DAVIDE PANNOZZO Trio ft Etienne Stadwijk & SHAWN PELTON

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)

DAVIDE PANNOZZO Trio
ft. ETIENNE STADWIJK & SHAWN PELTON
Soul/Funk/Blues (USA)

AVAILABILITY FOR EUROPE

2027 | MARCH

DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON
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Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton | Soul-Funk / Blues | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, with guitar and vocals at the center, orchestral keyboards, and studio-band drums.

The trio works through essentials: clear riffs, mobile harmonies, bass implied by the keyboards, and a groove that always remains readable.

Pannozzo’s writing becomes a compact live format spanning electric blues, jazz-fusion, and soulful songwriting.

Profile

Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton reduces the architecture of the quartet to a more essential form without losing sonic breadth. Pannozzo’s guitar and voice guide the melodic narrative; Stadwijk expands the harmonic field through piano, keyboards, voicings, and supporting lines; Pelton builds the pocket with precise, elastic, deeply musical drumming. The result is a trio that does not try to fill every space, but organizes it: blues remains the grammatical center, while soul-funk, jazz-fusion, and contemporary songwriting define color, dynamics, and direction. The interplay thrives on immediate response, volume control, and a strong sense of form. This is a band designed for the stage: direct, articulate, and able to preserve the weight of the groove in a lean configuration.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar style rooted in blues and filtered through jazz harmony, tonal control, and songwriter craft. Sources document collaborations with George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Carl Verheyen wrote in 2017: “Tone just drips from Davide’s fingers.”

Etienne Stadwijk | keyboards. A keyboardist and producer, Stadwijk acts as the trio’s harmonic architect: Rhodes, piano, organ, synths, voicings, and countermelodies expand the guitar and can also sustain the bass’s rhythmic and harmonic function. A New York-based Berklee graduate, he is documented alongside Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News highlighted the tightness of Richard Bona’s band and Stadwijk’s solos in 2013.

Shawn Pelton | drums. Pelton is the trio’s dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to give weight to the groove without making it rigid. A drummer with the Saturday Night Live band since 1992, he has recorded or performed with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, and The Brecker Brothers. International Musician captured his working method in 2024: “They say the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, and Room for Joy; recent singles and releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, St. Louis Blues, Imagine, Plug It In, Leroy’s Blues, The Thrill Is Gone, Christmas In New York, and The Subway Song. His documented discography centers on modern blues, melodic phrasing, songwriting, and New York production.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Shawn Pelton: selected discography as a session drummer and long-standing musician with Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, and New York’s television and live circuit. Sources document his presence on Grammy-winning albums and high-profile pop, rock, soul, and roots productions.

Quotes

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; source

“Be Blessed is a chill instrumental that overflows with understated emotion and casts its shadow somewhere between the upscale blues of Robben Ford and the deep melodicism of Duke Ellington.” — Martine Ehrenclou; Rock & Blues Muse; 2022-07-07; source

“Every note serves the song. Every phrase is placed with intention.” — Rock & Blues Muse; article on The Subway Song; 2026-04-13; source

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; London Jazz News; 2013-10-08; source

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; BroadwayWorld; 2020-06-22; source

“They say the harder you work, the luckier you can be.” — Shawn Pelton; International Musician; 2024-09-01; source

Reviews

Davide Pannozzo Releases ‘The Subway Song’ New Single — Rock & Blues Muse; Martine Ehrenclou; 2026-04-13;
rockandbluesmuse.com
An article on The Subway Song, described as contemporary blues with expressive vocals, melodic guitar, and narrative space. It positions Pannozzo as a modern writer more interested in phrasing, intention, and song form than in technical density alone.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
rockandbluesmuse.com
An article on the soulful, melodic, jazz-inflected instrumental Be Blessed. It also traces Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Davide Pannozzo: Unconditional Love — Music Republic Magazine; Simon Redley; 2017-10-19;
musicrepublicmagazine.com
A 5/5 review presenting Unconditional Love as an album centered on blues, fusion, and soul feel. It highlights Pannozzo’s tone, writing, and connection with the New York scene.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
londonjazznews.com
A live review of Richard Bona’s group with Etienne Stadwijk on keyboards and piano. It praises the band’s tightness, audience response, and Stadwijk’s solos, documenting his ability to support both groove and improvisation.

Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate — BroadwayWorld; A.A. Cristi; 2020-06-22;
broadwayworld.com
An article on Then Why?!, presenting Stadwijk as a keyboardist, producer, and socially engaged writer active across recording, production, and live performance.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; 2024-09-01;
internationalmusician.org
A profile of Shawn Pelton and his role in the Saturday Night Live band, focused on method, discipline, versatility, and pressure management in live television.

#269 Shawn Pelton – Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
discussionsinpercussion.com
A podcast interview covering Pelton’s career with Saturday Night Live, session work, rhythmic programming, Live From Daryl’s House, and recordings with major artists.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
jazzjournal.co.uk
A review including Jonah David’s Waltz for Eli, a project featuring Etienne Stadwijk on keyboards and in the writing credits, supporting his profile in contemporary melodic jazz.

Davide Pannozzo 4tet ft Etienne Stadwijk Will Lee Shawn Pelton DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4TET

AVAILABILITY FOR EUROPE
2027 | JULY

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
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Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton | Blues / Soul-Funk | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Will Lee | bass, vocals
David Letterman, The Brecker Brothers, The 24th Street Band, Horace Silver, Bette Midler, Barry Manilow, George Benson, James Brown, Aretha Franklin, Pat Metheny

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, shaped by a singing guitar voice, deep bass pocket, harmonic keyboards, and studio-grade drums.

The quartet works around the pocket: clear riffs, compact instrumental voices, disciplined improvisation, and a groove that stays physically readable.

Pannozzo’s writing becomes a high-definition live format where electric blues, jazz-fusion, and soulful song form remain connected.

Profile

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton places Pannozzo’s guitar writing inside a distinctly New York rhythmic language. The sound moves between modern blues, soul-funk, and jazz-fusion: the guitar carries the melodic narrative, Stadwijk widens the harmonic frame through keyboards and counterlines, Lee turns bass into both propulsion and song, and Pelton locks the band with a dry, elastic studio-band pocket. This is not a project built on résumé display, but on balance: song forms are clear, improvisation stays conversational, dynamics breathe, and every player leaves space for the collective attack. The result is a compact live unit with the authority of major session musicians and the directness of a band that can make blues feel current without nostalgia.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar tone rooted in blues and filtered through jazz harmony, controlled attack, and melodic phrasing. Sources document collaborations with George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Will Lee wrote in 2017 that, when hearing Pannozzo’s music, “there is something special going on.”

Etienne Stadwijk | keyboards. Stadwijk functions as the harmonic architect of the quartet: piano, keyboards, voicings, pads, and counterlines extend the guitar while keeping the groove open. A New York-based Berklee graduate, he is documented with Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News described Richard Bona’s band with Stadwijk as “very tight,” highlighting “very nice solos.”

Will Lee | bass, vocals. Lee is the melodic and rhythmic center of the band: elastic lines, studio timing, backing vocals, and a feel that makes the bass both foundation and hook. LA Phil documents his work with Dreams, Horace Silver, The Brecker Brothers, The 24th Street Band, the David Letterman house bands, and more than 1,700 studio dates with artists including Aretha Franklin, George Benson, Billy Joel, Pat Metheny, James Brown, and Paul McCartney. In this quartet he supplies authority, song sense, and funk architecture.

Shawn Pelton | drums. Pelton is the dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to keep blues, funk, and fusion loose without letting the pocket blur. Remo and International Musician document his long-running role with Saturday Night Live and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, Pink, and The Brecker Brothers. His method is summarized by his own line: “the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, Room for Joy; singles and recent releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, Shufflin’ NYC, Christmas In New York, and The Subway Song. Unconditional Love is documented as a New York album produced by Steve Jordan and Will Lee, with contributions from Shawn Pelton and other scene musicians.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His documented discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Will Lee: OH! and Love, Gratitude & Other Distractions as solo projects; albums with The 24th Street Band including The 24th Street Band, Bokutachi, and Share Your Dreams; official discography and biographical sources also place him with Dreams, The Brecker Brothers, Horace Silver, George Benson, Chaka Khan, Billy Joel, Bette Midler, Pat Metheny, James Brown, and a long list of studio recordings.

Shawn Pelton: selected official and documented work as session drummer and band member includes Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, Bob Dylan-related Hank Williams tribute recordings, and many Grammy-winning or high-profile studio projects. His discography is best understood as a first-call session and live-TV body of work rather than a leader catalogue.

Quotes

“There are very few artists these days that can inspire and are filled with inspiration and great ideas, Davide Pannozzo is one of them. When you first hear his music, you know there is something special going on…” — Will Lee; bassist and producer, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“As soon as the Beatles showed up on the Ed Sullivan Show, I knew what I wanted to do.” — Will Lee; interview by Jon Liebman; For Bass Players Only; 2010-05-31; https://forbassplayersonly.com/interview-will-lee/

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; live review of Richard Bona Group; London Jazz News; 2013-10-08; https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; statement on Then Why?!; BroadwayWorld; 2020-06-22; https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622

“They say the harder you work, the luckier you can be.” — Shawn Pelton; profile-interview The Ultimate Union Gig: Live from New York on a Saturday Night; International Musician; 2024-09-01; https://internationalmusician.org/shawn-pelton/

Reviews

Davide Pannozzo: Unconditional Love (Unconditional Love Global Publishing) 19th October 2017 — Music Republic Magazine; Simon Redley; 2017-10-19;
https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
A 5/5 review presenting Unconditional Love as a New York-recorded album around blues, fusion, and soul feel, with Steve Jordan and Will Lee as producers/players. The article highlights Pannozzo’s tone, writing, and the presence of Will Lee and Shawn Pelton in the album sound.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
https://rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
Article on Be Blessed, produced by Steve Jordan and featuring Will Lee on bass, Clifford Carter on keyboards, and Davide Rossi on strings. It also reconstructs Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
Live review of Richard Bona’s quartet with Etienne Stadwijk on keyboards and piano. It praises the tightness of the band and Stadwijk’s solos, useful for positioning him as a keyboardist who can support groove and improvisation at the same time.

Will Lee talks life after Letterman — For Bass Players Only; Jon Liebman; 2021-10-25;
https://forbassplayersonly.com/will-lee/
Interview-article revisiting Will Lee’s career after the Late Show, with references to Horace Silver, The Brecker Brothers, Billy Cobham, David Bowie, James Brown, Robben Ford, Bette Midler, Barry Manilow, and his solo work.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; IM; 2024-09-01;
https://internationalmusician.org/shawn-pelton/
Profile on Shawn Pelton and his role in the Saturday Night Live band, focused on discipline, versatility, live television pressure, and session-musician survival skills. It frames his drumming as a balance of flexibility, groove culture, and broadcast precision.

#269 Shawn Pelton- Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
https://www.discussionsinpercussion.com/home/2022/2/22/269-shawn-pelton-drummer-for-snl-sheryl-crow-john-eddie-and-more
Podcast-interview covering Pelton’s SNL work, session career, programming skills, Live From Daryl’s House, CBS Orchestra substitutions, and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Elton John, Billy Joel, David Byrne, and Grammy-winning albums.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
https://jazzjournal.co.uk/2025/06/11/reviewed-jonah-david-adrian-galante-mingus/
Review that includes Jonah David’s Waltz for Eli, a project documenting Etienne Stadwijk on keyboards and in the writing credits. It helps support his profile as a harmonic and textural player in contemporary jazz contexts.

ANDY JAMES & JON COWHERD ALL STAR ft. John Patitucci & Vinnie Colaiuta

ANDY JAMES & JON COWHERD ALL STAR ft. JOHN PATITUCCI & VINNIE COLAIUTA | Standard/Latin Jazz (USA)

ANDY JAMES & JON COWHERD ALL STAR
ft. JOHN PATITUCCI & VINNIE COLAIUTA

AVAILABILITY

2026/2027 | TBD
AndyJamesJonCowherdAllStarftJOHNPATITUCCIVINNIECOLAIUTA ANDY JAMES & JON COWHERD ALL STAR ft. JOHN PATITUCCI & VINNIE COLAIUTA | Standard/Latin Jazz (USA)
AndyJamesJonCowherdAllStarftJOHNPATITUCCIVINNIECOLAIUTA ANDY JAMES & JON COWHERD ALL STAR ft. JOHN PATITUCCI & VINNIE COLAIUTA | Standard/Latin Jazz (USA)
AndyJamesJonCowherdAllStarftJOHNPATITUCCIVINNIECOLAIUTA
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Line-up

Andy James | vocals, baile
John Patitucci, Vinnie Colaiuta, Chris Potter, John Beasley, Nicholas Payton, Terell Stafford, Bill Cunliffe

Jon Cowherd | piano
Brian Blade, Joni Mitchell, Cassandra Wilson, Lizz Wright, John Patitucci, Chris Potter, Norah Jones, Brandi Carlile, John Scofield, Rosanne Cash

Juan Antonio Suárez “Canito” | flamenco guitar
Sara Baras, Niña Pastori, Miguel Poveda, Joaquín Grilo, Rocío Molina, Andrés Marín, Rocío Márquez, Manuela Carrasco, Merche Esmeralda, Belén Maya

John Ellis | saxophone
Charlie Hunter, Robert Glasper, Darcy James Argue, Helen Sung, Kendrick Scott Oracle, Dr. Lonnie Smith, Sting, John Patitucci, Miguel Zenón, The Holmes Brothers

John Patitucci | bass
Chick Corea, Wayne Shorter, Herbie Hancock, Michael Brecker, George Benson, Dizzy Gillespie, B.B. King, Bonnie Raitt, Sting, Joni Mitchell

Vinnie Colaiuta | drums
Frank Zappa, Sting, Joni Mitchell, Herbie Hancock, Chick Corea, Jeff Beck, Faith Hill, Megadeth, Gino Vannelli, Barbra Streisand

Alex Acuña | percussion
Weather Report, Pérez Prado, Elvis Presley, Diana Ross, U2, Paul McCartney, Joni Mitchell, Ella Fitzgerald, Chick Corea, Santana

Style

Standards and Latin jazz are reframed through flamenco compás, narrative vocal phrasing and a rhythm section built on exceptional dynamic control.
Jon Cowherd’s piano opens modern harmonic space, while bass, drums and percussion build an elastic pulse across swing, song form and Afro-Latin accents.
The presence of baile and flamenco guitar turns the project into a physical, timbral and collective language, closer to interplay than to a simple fusion of genres.

Profile

Andy James & Jon Cowherd All Star ft. John Patitucci & Vinnie Colaiuta is conceived as a meeting point between jazz voice, baile, contemporary pianism and an international rhythm section of the highest order. Andy James brings a dual identity to the project: a singer connected to standards, ballads and Latin repertoire, and a performer shaped by the rhythmic body of flamenco. Jon Cowherd steers the ensemble toward an open, lyrical and harmonically mobile sound in which the song becomes a field of conversation. With John Patitucci, Vinnie Colaiuta, Alex Acuña, John Ellis and Canito, the band builds a credible bridge between New York jazz, Andalusian compás, Afro-Latin groove and chamber-like sensitivity.

Details

Andy James | vocals, baile. Co-leader of the project, she works with the voice as a narrative and timbral center, but with a physical presence rooted in her career as a flamenco bailaora. Her recent discography for Le Coq Records connects her with John Patitucci, Vinnie Colaiuta, Chris Potter, John Beasley, Terell Stafford, Bill Cunliffe, Jon Cowherd and Alex Acuña. In “An Evening with John Patitucci & Andy James” she says she wanted to create “a listening experience of serene pleasure,” a useful key to her idea of elegance, breath and communication.

Jon Cowherd | piano. Co-leader and harmonic architect, he brings together jazz language, gospel voicings, modern lyricism and the sensitivity of an arranger. He is co-founder, with Brian Blade, of the Fellowship Band and has worked with Joni Mitchell, Norah Jones, Cassandra Wilson, Lizz Wright, Brandi Carlile, John Scofield, John Patitucci and Chris Potter. His function in the project is to give harmonic depth to the song form while keeping the rhythmic dialogue open with voice, bass and drums.

Juan Antonio Suárez “Canito” | flamenco guitar. A guitarist and composer linked to the Gitano roots of Extremadura, he brings compás, rasgueado, internal pulse and the memory of baile into the project. He has accompanied Sara Baras, Niña Pastori, Miguel Poveda, Joaquín Grilo, Rocío Molina, Andrés Marín, Rocío Márquez, Manuela Carrasco and Belén Maya. His role is to make flamenco a living grammar inside the ensemble, not an ornamental color.

John Ellis | saxophone. A tenor saxophonist and bass clarinetist with a strong identity between New Orleans, post-bop, funk and narrative writing. He has recorded and collaborated with Charlie Hunter, Robert Glasper, Darcy James Argue, Helen Sung, Kendrick Scott Oracle, Dr. Lonnie Smith, Sting and John Patitucci, while developing leader projects including Double-Wide, “MOBRO” and “The Ice Siren.” In the group he acts as a melodic voice connecting song form, improvisation and groove.

John Patitucci | bass. Featured artist and melodic-harmonic axis of the rhythm section, he is one of the central bassists in modern jazz on both double bass and electric bass. His history runs through Chick Corea, Wayne Shorter, Herbie Hancock, Michael Brecker, George Benson, Dizzy Gillespie, Sting, Joni Mitchell, B.B. King and Bonnie Raitt. In the project he offers depth, intonation, an orchestral sense of the low register and the ability to move across jazz, Latin and flamenco-jazz contexts.

Vinnie Colaiuta | drums. Featured artist and rhythmic engine, able to move from extreme metric control to a deeply singing groove. His trajectory includes Frank Zappa, Sting, Joni Mitchell, Herbie Hancock, Chick Corea, Jeff Beck, Faith Hill, Megadeth and Gino Vannelli. In this project his drumming is not only virtuosity: it is precision of accent, management of time and listening to form.

Alex Acuña | percussion. A Peruvian percussionist and drummer, formerly of Weather Report and later a session player across jazz, pop, film and world music contexts. He has worked with Pérez Prado, Elvis Presley, Diana Ross, U2, Paul McCartney, Joni Mitchell, Ella Fitzgerald, Chick Corea and Santana. In the ensemble he broadens the rhythmic field through Afro-Latin colors, percussive textures and a melodic sense of time.

Discography

Andy James: “Tu Amor” (2021), “An Evening with Andy James & John Patitucci” (2021), “Rhythm in New York” (2022), “Let Me See Your Heart” (2024), “Happy People” (2025), “The Architect of My Blues” (2025).

Jon Cowherd: “Mercy” (ArtistShare/Blue Note, 2012), “Gateway” (Newvelle, 2017), “Pride and Joy” with The Jon Cowherd Trio (Le Coq Records, 2022), plus work with Brian Blade & The Fellowship Band including “Landmarks” (2014) and “Body and Shadow” (2017); credits as producer, arranger and musician on “Joni 75” (2019).

Juan Antonio Suárez “Canito”: “Son de Ayer” (2008), recordings with Rafael Jiménez “Falo” on “Cante Gitano”, participation in Gerardo Núñez’s “La nueva escuela de guitarra flamenca”, “Flamenco Crossover” with Ensemble Hispánico Numen, and collaboration with Rocío Márquez on “Visto en el Jueves” (2019).

John Ellis: “Language of Love” (1996), “Roots, Branches and Leaves” (2002), “One Foot in the Swamp” (2005), “By a Thread” (2006), “Dance Like There’s No Tomorrow” (2008), “Puppet Mischief” (2010), “MOBRO” (2014), “Charm” (2015), “The Ice Siren” (2020), “Bizet: Carmen in Jazz” (2023), “Heroes” (2025), “Fireball” (2026).

John Patitucci: “John Patitucci” (1987), “On the Corner” (1989), “Heart of the Bass” (1991), “One More Angel” (1997), “Songs, Stories and Spirituals” (2003), “Line by Line” (2006), “Remembrance” (2009), “Brooklyn” (2015), “Soul of the Bass” (2019), plus recordings with Chick Corea Elektric Band, Chick Corea Akoustic Band, Wayne Shorter Quartet and “TRIO” with Bill Cunliffe and Vinnie Colaiuta.

Vinnie Colaiuta: “Vinnie Colaiuta” (1994), “Descent into Madness” (2018), “Mother’s Milk” (2021), work with Jing Chi including “Jing Chi” (2002), “Jing Chi Live at Yoshi’s” (2003), “3D” (2004) and “Supremo” (2017), plus major recordings with Frank Zappa, Sting, Joni Mitchell and Jeff Beck.

Alex Acuña: Weather Report’s “Black Market” (1976) and “Heavy Weather” (1977), Alex Acuña & The Unknowns, “Thinking of You”, “Gifts” (Le Coq Records, 2022), plus extensive credits as a drummer and percussionist in jazz, pop, soundtracks and international productions.



Quotes

“I wanted people to just sit back and enjoy a listening experience of serene pleasure.” — Andy James; statement on “An Evening with John Patitucci & Andy James”; DL Media Music; 2021-11-05; https://dlmediamusic.com/press-releases/available-now-john-patitucci-and-andy-james-an-evening-with-john-patitucci-andy-james/

“Our first conversation really was with music, before it became language.” — Jon Cowherd; recollection of first musical encounter with Brian Blade; official Jon Cowherd website; date not indicated; https://www.joncowherd.com/about

“I love collaborating with other people.” — Jon Cowherd; statement on work with artists and singers from different areas; official Jon Cowherd website; date not indicated; https://www.joncowherd.com/about

“You can be free within the limits of flamenco.” — Juan Antonio Suárez “Canito”; interview by Manuel Moraga; DeFlamenco; 2008-01-09; https://www.deflamenco.com/revista/entrevistas/interview-with-jose-antonio-suarez-cano-1.html

“No me gusta contar lo mismo que ya contaron otros.” — Juan Antonio Suárez “Canito”; interview on tradition and freedom in flamenco; Canal Sur Media; 2020-10-23; https://www.canalsur.es/noticias/andalucia/sevilla/canito-flamenco-libre-e-insurrecto_1_1115064.html

“It was therapy.” — John Ellis; statement to Leo Sidran on writing, survival and creativity; WBGO; 2026-04-13; https://www.wbgo.org/podcast/art-of-the-story/2026-04-13/celebrating-john-ellis-on-his-birthday

“It’s very healing and therapeutic… to have music… for people’s psyche and soul.” — John Ellis; statement reported by Leo Sidran; WBGO; 2026-04-13; https://www.wbgo.org/podcast/art-of-the-story/2026-04-13/celebrating-john-ellis-on-his-birthday

“I wanted to be able to play both my instruments, and then to experiment with everything, all the different kinds of grooves and even classical music.” — John Patitucci; interview with DownBeat after Chick Corea’s death; DownBeat; 2021-03-26; https://downbeat.com/news/detail/john-patituccis-sustained-intensity

“It was very liberating.” — John Patitucci; statement on “Soul of the Bass”; DownBeat; 2021-03-26; https://downbeat.com/news/detail/john-patituccis-sustained-intensity

“These guys can play more than one style.” — Alex Acuña; statement on the musicians of “Gifts”; Le Coq Records/Bandcamp; 2022-09-23; https://lecoqrecords.bandcamp.com/album/gifts

“The music is my star.” — Alex Acuña; statement on the musical focus of “Gifts”; Le Coq Records/Bandcamp; 2022-09-23; https://lecoqrecords.bandcamp.com/album/gifts

“I call this album Gifts because God gave me this music.” — Alex Acuña; interview “Overdue Ovation: Alex Acuña”; JazzTimes; 2022-09-01; https://jazztimes.com/features/profiles/overdue-ovation-alex-acuna/


Reviews

Andy James Rhythm in New York — Making A Scene!; Jim Hynes; 2022-04-16;
https://www.makingascene.org/andy-james-rhythm-in-new-york/
The article presents “Rhythm in New York” as an album built between standards and originals, with a high-level line-up and a vocal approach based not on belting but on control, romantic restraint, Brazilian and Cuban shades and West Coast color.

Andy James – Let Me See Your Heart (ENG review) — Paris Move; author not indicated on page; 2024-06-30;
https://www.paris-move.com/reviews/andy-james-let-me-see-your-heart-eng-review/
The review highlights the album’s musical quality and the presence of musicians including John Beasley, Jon Cowherd, Nate Smith, Chico Pinheiro, Ronnie Foster and John Ellis, calling the arrangements and music “absolutely sublime”.

Jon Cowherd Trio – Pride and Joy — JazzTrail; Filipe Freitas; 2022-08-23;
https://jazztrail.net/blog/jon-cowherd-trio-pride-and-joy-album-review
The review presents Cowherd as a pianist and composer with a fluid and sincere language, highlighting the trio’s chemistry with John Patitucci and Brian Blade and the contributions of Chris Potter and Alex Acuña.

Jon Cowherd Trio – ‘Pride and Joy’ (2022) — Something Else!; S. Victor Aaron; 2022-08-26;
https://somethingelsereviews.com/2022/08/26/jon-cowherd-trio-pride-and-joy/
The article places “Pride and Joy” within Cowherd’s personal and musical history, valuing the trio’s solidity, the relationship with Brian Blade and Patitucci’s role as rhythmic and melodic interlocutor.

John Patitucci’s Sustained Intensity — DownBeat; author not indicated on page; 2021-03-26;
https://downbeat.com/news/detail/john-patituccis-sustained-intensity
The profile reconstructs Patitucci’s centrality between Chick Corea, Wayne Shorter and the Le Coq catalog, including perspectives on his versatility, listening and ability to support any context.

Overdue Ovation: Alex Acuña — JazzTimes; A.D. Amorosi; 2022-09-01, updated 2024-05-20;
https://jazztimes.com/features/profiles/overdue-ovation-alex-acuna/
The profile connects “Gifts” to Acuña’s history, the Weather Report period, his Peruvian background and his idea of music as a gift, emphasizing the continuity between spirituality, groove and composition.

Celebrating John Ellis on his birthday — WBGO; Leo Sidran; 2026-04-13;
https://www.wbgo.org/podcast/art-of-the-story/2026-04-13/celebrating-john-ellis-on-his-birthday
The radio portrait describes Ellis’s sound as immediately recognizable, welcoming and personal, presenting him as a generous sideman and as an artist with an autonomous path through Double-Wide and narrative projects.

Interview with José Antonio Suárez, CANO ‘Son de Ayer’ — DeFlamenco; Manuel Moraga; 2008-01-09;
https://www.deflamenco.com/revista/entrevistas/interview-with-jose-antonio-suarez-cano-1.html
The interview identifies Canito as one of the most interesting musicians in contemporary flamenco and presents “Son de Ayer” as a personal, mature and unconventional work born from a long creative process.

‘Canito’, un flamenco libre e insurrecto — Canal Sur Media; author not indicated on page; 2020-10-23;
https://www.canalsur.es/noticias/andalucia/sevilla/canito-flamenco-libre-e-insurrecto_1_1115064.html
The article frames Canito as an artist rooted in tradition but free of barriers, emphasizing his attitude toward not repeating codified formulas and his openness to a personal flamenco search.


IN COLLABORATION WITH
Le Coq RecordsDog & Pony Industries
Mike Gotthard/Gergo Borlai Group

MIKE GOTTHARD/GERGO BORLAI Group | Modern Jazz Fusion (HU)

Mike Gotthard/Gergo Borlai Group

Modern Jazz Fusion | HU

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU Resident band)


Line-up

Mike Gotthard | guitar
Gergő Borlai, Mohini Dey, Jesús Molina, Scott Kinsey, Al Di Meola, Gary Willis, Hadrien Feraud, Anton Davidyants, Kornél Fekete-Kovács, Dániel Szebényi

Martin Gudics | bass
Gergő Borlai, Frank Gambale, Boca Gambale, Tom Schuman, HAUSER, Péter Ferencz, Attila Závodi, Olivér Magán, Marcell Gudics

Erik Tempfli | keyboards
Bori Hegedűs, Petra Gubik, Dániel Görögh, Frankie Látó, Gergő Szakács, Dániel Szebényi, Dávid Kovács, Peta Lukács, Sándor Zsemlye

Gergő Borlai | drums
Scott Kinsey, Gary Willis, Jimmy Haslip, Hadrien Feraud, Nathan East, Bob Mintzer, Al Di Meola, Matthew Garrison, Scott Henderson


Style

A modern fusion quartet led by guitar, where Mike Gotthard’s blues-rock phrasing meets a broader, more fluid jazz grammar. The rhythm section of Gergő Borlai and Martin Gudics drives the project toward an elastic, sharply defined groove able to absorb odd meters without losing immediacy. Erik Tempfli completes the DNA with open harmonic thinking and a contemporary timbral palette: the result is music that is sensual in attack, brutal in energy, and always melodic in design.


Profile

Mike Gotthard/Gergo Borlai Group is the most compact and readable form of Mike Gotthard’s authorial language: a project built on original compositions that move through jazz, blues, rock, and funk without treating genres as fenced territories, but rather as reservoirs of accents, timbres, and dynamics. Around Gotthard’s guitar, the band works through contrasts: tension and singability, rhythmic precision and spontaneity, electric impact and harmonic breadth. Borlai brings international-level metric drive, Gudics holds the center with a mobile, reactive bass voice, while Tempfli opens depth and color through keyboards that can be both structural and narrative. The dominant traits are energetic articulation, a modern fusion harmonic vocabulary, tight interplay, and a clear live-performance vocation: not a simple all-star vehicle, but an ensemble with its own identity, recognizable for its balance of technique, groove, and writing.


Details

Mike Gotthard
A Hungarian guitarist and composer, he forms the expressive center of the project with phrasing that blends blues lyricism, rock attack, and jazz-fusion development. Official and critical sources describe him as an author more interested in musical narrative than in technical display, with a language built on melody, groove, and reciprocal listening. Within the band, he is the main vector of aesthetic direction: themes, dynamic shifts, and formal design remain readable even when the ensemble opens into improvisation.

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.” (György Szentgallay, review of “Intellectual Brutality”, 2016-11-11)

Martin Gudics
A bassist able to move across fusion, songwriter-driven pop, smooth jazz, and high-intensity technical contexts, he brings rhythmic elasticity and structural awareness to the group. His role goes beyond support: he builds links between guitar and drums, keeps metric transitions fluid, and strengthens the groove element without weighing down the texture. Within the band’s DNA, he represents the pole of balance: precise, but always in service of collective musical unity.

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.” (JazzMa.hu, presentation of “BVDA”, 2024-04-17)

Erik Tempfli
A pianist, keyboardist, and Artisjus Award-winning composer, he brings broad harmonic thinking and a timbral awareness that avoids both mere filling and decorative virtuosity. His parts help define the group’s breathing space: pads, organ colors, electric piano textures, and modern comping become tools of architecture rather than simple color. He is the member who most clearly expands the quartet’s tonal horizon and reinforces its melodic-contemporary side.

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.” (JazzMa.hu editorial, 2020-12-12)

Gergő Borlai
An internationally established drummer and composer, Borlai acts as an identity accelerator for the project: rhythmic precision, dynamic control, advanced fusion vocabulary, and the ability to make even the most complex metric turns feel organic. His presence transforms the ensemble from an author-led group into a band with strong performance traction. In the group’s DNA he carries weight both as rhythmic engine and as a marker of prestige: his signature is recognizable in the energy, the clarity of pulse, and the dramatic handling of climaxes.

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.” (Drumeo, 2022-08-19)

 


Biography

Mike Gotthard is a Hungarian guitarist and composer whose work bridges blues phrasing, modern fusion, and a strong live-performance instinct. Gergő Borlai, with an international career spanning hundreds of recordings and top-tier collaborations, brings world-class rhythmic identity and prestige to the ensemble. Together with Martin Gudics and Erik Tempfli, the group delivers a modern jazz fusion format built on compositional clarity, high-impact groove, and advanced interplay.


Discography

Mike Gotthard
Intellectual Brutality — album — 2016
9 Wheels — single — 2021
Flotation — single — 2024
The Electric Shock Live Session — EP — 2025
The Group Live Session — single — 2026
Sensual Brutality — album — 2026
LesMi — single — 2026

Martin Gudics
Ups & Down — album with Peet Project — 2020
Sweet Lemon — album with Peet Project — 2022
Global Warning — Oliver Zisko album featuring Martin Gudics — 2022
Hard to Say Goodbye — single with Dániel Szebényi and Gudics Twins — 2023
Sensual Brutality — album with Mike Gotthard/Gergő Borlai — 2026
LesMi — single with Mike Gotthard/Gergő Borlai — 2026

Erik Tempfli
Altató — song performed at A Dal with Bori Hegedűs — 2021
Anya — single with Bori Hegedűs — 2022
Unalmas felnőtt — single with Bori Hegedűs and Johanna Lengyel — 2022
ReStar — album with Kodály Spicy Jazz — 2025
Sensual Brutality live set with Mike Gotthard Group — repertory documented from 2024 to 2026

Gergő Borlai
17 — album — 1998
Sausage — album — 2004
M.M.M. — album — 2010
ARC Trio — album — 2018
The Missing Song — album — 2020
Burger Joint on Oxnard Street — single — 2023
Monster Pop — single — 2023
A New Normal — single — 2025
Sensual Brutality — album with Mike Gotthard — 2026
LesMi — single with Mike Gotthard — 2026


Quotes

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.”
György Szentgallay | JazzMa.hu | 2016-11-11

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.”
JazzMa.hu editorial | 2020-12-12

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.”
JazzMa.hu editorial | 2024-04-17

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.”
Drumeo | 2022-08-19


Reviews

Gotthárd Mihály: Intellectual Brutality / JazzMa.hu / György Szentgallay / 2016-11-11

Katartikus elektrosokk Solymáron / JazzMa.hu / Géza Barcsik / 2020-09-15

‘I meet new inspirations almost every day’ / Secret Eclectic / 2021-03-16

Lamantin Jazz Fesztivál szerda / JazzMa.hu / László Czika / 2025-07-04

WHATS GOING ON

Davide Pannozzo ft. Etienne Stadwijk & Steve Ferrone

DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)

DAVIDE PANNOZZO Trio

ft.

ETIENNE STADWIJK & STEVE FERRONE

Soul-Funk Blues Fusion | USA

AVAILABILITY FOR EUROPE

2026 | October 15th to 27th

DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3
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Line-up

Davide Pannozzo | Guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Matt Schofield, Oz Noy, Robben Ford

Etienne Stadwijk | Piano, keyboards, synth bass
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Nona Hendryx, Harry Belafonte

Steve Ferrone | Drums
Tom Petty and the Heartbreakers, Average White Band, Eric Clapton, Duran Duran, George Harrison, Chaka Khan, Michael Jackson


Style

Contemporary blues wired into funk and jazz, with modern arrangements and a true stage-first drive. An iconic rhythm engine and a keyboard chair that can become bass: a trio that sounds like a full band. Set for October 2026, the music moves between wide grooves, singable themes, and high-intensity improvisation without losing song focus.


Profile

Davide Pannozzo leads an essential yet ambitious trio: guitar and vocals up front, with an expanded sound built on the idea of orchestrating every tune. The palette is modern blues, shot through with fusion accents and a decisive funk pulse; improvisation never becomes an end in itself, but stays narrative, shaping dynamics, timbre, and forward motion. Etienne Stadwijk works in textures and counterlines, switching between piano and keyboards while deploying a deep synth bass that redraws the balance of the band: the bass role turns mobile, harmonic, and rhythmic all at once. Steve Ferrone brings the authority of decades at the top of international rock and R&B: timing, weight, and space, with an elasticity that keeps the trio tight and always breathing. The result is high-voltage music rooted in tradition and designed for the present.


Details

Davide Pannozzo | Guitar, vocals
Classical training with an electric identity: a singing phrasing, controlled attack, and a vocabulary that crosses modern blues with jazz sensibility. In original material he favors clear themes and open-ended codas, letting the solo become a second verse. In trio format, the guitar carries melody and harmony without losing rhythmic weight.

“Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” (Will Lee, GUITARlab Blog, 2018-12-04)

Etienne Stadwijk | Piano, keyboards, synth bass
Pianist and keyboardist with Surinamese roots, Berklee training, and a New York base. His signature is the balance between European voicings, world colors, and an R&B-born sense of pocket. In this project he is also the harmonic bass, shaping synth-bass lines that give body and direction to the groove.

“The band was very tight, with really successful solos… (including Stadwijk’s).” (Maciek Pysz, London Jazz News, 2013-10-08)

Steve Ferrone | Drums
A benchmark for solidity and musicality: heavy hits when needed, but above all control of dynamics. His drumming connects rock, funk, and pop through a precise idea of space, letting the song breathe. In trio, he is the engine that makes every density shift feel inevitable, from raw blues to wide-open fusion.

“Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” (Joe Bosso, MusicRadar, 2010-08-26)


 


Biography

Davide Pannozzo is an Italian guitarist, singer-songwriter, producer, and educator whose work connects blues roots, soul dynamics, and jazz-informed phrasing. Based between Europe and the United States, he has collaborated with players such as Steve Ferrone, Will Lee, Oz Noy, and David Garfield, building a profile that combines songwriter instinct, groove awareness, and a modern electric guitar voice designed for both records and the stage.


Discography

Davide Pannozzo
Albums/EPs: Born Electric; A Portrait of Jimi Hendrix; Unconditional Love; Room for Joy. Singles: Be Blessed; Keep On Loving You; Love Is a Simple Thing; Without You, Once Again; St. Louis Blues; Imagine; Plug It In; Leroy’s Blues; The Thrill Is Gone; Christmas In New York.

Etienne Stadwijk
Albums/EPs: Lagos Pepper Soup; To Love Again -…; Olatuja; Waltz for Eli. Singles: Then Why?!; Wig Glue.

Steve Ferrone
Albums/EPs: It Up: Steve Ferrone and Friends Live at La Ve Lee; More Head (Steve Ferrone’s Farm Fur); Steve Ferrone & Friends Live; Steve Ferrone & Friends Mo’Live.


Quotes

  • “Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” Will Lee, GUITARlab Blog, 2018-12-04
  • “If you like Eric Johnson, Robben Ford, Carl Verheyen, Jeff Beck and Eric Clapton, then this album and this cool cat are definitely for you.” Simon Redley, Music Republic Magazine, 2017-10-19
  • “Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” Joe Bosso, MusicRadar, 2010-08-26
  • “The band was very tight, with really successful solos… (including Stadwijk’s).” Maciek Pysz, London Jazz News, 2013-10-08
  • “Keyboardist and producer Etienne Stadwijk has released a powerful and moving track…” A.A. Cristi, BroadwayWorld, 2020-06-22
  • “An outstanding album, Steve Ferrone & Friends Live…” Planet Drum, 2014-09-16

Reviews

  • Davide Pannozzo & Loud Stuff – Born Electric – Bman’s Blues Report – 2012-04-18 – https://bmansbluesreport.com/2012/04/18/davide-pannozzo-loud-stuff-born-electric-new-release-review/
  • Davide Pannozzo – Unconditional Love – Music Republic Magazine | Simon Redley – 2017-10-19 – https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
  • Celebrated guitarist Davide Pannozzo releases new single Be Blessed – Rock and Blues Muse – 2022-07-07 – https://www.rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
  • Review: Richard Bona at Pizza Express – London Jazz News | Maciek Pysz – 2013-10-08 – https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
  • Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate – BroadwayWorld | A.A. Cristi – 2020-06-22 – https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622
  • Tom Petty drummer Steve Ferrone talks groove, Charlie Watts and more – MusicRadar | Joe Bosso – 2010-08-26 – https://www.musicradar.com/news/drums/tom-petty-drummer-steve-ferrone-talks-groove-charlie-watts-and-more-289800
  • Steve Ferrone and Friends Live with Tracktion 5 – Planet Drum – 2014-09-16 – https://www.planet-drum.com/steve-ferrone-and-friends-live-with-tracktion-5/

BOOKING REQUEST

MATT VON RODERICK Trio ft. Dominique Di Piazza & Joel Taylor

MATT VON RODERICK Trio ft. DOMINIQUE DI PIAZZA & JOEL TAYLOR | Contemporary Jazz (USA)

MATT VON RODERICK Trio

ft. Dominique Di Piazza & Joel Taylor

Contemporary Jazz | USA

AVAILABILITY FOR EUROPE

2026 | OCTOBER 27th to NOVEMBER 8th


Line-up

Matt Von Roderick | Trumpet, vocals
Jon Batiste, Brad Mehldau, Dionne Warwick, Neil Diamond, Saturday Night Live Band, Super Furry Animals

Dominique Di Piazza | Bass
John McLaughlin, Trilok Gurtu, Bireli Lagrene, Dennis Chambers, Didier Lockwood, Andre Ceccarelli, Gordon Beck, Vic Juris, U. Srinivas, Zakir Hussain

Joel Taylor | Drums
Allan Holdsworth, Al Di Meola, Joe Sample, Michael Buble, Stanley Clarke, Herb Alpert, Frank Gambale, Brian Bromberg, Yanni, Andy Summers


Style

A contemporary jazz trio where lyric trumpet-and-voice phrasing meets chordal bass design and high-definition drums. The language moves between intimate songcraft, modal lift, and fusion-grade momentum without losing warmth. Elegant on the surface, restless underneath: this is ensemble jazz built on tone, propulsion, and real-time dialogue.


Profile

Led by Matt Von Roderick’s trumpet-and-voice language, this trio projects a modern jazz identity that balances lyricism, uplift, and edge. Dominique Di Piazza shifts the bass from foundation to harmonic co-author: chordal attack, rapid articulation, and a singing upper register give the ensemble unusual vertical depth. Joel Taylor supplies the architectural frame, combining fusion-trained clarity with the restraint of a first-call accompanist. The resulting band DNA is airy but precise, melodic yet electrically charged: open forms, strong hook-awareness, and a pulse that can pivot from brushed intimacy to high-definition propulsion without breaking the narrative line.

In practical terms, this is a project that can work in jazz clubs, crossover series, and contemporary festival settings alike, because its center of gravity is not genre display but communicative improvisation, ensemble intelligence, and tone-led storytelling.


Details

Matt Von Roderick
Matt Von Roderick brings a highly personal front-line language rooted in jazz trumpet, crooning lyricism, and vocal-trumpet multiphonics. His profile combines conservatory pedigree with stagecraft: he can phrase like a singer, shape atmosphere like an arranger, and still land a melody with straight-ahead clarity. The effect is both classic and post-genre, with an emotional directness that keeps experimentation accessible.

“Fresh, innovative, and just plain different.” (Woodrow Wilkins, All About Jazz, 2005-10-13)

Dominique Di Piazza
Dominique Di Piazza remains one of the rare electric bassists who can alter an ensemble’s harmonic geometry in real time. His right-hand technique, chordal reach, and fast upper-register articulation make the bass function as both engine and second harmonic instrument. In this trio context, he expands the music from support into co-composition, bringing Mediterranean color, fusion fluency, and deep improvisational authority.

“One of the truly important electric-bassists of our time.” (Damian Erskine, Bass Musician Magazine, 2009-02-01)

Joel Taylor
Joel Taylor is the kind of drummer who gives sophisticated projects both polish and momentum. His language is clean, clear, adaptable, and structurally intelligent: strong time, exact cymbal definition, and a refined sense of when to drive and when to leave air. In this line-up, he acts less as commentator than as force-shaper, translating complex motion into flow.

“Possessing a clean, clear, punchy style that he can adapt to any environment.” (Ken Micallef, Modern Drummer, 2019-12-27)


 


Biography

Los Angeles-based trumpeter, vocalist, songwriter, producer, and educator Matt Von Roderick has built a genre-crossing profile that connects jazz trumpet tradition, crooner phrasing, and modern songwriting. He studied at New York University through the Vilar Global Fellowship in the Performing Arts, where he worked with trumpet master Mark Gould, former chair of brass at both the Metropolitan Opera and Juilliard. Active across jazz and contemporary settings, he has developed a signature language that moves fluidly from standards and lyric balladry to post-genre original work while keeping melody, atmosphere, and emotional directness at the center.


Discography

Matt Von Roderick
Albums: So It Goes (2005), So It Goes (2007), A Book Of Five Rings (2008), Hero’s Journey (2016), Celestial Heart (2023), The Perfect Storm (2025). Singles and EPs: Signs (2025), See Me (2025), Coexistence (2025), Wind on My Face (2025), I’m Old Fashioned (2026).

Dominique Di Piazza
Albums: Spiritual Hymns (2002), Seven Steps To Heaven (2003), Front Page (2004), Princess Sita (2008), Living Hope (2016), Il canto delle montagne (2016), Travel (2021). Singles and EPs: Rain in Seoul (2023).

Joel Taylor
Verified recording credits: Tribute by Yanni, Jaco by Brian Bromberg, Basses Loaded by Brian Bromberg.


Quotes

  • “Fresh, innovative, and just plain different.” Woodrow Wilkins, All About Jazz, 2005-10-13
  • “Among a group of young jazz composers who are unafraid to step beyond traditional constraints.” Celeste Sunderland, All About Jazz, 2005-12-13
  • “Few have the mastery of their chosen instrument that Dominique Di Piazza has displayed throughout his career.” Damian Erskine, Bass Musician Magazine, 2009-02-01
  • “Possessing a clean, clear, punchy style that he can adapt to any environment.” Ken Micallef, Modern Drummer, 2019-12-27
  • “A drummer dripping with impeccable touch and timing.” Sea of Tranquility, 2017-05-07

Reviews

  • Matt Shulman: So It Goes – All About Jazz – Woodrow Wilkins – 2005-10-13 – https://www.allaboutjazz.com/so-it-goes-matt-shulman-jaggo-records-review-by-woodrow-wilkins
  • Matt Shulman: So It Goes – All About Jazz – Celeste Sunderland – 2005-12-13 – https://www.allaboutjazz.com/so-it-goes-matt-shulman-jaggo-records-review-by-celeste-sunderland
  • Matt Von Roderick: Hero’s Journey – Jazz Weekly – 2016-07-18 – https://jazzweekly.com/2016/07/matt-von-roderick-heros-journey/
  • Matt Von Roderick Celestial Heart – Making A Scene – 2023-07-21 – https://www.makingascene.org/matt-von-roderick-celestial-heart/
  • Front Page: Front Page – All About Jazz – Walter Kolosky – 2004-01-12 – https://www.allaboutjazz.com/front-page-front-page-sunnyside-records-review-by-walter-kolosky
  • Dominique di Piazza: Spiritual Hymns – All About Jazz – Phil DiPietro – 2002-05-14 – https://www.allaboutjazz.com/spiritual-hymns-dominique-di-piazza-canaan-music-review-by-phil-dipietro
  • Dominique di Piazza: Princess Sita – All About Jazz – Phil DiPietro – 2008-08-19 – https://www.allaboutjazz.com/princess-sita-dominique-di-piazza-picanto-records-review-by-phil-dipietro
  • Joel Taylor – Modern Drummer – Ken Micallef – 2019-12-27 – https://www.moderndrummer.com/article/february-2020-joel-taylor/

BOOKING REQUEST

CONFLUENCE TRIO ft. Alessandro Napolitano, Bill O’Connell & Dany Noel | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO ft. ALESSANDRO NAPOLITANO, BILL O’CONNELL & DANY NOEL | Contemporary Latin Jazz (IT/US/CU)

CONFLUENCE TRIO

ft. Alessandro Napolitano, Bill O’Connell & Dany Noel

Contemporary Latin Jazz (IT/US/CU)

AVAILABILITY FOR EUROPE

2026 | TBA

Line-up

Alessandro Napolitano | Drums
Dennis Chambers, Virgil Donati, Jerry Bergonzi, Joey DeFrancesco, Eric Marienthal, Fabrizio Bosso, Rosario Giuliani.

Bill O’Connell | Piano
Mongo Santamaría, Jerry González / Fort Apache Band, Dave Valentin, Paquito D’Rivera; collaborations also include Chet Baker and Gato Barbieri.

Dany Noel | Electric Bass & Vocals
Pino Daniele, Paolo Fresu, Omara Portuondo, Vicente Amigo.

Style

A groove-forward, drummer-led trio where Afro‑Cuban clave and Brazilian pulse meet contemporary jazz harmony—odd meters, polymetric turns, and lyrical improvisation.

Overall profile 

Italian drummer/composer Alessandro Napolitano convenes a transatlantic meeting point in Confluence Trio, pairing New York Latin‑jazz authority Bill O’Connell with Cuban bassist/vocalist Dany Noel. The debut album Beyond Borders (Soundiva; available 2025-12-01 in digital and physical formats) frames seven originals and three reimagined standards as a single narrative arc: odd‑meter themes, conversational polyrhythms, and open improvisation that never abandons melody.

The band DNA is Rhythm/Groove first (clave awareness, tumbao/montuno as engines, metric elasticity), with a post‑bop/Latin harmonic palette (extended voicings, modal color, chromatic side‑steps) and a clear division of roles: drums as narrative architect, piano as rhythmic-harmonic driver, bass/voice as melodic anchor. The result is a compact, high-impact trio sound designed for audiences who want both danceable momentum and modern-jazz depth.

Member details

Alessandro Napolitano — Drums
• Leads the trio as composer and form-shaper, foregrounding odd meters and polymetric design as expressive tools.
Beyond Borders blends jazz, Afro‑Cuban jazz, Brazilian Latin-jazz and fusion with an emphasis on rhythmic architecture and collective interplay.
• Direction from the kit is “compositional”: cueing dynamics, re‑framing sections, and keeping the narrative arc in focus.
(“A record marked by a broad, skillful use of odd meters, polymeters and polyrhythms.” — Stefano Dentice, Sound Contest, 2025-12-02)

Bill O’Connell — Piano
• A key New York voice in Latin jazz: montuno fluency, post‑bop clarity, and a pianist’s ability to steer the groove from inside the harmony.
• Longstanding work across the Latin‑jazz continuum (including Dave Valentin, Jerry González and Mongo Santamaría) informs the trio’s rhythmic confidence.
• In Confluence Trio, his touch moves from percussive engine to luminous colorist, shaping transitions and harmonic perspective.
(“His signal contributions to Latin jazz with Dave Valentin, Jerry Gonzalez and Mongo Santamaria are familiar to devotees.” — Richard J. Salvucci, All About Jazz, 2023-08-19)

Dany Noel — Electric Bass & Vocals
• Cuban-born, Madrid-based bassist/vocalist with deep roots in Afro‑Latin forms and a flexible modern time-feel.
• Singing bass tone and vocal presence add a song‑centered layer to the trio’s explorations (voice featured on selected tracks).
• Functions as both anchor and catalyst: locking tumbao, opening melodic counterlines, and coloring the texture with voice.
(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Discography highlights

Beyond Borders — Alessandro Napolitano Confluence Trio (Soundiva)
• Availability: digital + physical from 2025-12-01.
• 10 tracks: 7 originals (O’Connell: “Alpha Alpha”, “Sitting Bull”; Noel: “Confluence”, “Despertar”, “Sullelgada”; Napolitano: “Mentality Disease”, bonus track “My Voice”) + 3 standards (“Bésame Mucho”, “Chan Chan”, “Summertime”).
• Produced in collaboration with Laboratori d’Arte (Soc. Coop.) with support from IMAIE (Bando Nuove Produzioni Discografiche 2024/2025).

Alessandro

  • 2000 — Berklee College of Music scholarship (as reported in multiple Italian press/bios).

  • 2012 — Curator/organizer of “Drum Day” events; documented as an active educator/scene catalyst in Southern Italy.

  • 2015 — Listed by Modern Drummer among “100 Best Drum Teachers in the World” (reported in Italian press/bios).

  • 2025Beyond Borders released with Soundiva (with Laboratori d’Arte) and supported by IMAIE’s “Nuove Produzioni Discografiche 2024/2025”.

Bill

  • Four-time recipient — SESAC “Jazz Writer of the Year” (award count stated in official bio and major press listings).

  • 2022 — GRAMMY nomination (Best Instrumental Arrangement) for a Latin-jazz retooling of “Chopsticks,” on Richard Baratta’s The Reel Deal.

  • 1977 — First major Latin-jazz break: joins Mongo Santamaría’s band (Latin-jazz/salsa NYC scene).

  • 1980s–2011 — Long-running role as musical director/keyboardist with Dave Valentín (recording + touring era documented in profile features).

Dany

  • 2004 — Co-founds ITALUBA with drummer Horacio “El Negro” Hernández (bassist, composer, arranger).

  • Mid-2000s — ITALUBA described in official/venue bios as GRAMMY-nominated for ITALUBA 1 (Best Latin Jazz Album).

  • 2006 — Debut solo album Mi Sentir (also as vocalist); presented at MIDEM (Cannes).

  • 2019 — ITALUBA Big Band project wins CubaDisco in the Jazz category (award listings for CubaDisco 2019).

  • 2020 — Laurus releases a custom “Dany Noel” signature bass model (endorsement milestone; reported in event listings/endorser pages).

  • Ongoing — Documented collaborations span Cuban roots and global jazz: Omara Portuondo, Celia Cruz, Roy Hargrove, Chucho Valdés, Bebo Valdés, Giovanni Hidalgo, Rubén Blades, Paquito D’Rivera, and others (multiple festival/venue bios).

ALLEN HINDS 4tet ft. JIMMY HASLIP, MICHELE PAPADIA & GERGO BORLAI (USA)

ALLEN HINDS 4tet ft. JIMMY HASLIP, MICHELE PAPADIA & GERGO BORLAI | Groove Fusion (USA)

Allen Hinds 4tet

ft. Jimmy Haslip, Michele Papadia & Gergo Borlai

Groove Fusion (jazz‑blues‑rock) | USA

AVAILABILITY FOR EUROPE

2026 | August 19th to 30th

Line-up

Allen Hinds | Guitar
Natalie Cole, Roberta Flack, Randy Crawford, James Ingram, Bobby Caldwell, BeBe & CeCe Winans, The Crusaders, Hiroshima, Boney James, Eric Marienthal

Jimmy Haslip | Bass
Allan Holdsworth, Pat Metheny, Bonnie Raitt, Rod Stewart, Donald Fagen, Al Jarreau, Bruce Hornsby, Jeff Lorber, Robben Ford, Bobby McFerrin

Gergő Borlai | Drums
Al Di Meola, Tony MacAlpine, Nathan East, Tom Scott, Vernon Reid, Terry Bozzio, Bob Mintzer, Scott Henderson, Gary Willis, Hadrien Feraud

Michele Papadia | Keys
Ana Popovic, Joe Bonamassa, Noemi, Fabrizio Bosso, Gianluca Petrella, Patty Pravo

Style

A blues-rooted, guitar-led fusion set where hooks matter as much as solos: Allen Hinds’ vocal phrasing rides a pocket built by Jimmy Haslip’s melodic, harmony-aware bass lines and Gergő Borlai’s high-definition drive-tight on the backbeat, fearless when the meters start to bend. Michele Papadia adds Hammond grit and electric-piano shimmer, widening the harmonic canvas as the quartet moves from lean funk vamps to open, melodic jazz-rock studio-clean in tone, live-wire in momentum.

Profile

Allen Hinds Quartet brings groove fusion into a modern, song-forward frame-equal parts blues narrative, jazz harmony, and rock attitude. Hinds’ lyrical phrasing and expressive articulation lead the line, while Jimmy Haslip anchors the band with a producer’s ear and an electric sound that can feel as warm and upright-like as it is punchy. Gergo Borlai adds high-definition fusion vocabulary without losing the jazz feel, turning metric shifts into momentum rather than complexity. Michele Papadia widens the harmonic spectrum with Hammond and keys that can move from velvet pad work to biting, percussive comping an ideal foil for Hinds’ bends and melodic themes. The set stays built on groove: head-nodding backbeats, elastic pocket funk, and slow-burn blues that open into fearless improvisation and tight, conversational interplay.

Details

Allen Hinds A long-time first-call guitarist in contemporary jazz-blues contexts, with credits spanning soul, pop, and jazz crossover sessions. His writing favors melodic song-forms, dynamic builds, and tone-forward storytelling. Highlights include the 2016 release Fly South. (“Imagine a player with the taste of Robben Ford, the fearless melodicism of Jeff Beck and the joyous musicality of Derek Trucks.” — Jason Sidwell, MusicRadar, 2017-05-10)

Jimmy Haslip Cofounding voice of modern fusion bass, known for lyricism, articulation, and harmonic clarity. Equally at home as sideman and producer, shaping ensembles from the inside out. His work is often praised for bringing an upright-like elegance to the electric instrument. (“Haslip is a most lyrical musician, and he brings the elegant tone of an upright bass to his electric model.” — Ian Patterson, All About Jazz, 2011-05-04)

Gergő Borlai A fusion powerhouse with a broad vocabulary—speed, precision, and deep listening in equal measure. Credits include work alongside rock/fusion icons and a strong footprint in modern jazz contexts. His playing turns technical firepower into narrative energy and forward motion. (“Oh, he can shred—boy, can he shred.” — Ilya Stemkovsky, Modern Drummer, 2018-11-30)

Michele Papadia Keyboardist, composer, arranger, and producer with a reputation for high-impact groove playing and rich harmonic color. Active across jazz-fusion and blues-rock circuits, including long-term work in international touring line-ups. His keys parts are valued for shaping the identity of recordings from the earliest demos. (“Michele Papadia, with me for 17 years… sent me keys parts for the first demos of the songs and I kept them all.” — Ana Popovic, American Blues Scene, 2023-05-02)

Biographies

Allen Hinds

Allen Hinds is a guitar storyteller whose career sits at the crossroads of blues grit, jazz harmony, and modern fusion drive. Raised in Auburn, Alabama and drawn early to blues and R&B, he pushed toward jazz and fusion as a teenager and studied at Berklee before relocating to Los Angeles to attend Musicians Institute. In MI’s own profile of his path, that move was made possible by the Larry Carlton Scholarship, and Hinds has remained closely tied to the school as a long-standing faculty member in jazz improvisation and phrasing.

In L.A., Hinds built the kind of résumé that only comes from being consistently called for the right gigs: tracking and touring across soul, pop, and jazz-adjacent sessions with major artists and bandleaders while also cultivating his own catalogue. His playing has been repeatedly described in terms of “taste” and melodic fearlessness vocal-like bends, liquid legato, and a climactic sense of solo architecture that makes improvisation feel like narrative. That dual identity-first-call sideman and leader with a signature voice shows up in how he writes: tight, song-centered forms that can expand into open improvisation without losing their arc.

Hinds’ music has also found a life in broadcast placements, with compositions used across TV and cable programming, reinforcing a key point about his artistry: hooks matter as much as chops. As a leader he frames groove as the engine and melody as the headline blues-rooted themes, jazz-inflected chord movement, and rock-ready dynamics that keep the audience locked in even when the harmony and phrasing get adventurous. The arc of his career is defined less by stylistic pivots than by deepening: the same unmistakable tone applied to increasingly refined writing, increasingly conversational ensembles, and an ever-clearer sense of what makes a guitar line memorable.

Jimmy Haslip

Jimmy Haslip is one of the defining electric bass voices in contemporary jazz-fusion a musician whose career spans virtuosic performance, composition, and a major body of work as a producer. For more than three decades he was a core figure in Yellowjackets; in a 2020 interview he reflected on spending 32 years with the band and then stepping away in 2012 as touring demands collided with a growing production workload and a desire to be closer to family. That long arc helped set the template for modern fusion: a rhythm section that can be both pocket-deep and harmonically agile, supporting strong melodies without sacrificing risk.

Haslip’s role was never limited to “the bass chair.” He shaped sound and direction from the inside, contributing as a writer and as a studio-minded architect of the rhythm section. In interviews he has described making records as a social and musical craft: gathering players, shaping atmosphere, and protecting the song’s identity through the recording process. A JazzTimes conversation captures how seriously he takes that craft, framing production as its own discipline and describing a catalog that runs deep into dozens of albums.

Recognition has followed that breadth. Yellowjackets’ long GRAMMY history is well documented by the Recording Academy, and Haslip’s own credits include multiple GRAMMY wins and a long run of nominations an indicator not just of playing excellence but of sustained relevance across projects and decades. Musically, his signature is lyricism with authority: a full tone, precise articulation, and harmonic intelligence that lets the bass function as both anchor and melodic counter-voice. Even when working at the highest technical level, his lines remain singable always serving the music first, which is exactly why so many artists trust him with the foundation.

Gergő Borlai

Gergő Borlai represents the modern fusion drummer at full bandwidth: explosive technique, deep time, and an ear for arrangement that turns virtuosity into story. Originally from Hungary, he developed early as a professional player in his teens and later expanded into an international career as a session, touring, and recording drummer, as well as a composer and producer. The through-line is not just speed or precision, but the ability to make complex rhythmic information feel like momentum odd meters that breathe, metric shifts that land like downbeats.

Borlai’s discography and live profile connect him to a broad network of high-level fusion and contemporary jazz artists guitar heroes, modern bass innovators, and cross-genre projects where the drummer is expected to carry both precision and personality. Industry bios and festival line-ups regularly cite an unusually high volume of recordings and performances, alongside an awards footprint tied to his work in Hungary and beyond: gold-record acknowledgements, major national prizes, and prominent international visibility.

His career has also been marked by headline milestones in the drumming world. In 2019 he placed third in Modern Drummer’s reader poll for “Best All-Around Drummer,” and in 2021 a legacy manufacturer released a signature snare drum developed with him. A 2025 profile also notes that his 2020 solo album The Missing Song was in consideration for GRAMMY recognition, while his broader public presence has grown through clinics and educator roles that bring his approach to drummers worldwide.

Importantly, those achievements have not pulled him away from the working drummer’s craft; they have amplified it. Borlai’s most consistent calling card is that he makes technical content feel human groove-first, reactive to the band, and always aimed at lifting the music rather than displaying the machinery.

Michele Papadia

Michele Papadia is an Italian keyboardist, composer, arranger, and producer whose career has been built in the engine room of contemporary blues and groove-based music: touring bands, high-pressure sessions, and the day-to-day discipline of making songs work. His musical identity is rooted in Afro-American traditions blues, funk, soul, and jazz filtered through a modern player’s toolkit: Hammond organ authority, electric-piano nuance, clavinet bite, and a producer’s instinct for what a track needs.

Papadia’s profile is strongly tied to long-term collaborations, especially in the international blues-rock circuit where consistency and trust matter. A vivid example comes from Ana Popovic’s own account of making the album Power (2023): Papadia described as working with her for 17 years at that point sent keyboard parts for the earliest demos, and those original parts were kept in the final masters while other elements were recorded around them. It is a telling detail: he is not only a live band member, but a foundational voice in the production chain, shaping arrangement and feel from the earliest stage.

In interviews, Papadia has also described formative “professional rites of passage” that map his path from Italy to the wider touring world: high-level encounters, sessions, and tours that placed him in demanding contexts where taste and reliability matter as much as vocabulary. Those experiences sit behind his practical musical philosophy: the blues is not a museum piece but a living language, strengthened by groove, call-and-response, and the ability to support a singer or guitarist while still adding harmonic depth.

Across his work as a musician and educator, Papadia’s signature is the same: parts that lock the pocket, color the harmony, and make the song feel inevitable—whether on a festival stage or inside the studio, where a great take can become the identity of the record.

Quotes

Hinds

Haslip

Papadia

Borlai

Dany Noel Cuban Collective — Detalles | Cuban Jazz / Latin Jazz (CU/ES)

DANY NOEL Cuban Collective — Detalles | Cuban Jazz / Latin Jazz (CU/ES)

Dany Noel Cuban Collective

Cuban Jazz / Latin Jazz (CU/ES)

 AVAILABILITY FOR EUROPE
2026 | July / August / September

Style

A journey of fusion from the heart of Cuban Latin Jazz: Afro-Cuban pulse, modern harmony and funk propulsion—DETALLES turns micro-textures into big emotion, on record and on stage.

Profile

Recognized as one of the most versatile and expressive bassists on the international scene, Dany Noel is a key figure in the evolution of contemporary Latin Jazz. Originally from Cuba, he is a bassist and composer who has found his voice within the vibrant world of Latin Jazz. With a strong background in both traditional Cuban music and contemporary jazz, he has been part of major ensembles both on the island and internationally.

He stands out for his virtuosity, rhythmic sensitivity, and his ability to craft a unique musical language—one where Afro-Cuban roots meet jazz, flamenco, funk, and wider world-music colours. In his latest project, DETALLES, Dany Noel offers a sonic fusion that transcends genres, blending Latin Jazz with Afro-Cuban elements and funk. This work highlights not only his prowess as a bassist but also his vision as a producer and architect of a contemporary proposal full of nuance, colour, and emotion.

DETALLES is an invitation to listen beyond the obvious: to dive into the textures of rhythm and harmony, and to rediscover the richness of Cuban music from a modern, global perspective. More than just an album, it is a musical statement where technical precision meets heartfelt emotion. Each piece is carefully crafted to showcase the beauty of the small, the intimate, the essential. Dany Noel leads from the bass with elegance—also with his voice—and with the rhythmic drive that defines his signature.

Originally conceived as a trio recording, the project explores subtleties of rhythm and melody with a modern, minimalist aesthetic. In its live version, DETALLES evolves into something bigger: a vibrant collective experience with a full band of eight musicians on stage. With the expanded line-up, the music becomes a thrilling performance—where improvisation, polyrhythms and the energy of live interplay connect the audience to the pure essence of contemporary Latin fusion.

Details

DETALLES blends Latin Jazz with Afro-Cuban elements and funk, balancing technical precision with a direct emotional narrative.

Studio-born as a trio-minded concept with a modern, minimalist aesthetic, the repertoire expands live into a full-band set that amplifies energy, polyrhythm and real-time interaction.

The live format features bass and voice at the centre, surrounded by piano, electric guitar, trumpet, drums, percussion and two backing vocalists—built for call-and-response, groove development and open improvisation.

(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Line-up

Dany Noel | Bass & Voice
Cuban-born bassist/composer; bass-led writing, vocal phrasing and Afro-Cuban rhythmic drive at the core of the project.

Adrián Esteves | Piano
Modern voicings and montuno-derived comping; harmonic colour and rhythmic propulsion.

Dani Morales | Drums
Drum-set architecture that shifts between tight funk articulation and open Latin-jazz swing.

Haime Vázquez | Congas
Afro-Cuban percussion layers, tumbao-support and conversational accents with the drum set.

Raúl Venegas | Guitar
Electric-guitar colours: rhythmic hooks, counterlines, and textural support for the melodic writing.

Julio Rigal | Trumpet
Brass lead voice: melodic statements, bright call-and-response and improvisational lift.

Agnese | Backing Vocals
Vocal textures and rhythmic unisons; expands the chorus dimension of the live set.

Elizabeth | Backing Vocals
Backing-vocal power and phrasing; reinforces the groove and opens timbral contrast in the arrangements.

Discography Highlights

DETALLES (album, 2024)

Intercambio (album, 2022)

Haciendo Camino (album, 2020)

Por la Habana (album, 2017)

Tinta Unida (album, 2013)

CONFIDENCE (album, 2013 — with Dario Chiazzolino)

Proposición (album, 2011)

Dime Si Tú Sabes (album, 2006 — as Duo Chocolate)

Mi Sentir (album, 2007)


QUOTES

  1. “Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02

  2. (Translation) “The bottom-end of things is held firm by the superb rumbling of Dany Noel’s bass lines.” — Raul Da Gama, Latin Jazz Network, 2020-12-10

  3. “The accompaniment … is punchy and crisp on a wide soundstage …” — Peghead Nation (review), 2020-09-12

  4. (Translation) “I started playing at the age of 10… and I don’t think I’ll ever stop as long as I have the strength.” — Dany Noel (quoted), Laura Lipari, LetteraEmme, 2022-05-18

  5. (Translation) “Dany Noel Cuban project — Detalles …” — WhatsApp message (provided by user), 2026-01-21


REVIEWS / ARTICLES

REVIEW: Alex Wilson and Friends at the 2016 London Latin Jazz Festival — London Jazz News — Sebastian Scotney — 2016-10-02

David Broza: en Casa Limón — Latin Jazz Network — Raul Da Gama — 2020-12-10

David Broza Celebrates the Spanish Guitar — Peghead Nation — 2020-09-12

Article: Dany Noel presents “Intercambio” at Retronoveau (Thursday jazz night) — LetteraEmme — Laura Lipari — 2022-05-18

Article: Dany Noel Confluence Trio at “Il Torrione” (Oct 21) — Informagiovani Ferrara — 2023-10-19

City programme announcement: “Madrid, a Christmas postcard” fills the city with music… — madrid.es — 2025-11-21

City programme announcement: Madrid lives a Christmas full of music and tradition — madrid.es — 2025-12-12

Track page: “Briga · Dany Noel (Detalles)” — YouTube (Provided to YouTube by CDBaby) — 2024-04-08

Internal / provided material: “EN — Dany Noel Band — Detalles” (PDF, undated)

AfroCuban Reunión

AFROCUBAN REUNIÓN | Afro-Cuban Jazz Fusion CU/RE

AfroCuban Reunión

Dany Noel, Meddy Gerville, Dani Morales

Afro-Cuban Jazz Fusion (CU/RE)

 AVAILABILITY FOR EUROPE

2026 | June 11th to 28th

Line Up

Dany Noel | Bass & voice
Chucho Valdés, Horacio “El Negro” Hernández, Roy Hargrove, Diego El Cigala, Bebo Valdés, Buika, Tony Succar, Nella, Ojos de Brujo, Giovanni Hidalgo, Omara Portuondo, Changuito

Meddy Gerville | Keyboards & voice
Wyclef Jean, Randy Brecker, Giovanni Hidalgo, Nguyên Lê, Horacio Hernandez, Dominique Di Piazza, Louis Winsberg, Lionel Louéké

Dani Morales | Drums & percussion
Jorge Pérez, Aurora García, Jorge Vera, Raúl Venegas, Miguel Núñez, Albita, Lolita, Christian Tonos

Pitch

Three islands, one groove: maloya from Réunion, Afro‑Cuban folkloric drive, and modern jazz harmony.
Singing bass & voice, percussive keys, and drums that pivot from dance‑floor clarity to open improvisation.
A rhythm‑forward trio set designed for jazz and world stages.

Style

AfroCuban Reunión is a three‑way conversation between Réunion Island’s maloya pulse, Afro‑Cuban folkloric drive, and contemporary jazz harmony. Dany Noel anchors the sound with a singing bass and voice—tumbao weight, melodic counterlines, and storytelling phrasing—while Meddy Gerville answers with percussive keys, chant‑like motifs, and Creole‑tinted voicings that keep the music ritual‑leaning and modern at once. Dani Morales keeps the current moving: Afro‑Cuban pulse on the kit and timbales, elastic swing, and sharp dynamic turns that let the trio flip from groove to open improvisation without losing the body.

Profile

AfroCuban Reunión brings together three musicians shaped by deep, place‑specific traditions and an outward‑looking jazz language. Meddy Gerville carries the circular, trance‑leaning energy of maloya into a keyboard vocabulary that can sound percussive, orchestral, or prayer‑like. Dany Noel turns Afro‑Cuban forms (son, rumba, bolero) into open frameworks for interplay, using bass and voice as equal melodic forces—supporting, commenting, and occasionally leading. Dani Morales completes the triangle with a drummer‑percussionist’s command of Afro‑Cuban timelines—cáscara and songo logic on the kit, timbal color when needed—building layered grooves that stay dance‑clear while opening space for improvisation.

The result is vivid and immediate: rhythm‑forward, melodically direct, and improvisational at its core.

Repertoire

The trio’s set blends originals and tradition. As Noel puts it: “We’d play Meddy’s tunes, my Latin‑jazz themes, and a traditional Cuban song sung by me—with jazz always in the influence.” Expect a journey that can touch bolero, son and guaracha, alongside contemporary jazz improvisation.

Members

Dany Noel

Cuban bassist and vocalist with deep roots in Latin jazz and flamenco, Noel is a bandleader and a sought‑after collaborator. His writing privileges groove and song‑form, while his bass lines stay vocal and narrative—often doubling as a second melodic voice. He co‑founded ITALUBA with Horacio “El Negro” Hernández (Grammy‑nominated for ITALUBA 1), and has participated in multiple award‑winning projects (Latin GRAMMY and other international recognitions).

(“Invites us on a fresh and fascinating musical journey that shows the essence of Latin jazz and the culture of his country.” — Ladbroke Hall, 2025-03-07)

Meddy Gerville

Gerville’s keyboard work fuses Creole songfulness with modern jazz touch: left‑hand ostinati, chant‑like motifs, and harmonies that open the music without diluting its roots. His phrasing balances clarity and surprise—often building long arcs over steady, ritual‑like cycles. As a vocalist he favors direct, earthy delivery that sits naturally inside the groove.

(“Grooves from the first note… and the set is a fine one.” — Peter McLaren, Jazz in Europe, 2017-02-14 — translated)

Dani Morales

Madrid‑based Cuban drummer and percussionist (kit & timbales), Morales moves fluently between Afro‑Cuban vocabulary, jazz time, and high‑energy stage formats. Documented in European listings with Dany Noel’s trio and in Patáx lineups, he plays as a groove architect: tight timeline control, quick orchestrations across the kit, and a clear sense of lift that keeps melodies and vocals supported without over‑filling.

(“With Dani Morales on drums… they deliver high‑quality music from the first moment and never stop surprising.” — Natalia Eseverri, El Arcón de Natalia, 2024-10-03 — translated)

Awards

  • Dany NoelITALUBA 1 (Grammy nomination, Best Latin Jazz Album, 2004); participation in Latin GRAMMY‑winning projects (incl. El Último Trago; Más De Mí).

  • Meddy Gerville — Pian’Austral competition prize (2000) (as reported in musician bios).

  • Dani Morales — No independently verifiable major awards found in dated mainstream sources reviewed; documented performance credits with Dany Noel Trio and Patáx in European press.

Releases

Dany Noel

  • INCOHERENTE SOCIEDAD (feat. Chabuco) — Single — 2025-12-17

  • Detalles — Album — 2024-04-08

  • Intercambio — Album — 2022-04-26

Meddy Gerville

  • Tropical Rain — Album — 2025-02-12

  • Lèr larivé — Single — 2024-12-16

  • Le larm dan mon zié (version Séga) — Single — 2023-11-22

Dani Morales

  • La razón — Single (YOSU LAROCA) — 2025-12-13

  • Cántale a la Vida — Single (Albita & Lolita) — 2025-08-22

  • Traigo de Todo (feat. Dany Noel) — Single (Christian Tonos) — 2025-07-31


Press

All excerpts below are translated into English for editorial use. Keep the original links for verification.

Project

  • “AfroCuban Reunion… closes the XXIV edition” — Jazzitalia (staff), 2025-08-04
    Excerpt: “An intense sonic journey between Réunion, Cuba and Europe… maloya, Afro‑Cuban and modern jazz… colors, ancestral rhythms and improvisation.

  • AFROCUBAN REUNION — artist page — BeatOnto Jazz Festival (staff), 2025-07-02
    Excerpt: “A trio that fuses Réunion roots, Afro‑Cuban energy and contemporary jazz… bold improvisations and rhythms that speak to heart and body.

Noel

  • “Dany Noel Cuban Project — Jazz & Dinner” — Ladbroke Hall (event page), 2025-03-07
    Excerpt: “A fresh and fascinating musical journey… the essence of Latin jazz… bolero, son, guaracha… and unreleased original songs.

  • “Dany Noel Trio feat Ivo Neame & Jorge Perez” — EFG London Jazz Festival (event listing), 2023-11-11
    Excerpt: “A new project led by Cuban bass virtuoso and singer Dany Noel…

  • “En Casa Limon” (album review) — Phillip Woolever, All About Jazz, 2021-01-24
    Excerpt: “Percussionist Israel Suárez and bassist Dany Noel provide admirable support throughout.

Gerville

  • “Tropical Rain — Meddy Gerville Trio” — Dot Time Records (label page), 2017-02-17
    Excerpt: “Grooves from the first note… and the set is a fine one.

  • Meddy Gerville — musician bio — All About Jazz (staff), 2017-07-18
    Excerpt: Mentions maloya roots and the Pian’Austral prize (2000).

Morales

  • “Crónica «Patáx» (Teatro Cervantes, Málaga)” — Natalia Eseverri, El Arcón de Natalia, 2024-10-03

  • Excerpt: “With Dani Morales on drums… high‑quality music from the first moment… never stop surprising.”

Sources

https://www.jazzitalia.net/beatonto-jazz-festival-afrocuban-reunion-e-lisa-manosperti-chiudono-la-xxiv-edizione/
https://www.beatontojazz.com/index.php/il-jazz-festival/edizione-2024/artisti?id=171&task=view
https://iltaccodibacco.it/puglia/eventi/300242.html
https://www.cronachetarantine.it/2025/08/06/jonio-jazz-festival-si-chiude-con-il-trio-afrocuban-reunion/

https://ladbrokehall.com/live-programme/jazz/dany-noel-cuban-project-4/
https://efglondonjazzfestival.org.uk/events/dany-noel-trio-feat-ivo-neame-jorge-perez
https://www.allaboutjazz.com/en-casa-limon-david-broza-s-curve-records__32628

https://www.dottimerecords.com/news/2017/2/17/tropical-rain-meddy-gerville-trio
https://www.allaboutjazz.com/musicians/meddy-gerville

https://www.laringhiera.net/eventi/portanapoli-in-jazz-reloaded-levento-per-sostenere-la-fondazione-cittadella-della-carita/
https://madridenvivo.com/viernes-18-jazz-con-sabor-a-club22/
https://elarcondenatalia.es/cronica-patax-teatro-cervantes-malaga/
https://www.subbeticahoy.com/articulo/lucena/festival-jazz-principal-protagonista-programacion-cultural-mayo-lucena/20240508215349028910.html
https://www.allaboutjazz.com/canarias-jazz-y-mas-2025-jazz-festival-alba-festival-review
https://cadenaser.com/asturias/2025/04/21/jazz-en-el-centro-casi-tres-decadas-mostrando-un-genero-que-gana-adeptos-en-gijon-ser-gijon/

https://music.apple.com/gb/song/la-raz%C3%B3n/1858799462
https://music.apple.com/us/song/c%C3%A1ntale-a-la-vida/1831832681
https://music.apple.com/us/song/traigo-de-todo-feat-dany-noel/1825000509

https://danynoel.bandcamp.com/album/haciendo-camino
https://www.solarlatinclub.com/2020/10/dany-noel-haciendo-camino/

https://music.apple.com/it/artist/dany-noel/308604677
https://music.apple.com/us/album/intercambio/1620621654
https://music.apple.com/us/album/detalles/1739050670

https://music.apple.com/us/album/tropical-rain/1791218875
https://music.apple.com/us/album/l%C3%A8r-lariv%C3%A9-single/1783481921
https://music.apple.com/us/album/le-larm-dan-mon-zi%C3%A9-version-s%C3%A9ga-single/1713117826

https://www.latingrammy.com/awards/11th-annual-latin-grammy-awards-2010
https://www.latingrammy.com/artists/tony-succar/34354-01
https://en.wikipedia.org/wiki/Latin_Grammy_Award_for_Best_Traditional_Tropical_Album
https://en.wikipedia.org/wiki/Latin_Grammy_Award_for_Best_Salsa_Album