DAVIDE PANNOZZO Trio ft Etienne Stadwijk & SHAWN PELTON

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)

DAVIDE PANNOZZO Trio
ft. ETIENNE STADWIJK & SHAWN PELTON
Soul/Funk/Blues (USA)

AVAILABILITY FOR EUROPE

2027 | MARCH

DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON
previous arrow
next arrow

Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton | Soul-Funk / Blues | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, with guitar and vocals at the center, orchestral keyboards, and studio-band drums.

The trio works through essentials: clear riffs, mobile harmonies, bass implied by the keyboards, and a groove that always remains readable.

Pannozzo’s writing becomes a compact live format spanning electric blues, jazz-fusion, and soulful songwriting.

Profile

Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton reduces the architecture of the quartet to a more essential form without losing sonic breadth. Pannozzo’s guitar and voice guide the melodic narrative; Stadwijk expands the harmonic field through piano, keyboards, voicings, and supporting lines; Pelton builds the pocket with precise, elastic, deeply musical drumming. The result is a trio that does not try to fill every space, but organizes it: blues remains the grammatical center, while soul-funk, jazz-fusion, and contemporary songwriting define color, dynamics, and direction. The interplay thrives on immediate response, volume control, and a strong sense of form. This is a band designed for the stage: direct, articulate, and able to preserve the weight of the groove in a lean configuration.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar style rooted in blues and filtered through jazz harmony, tonal control, and songwriter craft. Sources document collaborations with George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Carl Verheyen wrote in 2017: “Tone just drips from Davide’s fingers.”

Etienne Stadwijk | keyboards. A keyboardist and producer, Stadwijk acts as the trio’s harmonic architect: Rhodes, piano, organ, synths, voicings, and countermelodies expand the guitar and can also sustain the bass’s rhythmic and harmonic function. A New York-based Berklee graduate, he is documented alongside Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News highlighted the tightness of Richard Bona’s band and Stadwijk’s solos in 2013.

Shawn Pelton | drums. Pelton is the trio’s dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to give weight to the groove without making it rigid. A drummer with the Saturday Night Live band since 1992, he has recorded or performed with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, and The Brecker Brothers. International Musician captured his working method in 2024: “They say the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, and Room for Joy; recent singles and releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, St. Louis Blues, Imagine, Plug It In, Leroy’s Blues, The Thrill Is Gone, Christmas In New York, and The Subway Song. His documented discography centers on modern blues, melodic phrasing, songwriting, and New York production.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Shawn Pelton: selected discography as a session drummer and long-standing musician with Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, and New York’s television and live circuit. Sources document his presence on Grammy-winning albums and high-profile pop, rock, soul, and roots productions.

Quotes

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; source

“Be Blessed is a chill instrumental that overflows with understated emotion and casts its shadow somewhere between the upscale blues of Robben Ford and the deep melodicism of Duke Ellington.” — Martine Ehrenclou; Rock & Blues Muse; 2022-07-07; source

“Every note serves the song. Every phrase is placed with intention.” — Rock & Blues Muse; article on The Subway Song; 2026-04-13; source

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; London Jazz News; 2013-10-08; source

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; BroadwayWorld; 2020-06-22; source

“They say the harder you work, the luckier you can be.” — Shawn Pelton; International Musician; 2024-09-01; source

Reviews

Davide Pannozzo Releases ‘The Subway Song’ New Single — Rock & Blues Muse; Martine Ehrenclou; 2026-04-13;
rockandbluesmuse.com
An article on The Subway Song, described as contemporary blues with expressive vocals, melodic guitar, and narrative space. It positions Pannozzo as a modern writer more interested in phrasing, intention, and song form than in technical density alone.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
rockandbluesmuse.com
An article on the soulful, melodic, jazz-inflected instrumental Be Blessed. It also traces Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Davide Pannozzo: Unconditional Love — Music Republic Magazine; Simon Redley; 2017-10-19;
musicrepublicmagazine.com
A 5/5 review presenting Unconditional Love as an album centered on blues, fusion, and soul feel. It highlights Pannozzo’s tone, writing, and connection with the New York scene.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
londonjazznews.com
A live review of Richard Bona’s group with Etienne Stadwijk on keyboards and piano. It praises the band’s tightness, audience response, and Stadwijk’s solos, documenting his ability to support both groove and improvisation.

Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate — BroadwayWorld; A.A. Cristi; 2020-06-22;
broadwayworld.com
An article on Then Why?!, presenting Stadwijk as a keyboardist, producer, and socially engaged writer active across recording, production, and live performance.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; 2024-09-01;
internationalmusician.org
A profile of Shawn Pelton and his role in the Saturday Night Live band, focused on method, discipline, versatility, and pressure management in live television.

#269 Shawn Pelton – Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
discussionsinpercussion.com
A podcast interview covering Pelton’s career with Saturday Night Live, session work, rhythmic programming, Live From Daryl’s House, and recordings with major artists.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
jazzjournal.co.uk
A review including Jonah David’s Waltz for Eli, a project featuring Etienne Stadwijk on keyboards and in the writing credits, supporting his profile in contemporary melodic jazz.

Davide Pannozzo 4tet ft Etienne Stadwijk Will Lee Shawn Pelton DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4TET

AVAILABILITY FOR EUROPE
2027 | JULY

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
previous arrow
next arrow

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton | Blues / Soul-Funk | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Will Lee | bass, vocals
David Letterman, The Brecker Brothers, The 24th Street Band, Horace Silver, Bette Midler, Barry Manilow, George Benson, James Brown, Aretha Franklin, Pat Metheny

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, shaped by a singing guitar voice, deep bass pocket, harmonic keyboards, and studio-grade drums.

The quartet works around the pocket: clear riffs, compact instrumental voices, disciplined improvisation, and a groove that stays physically readable.

Pannozzo’s writing becomes a high-definition live format where electric blues, jazz-fusion, and soulful song form remain connected.

Profile

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton places Pannozzo’s guitar writing inside a distinctly New York rhythmic language. The sound moves between modern blues, soul-funk, and jazz-fusion: the guitar carries the melodic narrative, Stadwijk widens the harmonic frame through keyboards and counterlines, Lee turns bass into both propulsion and song, and Pelton locks the band with a dry, elastic studio-band pocket. This is not a project built on résumé display, but on balance: song forms are clear, improvisation stays conversational, dynamics breathe, and every player leaves space for the collective attack. The result is a compact live unit with the authority of major session musicians and the directness of a band that can make blues feel current without nostalgia.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar tone rooted in blues and filtered through jazz harmony, controlled attack, and melodic phrasing. Sources document collaborations with George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Will Lee wrote in 2017 that, when hearing Pannozzo’s music, “there is something special going on.”

Etienne Stadwijk | keyboards. Stadwijk functions as the harmonic architect of the quartet: piano, keyboards, voicings, pads, and counterlines extend the guitar while keeping the groove open. A New York-based Berklee graduate, he is documented with Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News described Richard Bona’s band with Stadwijk as “very tight,” highlighting “very nice solos.”

Will Lee | bass, vocals. Lee is the melodic and rhythmic center of the band: elastic lines, studio timing, backing vocals, and a feel that makes the bass both foundation and hook. LA Phil documents his work with Dreams, Horace Silver, The Brecker Brothers, The 24th Street Band, the David Letterman house bands, and more than 1,700 studio dates with artists including Aretha Franklin, George Benson, Billy Joel, Pat Metheny, James Brown, and Paul McCartney. In this quartet he supplies authority, song sense, and funk architecture.

Shawn Pelton | drums. Pelton is the dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to keep blues, funk, and fusion loose without letting the pocket blur. Remo and International Musician document his long-running role with Saturday Night Live and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, Pink, and The Brecker Brothers. His method is summarized by his own line: “the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, Room for Joy; singles and recent releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, Shufflin’ NYC, Christmas In New York, and The Subway Song. Unconditional Love is documented as a New York album produced by Steve Jordan and Will Lee, with contributions from Shawn Pelton and other scene musicians.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His documented discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Will Lee: OH! and Love, Gratitude & Other Distractions as solo projects; albums with The 24th Street Band including The 24th Street Band, Bokutachi, and Share Your Dreams; official discography and biographical sources also place him with Dreams, The Brecker Brothers, Horace Silver, George Benson, Chaka Khan, Billy Joel, Bette Midler, Pat Metheny, James Brown, and a long list of studio recordings.

Shawn Pelton: selected official and documented work as session drummer and band member includes Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, Bob Dylan-related Hank Williams tribute recordings, and many Grammy-winning or high-profile studio projects. His discography is best understood as a first-call session and live-TV body of work rather than a leader catalogue.

Quotes

“There are very few artists these days that can inspire and are filled with inspiration and great ideas, Davide Pannozzo is one of them. When you first hear his music, you know there is something special going on…” — Will Lee; bassist and producer, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“As soon as the Beatles showed up on the Ed Sullivan Show, I knew what I wanted to do.” — Will Lee; interview by Jon Liebman; For Bass Players Only; 2010-05-31; https://forbassplayersonly.com/interview-will-lee/

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; live review of Richard Bona Group; London Jazz News; 2013-10-08; https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; statement on Then Why?!; BroadwayWorld; 2020-06-22; https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622

“They say the harder you work, the luckier you can be.” — Shawn Pelton; profile-interview The Ultimate Union Gig: Live from New York on a Saturday Night; International Musician; 2024-09-01; https://internationalmusician.org/shawn-pelton/

Reviews

Davide Pannozzo: Unconditional Love (Unconditional Love Global Publishing) 19th October 2017 — Music Republic Magazine; Simon Redley; 2017-10-19;
https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
A 5/5 review presenting Unconditional Love as a New York-recorded album around blues, fusion, and soul feel, with Steve Jordan and Will Lee as producers/players. The article highlights Pannozzo’s tone, writing, and the presence of Will Lee and Shawn Pelton in the album sound.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
https://rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
Article on Be Blessed, produced by Steve Jordan and featuring Will Lee on bass, Clifford Carter on keyboards, and Davide Rossi on strings. It also reconstructs Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
Live review of Richard Bona’s quartet with Etienne Stadwijk on keyboards and piano. It praises the tightness of the band and Stadwijk’s solos, useful for positioning him as a keyboardist who can support groove and improvisation at the same time.

Will Lee talks life after Letterman — For Bass Players Only; Jon Liebman; 2021-10-25;
https://forbassplayersonly.com/will-lee/
Interview-article revisiting Will Lee’s career after the Late Show, with references to Horace Silver, The Brecker Brothers, Billy Cobham, David Bowie, James Brown, Robben Ford, Bette Midler, Barry Manilow, and his solo work.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; IM; 2024-09-01;
https://internationalmusician.org/shawn-pelton/
Profile on Shawn Pelton and his role in the Saturday Night Live band, focused on discipline, versatility, live television pressure, and session-musician survival skills. It frames his drumming as a balance of flexibility, groove culture, and broadcast precision.

#269 Shawn Pelton- Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
https://www.discussionsinpercussion.com/home/2022/2/22/269-shawn-pelton-drummer-for-snl-sheryl-crow-john-eddie-and-more
Podcast-interview covering Pelton’s SNL work, session career, programming skills, Live From Daryl’s House, CBS Orchestra substitutions, and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Elton John, Billy Joel, David Byrne, and Grammy-winning albums.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
https://jazzjournal.co.uk/2025/06/11/reviewed-jonah-david-adrian-galante-mingus/
Review that includes Jonah David’s Waltz for Eli, a project documenting Etienne Stadwijk on keyboards and in the writing credits. It helps support his profile as a harmonic and textural player in contemporary jazz contexts.

Davide Pannozzo ft. Etienne Stadwijk & Steve Ferrone

DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)

DAVIDE PANNOZZO Trio

ft.

ETIENNE STADWIJK & STEVE FERRONE

Soul-Funk Blues Fusion | USA

AVAILABILITY FOR EUROPE

2026 | October 15th to 27th

DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3
previous arrow
next arrow


Line-up

Davide Pannozzo | Guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Matt Schofield, Oz Noy, Robben Ford

Etienne Stadwijk | Piano, keyboards, synth bass
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Nona Hendryx, Harry Belafonte

Steve Ferrone | Drums
Tom Petty and the Heartbreakers, Average White Band, Eric Clapton, Duran Duran, George Harrison, Chaka Khan, Michael Jackson


Style

Contemporary blues wired into funk and jazz, with modern arrangements and a true stage-first drive. An iconic rhythm engine and a keyboard chair that can become bass: a trio that sounds like a full band. Set for October 2026, the music moves between wide grooves, singable themes, and high-intensity improvisation without losing song focus.


Profile

Davide Pannozzo leads an essential yet ambitious trio: guitar and vocals up front, with an expanded sound built on the idea of orchestrating every tune. The palette is modern blues, shot through with fusion accents and a decisive funk pulse; improvisation never becomes an end in itself, but stays narrative, shaping dynamics, timbre, and forward motion. Etienne Stadwijk works in textures and counterlines, switching between piano and keyboards while deploying a deep synth bass that redraws the balance of the band: the bass role turns mobile, harmonic, and rhythmic all at once. Steve Ferrone brings the authority of decades at the top of international rock and R&B: timing, weight, and space, with an elasticity that keeps the trio tight and always breathing. The result is high-voltage music rooted in tradition and designed for the present.


Details

Davide Pannozzo | Guitar, vocals
Classical training with an electric identity: a singing phrasing, controlled attack, and a vocabulary that crosses modern blues with jazz sensibility. In original material he favors clear themes and open-ended codas, letting the solo become a second verse. In trio format, the guitar carries melody and harmony without losing rhythmic weight.

“Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” (Will Lee, GUITARlab Blog, 2018-12-04)

Etienne Stadwijk | Piano, keyboards, synth bass
Pianist and keyboardist with Surinamese roots, Berklee training, and a New York base. His signature is the balance between European voicings, world colors, and an R&B-born sense of pocket. In this project he is also the harmonic bass, shaping synth-bass lines that give body and direction to the groove.

“The band was very tight, with really successful solos… (including Stadwijk’s).” (Maciek Pysz, London Jazz News, 2013-10-08)

Steve Ferrone | Drums
A benchmark for solidity and musicality: heavy hits when needed, but above all control of dynamics. His drumming connects rock, funk, and pop through a precise idea of space, letting the song breathe. In trio, he is the engine that makes every density shift feel inevitable, from raw blues to wide-open fusion.

“Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” (Joe Bosso, MusicRadar, 2010-08-26)


 


Biography

Davide Pannozzo is an Italian guitarist, singer-songwriter, producer, and educator whose work connects blues roots, soul dynamics, and jazz-informed phrasing. Based between Europe and the United States, he has collaborated with players such as Steve Ferrone, Will Lee, Oz Noy, and David Garfield, building a profile that combines songwriter instinct, groove awareness, and a modern electric guitar voice designed for both records and the stage.


Discography

Davide Pannozzo
Albums/EPs: Born Electric; A Portrait of Jimi Hendrix; Unconditional Love; Room for Joy. Singles: Be Blessed; Keep On Loving You; Love Is a Simple Thing; Without You, Once Again; St. Louis Blues; Imagine; Plug It In; Leroy’s Blues; The Thrill Is Gone; Christmas In New York.

Etienne Stadwijk
Albums/EPs: Lagos Pepper Soup; To Love Again -…; Olatuja; Waltz for Eli. Singles: Then Why?!; Wig Glue.

Steve Ferrone
Albums/EPs: It Up: Steve Ferrone and Friends Live at La Ve Lee; More Head (Steve Ferrone’s Farm Fur); Steve Ferrone & Friends Live; Steve Ferrone & Friends Mo’Live.


Quotes

  • “Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” Will Lee, GUITARlab Blog, 2018-12-04
  • “If you like Eric Johnson, Robben Ford, Carl Verheyen, Jeff Beck and Eric Clapton, then this album and this cool cat are definitely for you.” Simon Redley, Music Republic Magazine, 2017-10-19
  • “Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” Joe Bosso, MusicRadar, 2010-08-26
  • “The band was very tight, with really successful solos… (including Stadwijk’s).” Maciek Pysz, London Jazz News, 2013-10-08
  • “Keyboardist and producer Etienne Stadwijk has released a powerful and moving track…” A.A. Cristi, BroadwayWorld, 2020-06-22
  • “An outstanding album, Steve Ferrone & Friends Live…” Planet Drum, 2014-09-16

Reviews

  • Davide Pannozzo & Loud Stuff – Born Electric – Bman’s Blues Report – 2012-04-18 – https://bmansbluesreport.com/2012/04/18/davide-pannozzo-loud-stuff-born-electric-new-release-review/
  • Davide Pannozzo – Unconditional Love – Music Republic Magazine | Simon Redley – 2017-10-19 – https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
  • Celebrated guitarist Davide Pannozzo releases new single Be Blessed – Rock and Blues Muse – 2022-07-07 – https://www.rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
  • Review: Richard Bona at Pizza Express – London Jazz News | Maciek Pysz – 2013-10-08 – https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
  • Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate – BroadwayWorld | A.A. Cristi – 2020-06-22 – https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622
  • Tom Petty drummer Steve Ferrone talks groove, Charlie Watts and more – MusicRadar | Joe Bosso – 2010-08-26 – https://www.musicradar.com/news/drums/tom-petty-drummer-steve-ferrone-talks-groove-charlie-watts-and-more-289800
  • Steve Ferrone and Friends Live with Tracktion 5 – Planet Drum – 2014-09-16 – https://www.planet-drum.com/steve-ferrone-and-friends-live-with-tracktion-5/

BOOKING REQUEST

Daraa Tribes

DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)

DARAA TRIBES Tribal Fusion & Saharan Blues (MA)

SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS-8
previous arrow
next arrow

Line-up

Rachid Berazougui | Electric guitar, vocals
Playing For Change (Live Outside); international festival circuits (EU/UK/NA)

Mustapha Aqermim | Rhythm guitar, backing vocals
Collective songwriting; linguistic/organizational bridge in international collaborations

Abdelkebir Saadi | Bass, backing vocals
Grounding rhythm section between Regaga and desert‑blues groove; full‑band live set

Abdelhafid “Hafid” Ami | Percussion (cajón/krakebs), backing vocals
Polyrhythms and ritual patterns (Lkaaba) integrated into an electric set

Mohamed Sabir | Drums
Drummer in the band’s amplified live configuration; adds a more driving full-kit pulse to the groove

Balkhir Razgui | Vocals, percussion (founder, in memoriam)
Founding voice of the project (2014–2024)

Style

Tribal Fusion and Saharan Blues from the palm groves of Tagounite: desert‑guitar riffs, trance percussion and call‑and‑response that turn the stage into a shared rite.

Profile

Daraa Tribes formed in 2014 in Tagounite, an oasis town in Morocco’s Draa Valley: a group of friends from different tribes translating their home’s coexistence into sound. Their “blues of the desert” intertwines Gnawa, Sahraoui, Amazigh and Regaga idioms into a contemporary language—dry, hypnotic electric guitars, a pulsing bass, polyrhythmic percussion and multilingual chorus lines (Darija, Tamazight, Hassani). On stage the band builds by accumulation: circular grooves, minimal variation and tight interplay that draws the audience into a collective dance. After consolidating an international trajectory across festivals and clubs, Daraa Tribes have just wrapped up a UK mini‑tour (Bristol–London–Manchester), reaffirming the project’s high‑intensity live dimension.

Details 

Rachid Berazougui writes and sings part of the repertoire with a desert‑tone electric guitar that leads the set’s hypnosis. (“Immerse yourself in the rich tapestry of sound that is the heartbeat of Daraa Tribes.” Playing For Change, 2025-04-01)

Mustapha Aqermim is a rhythmic and narrative engine: the band’s identity grew “in a circle,” without hierarchy, from sharing traditions. (“We didn’t plan to start a band. We just started playing together…” Matt Ross, Arab News, 2020-08-16)

UK mini‑tour (just concluded): Jam Jar (Bristol, 2026-01-03), Hootananny (Brixton, 2026-01-07), Band on the Wall (Manchester, 2026-01-11).

Sound imprint: desert‑guitar groove with a Gnawa edge—a writing approach that stays danceable even at its most ritual. (“…incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.” Tony Benjamin, Bristol24/7, 2026-01-02)

Discography

  • Alwan (EP, 2017)

  • Igharman (LP, 2018)

  • Zamane (EP, 2019)

  • Lakbayl (single, 2021)

  • Sahara (single, 2022)

  • Torat Vol. 1 (EP, 2024)

MUSIC REVIEWS

Listening Now : Daraa Tribes – Bshara | 2024-02-02
https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/

Torat Vol. 1, au fil du nouvel EP des Daraa Tribes | 2024-01-29
https://djolo.net/torat-vol-1-au-fil-nouvel-ep-daraa-tribes/

BSHARA REVIEW: The Vitality of North African Pastoral Life | 2024-01-25
https://music.coralriff.biz/bshara-vitality-north-african-pastoral-life/

Daraa Tribes Evoke the Vitality of North African Pastoral Life in the Traditional and Saharan Blues Fusion of “Bshara” | 2024-01-24
https://queencitysoundsandart.wordpress.com/2024/01/24/daraa-tribes-evoke-the-vitality-of-north-african-pastoral-life-in-the-traditional-and-saharan-blues-fusion-of-bshara/

Daily Discovery: Daraa Tribes – Bshara | 2024-01-17
https://rhythmpassport.com/daily-discovery-daraa-tribes-bshara/

Daily Discovery: Daraa Tribes – Sahara (Official Video) | 2022-10-18
https://rhythmpassport.com/daily-discovery-daraa-tribes-sahara-official-video/

Joli moment de convivialité dans le Sahara avec la Daraa Tribes | 2022-10-10
https://djolo.net/joli-moment-convivialite-dans-sahara-avec-daraa-tribes/

LAKBAYL | BLOGS’ REVIEWS | 2021-10-17
https://music.coralriff.biz/lakbayl-blog-reviews-single-release/

Toutes les Daraa Tribes se réunissent sur Lakbayl | 2021-10-08
https://djolo.net/toutes-les-daraa-tribes-se-reunissent-sur-lakbayl/

All the Daraa Tribes meet on Lakbayl | REVIEW ON DJOLO | 2021-10-08
https://music.coralriff.biz/all-daraa-tribes-meet-lakbayl-review-on-djolo/

Globalism //4 | 2021-10-04
https://lastdaydeaf.com/globalism-4/

UltraRadar. Nueva música alternativa mundial – Octubre 2021 | 2021-10-01
https://planarteria.com/2021/10/ultraradar-nueva-musica-alternativa-mundial-octubre-2021/

Quotes 

“…incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.”

Tony Benjamin, Bristol 24/7, 2026-01-02) — https://www.bristol247.com/culture/music/bristols-month-in-world-music-january-2026/

“We are delighted to welcome back Daraa Tribes as the celebratory closing act of our first digital festival.”

Liverpool Arab Arts Festival, 2020-07-18) — https://www.arabartsfestival.com/events/daraa-tribes/

“The track… fusing ancient rhythms with contemporary flair… offering listeners a sonic journey.”

Last Day Deaf, 2024-02-02 — https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/


Reviews / articles / profiles

Profiles & bio

UK tour (just concluded)

Live reviews

Torat Vol. 1

TORAT Vol. 1 from DARAA TRIBES is OUT!

TORAT Vol. 1 from DARAA TRIBES is OUT!

Torat Vol. 1

Moroccan desert blues band Daraa Tribes releases their new EP Torat Vol. 1. It is the band’s third EP and third release with label Coral Riff Music.

‘Torat’ means ‘tradition’ in Moroccan Arabic and reflects the ancestral, traditional music that not only influenced this new release, but can be heard through traditional percussion and vocal styles in each song on the EP.

Songs like ‘Bshara’ and ‘Lghram’ come directly from traditional Hassania, Amazigh, and Daraoua ancestral customs found throughout southern Morocco and across North Africa.

This reflection and representation of traditional music is met with an eclectic modern blues/rock style apparent on each track. This is a continuation of Daraa Tribes efforts on each of the band’s previous releases to innovate upon ancestral cultural traditions, using them as a foundation for their creative process.

The band simultaneously released a lyric video for the song ‘Bshara’, translated into both Hassania Arabic and English. This song tells the story of the Aarib tribe, nomadic in origin, and their historical relationship with their surrounding environments. Major themes include a cultural, social, and economic importance placed upon camels, music customs performed by the tribal youth, and greeting other tribal members traveling from Afar. These themes are not just common among nomadic Hassania culture historically in North Africa, but are still very much part of modern cultural life in the Sahara desert of Morocco.

Electric Lady Tereza Rais

ELECTRIC LADY | Rock (CZ)

ELECTRIC LADY | Rock (CZ)
Guitar shredder and singer

AVAILABILITY FOR EUROPE
2026 | Upon request (EU resident band)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY_logoleft
previous arrow
next arrow

Line-up

Tereza Rays | Guitar, voice

Kenney Jones, Paul Bond, Nigel Lowis, Ivan Král, Kirk Covington, Rytmus

Cayman | Bass

Canaima, Lucie “Vigly” Jeníčková, Jan “Nedy” Nedoma, Richard “Rítcha” Karel, Marcel “Marco” Kříž

Robin Evans | Drums

PROSE (UK), Kyle Francis Falc, Neeve Zahra, Twelve24, Blinding Talent

Style

Riff-first rock trio built for the stage: short-fuse energy, big hooks, no filler. Blues-rock grit with arena-ready choruses, Hendrix-era swagger, and modern punch. A locked rhythm engine under a frontwoman who writes, arranges, and drives the narrative.

Profile

Electric Lady are a lean, high-voltage trio fronted by guitarist–vocalist and songwriter Tereza Rays. Their sound sits where blues-rock muscle meets modern hard-rock immediacy: tight, riff-driven verses that open into melodic choruses built to travel. The band’s DNA is all about articulation and impact—crisp guitar attack, a bass line that stays warm and physical, and drums that hit with straight-ahead authority while leaving space for vocal phrasing.

On record and on stage, Electric Lady move like a single unit: the rhythm section locks into a punchy pocket, while the guitar alternates between dirty groove and bright, singing leads. References to classic rock icons are present in the tone and swagger, but the writing keeps the focus on direct storytelling and cathartic release.

Details

Tereza Rays | Guitar, voice Writer-arranger at the center of the project, shaping songs around riff clarity and vocal urgency. A blues-rock foundation with a modern, radio-ready sense of structure and hook placement. Known for an assertive stage presence where lead lines stay melodic even at full distortion. Recent studio and live work connects her to high-profile UK production and legacy-rock circles. “Vocalist and guitarist Tereza Rays is a tour de force… Her vocals soared and dipped with effortless control.” (Sara Harding, MetalTalk, 2025-09-11)

Cayman | Bass A bassist who prioritizes weight and glue: round low-end, steady drive, and quick dynamic shifts. Brings a band-player mindset—supporting riffs, reinforcing choruses, and tightening transitions. Comfortable in power-trio arrangements where every note has to hold the room. A background in rock projects beyond Electric Lady feeds a grounded, performance-forward feel. “Cayman on bass and Robin Evans on drums match Tereza’s energy and power… share the same undeniable love for creating music.” (Mariam Atef, Rock Era Magazine, 2025-07-13)

Robin Evans | Drums A drummer built for forward motion: firm backbeat, confident accents, and clean, driving fills. Keeps the groove anchored while staying responsive to vocal phrasing and guitar pushes. Balances punch with economy—no excess, just momentum and control. Active across multiple UK rock contexts, bringing a seasoned live sensibility to the trio. “Riffs blasted through this venue, while Evans and Cayman locked into the groove.” (Sara Harding, MetalTalk, 2025-09-11)

Discography

Tereza Rays Storm (single/EP, 2013) Electrical (album, 2015) Wicked (EP, 2018) Trilogy (project, 2020–2021): Rebelia, Politica, Influenza (singles) Stand Up (single, 2022) I’m Done (I’ve Had Enough) (single, 2025-06-27) One Way Ticket (single, 2025-07-25) I Must Let You Go (single, 2025-09-12)

Cayman Go Down The Way (Canaima, album, 2011-05-01) Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

Robin Evans Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

 

Members Quotes

Tereza Rays

  • “Vocalist and guitarist Tereza Rays is a tour de force.” — Sara Harding, MetalTalk, 2025‑09‑11.
  • “A rousing rock energy dazzles… Tereza Rays’ vocals stir with a dynamic appeal.” — Mike Mineo, Obscure Sound, 2025‑08‑07.
  • “A middle finger in the air… a reminder of why rock and roll will never die.” — Natalie Patrick, EARMILK, 2025‑07‑11.
  • “With ‘I’m Done’, she doesn’t just perform the song—she lives it.” — Music‑News (Underground), 2025‑08‑08.

Robin Evans

  • “…propelled by Robin Evans’ relentless drumming…” — LOCK Magazine, 2025‑07‑07.
  • “Cayman on Bass and Robin Evans on Drums match Tereza’s energy and power.” — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Cayman

  • “…and Cayman’s grumbling bass lines.” — LOCK Magazine, 2025‑07‑07.
  • Cayman on Bass… match[es] Tereza’s energy and power.” — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Reviews & Interviews

“Electric Lady, Dylan Gers & Bitchin’ Hour — A Tantalising Triple At The Black Heart” • MetalTalk • Sara Harding • 2025‑09‑11

https://www.metaltalk.net/gig-review-electric-lady-dylan-gers-and-bitchin-hour-a-tantalising-triple-at-the-black-heart.php

“Five Artists You Need to Hear” • Rolling Stone UK • Alex Ford • 2025‑07‑29

https://www.rollingstone.co.uk/culture/five-new-artists-to-watch-52472/

“Electric Lady return with their explosive new single ‘I’m Done (I’ve Had Enough)’” • LOCK Magazine • Lock Editor • 2025‑07‑07

https://www.lockmag.co.uk/electric-lady-return-with-their-explosive-new-single-im-done-ive-had-enough/

“Electric Lady Drops Fiery New Single ‘I’m Done (I’ve Had Enough)’” • TotalNtertainment • Jo Forrest • 2025‑07‑07

https://www.totalntertainment.com/music/electric-lady-drops-fiery-new-single-im-done-ive-had-enough/
“Electric Lady shares a uprising with ‘I’m Done (I’ve Had Enough)’” • EARMILK • Natalie Patrick • 2025‑07‑11

https://earmilk.com/2025/07/11/electric-lady-shares-a-uprising-with-im-done-ive-had-enough/

“Electric Lady — ‘I’m Done (I’ve Had Enough)’” • Obscure Sound • Mike Mineo • 2025‑08‑07

https://www.obscuresound.com/2025/08/electric-lady-im-done-ive-had-enough/

“Electric Lady drops fiery new single ‘I’m Done (I’ve Had Enough)’” • Music‑News (Underground) • Staff • 2025‑08‑08

https://www.music-news.com/news/Underground/183584/Electric-Lady-drops-fiery-new-single-I-m-Done-I-ve-Had-Enough

“Electric Lady Reigniting Fire in the Rock N Roll Scene” • Rock Era Magazine • Mariam Atef • 2025‑07‑13

https://rockeramagazine.com/electric-lady-im-done/

Event: Electric Lady — The Black Heart, London (hosted by Elles Bailey) • Our Black Heart (venue listing) • 2025‑09‑09

https://www.ourblackheart.com/events/2025/9/9/electric-lady

Czech Centre Recommends: Electric Lady @ The Black Heart • Czech Centre London • 2025‑08‑12

https://london.czechcentres.cz/en/blog/2025/08/electric-lady

Artist page / releases • Apple Music • 2025

https://music.apple.com/us/artist/electric-lady/424289152

Single page: “I’m Done (I’ve Had Enough)” • Apple Music • 2025‑06‑27

https://music.apple.com/gb/song/im-done-ive-had-enough/1816434462

Single upload: “One Way Ticket” (audio) • YouTube Music • 2025‑07‑25

https://www.youtube.com/watch?v=o4ROksdsClg

Ibanez Artists: Tereza Rays • Ibanez • profile

https://www.ibanez.com/eu/artists/detail/1662.html

Electrical (album) — release note • MusicGlue • 2015‑04‑01

https://www.musicglue.com/electric-lady/products/electrical

Electrical (album) — Bandcamp about • Bandcamp • 2015

https://electric-lady.bandcamp.com/album/electrical


BIO

Tereza Rays (ELECTRIC LADY) is a guitarist and singer who was born in the Czech Republic on February 6, 1987 in the Czech Republic. She is the exclusive author of her compositions, lyricist and music arranger, she participates in the current production with producer Roman Rossi – manager. She recorded her debut album in Texas in 2014. Tereza is currently a corporate player of Ibanez and Blackstar, in the past she represented Fender. She has collaborated with many Czech and foreign artists.

She started playing the guitar thanks to the music of Jimi Hendrix. Tereza was born in Kladno and at the age of 15 she started playing the guitar and singing, her parents didn’t support her music much. However, Tereza went her own way and after the founding of the band Electric Lady she recorded many musical successes not only at home, but also abroad. Even this year, 2022, we announced concerts around the world, not only in the USA, but also in Poland, England, Norway, the Czech Republic and Slovakia. Tereza also performed at VIP private events in Russia, at the announcement of music awards “REALNA PREMIE”, etc.

The band was founded in 2013 with the emergence of the single “Storm”, which also reached the European MTV or Russian Music Box, where they even placed 3 clips in monthly rotations. The band plays guitar, bass, drums Tereza flew to New Orleans the same year, where she performs on the streets in small clubs for 3 months, after returning to the Czech Republic she wins the international blues competition Blues Aperitif for young talents. Subsequent years later, as a winner, she performed at Blues Alive in the Czech Republic and Poland. In 2015, she released her debut album “Electrical”, which she went on to record at the invitation of drummer Kirk Covington to the USA in Texas. She completed and released musical material in the Czech Republic and became a corporate player of the world-famous brand Fender.

In 2016, the band went on tour with the Czech popular band Mandrage and performed across Czech Republic and Slovakia. That same year, Tereza collaborated with Ivan Kral on the song “A Part Of My Heart.” That same year, the band performed in front of American bassist NIK WEST and Eric Gales.

In 2020, Electric Lady releases her largest and most expensive musical, Trilogy 2020, under the auspices of the Nemoros Agency and a collaboration with KOBALT, on which Tereza collaborated not only with English producer Nigel Lowis.In 2021, Tereza became a corporate player of the IBANEZ and BLACKSTAR brands, several concerts around the world, participation in the USA at this summit and other events in the USA are planned.

DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT

DANIELE GOTTARDO TRIO | Polyphonic Jazz Rock (USA)

DANIELE GOTTARDO TRIO

Polyphonic Jazz Rock (USA)

AVAILABILITY

2026 | OCTOBER 1st to 17th

DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT
DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT
DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT
previous arrow
next arrow

Line Up

Daniele Gottardo | Guitar

Joe Satriani, Steve Vai, Paul Gilbert, Guthrie Govan, Greg Howe, Eric Johnson, Zakk Wylde, Nuno Bettencourt, Richie Kotzen, Billy Sheehan

Nicolò Vese | Bass

Daniele Liverani, Federico Vese, Gabriele Bullita, Nico Di Battista, James Senese, Orchestra Sinfonica di Sanremo, Ne Obliviscaris, Caligula’s Horse

Giuseppe Risitano | Drums

Enrico Rava, Paolo Fresu, Stefano Di Battista, Fabrizio Bosso, Tullio De Piscopo, Maria Pia De Vito, Gianluca Petrella, Roberto Gatto, Danilo Rea, Rita Marcotulli

Style

Polyphonic jazz-rock where the electric guitar behaves like a full ensemble voice. Contrapuntal writing, modern harmony, odd-meter architecture and wide-screen dynamics. Virtuosity always serving form and narrative.

Profile

Daniele Gottardo Trio is built around a rare premise: the guitar is treated as orchestration. Gottardo’s writing layers melodic lead lines with inner voices, counterpoint and chamber-like voicings, then locks them into contemporary grooves where rock drive and jazz articulation coexist without compromise. The sound stays clear and composed even at high intensity—less a soloist with accompaniment, more three musicians sharing multiple roles at once.

That polyphonic idea extends to the rhythm section. Bassist Nicolò Vese expands the harmonic field through counterlines, register shifts and chordal color, moving between supportive foundation and melodic engine with a modern prog-fusion touch. Drummer Giuseppe Risitano completes the architecture with a contemporary-jazz approach to time and dynamics: a precise pocket when needed, open texture when the arrangement calls for air, and an instinct for shaping transitions as part of the form.

The band’s signature sits at the intersection of modern fusion and progressive attitude: intricate voicings, tight rhythmic design, and a cinematic sense of arc.

Recognition

Often cited as included by Steve Vai among the world’s “Top 10 Emerging Guitarists”, Daniele Gottardo has also been publicly singled out by Vai as a rare “blue-moon” discovery—and introduced as his “favorite new young guitar player.”

Details

Daniele Gottardo’s catalog is shaped by long-form composition for electric guitar, where orchestration, counterpoint, and modern harmony become structural elements. The writing favors clarity under pressure: layered voices and designed dynamics that keep dense material readable.

“Once in a blue moon… I come across a guitar talent that is truly stimulating to me… Daniele Gottardo is one of those people.” (Steve Vai, Vai.com, 2014-04-25)

Nicolò Vese approaches the bass as a shared-role instrument: opening harmonic space, doubling and counterlining with intent, shifting between foundation and thematic voice without breaking the groove.

Giuseppe Risitano balances precision and air: strong time feel when the architecture needs a spine, and elastic dynamics when the arrangement asks for depth and perspective.

Discography

Albums

INkBlot Label: Daniele Gottardo Release date: 2022-10-31

Giant Nuts (Daniele Gottardo & The Nuts) Label: Self-released Release date: 2016-05-01

Non Temperato Label: Self-released Release date: 2014-03-15

Frenzy of Ecstasy Label: Digital Nations Release date: 2010-03-15

Singles

Now’s the Time Label: Daniele Gottardo Release date: 2025-04-18

Four On Six Label: Daniele Gottardo Release date: 2025-02-07

Liadov – Mazurka in F minor, Op. 57 No. 3 Label: Daniele Gottardo Release date: 2023-10-13

My Favorite Things Label: Daniele Gottardo Release date: 2023-02-24

Ziprexa’s Lake (2022 Remaster) Label: Daniele Gottardo Release date: 2022-12-23

Spirals Label: Daniele Gottardo Release date: 2022-07-29

Bittersweetness Label: Daniele Gottardo Release date: 2022-07-01

Blue Salt Label: Daniele Gottardo Release date: 2022-05-27

The Little Match Girl (Orchestral Version) Label: Daniele Gottardo Release date: 2015-03-01

Quotes

“His technique is stunning… the harmonic/melodic atmospheres he creates have unique qualities.” — Steve Vai, Vai.com post, 2014-04-25 — https://www.vai.com/danielle-gottardo/

“He has an elegant touch, stunning intonation, innovational style, and he honors the melody.” — Steve Vai, statement quoted by Guitar World, 2017-01-26 — https://www.guitarworld.com/artists/steve-vai-reveals-his-favorite-new-guitar-player-video

“It definitely cheers me up when I hear… players who have something unique and distinctive to say.” — Guthrie Govan, interview with Sonic State Amped, 2013-06-21 — https://sonicstate.com/amped/2013/06/21/interview-guthrie-govan-talks-about-the-new-aristocrats-album/

“His tapping game is off the charts.” — Phil Weller, Guitar World (Apex Breed tour news), 2025-12-22 — https://www.guitarworld.com/artists/concerts-gigs-tours/apex-breed-tour-2025

Italian guitar virtuoso… combines… with mind-blowing modern-rock guitar techniques.” — Oscar Jordan, Vintage Guitar, 2023-01 (issue) — https://www.vintageguitar.com/49501/daniele-gottardo/

Reviews

Steve Vai Reveals His Favorite New Guitar Player — Guitar World — Christopher Scapelliti — 2017-01-26 — https://www.guitarworld.com/artists/steve-vai-reveals-his-favorite-new-guitar-player-video

Meet Daniele Gottardo, Steve Vai’s favorite new young guitar player — Guitar World — Mark McStea — 2023-05-16 — https://www.guitarworld.com/features/danielle-gottardo-inkblot

Messina – “Daniele Gottardo Trio” live al Retronouveau di Messina1 — Radio Medua — 2025-09-15 — https://www.radiomedua.it/news/messina-daniele-gottardo-trio-live-al-retronouveau-di-messina1/

Daniele Gottardo Trio in concerto al Retronouveau — The Messineser — 2025-09-16 — https://themessineser.it/daniele-gottardo-trio-in-concerto-al-retronouveau/

Daniele Gottardo – Frenzy Of Ecstasy — SpazioRock — Fabio Milano — 2011-06-07 — https://www.spaziorock.it/archivio/recensione.php?id=1919

Daniele Gottardo: Non Temperato (2014) album review — Rockbook.hu — (author not listed) — (date not displayed on page) — https://www.rockbook.hu/hirek/daniele-gottardo-non-temperato-2014-album-review

NEW ALBUMS (Album of the Month: Daniele Gottardo – INkBlot, 10/10) — Guitar Techniques (Pocketmags) — JS — (issue month shown: February 2023; exact day not displayed) — https://pocketmags.com/es/guitar-techniques-magazine/february-2023/articles/new-albums

Daniele Gottardo: “I remember thinking Yngwie Malmsteen’s playing was amazing, and I wondered if the scalloped neck was his secret” — Guitar World — Mark McStea — 2023-05-16 — https://www.guitarworld.com/features/danielle-gottardo-inkblot

Daniele Gottardo — Vintage Guitar — Oscar Jordan — (issue month shown: January 2023; exact day not displayed) — https://www.vintageguitar.com/49501/daniele-gottardo/

Daniele Gottardo – Frenzy Of Ecstasy — Metallized.it — (author/date not accessible via current fetch) — https://www.metallized.it/recensione.php?id=3402

Daniele Gottardo – Frenzy Of Ecstasy — Metalwave.it — (author/date not accessible via current fetch) — https://www.metalwave.it/recensione.php?id=3207

 

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & CLINT DE GANON

DAVIDE PANNOZZO TRIO | Blues/Funk/Fusion (USA)

Davide Pannozzo Trio | Fusion Jazz-Funk (USA)

AVAILABILITY FOR EUROPE
2025 | September
2026 | TBA

DAVIDE PANNOZZO TRIO
ft. ETIENNE STADWIJK & CLINT DE GANON
DAVIDE PANNOZZO TRIO
ft. ETIENNE STADWIJK & CLINT DE GANON
Davide Pannozzo Trio Title
previous arrow
next arrow

Davide Pannozzo | Guitar

Danny Gottlieb, Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Mel Brown, George Benson, David Garfield, Phil Palmer, Nicola Piovani, Steve Jordan, Will Lee, Oleta Adams, Oz Noy, Shawn Pelton

Etienne Stadwijk | Piano

Louis Sclavis, Michel Portal, Tigran Hamasyan, Manu Katché, Youn Sun Nah

Clint De Ganon | Drums

Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, Lizz Wright

A visionary, modern, and emotionally charged project, the Davide Pannozzo Trio blends the language of contemporary jazz with the deep roots of soul, blues, and Afro-American tradition, delivering a sound that is both authentic and strikingly relevant.

DAVIDE PANNOZZO – Guitar and voice
A guitarist, composer, and producer based in New York City, Davide Pannozzo is widely recognized as one of the most influential voices in today’s guitar scene. His collaborations span a long list of music legends, including George Benson, David Garfield, Steve Jordan, Phil Palmer, Will Lee, Oz Noy, Nathan East, Verdine White, Mel Brown, and Oleta Adams. Pannozzo’s refined technique and soulful touch allow him to effortlessly bridge jazz, blues, fusion, and classical influences, forging a unique and immediately recognizable guitar language.

ETIENNE STADWIJK – Piano
A Dutch pianist and keyboardist with Surinamese roots, Etienne Stadwijk is a prominent name on the international scene. Having performed and recorded with Michel Portal, Louis Sclavis, Tigran Hamasyan, Manu Katché, and Youn Sun Nah, he brings to the trio a lyrical, wide-ranging approach that draws from European jazz, world music, and electronic influences. His elegant phrasing and melodic sensitivity offer the perfect counterpoint to Pannozzo’s guitar, creating a musical dialogue rich in nuance.

Link on Discogs: https://www.discogs.com/it/artist/395683-Etienne-Stadwijk

CLINT DE GANON – Drums
A world-class drummer, Clint De Ganon has worked with icons such as Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, and Lizz Wright. His mastery of groove and his ability to support with finesse or burst into virtuosic energy make him essential to the rhythmic balance of the trio. His playing is tight, inventive, and the beating heart of this project.

Link on Discogs: https://www.discogs.com/it/artist/319912-Clint-De-Ganon

DISCOGRAPHY AND RELEASES
Davide Pannozzo has released a number of critically acclaimed albums, earning praise from international media and radio airplay across Europe and the United States. Notable works include “Born Electric” (2017), recorded in New York with Will Lee, Steve Jordan, and David Garfield, and “Unconditional Love” (2019), an album that seamlessly blends jazz-blues tradition with modern textures, recorded between Italy and the USA. His EP “Blessed” (2021) further defined his artistic identity with standout tracks like “One Heart,” “Talk To Me,” and “Fallin’,” highlighting his talent as a songwriter who fuses technical brilliance with emotional depth. His releases are available on all major digital platforms, and many of his compositions have become staples for new-generation guitarists and instrumental music enthusiasts. With sophisticated arrangements, deep harmonic exploration, and lyrics that touch on universal themes, Pannozzo’s work is a powerful mix of authenticity and innovation.

A DISTINCTIVE ARTISTIC VISION
The Davide Pannozzo Trio stands out for its original repertoire, drawing from the guitarist’s own compositions as well as reimagined classics from the Afro-American tradition. Each performance is a sonic journey combining jazz improvisation, musical storytelling, and refined interplay.

This project marks a new chapter in Pannozzo’s career—one that embraces mature and conscious writing while balancing accessibility and research, emotion and experimentation. The result is music that speaks to all audiences: profound, engaging, elegant, and alive.

ROOTED IN GREATNESS
The trio’s sound is deeply informed by the personal and artistic history of its members. Pannozzo’s long-standing relationships with artists like Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Steve Jordan, and George Benson, as well as his immersion in New York’s high-level music production scene, give the trio a signature touch shaped by direct exposure to some of the world’s most important musicians.

IMPROVISATION, RESEARCH, EMOTION
Live performances are where the trio’s music truly comes to life. No concert is ever the same. Every show is a unique event shaped by real-time interaction among musicians, the acoustics of the venue, and the energy of the audience. The setlist evolves through original pieces, open improvisation, and moments of high emotional intensity.

Pannozzo’s playing merges seamlessly with that of his bandmates in a continuous flow that shifts between introspective ballads, tight grooves, meditative spaces, and collective virtuosity.

A TRIO FOR FESTIVALS, CLUBS, AND GLOBAL STAGES
With its formal elegance, communicative strength, and emotional charge, the Davide Pannozzo Trio is ideally suited for leading stages in today’s international jazz and world music scenes. It’s a project designed for theatres, major festivals, sophisticated jazz clubs, and all venues seeking powerful, heartfelt, and authentic music.

Jeff Berlin Trio ft. Jorge Vera & Jose San Martin

JEFF BERLIN Trio ft. JORGE VERA & JOSE SAN MARTIN | Fusion Jazz (USA)

 

JEFF BERLIN Trio ft. Jorge Vera & Jose San Martin | Fusion Jazz (USA)

AVAILABILITY FOR EUROPE
October 29th to November 15th, 2026
March 1st to 28th, 2027

JeffBerlinTrioftJorgeVeraJoseSanMartin JEFF BERLIN Trio ft. JORGE VERA & JOSE SAN MARTIN | Fusion Jazz (USA)
JeffBerlinTrioftJorgeVeraJoseSanMartin JEFF BERLIN Trio ft. JORGE VERA & JOSE SAN MARTIN | Fusion Jazz (USA)
JeffBerlinTrioftJorgeVeraJoseSanMartin
previous arrow
next arrow

 

Line-up

Jeff Berlin | Bass
Bill Bruford, Allan Holdsworth, Anderson Bruford Wakeman Howe, Patrick Moraz, David Liebman, Patti Austin, Kazumi Watanabe, George Benson, Dennis Chambers, Scott Henderson

Jorge Vera | Piano
Billy Cobham, Jeff Berlin, Horacio “El Negro” Hernández, Damien Schmitt, Patáx, Dennis Chambers, Ara Malikian, Tony Succar, Christian Gálvez, Alain Pérez

José San Martín | Drums
Hugo Fattoruso, Zeca Assumpção, Mauro Senise, Jerry González, Federico Lechner, Luis Salinas, Antonio Serrano, Jorge Pardo, Jorge Drexler, Toninho Horta

Style

Contemporary fusion jazz with electric bass in the foreground, piano balancing dense harmony and lyricism, and drums speaking an Afro-Latin vocabulary.
Shifting meters, melodic bass lines, and grooves that change perspective without losing swing.
A stage-built trio: immediate dynamics, virtuosity in service of storytelling, and tight three-way interplay.

Profile

JEFF BERLIN TRIO is a fusion-jazz workshop where electricity is not simply a color, but a grammar.

Jeff Berlin’s bass carries melodies and walking lines as a front voice, combining the rhythmic clarity associated with his Bruford and Holdsworth years with a lasting commitment to music before display. Returning to the piano chair, Jorge Vera brings contemporary jazz harmony, Latin American rhythmic detail, acoustic lyricism, and an incisive electric attack. His voicings widen the trio’s harmonic field while leaving room for Berlin’s melodic counterpoint.

José San Martín completes the triangle with a timbral, narrative approach to drumming: candombe, swing, funk, and urban pulses meet in an elastic groove capable of supporting both unison precision and open improvisation. The project’s defining DNA is interplay—singing bass lines, mobile harmony, and a drum kit that orchestrates the space. Virtuosity remains central, but always as a means of building momentum, contrast, and a direct live story.

Details

Jeff Berlin | Bass
A central figure in jazz-rock since the late 1970s, Berlin helped move electric bass toward a genuine lead role through legato articulation, harmonic fluency, and uncompromising time.
Within the trio, his sound is both architecture and narrative: walking lines that swing, melodic counterpoint, and solos developed with compositional logic.
His work with Bruford, Allan Holdsworth, Patrick Moraz, David Liebman, Kazumi Watanabe, Dennis Chambers, and Scott Henderson anchors the project in the highest level of fusion history.

“Part of the joy of music is evolving. You want to evolve. That’s a liberating element.”

Jeff Berlin, All About Jazz, 2022-11-21

Jorge Vera | Piano
Vera returns as the trio’s harmonic catalyst, moving between acoustic clarity, Rhodes color, contemporary jazz harmony, and Latin American rhythmic phrasing.
His role is not conventional accompaniment: he redirects themes through substitutions, register shifts, percussive chords, and rapid exchanges with bass and drums.
His verified collaborations include Billy Cobham, Jeff Berlin, Horacio “El Negro” Hernández, Dennis Chambers, Damien Schmitt, Patáx, Ara Malikian, Tony Succar, Christian Gálvez, and Alain Pérez.

“I will always fight for my dream, until I die.”

Jorge Vera, artist statement, 2017-05-17

José San Martín | Drums
San Martín gives the trio its orchestral rhythmic dimension, shaping form through cymbal color, tuned-drum resonance, dynamic contrast, and layered subdivision.
His language connects jazz and fusion with candombe, murga, funk, and Brazilian currents, giving complex passages a grounded physical pulse.
His recorded and live work includes Hugo Fattoruso, Zeca Assumpção, Mauro Senise, Jerry González, Federico Lechner, Luis Salinas, Antonio Serrano, Jorge Pardo, Jorge Drexler, and Toninho Horta.

“His electrifying speed is matched only by his flashing tone and colour palette.”

Raul Da Gama, Latin Jazz Network, 2017-03-22

Discography

Jeff Berlin | Leader and co-led projects
Champion (1985), Pump It! (1986), Taking Notes (1997), Crossroads (1998), In Harmony’s Way (2000), Lumpy Jazz (2004), Aneurythms / Ace of Bass (2006), High Standards (2010), HBC with Scott Henderson and Dennis Chambers (2012), Low Standards (2013), Joe Frazier: Round 3 — 30th Anniversary EP (2018), Jack Songs (2022).

Jorge Vera | Leader
Groovera (2010), Luz (2016).

José San Martín | Leader and named projects
En Esta Esquina (2000), Artesano (2005), Triovivo (2007), Tres Calles (2014), Tr3spuntocero (2015), Otros Palos (2015), Tocador (2016), Entrevías (2022).

Overview

Jeff Berlin is an American jazz-rock and fusion bassist, composer, and educator whose career has consistently expanded the role of electric bass. His playing treats the instrument as a primary melodic voice, joining progressive-rock precision to modern jazz improvisation, while his educational work has made him a prominent advocate for reading, harmony, ear training, and disciplined musical fundamentals.

Origins

Born in Queens, New York, on January 17, 1953, Berlin grew up in a musical family and began formal violin study as a child. The Beatles encouraged his move toward electric bass, while Jack Bruce became a decisive influence on his tone, phrasing, and understanding of the instrument’s melodic possibilities. He later studied at Berklee College of Music, strengthening the harmonic and reading skills that would define both his performing and teaching careers.

Breakthrough

Berlin’s international breakthrough came with Bill Bruford’s band in the late 1970s. In that setting, complex compositions, shifting meters, and jazz-centered improvisation placed the bass on equal footing with the other instruments. His subsequent work with Allan Holdsworth, including Road Games, reinforced his reputation for rhythmic exactness, harmonic agility, and a distinctly melodic approach to fusion.

Expansions

Across later decades, Berlin moved between solo recordings, high-level sideman work, touring ensembles, and co-led groups. Collaborations with Patrick Moraz, David Liebman, Patti Austin, Kazumi Watanabe, Scott Henderson, Dennis Chambers, and many others allowed him to operate across jazz, rock, and progressive music without losing his individual voice.

Records

Berlin’s leader discography presents the electric bass as a narrative engine rather than a supporting device. Albums such as Champion, In Harmony’s Way, High Standards, and Low Standards move between fusion velocity and straight-ahead jazz clarity. Jack Songs became a large-scale tribute to Jack Bruce, reshaping Bruce’s material through new arrangements and a broad cast of guest musicians.

Education

Berlin helped establish the Bass Institute of Technology at Musicians Institute and later founded The Players School of Music in Clearwater, Florida. His teaching philosophy places musicianship above shortcuts: reading, harmony, ear training, time, and musical problem-solving are treated as the route to genuine freedom on the instrument.

Accolades

Berlin’s standing is rooted in peer recognition, reader-voted honors, and decades of demanding professional work. His contribution to electric-bass performance and education was documented by the NAMM Oral History program, while prominent musicians have repeatedly cited his technical command, harmonic knowledge, and unmistakable musical identity.

Milestones

1953 | Born in Queens, New York
1977 | International breakthrough with Bill Bruford
1983 | Recorded with Allan Holdsworth on Road Games
1996 | Founded The Players School of Music
2021 | Added to the NAMM Oral History collection
2022 | Released Jack Songs

Legacy

Jeff Berlin’s significance goes beyond speed or precision. His legacy combines an immediately recognizable lead-bass vocabulary, a career built in musically demanding environments, and a firm belief that expressive freedom grows from literacy, listening, and sustained work. He expanded what the bass could do on stage while challenging generations of players to think beyond the instrument itself.

Quotations

“Part of the joy of music is evolving. You want to evolve. That’s a liberating element.”


Jeff Berlin — musician, interview — All About Jazz — 2022-11-21
https://www.allaboutjazz.com/jeff-berlin-making-jack-songs-making-amends-making-a-new-path-jeff-berlin

“I will always fight for my dream, until I die.”


Jorge Vera — artist statement dated 2017-05-17 — In & Out Jazz — 2017-06-28
https://inandout-jazz.es/2017/06/jorge-vera-aguilera-pianista/

“His electrifying speed is matched only by his flashing tone and colour palette.”


Raul Da Gama — critic, review of Tocador — Latin Jazz Network — 2017-03-22
https://latinjazznet.com/reviews/albums/jose-san-martin-tocador/

Reviews

Album review: JEFF BERLIN – Jack Songs
Get Ready to ROCK!
David Randall
2022-09-26
https://getreadytorock.me.uk/blog/2022/09/album-review-jeff-berlin-jack-songs/

The review presents Jack Songs as an ambitious and carefully executed tribute to Jack Bruce, emphasizing its guest cast, rearranging strategy, and the strength of Berlin’s jazz-rock writing.

Jorge Vera: Luz
Latin Jazz Network
Raul Da Gama
2017-03-03
https://latinjazznet.com/reviews/albums/jorge-vera-luz/

The article praises Vera’s virtuosity, dramatic pacing, harmonic intelligence, rhythmic variety, and ability to give contemporary Latin jazz a strongly individual voice.

José San Martín Presents: Tocador
Latin Jazz Network
Raul Da Gama
2017-03-22
https://latinjazznet.com/reviews/albums/jose-san-martin-tocador/

The review highlights San Martín’s speed, tonal range, cymbal detail, resonant drum sound, and ability to generate power without obscuring the music’s melodic direction.

DARAA TRIBES | SAHARA

NEW RELEASE | DARAA TRIBES | SAHARA

Daraa Tribes logo

NEW SINGLE

SAHARA



DARAA TRIBES WEBSITE

https://www.daraatribes.com/


FOLLOW DARAA TRIBES ON SPOTIFY


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

[addthis tool=addthis_horizontal_follow_toolbox]