Davide Pannozzo 4tet ft Etienne Stadwijk Will Lee Shawn Pelton DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4TET

AVAILABILITY FOR EUROPE
2027 | JULY

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
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Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton | Blues / Soul-Funk | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Will Lee | bass, vocals
David Letterman, The Brecker Brothers, The 24th Street Band, Horace Silver, Bette Midler, Barry Manilow, George Benson, James Brown, Aretha Franklin, Pat Metheny

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, shaped by a singing guitar voice, deep bass pocket, harmonic keyboards, and studio-grade drums.

The quartet works around the pocket: clear riffs, compact instrumental voices, disciplined improvisation, and a groove that stays physically readable.

Pannozzo’s writing becomes a high-definition live format where electric blues, jazz-fusion, and soulful song form remain connected.

Profile

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton places Pannozzo’s guitar writing inside a distinctly New York rhythmic language. The sound moves between modern blues, soul-funk, and jazz-fusion: the guitar carries the melodic narrative, Stadwijk widens the harmonic frame through keyboards and counterlines, Lee turns bass into both propulsion and song, and Pelton locks the band with a dry, elastic studio-band pocket. This is not a project built on résumé display, but on balance: song forms are clear, improvisation stays conversational, dynamics breathe, and every player leaves space for the collective attack. The result is a compact live unit with the authority of major session musicians and the directness of a band that can make blues feel current without nostalgia.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar tone rooted in blues and filtered through jazz harmony, controlled attack, and melodic phrasing. Sources document collaborations with George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Will Lee wrote in 2017 that, when hearing Pannozzo’s music, “there is something special going on.”

Etienne Stadwijk | keyboards. Stadwijk functions as the harmonic architect of the quartet: piano, keyboards, voicings, pads, and counterlines extend the guitar while keeping the groove open. A New York-based Berklee graduate, he is documented with Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News described Richard Bona’s band with Stadwijk as “very tight,” highlighting “very nice solos.”

Will Lee | bass, vocals. Lee is the melodic and rhythmic center of the band: elastic lines, studio timing, backing vocals, and a feel that makes the bass both foundation and hook. LA Phil documents his work with Dreams, Horace Silver, The Brecker Brothers, The 24th Street Band, the David Letterman house bands, and more than 1,700 studio dates with artists including Aretha Franklin, George Benson, Billy Joel, Pat Metheny, James Brown, and Paul McCartney. In this quartet he supplies authority, song sense, and funk architecture.

Shawn Pelton | drums. Pelton is the dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to keep blues, funk, and fusion loose without letting the pocket blur. Remo and International Musician document his long-running role with Saturday Night Live and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, Pink, and The Brecker Brothers. His method is summarized by his own line: “the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, Room for Joy; singles and recent releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, Shufflin’ NYC, Christmas In New York, and The Subway Song. Unconditional Love is documented as a New York album produced by Steve Jordan and Will Lee, with contributions from Shawn Pelton and other scene musicians.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His documented discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Will Lee: OH! and Love, Gratitude & Other Distractions as solo projects; albums with The 24th Street Band including The 24th Street Band, Bokutachi, and Share Your Dreams; official discography and biographical sources also place him with Dreams, The Brecker Brothers, Horace Silver, George Benson, Chaka Khan, Billy Joel, Bette Midler, Pat Metheny, James Brown, and a long list of studio recordings.

Shawn Pelton: selected official and documented work as session drummer and band member includes Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, Bob Dylan-related Hank Williams tribute recordings, and many Grammy-winning or high-profile studio projects. His discography is best understood as a first-call session and live-TV body of work rather than a leader catalogue.

Quotes

“There are very few artists these days that can inspire and are filled with inspiration and great ideas, Davide Pannozzo is one of them. When you first hear his music, you know there is something special going on…” — Will Lee; bassist and producer, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“As soon as the Beatles showed up on the Ed Sullivan Show, I knew what I wanted to do.” — Will Lee; interview by Jon Liebman; For Bass Players Only; 2010-05-31; https://forbassplayersonly.com/interview-will-lee/

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; live review of Richard Bona Group; London Jazz News; 2013-10-08; https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; statement on Then Why?!; BroadwayWorld; 2020-06-22; https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622

“They say the harder you work, the luckier you can be.” — Shawn Pelton; profile-interview The Ultimate Union Gig: Live from New York on a Saturday Night; International Musician; 2024-09-01; https://internationalmusician.org/shawn-pelton/

Reviews

Davide Pannozzo: Unconditional Love (Unconditional Love Global Publishing) 19th October 2017 — Music Republic Magazine; Simon Redley; 2017-10-19;
https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
A 5/5 review presenting Unconditional Love as a New York-recorded album around blues, fusion, and soul feel, with Steve Jordan and Will Lee as producers/players. The article highlights Pannozzo’s tone, writing, and the presence of Will Lee and Shawn Pelton in the album sound.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
https://rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
Article on Be Blessed, produced by Steve Jordan and featuring Will Lee on bass, Clifford Carter on keyboards, and Davide Rossi on strings. It also reconstructs Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
Live review of Richard Bona’s quartet with Etienne Stadwijk on keyboards and piano. It praises the tightness of the band and Stadwijk’s solos, useful for positioning him as a keyboardist who can support groove and improvisation at the same time.

Will Lee talks life after Letterman — For Bass Players Only; Jon Liebman; 2021-10-25;
https://forbassplayersonly.com/will-lee/
Interview-article revisiting Will Lee’s career after the Late Show, with references to Horace Silver, The Brecker Brothers, Billy Cobham, David Bowie, James Brown, Robben Ford, Bette Midler, Barry Manilow, and his solo work.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; IM; 2024-09-01;
https://internationalmusician.org/shawn-pelton/
Profile on Shawn Pelton and his role in the Saturday Night Live band, focused on discipline, versatility, live television pressure, and session-musician survival skills. It frames his drumming as a balance of flexibility, groove culture, and broadcast precision.

#269 Shawn Pelton- Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
https://www.discussionsinpercussion.com/home/2022/2/22/269-shawn-pelton-drummer-for-snl-sheryl-crow-john-eddie-and-more
Podcast-interview covering Pelton’s SNL work, session career, programming skills, Live From Daryl’s House, CBS Orchestra substitutions, and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Elton John, Billy Joel, David Byrne, and Grammy-winning albums.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
https://jazzjournal.co.uk/2025/06/11/reviewed-jonah-david-adrian-galante-mingus/
Review that includes Jonah David’s Waltz for Eli, a project documenting Etienne Stadwijk on keyboards and in the writing credits. It helps support his profile as a harmonic and textural player in contemporary jazz contexts.

Daraa Tribes

DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)

DARAA TRIBES Tribal Fusion & Saharan Blues (MA)

SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
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Line-up

Rachid Berazougui | Electric guitar, vocals
Playing For Change (Live Outside); international festival circuits (EU/UK/NA)

Mustapha Aqermim | Rhythm guitar, backing vocals
Collective songwriting; linguistic/organizational bridge in international collaborations

Abdelkebir Saadi | Bass, backing vocals
Grounding rhythm section between Regaga and desert‑blues groove; full‑band live set

Abdelhafid “Hafid” Ami | Percussion (cajón/krakebs), backing vocals
Polyrhythms and ritual patterns (Lkaaba) integrated into an electric set

Mohamed Sabir | Drums
Drummer in the band’s amplified live configuration; adds a more driving full-kit pulse to the groove

Balkhir Razgui | Vocals, percussion (founder, in memoriam)
Founding voice of the project (2014–2024)

Style

Tribal Fusion and Saharan Blues from the palm groves of Tagounite: desert‑guitar riffs, trance percussion and call‑and‑response that turn the stage into a shared rite.

Profile

Daraa Tribes formed in 2014 in Tagounite, an oasis town in Morocco’s Draa Valley: a group of friends from different tribes translating their home’s coexistence into sound. Their “blues of the desert” intertwines Gnawa, Sahraoui, Amazigh and Regaga idioms into a contemporary language—dry, hypnotic electric guitars, a pulsing bass, polyrhythmic percussion and multilingual chorus lines (Darija, Tamazight, Hassani). On stage the band builds by accumulation: circular grooves, minimal variation and tight interplay that draws the audience into a collective dance. After consolidating an international trajectory across festivals and clubs, Daraa Tribes have just wrapped up a UK mini‑tour (Bristol–London–Manchester), reaffirming the project’s high‑intensity live dimension.

Details 

• Rachid Berazougui writes and sings part of the repertoire with a desert‑tone electric guitar that leads the set’s hypnosis. (“Immerse yourself in the rich tapestry of sound that is the heartbeat of Daraa Tribes.” Playing For Change, 2025-04-01)

• Mustapha Aqermim is a rhythmic and narrative engine: the band’s identity grew “in a circle,” without hierarchy, from sharing traditions. (“We didn’t plan to start a band. We just started playing together…” Matt Ross, Arab News, 2020-08-16)

• UK mini‑tour (just concluded): Jam Jar (Bristol, 2026-01-03), Hootananny (Brixton, 2026-01-07), Band on the Wall (Manchester, 2026-01-11).

• Sound imprint: desert‑guitar groove with a Gnawa edge—a writing approach that stays danceable even at its most ritual. (“…incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.” Tony Benjamin, Bristol24/7, 2026-01-02)

Discography

  • Alwan (EP, 2017)

  • Igharman (LP, 2018)

  • Zamane (EP, 2019)

  • Lakbayl (single, 2021)

  • Sahara (single, 2022)

  • Torat Vol. 1 (EP, 2024)

MUSIC REVIEWS

Listening Now : Daraa Tribes – Bshara | 2024-02-02
https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/

Torat Vol. 1, au fil du nouvel EP des Daraa Tribes | 2024-01-29
https://djolo.net/torat-vol-1-au-fil-nouvel-ep-daraa-tribes/

BSHARA REVIEW: The Vitality of North African Pastoral Life | 2024-01-25
https://music.coralriff.biz/bshara-vitality-north-african-pastoral-life/

Daraa Tribes Evoke the Vitality of North African Pastoral Life in the Traditional and Saharan Blues Fusion of “Bshara” | 2024-01-24
https://queencitysoundsandart.wordpress.com/2024/01/24/daraa-tribes-evoke-the-vitality-of-north-african-pastoral-life-in-the-traditional-and-saharan-blues-fusion-of-bshara/

Daily Discovery: Daraa Tribes – Bshara | 2024-01-17
https://rhythmpassport.com/daily-discovery-daraa-tribes-bshara/

Daily Discovery: Daraa Tribes – Sahara (Official Video) | 2022-10-18
https://rhythmpassport.com/daily-discovery-daraa-tribes-sahara-official-video/

Joli moment de convivialité dans le Sahara avec la Daraa Tribes | 2022-10-10
https://djolo.net/joli-moment-convivialite-dans-sahara-avec-daraa-tribes/

LAKBAYL | BLOGS’ REVIEWS | 2021-10-17
https://music.coralriff.biz/lakbayl-blog-reviews-single-release/

Toutes les Daraa Tribes se réunissent sur Lakbayl | 2021-10-08
https://djolo.net/toutes-les-daraa-tribes-se-reunissent-sur-lakbayl/

All the Daraa Tribes meet on Lakbayl | REVIEW ON DJOLO | 2021-10-08
https://music.coralriff.biz/all-daraa-tribes-meet-lakbayl-review-on-djolo/

Globalism //4 | 2021-10-04
https://lastdaydeaf.com/globalism-4/

UltraRadar. Nueva música alternativa mundial – Octubre 2021 | 2021-10-01
https://planarteria.com/2021/10/ultraradar-nueva-musica-alternativa-mundial-octubre-2021/

Quotes 

“…incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.”

Tony Benjamin, Bristol 24/7, 2026-01-02) — https://www.bristol247.com/culture/music/bristols-month-in-world-music-january-2026/

“We are delighted to welcome back Daraa Tribes as the celebratory closing act of our first digital festival.”

Liverpool Arab Arts Festival, 2020-07-18) — https://www.arabartsfestival.com/events/daraa-tribes/

“The track… fusing ancient rhythms with contemporary flair… offering listeners a sonic journey.”

Last Day Deaf, 2024-02-02 — https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/


Reviews / articles / profiles

Profiles & bio

UK tour (just concluded)

Live reviews

Jeff Berlin Trio ft. Jorge Vera & Jose San Martin

JEFF BERLIN Trio ft. JORGE VERA & JOSE SAN MARTIN | Fusion Jazz (USA)

 

JEFF BERLIN Trio ft. Jorge Vera & Jose San Martin | Fusion Jazz (USA)

AVAILABILITY FOR EUROPE
October 29th to November 15th, 2026
March 1st to 28th, 2027

JeffBerlinTrioftJorgeVeraJoseSanMartin JEFF BERLIN Trio ft. JORGE VERA & JOSE SAN MARTIN | Fusion Jazz (USA)
JeffBerlinTrioftJorgeVeraJoseSanMartin JEFF BERLIN Trio ft. JORGE VERA & JOSE SAN MARTIN | Fusion Jazz (USA)
JeffBerlinTrioftJorgeVeraJoseSanMartin
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Line-up

Jeff Berlin | Bass
Bill Bruford, Allan Holdsworth, Anderson Bruford Wakeman Howe, Patrick Moraz, David Liebman, Patti Austin, Kazumi Watanabe, George Benson, Dennis Chambers, Scott Henderson

Jorge Vera | Piano
Billy Cobham, Jeff Berlin, Horacio “El Negro” Hernández, Damien Schmitt, Patáx, Dennis Chambers, Ara Malikian, Tony Succar, Christian Gálvez, Alain Pérez

José San Martín | Drums
Hugo Fattoruso, Zeca Assumpção, Mauro Senise, Jerry González, Federico Lechner, Luis Salinas, Antonio Serrano, Jorge Pardo, Jorge Drexler, Toninho Horta

Style

Contemporary fusion jazz with electric bass in the foreground, piano balancing dense harmony and lyricism, and drums speaking an Afro-Latin vocabulary.
Shifting meters, melodic bass lines, and grooves that change perspective without losing swing.
A stage-built trio: immediate dynamics, virtuosity in service of storytelling, and tight three-way interplay.

Profile

JEFF BERLIN TRIO is a fusion-jazz workshop where electricity is not simply a color, but a grammar.

Jeff Berlin’s bass carries melodies and walking lines as a front voice, combining the rhythmic clarity associated with his Bruford and Holdsworth years with a lasting commitment to music before display. Returning to the piano chair, Jorge Vera brings contemporary jazz harmony, Latin American rhythmic detail, acoustic lyricism, and an incisive electric attack. His voicings widen the trio’s harmonic field while leaving room for Berlin’s melodic counterpoint.

José San Martín completes the triangle with a timbral, narrative approach to drumming: candombe, swing, funk, and urban pulses meet in an elastic groove capable of supporting both unison precision and open improvisation. The project’s defining DNA is interplay—singing bass lines, mobile harmony, and a drum kit that orchestrates the space. Virtuosity remains central, but always as a means of building momentum, contrast, and a direct live story.

Details

Jeff Berlin | Bass
A central figure in jazz-rock since the late 1970s, Berlin helped move electric bass toward a genuine lead role through legato articulation, harmonic fluency, and uncompromising time.
Within the trio, his sound is both architecture and narrative: walking lines that swing, melodic counterpoint, and solos developed with compositional logic.
His work with Bruford, Allan Holdsworth, Patrick Moraz, David Liebman, Kazumi Watanabe, Dennis Chambers, and Scott Henderson anchors the project in the highest level of fusion history.

“Part of the joy of music is evolving. You want to evolve. That’s a liberating element.”

Jeff Berlin, All About Jazz, 2022-11-21

Jorge Vera | Piano
Vera returns as the trio’s harmonic catalyst, moving between acoustic clarity, Rhodes color, contemporary jazz harmony, and Latin American rhythmic phrasing.
His role is not conventional accompaniment: he redirects themes through substitutions, register shifts, percussive chords, and rapid exchanges with bass and drums.
His verified collaborations include Billy Cobham, Jeff Berlin, Horacio “El Negro” Hernández, Dennis Chambers, Damien Schmitt, Patáx, Ara Malikian, Tony Succar, Christian Gálvez, and Alain Pérez.

“I will always fight for my dream, until I die.”

Jorge Vera, artist statement, 2017-05-17

José San Martín | Drums
San Martín gives the trio its orchestral rhythmic dimension, shaping form through cymbal color, tuned-drum resonance, dynamic contrast, and layered subdivision.
His language connects jazz and fusion with candombe, murga, funk, and Brazilian currents, giving complex passages a grounded physical pulse.
His recorded and live work includes Hugo Fattoruso, Zeca Assumpção, Mauro Senise, Jerry González, Federico Lechner, Luis Salinas, Antonio Serrano, Jorge Pardo, Jorge Drexler, and Toninho Horta.

“His electrifying speed is matched only by his flashing tone and colour palette.”

Raul Da Gama, Latin Jazz Network, 2017-03-22

Discography

Jeff Berlin | Leader and co-led projects
Champion (1985), Pump It! (1986), Taking Notes (1997), Crossroads (1998), In Harmony’s Way (2000), Lumpy Jazz (2004), Aneurythms / Ace of Bass (2006), High Standards (2010), HBC with Scott Henderson and Dennis Chambers (2012), Low Standards (2013), Joe Frazier: Round 3 — 30th Anniversary EP (2018), Jack Songs (2022).

Jorge Vera | Leader
Groovera (2010), Luz (2016).

José San Martín | Leader and named projects
En Esta Esquina (2000), Artesano (2005), Triovivo (2007), Tres Calles (2014), Tr3spuntocero (2015), Otros Palos (2015), Tocador (2016), Entrevías (2022).

Overview

Jeff Berlin is an American jazz-rock and fusion bassist, composer, and educator whose career has consistently expanded the role of electric bass. His playing treats the instrument as a primary melodic voice, joining progressive-rock precision to modern jazz improvisation, while his educational work has made him a prominent advocate for reading, harmony, ear training, and disciplined musical fundamentals.

Origins

Born in Queens, New York, on January 17, 1953, Berlin grew up in a musical family and began formal violin study as a child. The Beatles encouraged his move toward electric bass, while Jack Bruce became a decisive influence on his tone, phrasing, and understanding of the instrument’s melodic possibilities. He later studied at Berklee College of Music, strengthening the harmonic and reading skills that would define both his performing and teaching careers.

Breakthrough

Berlin’s international breakthrough came with Bill Bruford’s band in the late 1970s. In that setting, complex compositions, shifting meters, and jazz-centered improvisation placed the bass on equal footing with the other instruments. His subsequent work with Allan Holdsworth, including Road Games, reinforced his reputation for rhythmic exactness, harmonic agility, and a distinctly melodic approach to fusion.

Expansions

Across later decades, Berlin moved between solo recordings, high-level sideman work, touring ensembles, and co-led groups. Collaborations with Patrick Moraz, David Liebman, Patti Austin, Kazumi Watanabe, Scott Henderson, Dennis Chambers, and many others allowed him to operate across jazz, rock, and progressive music without losing his individual voice.

Records

Berlin’s leader discography presents the electric bass as a narrative engine rather than a supporting device. Albums such as Champion, In Harmony’s Way, High Standards, and Low Standards move between fusion velocity and straight-ahead jazz clarity. Jack Songs became a large-scale tribute to Jack Bruce, reshaping Bruce’s material through new arrangements and a broad cast of guest musicians.

Education

Berlin helped establish the Bass Institute of Technology at Musicians Institute and later founded The Players School of Music in Clearwater, Florida. His teaching philosophy places musicianship above shortcuts: reading, harmony, ear training, time, and musical problem-solving are treated as the route to genuine freedom on the instrument.

Accolades

Berlin’s standing is rooted in peer recognition, reader-voted honors, and decades of demanding professional work. His contribution to electric-bass performance and education was documented by the NAMM Oral History program, while prominent musicians have repeatedly cited his technical command, harmonic knowledge, and unmistakable musical identity.

Milestones

1953 | Born in Queens, New York
1977 | International breakthrough with Bill Bruford
1983 | Recorded with Allan Holdsworth on Road Games
1996 | Founded The Players School of Music
2021 | Added to the NAMM Oral History collection
2022 | Released Jack Songs

Legacy

Jeff Berlin’s significance goes beyond speed or precision. His legacy combines an immediately recognizable lead-bass vocabulary, a career built in musically demanding environments, and a firm belief that expressive freedom grows from literacy, listening, and sustained work. He expanded what the bass could do on stage while challenging generations of players to think beyond the instrument itself.

Quotations

“Part of the joy of music is evolving. You want to evolve. That’s a liberating element.”


Jeff Berlin — musician, interview — All About Jazz — 2022-11-21
https://www.allaboutjazz.com/jeff-berlin-making-jack-songs-making-amends-making-a-new-path-jeff-berlin

“I will always fight for my dream, until I die.”


Jorge Vera — artist statement dated 2017-05-17 — In & Out Jazz — 2017-06-28
https://inandout-jazz.es/2017/06/jorge-vera-aguilera-pianista/

“His electrifying speed is matched only by his flashing tone and colour palette.”


Raul Da Gama — critic, review of Tocador — Latin Jazz Network — 2017-03-22
https://latinjazznet.com/reviews/albums/jose-san-martin-tocador/

Reviews

Album review: JEFF BERLIN – Jack Songs
Get Ready to ROCK!
David Randall
2022-09-26
https://getreadytorock.me.uk/blog/2022/09/album-review-jeff-berlin-jack-songs/

The review presents Jack Songs as an ambitious and carefully executed tribute to Jack Bruce, emphasizing its guest cast, rearranging strategy, and the strength of Berlin’s jazz-rock writing.

Jorge Vera: Luz
Latin Jazz Network
Raul Da Gama
2017-03-03
https://latinjazznet.com/reviews/albums/jorge-vera-luz/

The article praises Vera’s virtuosity, dramatic pacing, harmonic intelligence, rhythmic variety, and ability to give contemporary Latin jazz a strongly individual voice.

José San Martín Presents: Tocador
Latin Jazz Network
Raul Da Gama
2017-03-22
https://latinjazznet.com/reviews/albums/jose-san-martin-tocador/

The review highlights San Martín’s speed, tonal range, cymbal detail, resonant drum sound, and ability to generate power without obscuring the music’s melodic direction.

Robertinho De Paula

ROBERTINHO DE PAULA | Samba Jazz (BR)

ROBERTINHO DE PAULA

Samba/Bossa Jazz

AVAILABLE

FEBRUARY 16th to MARCH 19th

Robertinho De Paula
Robertinho De Paula
RobRetronouveau
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Musician. Composer. Guitarist. One of the best MPB and Jazz guitarists plays classical and electric guitar. Born in the neighborhood of Bangu, west of Rio de Janeiro, he was raised in Italy by his father, the “immense” guitarist IRIO de PAULA, a musician residing in the country since the 70s. Robertinho De Paula has played in several European countries (Germany – France – Greece – Spain – Netherlands) and Argentina He has played in several festivals “Festival de Jazz de Castelbuono”, “Ariano Irpino Jazz”, “Seravezza Jazz”, “Teggiano Jazz”, “Padova Jazz Festival Centro Porsche” “Jazz Pantelleria Festival” “GuitarMaster” (Germany), Ecojazz Festival “(Italy), “Peperoncino Jazz Festival” (Italy) “Jazz in Sud de France” (France) “Roma Jazz Festival” (Italy) “San Marino Jazz” (Republic de San Marino) “San Martin Jazz Festival” (Italy) “Beat Onto Jazz Festival” Italy “Etno Jazz Festival” Italy the others… In 2004 he released his first solo CD entitled “Bate Papo”, along with his father Irio De Paula being voted one of the best albums of 2004 in Italy, touring several cities in Italy: Verona, Torino, Ná poles, Palermo, Acona Cevignano di Friuli, Borgo Valsugana, San Donà di Piave, Vilminore di Scalve, Bolzano and Venice. He released solo albums in Europe, especially “Cores” (RDP Quartet – Italy) “Vera Cruz – Vertere and RDP String Quartet” (Italy); “The Seed of Love, jazz guitar, Brazilian style – RDP” (Italy) “Chameleon Jazz – RDP  Jazz Quartet” (Italy) “ITBRIT – RDP” (Italy) “Live In Berlin – RDP ” (Italy); “Bebo Best and Our Soul Sings – Special Guest RDP “Atras Da Porta” Nadia Cancila – RDP (Italy) “Roda De Bossa” Nossa Alma Sings with RDP (Italy) “Natural” RDP (Brazil) ) “Bate Papo” Irio De Paula and Robertinho De Paula (Italy).

Robertinho De Paula has played with musicians such as: Larry Coryell – Martin Taylor – Paul Wertico (Pat Metheny Group)- Dave King – Ivan Lins – Fabrizio Bosso – Massimo Manzi – Vito Di Modugno – Seu jorge – Soweto Kinsh Robertinho Silva

https://www.youtube.com/user/betinhodepaula







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