stop as long as I have the strength.” — Dany Noel (quoted), Laura Lipari, LetteraEmme, 2022-05-18

  5. (Translation) “Dany Noel Cuban project — Detalles …” — WhatsApp message (provided by user), 2026-01-21


REVIEWS / ARTICLES

REVIEW: Alex Wilson and Friends at the 2016 London Latin Jazz Festival — London Jazz News — Sebastian Scotney — 2016-10-02

David Broza: en Casa Limón — Latin Jazz Network — Raul Da Gama — 2020-12-10

David Broza Celebrates the Spanish Guitar — Peghead Nation — 2020-09-12

Article: Dany Noel presents “Intercambio” at Retronoveau (Thursday jazz night) — LetteraEmme — Laura Lipari — 2022-05-18

Article: Dany Noel Confluence Trio at “Il Torrione” (Oct 21) — Informagiovani Ferrara — 2023-10-19

City programme announcement: “Madrid, a Christmas postcard” fills the city with music… — madrid.es — 2025-11-21

City programme announcement: Madrid lives a Christmas full of music and tradition — madrid.es — 2025-12-12

Track page: “Briga · Dany Noel (Detalles)” — YouTube (Provided to YouTube by CDBaby) — 2024-04-08

Internal / provided material: “EN — Dany Noel Band — Detalles” (PDF, undated)

Andy James & Jon Cowherd All Star - 2025-26

ANDY JAMES & JON COWHERD ALL STAR | Standard/Latin Jazz (USA)

ANDY JAMES & JON COWHERD ALL STAR

AVAILABILITY

2026 | JUNE/AUGUST AND DECEMBER

Line-up

Andy James | Vocals, baile
John Patitucci, Vinnie Colaiuta, Chris Potter, John Beasley, Nicholas Payton, Terell Stafford, Bill Cunliffe

Jon Cowherd | Piano
Brian Blade, Joni Mitchell, Cassandra Wilson, Lizz Wright, John Patitucci, Chris Potter, Norah Jones

Greg Hutchinson | Drums
Betty Carter, Roy Hargrove, Joshua Redman, Diana Krall, John Scofield, Wynton Marsalis, Dianne Reeves

Orlando le Fleming | Bass
Branford Marsalis, Joey Calderazzo, Kurt Rosenwinkel, Jeff “Tain” Watts, Lage Lund, Jane Monheit, Jimmy Cobb

Juan Antonio Suárez “Canito” | Flamenco guitar
Sara Baras, Niña Pastori, Miguel Poveda, Joaquín Grilo, Rocío Molina, Andrés Marín, Rocío Márquez

Piero Pata | Jaleos, palmas, percussion, baile
Andy James, Jon Cowherd, John Patitucci, Chris Potter, Bill Cunliffe, Terell Stafford, Alex Acuña

Style

An ensemble that fuses contemporary jazz vocals, lyrical pianism and flamenco grammar within a format built around dialogue.
Its sonic core emerges from the meeting point between modern swing, Iberian articulation, Afro-Latin pulse and a physical theatricality carried in part by baile.
The result is an internationally resonant flamenco jazz language: warm in timbre, fluid in groove, precise in interplay and able to move naturally from song form to Andalusian rhythmic material.

Profile

Andy James & Jon Cowherd All Star is a co-led project in which Andy James’s vocality, shaped by both jazz and flamenco dance experience, meets the harmonic writing and pianism of Jon Cowherd, one of the defining figures of contemporary American jazz. Around that axis sits a line-up that pushes the language toward a fully developed flamenco jazz identity: Greg Hutchinson provides propulsion and flexibility, Orlando le Fleming anchors pulse and melodic design, Juan Antonio Suárez “Canito” brings the historic and idiomatic vocabulary of flamenco guitar, while Piero Pata strengthens the rhythmic and performative framework through jaleos, palmas, percussion and baile. The resulting Band DNA privileges timbre, groove and interplay: not a simple juxtaposition of idioms, but an organic convergence of song form, modal tension, compás architecture and contemporary sensibility. Operational window indicated for 2026: June, August and December.

Details

Andy James | Vocals, baile
An international vocalist with a background rooted in flamenco and an increasingly defined trajectory in contemporary jazz, Andy James approaches song with narrative focus, timbral control and a strong capacity for ensemble interaction. Her signature is not that of a frontwoman standing apart from the group, but of a voice entering the rhythmic and harmonic fabric as part of the collective design. In this project, she is the expressive pole that makes the passage between repertoire, original writing and performative gesture feel seamless.
“One of the finest interpreters of standards working today.” (George W. Harris, Jazz Weekly, 2024-07-22)

Jon Cowherd | Piano
Cowherd is a pianist-composer who combines harmonic clarity, formal intelligence and a strong instinct for dialogue. His contribution is central in keeping writing, color and internal movement in balance: he accompanies without compressing, structures without stiffening. His presence shifts the group’s center of gravity toward a high-level flamenco jazz language that is lyrical yet constantly alive in rhythmic terms.
“A fantastic trio… with potent chemistry and remarkable technical skill.” (Filipe Freitas, JazzTrail, 2022-08-23)

Greg Hutchinson | Drums
Greg Hutchinson brings rhythmic authority forged at the highest level of modern jazz, but above all a rare elasticity of touch. He can open the sound, support its density or lighten it intelligently, always leaving space for interplay. In a formation that moves across swing, Iberian accents and Afro-Latin motion, his role is to stabilize the center without ever making it static.
“Grounded in the jazz tradition, the project reveals Hutchinson’s versatility, dynamism and imagination.” (Leo Sidran, All About Jazz, 2023-10-04)

Orlando le Fleming | Bass
A bassist of melodic precision on both upright and electric instrument, Orlando le Fleming is the kind of musician who turns the bass into a device connecting groove, harmony and counterline. His work as both leader and sideman converges here into an essential function: giving depth, propulsion and continuity to the conversation between piano, voice and guitar.
“Orlando le Fleming’s band fully delivers on the promise of the first two albums, with a dazzlingly virtuosic set.” (Dan Spirrett, Presto Music, 2024-09-13)

Juan Antonio Suárez “Canito” | Flamenco guitar
Canito brings a flamenco vocabulary that is structural rather than decorative: compás, rasgueado, falseta and a deep sense of baile enter the group’s grammar as foundational elements. His profile, shaped in dialogue with major figures of contemporary flamenco, gives the Andalusian side of the project both credibility and historical weight, immediately raising its idiomatic depth.
“The best thing about Canito is that his touch sounds like no one else’s.” (Sara Arguijo, DeFlamenco, 2020-10-25)

Piero Pata | Jaleos, palmas, percussion, baile
Also publicly verifiable as Piero James Pata, he is a hybrid figure working across performance, production and artistic facilitation. His contribution here should not be read as mere auxiliary support: jaleos, palmas, percussion and baile shape accents, scenic response and rhythmic density, helping make the project authentically flamenco in performance as well as sound. His trajectory across performing arts, production and musical curation further reinforces the coherence of the overall concept.

Discography

Discography verified through publicly available sources consulted: releases under the artist’s own name, co-led releases and directly credited singles.

Andy James
Albums: Caravan (2018), Shared Lives (2019), Blue (2019), Tu Amor (2021), An Evening with Andy James & John Patitucci (2021), Rhythm in New York (2022), Let Me See Your Heart (2024), Happy People (2025), Happy People Deluxe (2025), The Architect of My Blues (2025).
Singles: Dance With My Father (2023), I Was Born in Love With You (2024), New York State of Mind (2024), To Be So Young (2025), Fool on the Hill (2026), Gentle Rain (2026), Long and Winding Road (2026).

Jon Cowherd
Albums: Mercy (2014), Gateway (2017), Pride & Joy (2022).
Singles: no standalone singles under his own name were found in the public sources consulted.

Greg Hutchinson
Albums: It’s About Time (2001), Da Bang (2023).
Singles: Losing You feat. Leona Berlin (2023), New Dawn feat. Liselotte Östblom (2023), Karma Police (2023), Ottobre (2024), Goodbye Pork Pie Hat (2024), Orbits (2026), Seven Steps to Heaven (2026).

Orlando le Fleming
Albums: From Brooklyn With Love (2010), OWL Trio (2013), Arts and Letters (2015), Romantic Funk (2017), The Unfamiliar (2020), Life of the Party (2020), Misterioso (2022), Wandering Talk (2024).
Singles: Waynes (2012), Spots of Time Radio Edit (2023), Don’t Dwell On It (2024), Sense of the Sacred (2024), Tragic Magic (2024).

Juan Antonio Suárez “Canito”
Albums: Son de Ayer (2008; digital reissue 2019), Flamenco Crossover (2010), El Atlante (2012), Seis Cuerdas para Dos Tacones (2015; digital edition 2019).
Singles: Jamás with Rocío Márquez (2020), La Perla Azul (2023).

Piero Pata
Albums: no albums under his own name were found in the public sources consulted.
Singles: Sad Life (2019), Life Never Ends (2020), Legends Never Die (2021), After Life (2022), Heartbroken (2023).


Citations

“One of the finest interpreters of standards working today.”
George W. Harris — Jazz Weekly — 2024-07-22
https://jazzweekly.com/2024/07/andy-james-let-me-see-your-heart/

“For me, the track that best sums up everything that’s great about this album may be ‘New York State of Mind’: it sounds so fresh and different that it makes me see the city in a whole new way.”
Will Friedwald — BroadwayWorld — 2024-11-08
https://www.broadwayworld.com/bwwmusic/article/New-Album-From-Jazz-Vocalist-Andy-James-Out-Now-20241108

“A fantastic trio… with potent chemistry and remarkable technical skill.”
Filipe Freitas — JazzTrail — 2022-08-23
https://jazztrail.net/blog/jon-cowherd-trio-pride-and-joy-album-review

“Mercy is a very high-caliber debut.”
Ian Patterson — All About Jazz — 2013-11-25
https://www.allaboutjazz.com/jon-cowherd-mercy-mercy-me-jon-cowherd-by-ian-patterson

“Grounded in the jazz tradition, the project reveals Hutchinson’s versatility, dynamism and imagination.”
Leo Sidran — All About Jazz — 2023-10-04
https://www.allaboutjazz.com/gregory-hutchinson-its-all-about-feel-gregory-hutchinson

“If you love jazz or hip hop, this is the essential listen of the year.”
Graeme Smith — York Calling — 2023-10-11
https://yorkcalling.co.uk/2023/10/11/album-review-gregory-hutchinson-da-bang/

“Orlando le Fleming’s band fully delivers on the promise of the first two albums, with a dazzlingly virtuosic set.”
Dan Spirrett — Presto Music — 2024-09-13
https://www.prestomusic.com/jazz/products/9621922–wandering-talk

“The best thing about Canito is that his touch sounds like no one else’s.”
Sara Arguijo — DeFlamenco — 2020-10-25
https://www.deflamenco.com/revista/resenas-actuaciones/canito-la-guitarra-de-las-notas-suspendidas.html


Reviews

 
IN COLLABORATION WITH
Le Coq RecordsDog & Pony Industries
 
Dany Noel Trio

DANY NOEL TRIO | Latin Jazz (CU)

Dany Noel Trio

Latin Jazz (CU)

AVAILABILITY
2026 | OCTOBER
DanyNoelTrio DANY NOEL TRIO | Latin Jazz (CU)
DanyNoelTrio DANY NOEL TRIO | Latin Jazz (CU)
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Line-up

Dany Noel | Bass & Voice
Italuba, Horacio “El Negro” Hernández, Celia Cruz, Omara Portuondo, Chucho Valdés

Dani Morales | Drums
Patáx, Dany Noel, Gabriele Deiana

Jorge Vera | Piano
Billy Cobham, Jeff Berlin, Patáx, De la Purísima

Style

Afro-Cuban groove and modern Latin-jazz harmony, led from the bass: Dany Noel’s voice-and-bass front line meets Jorge Vera’s cinematic piano and Dani Morales’ propulsive, percussion-aware drums.

Profile

Dany Noel Trio is a Havana-to-Madrid contemporary Latin-jazz unit built around the rare combination of bass as lead voice and bass as melodic engine. Noel steers the music with singing phrasing, percussive articulation and an arranger’s instinct shaped by Cuban popular music and timba. The trio’s sound opens wide harmonic space through Vera’s piano—equal parts lyricism and high-definition improvisation—while Morales supplies a groove language that can pivot from straight-ahead drive to Afro-Cuban inflection without losing pulse or clarity. The result is a compact, high-energy format: tight themes, elastic montuno-to-jazz transitions, and improvisations that stay song-focused even at peak virtuosity.

Details

Dany Noel | Bass & Voice
Cuban-born, Madrid-based bassist and singer with deep roots in son/salsa/timba and extensive work across Latin-jazz and adjacent Iberian scenes. European press frames him as a multi-instrumentalist and producer/arranger as well as a front-line performer. Onstage, his signature is a lead-bass approach that treats lines as melody, percussion and vocal counterpoint.
(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Dani Morales | Drums
Drummer/percussionist heard in high-octane jazz-fusion contexts and Afro-Cuban-leaning projects on the Spanish scene. Frequently credited with Patáx and featured in Noel’s “Intercambio” live band format. In the trio, he keeps the pocket wide—driving the form while leaving air for bass-voice phrasing and piano harmony.
(“We finally synced schedules with three ‘monsters’ of percussion: Dani Morales…” — MassBateria PodcastLive, Spotify, 2023-02-02)

Jorge Vera | Piano
Pianist associated with contemporary Latin-jazz and fusion projects, credited in contexts tied to major international bandleaders (e.g., Billy Cobham / Jeff Berlin). Reviews highlight both dramatic pacing and a bright, high-definition piano sound suited to modern Afro-Latin writing. In the trio, he functions as harmonic prism and co-narrator—opening the music with lyric hooks, then pushing it into virtuosic improvisation.
(“Arguably one of the finest young pianists residing in Spain, and perhaps even Europe.” — Raul Da Gama, Latin Jazz Network, 2017-03-03).

Releases

Albums

  • Detalles — 2024
    Live trio album; Latin jazz with touches of fusion.

  • Intercambio — 2022
    Trio album blending Latin jazz, jazz, and flamenco-influenced colors.

  • Haciendo Camino — 2020
    Studio album built around a wide palette (bolero-jazz, Latin jazz, bebop, and related fusions).

  • Por la Habana — 2017
    Studio album centered on Cuban roots and dance-floor drive.

  • Confidence — 2014
    Duo jazz album with guitarist Dario Chiazzolino; improvisation-forward, intimate setting.

  • Tinta Unida — 2014
    Studio album where Cuban rhythmic tradition meets flamenco and Latin jazz fusion.

  • Proposición — 2013
    Studio album: Cuban music, flamenco, and Latin jazz in a single, song-driven arc.

  • Mi Sentir — 2007-07-01
    Documented digital release date on Tauri Records catalog listings.

Singles

  • Respeto — 2020
    Single release.

  • Irremediablemente — 2021
    Single release.

Credits

  • Vuelve a Madrid — 2020
    Featured performance (credits release).

  • Traigo de todo — 2024
    Featured performance (credits release).

  • Soledad 518 — 2025
    Featured performance (credits release).

No Latin

NO LATIN | Menconi – Valdemarin – Malaman – Meyer | Jazz, Latin (IT)

NO LATIN | Menconi – Valdemarin – Malaman – Meyer

Jazz, Latin (IT)

NoLatinlogo NO LATIN | Menconi - Valdemarin - Malaman - Meyer | Jazz, Latin (IT)
NoLatinlogo NO LATIN | Menconi - Valdemarin - Malaman - Meyer | Jazz, Latin (IT)
NoLatinlogo
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Alessio Menconi – Guitar

Fabio Valdemarin – Keyboards

Federico Malaman – Bass

Christian Meyer – Drums

No Latin is kinda all star quartet of Alessio Menconi’s new cd entitled “Historias” which makes use of illustrious participations: Elio, Faso, Gegè Telesforo, Nick The Nightfly, Dado Moroni, Simona Bencini, and other super guests.

Latin America has a great history of migrations, encounters of cultures and ethnic groups, and each song on this record has its own stylistic location and its own “history”. Precisely for this reason I decided to call it “Historias”.

The super-quartet offers songs taken from the CD and other original compositions or covers, with a sound that includes Latin American music, jazz and pop.



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Fabrizio Borgosano
Email: info@coralriff.net
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Website: https://www.coralriff.biz/

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Diego Ramirez | Latin Jazz

Diego Ramirez Trio | Latin Jazz (MX)

Diego Ramirez Trio

Latin Jazz (MX)

Diego Ramirez Trio | Latin Jazz (MX)
Diego Ramirez Trio | Latin Jazz (MX)
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Diego Ramirez – Piano

Juan Ramos – Double bass

Fernando Caballero – Drums

Diego Ramirez is a Mexican latin jazz pianist and composer. His recent original compositions, available in both CD and vinyl, are entitled “Sketches of Mexico”. Described as musical paintings of Mexico, the album is a tribute to Diego’s homeland.
His last original piano CD “El Ultimo Chilam Balam” was named Best Jazz Album by the LA Music Awards, and it featured his Mayan jazz and latin jazz pieces. Diego has also released other recordings featuring classic piano jazz, “Jazzonia” and “Ramirez Plays Legrand”.


The press acknowledged the talent of this composer:

“Solo Pianist Diego Ramirez played his U.S. debut and simply mesmerized the audience. His skill and composing abilities are exciting and extraordinary, and full of passion.” – Jazz USA online.

“Diego Ramirez was spectacular…His pianistic brilliance and staggering creative energy were a joy to behold.” – Flavors of Festival (PDX JAZZ)

Diego Ramirez “demonstrated impeccable technique, a broad emotional and dynamic range, and an understanding of the jazz and latin jazz tradition. ”His performance “demonstrated Ramirez’s ability to traverse considerable territory, from a delicate touch to great power.” -John Kelman, from All About Jazz online.

This latin jazz pianist studied at the prestigious National Conservatory of Music in Mexico City for 10 years before branching out on his own to study and perform jazz. He has extensive performance experience, participating in many jazz festivals, clubs, hotels and concerts from the USA and Mexico to Berlin and Europe. He currently performs in Los Cabos, Mexico, with singer, Daline Jones. Often on tour together, they also have several albums.

Diego’s piano and classical music teachers include Maestra Irina Lieberman from Czechoslovakia, Maestros Jose Luis Arcaraz, Guillermo Salvador, Christina de la Vega, Adrian Grand and jazz/harmony with Juan Millan. Diego’s music and compositions are influenced by his admiration for Mexican classical composers Silvestre Revueltas, Manuel M. Ponce, and Carlos Chavez. He was also influenced by improvisational musicians such as Miles Davis and by Leonard Bernstein.

His latin jazz style, full of groove and colours, culminate into his last fantastic album “Sketches of México”, available at the following links:

http://www.diegoramirez.net

https://diegoramirez.hearnow.com/

https://store.cdbaby.com/cd/diegoramirez5


Diego Ramirez – Take Five (Dave Brubeck) – Latin Jazz cover On a Bechstein grand piano from late 19h century

Cantaloupe Island (Herbie Hancock) played by Diego Ramirez on a Bechstein grand piano

PROMO AND TECHNICAL MATERIAL

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Fabrizio Borgosano
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