May, 2025


























Bobby Sparks II – Keys, Composer, Producer – US
A master of groove, texture, and genre fusion, Bobby Sparks II is one of the most explosive and versatile keyboardists of his generation. Known for his work with Snarky Puppy, Marcus Miller, Prince, Herbie Hancock, Kirk Franklin, Snoop Dogg, and St. Vincent, Sparks blends jazz, funk, gospel, soul, hip-hop, and cinematic sound design into a powerful and unmistakable musical voice.
His live project brings together a collective of high-caliber musicians, creating an electrifying stage experience. The music is dynamic, unpredictable, and deeply rooted in the traditions of Black American Music, while pushing boundaries with cutting-edge improvisation and production sensibility.
Bobby Sparks II’s performances have been described as orchestral and raw, mixing the lush textures of analog synths and organs with high-impact rhythm sections and searing solos. Whether it’s a small club or a major festival, the energy is magnetic and the musicality is second to none.
Live Line-Up
Bobby Sparks – Keys
Snarky Puppy, Prince, Herbie Hancock, Marcus Miller, Snoop Dogg, St. Vincent
Jay Mack – Bass
Erykah Badu, Kirk Franklin, Mononeon
Keith Anderson – Sax
Roy Hargrove, Marcus Miller, Kanye West, Erykah Badu
Cam – Guitar
Nile Rodgers, Musiq Soulchild
DeAnthony McGee – EWI
Snarky Puppy, Kirk Franklin
Adarian Roberts – Drums
Tye Tribbett, Kirk Franklin
Official website: https://bobbysparksmusic.com/


































































Line up
Wayne Krantz | Guitar
Steely Dan, Michael Brecker, Donald Fagen, Billy Cobham, Chris Potter, David Binney, Carla Bley, Keith Carlock, Tim Lefebvre, Pino Palladino, Vinnie Colaiuta, John Patitucci, Tal Wilkenfeld, Anton Fig, Jeremy Stacey, Paul Stacey, Gabriela Anders, Kenny Wollesen, Nate Wood, Henry Hey, Owen Biddle
Josh Dion | Drums
John Scofield, Wayne Krantz, Bill Evans, Chuck Loeb, Esperanza Spalding, Lucius, Chris Thile
Evan Marien | Bass
Tigran Hamasyan, Tim Miller, Virgil Donati, Elliot Moss, Justin Brown, Allan Holdsworth, Dana Hawkins, Fredrik Thordendal, Plini, Aaron Marshall, J3PO, Cory Wong, Zac Zinger, Button Masher, Miguel Atwood-Ferguson
WAYNE KRANTZ
Wayne Krantz was born in Corvallis, Oregon. He released his first album, Signals, in 1990, sporting an array of recognized jazz musicians such as Dennis Chambers, Don Alias, Anthony Jackson, and others.
In 1992, he formed a trio with bassist Lincoln Goines and drummer Zach Danziger and recorded two albums with them, Long To Be Loose (1993) and 2 Drink Minimum (1995), a live album, and began playing regularly at the 55 Bar, a jazz club in New York City. In 1996, Krantz released an acoustic album with Leni Stern, dubbed Separate Cages. After playing with Steely Dan for several years, Krantz formed a new trio in 1997 with Tim Lefebvre on bass and Keith Carlock on drums; on June 28, 2007, he played his final regular Thursday night gig at New York’s 55 Bar. As of October and November 2018, he is playing regularly at 55 Bar again with a rotating cast of sidemen.
Wayne Krantz’s first three solo albums were released on the jazz label Enja Records. His next three albums, 1999’s Greenwich Mean, 2003’s Your Basic Live, and 2007’s Your Basic Live ’06 were all released from Wayne’s private website. Like 2 Drink Minimum, these albums are excerpts of various sets at the 55 Bar. These albums also include more use of effects pedals, and are more unscripted and improvised than the previous three. He contributed to Donald Fagen’s release Morph the Cat, and toured with Fagen’s band in early 2006. He was featured on tenor saxophonist Chris Potter’s 2006 release, Underground.
Wayne Krantz signed with record label Abstract Logix to release his first studio record in over fifteen years. Krantz Carlock Lefebvre (2009) features the core trio of Krantz, Carlock on drums and Lefebvre on bass. In 2012, Krantz released Howie 61 (a reference to Bob Dylan’s Highway 61 Revisited), which includes performances by Keith Carlock, James Genus, John Patitucci, Charley Drayton, Tal Wilkenfeld, Vinnie Colaiuta, Anton Fig, Yasushi Miura, Jeremy Stacey, Paul Stacey, Pino Palladino, Gabriela Anders, Kenny Wollesen, Nate Wood, Henry Hey and Owen Biddle. In 2014, Krantz released “Good Piranha/Bad Piranha,” a live-in-the-studio album featuring his two dominant trio combinations at the time: Nate Wood/Keith Carlock and Tim Lefebvre/Nate Wood. The bands each recorded the same four cover songs with radically different improvisational results.
EVAN MARIEN
Evan Marien is an award-winning bassist, composer, producer, author, educator, and 3D artist, born and raised in the cornfields of Decatur, Illinois. He graduated from Berklee College of Music in 2009 and has lived in the NYC area since 2010.
Known for his collaborations with drummer Dana Hawkins, he has also performed in the bands of Tigran Hamasyan, Wayne Krantz, Tim Miller, Virgil Donati, Elliot Moss, Justin Brown’s NYEUSI, and was the last bassist to perform in guitar legend Allan Holdsworth’s band.
His latest release, ‘Elysian’ features Dana Hawkins, Tigran Hamasyan, Fredrik Thordendal, Plini, Intervals, J3PO, Tim Miller, Cory Wong, Zac Zinger, Button Masher, and Miguel Atwood-Ferguson.
You can hear his bass playing on numerous albums such as Tigran Hamasyan’s “The Call Within,” Virgil Donati’s “In This Life,” and “Ruination”, and Steve Hunt’s “Connections”.
His playing can also be heard on the Mitski song ‘Nobody,’ for which he received a gold record for participating on the album ‘Be The Cowboy,’ as well as on the songs ‘Should’ve Been Me’ and ‘That’s Our Lamp’ from her most recent album, ‘Laurel Hell’.
In partnership with MadeMusicStudio, Evan has composed music for renowned brands such as AT&T, Lexus, and NPR. Most recently, he won a 2022 CLIO award for composing the sonic logo and anthem for Turner Classic Movies (TCM).
As an author, he has written numerous books about his distinctive Hexatonic method for the bass guitar, as well as created video courses describing his specialized right hand technique. His first book, ‘Transcriptions Vol. 1,’ was an Amazon Best Seller in its first week of release.
Evan is also a part-time faculty member at The New School in New York City, where he specializes in providing private lessons to the next generation of contemporary musicians.
Evan Marien is a MarkBass artist!
JOSH DION
Josh Dion was born at the tail end of the disco funk era, when popular radio bore the sounds of Quincy Jones, Michael Jackson, and ‘four on the floor’ drum beats! Raised in Storrs, CT, Josh started playing his father’s drums before he even started kindergarten. He grew up playing drums to the simple and beat driven sounds of Nick Mason and Ringo Starr. He also lived across the hall from his older brother, who not only followed the Grateful Dead, but introduced him to Cream at the tender age of seven. Rightfully so, Cream, Zeppelin and the Stones led Dion to Willie Dixon, Robert Johnson and beyond.
A prodigious talent, Josh started playing professionally at age eight and was invited to shed with the UConn Jazz Studies program by the time he was twelve. While he was impressing people with his percussion skills, he was playing piano and singing in his local church, developing talents which would eventually help him stand out even among the world class drummers in whose company he has now found himself.
After a stint in the music program at New Jersey’s William Paterson University, he has made New York City his home. Josh’s college days were greeted by an immersion in the Jam band scene with NYC funk band ulu, who toured the Eastern half of the US. Josh was soon noticed by jazz guitarist Chuck Loeb, who offered Josh an opportunity to be seen and heard by a whole new level of the music audience. From that platform, he has gone on to work with some of the major brand names of the music world: Candy Dulfer, Spyro Gyra, Will Lee, Pat Martino, Jeff Kashiwa, Jason Miles, Anthony Jackson, Edgar Winter, Randy Brecker, Bob James, Eric Marienthal, Til Bronner, Jim Beard, Ivan Lins and on and on.
Meanwhile, Josh Dion has been developing his solo career with the CD releases of the Josh Dion Band (www.joshdionband.net), their debut “Give Love” and the imminent “Josh Dion Band Live.” The Josh Dion Band has another studio release planned for early 2007.
“Give Love” was greeted with effusive praise by the UK’s Drummer magazine, who described it as “Brian Wilson meets Hall and Oates, with possibly Bruce Springsteen looking in and drums that sound like they were recorded at Muscle Shoals Studios. This is a collection of epic songs that build and move as songs used to in the old days when songwriters were exactly that and labels like Motown and Stax were market leaders…Great voice, great drums and great, great tunes…Dion is a young player that is going to create a very big impression indeed. Not only can this fella lay down a super funky beat, but he sings with a soulful voice that totally melts your mind…You are going to be hearing more from this extremely talented young musician…If there is any justice in this world, Dion will be huge.” YEAH!
Josh also enjoys nature-walking, driving, and attending history lectures.
GEAR LIST
Absolute Maple Nouveau
ABD-1518JF 18″x14″
ATT-1512J 12″x8″
AFT-1516 16″x16″
ASD-0545 14″x5.5″
MNS-1470EJ Elvin Jones Signature
What’s going on: https://www.coralriff.biz/events/






































Daniele Gottardo | Guitar
Joe Satriani, Steve Vai, Paul Gilbert, Guthrie Govan, Greg Howe, Eric Johnson, Zakk Wylde, Nuno Bettencourt, Richie Kotzen, Billy Sheehan
Nicolò Vese | Bass
Daniele Liverani, Federico Vese, Gabriele Bullita, Nico Di Battista, James Senese, Orchestra Sinfonica di Sanremo, Ne Obliviscaris, Caligula’s Horse
Giuseppe Risitano | Drums
Enrico Rava, Paolo Fresu, Stefano Di Battista, Fabrizio Bosso, Tullio De Piscopo, Maria Pia De Vito, Gianluca Petrella, Roberto Gatto, Danilo Rea, Rita Marcotulli
Polyphonic jazz-rock where the electric guitar behaves like a full ensemble voice. Contrapuntal writing, modern harmony, odd-meter architecture and wide-screen dynamics. Virtuosity always serving form and narrative.
Daniele Gottardo Trio is built around a rare premise: the guitar is treated as orchestration. Gottardo’s writing layers melodic lead lines with inner voices, counterpoint and chamber-like voicings, then locks them into contemporary grooves where rock drive and jazz articulation coexist without compromise. The sound stays clear and composed even at high intensity—less a soloist with accompaniment, more three musicians sharing multiple roles at once.
That polyphonic idea extends to the rhythm section. Bassist Nicolò Vese expands the harmonic field through counterlines, register shifts and chordal color, moving between supportive foundation and melodic engine with a modern prog-fusion touch. Drummer Giuseppe Risitano completes the architecture with a contemporary-jazz approach to time and dynamics: a precise pocket when needed, open texture when the arrangement calls for air, and an instinct for shaping transitions as part of the form.
The band’s signature sits at the intersection of modern fusion and progressive attitude: intricate voicings, tight rhythmic design, and a cinematic sense of arc.
Often cited as included by Steve Vai among the world’s “Top 10 Emerging Guitarists”, Daniele Gottardo has also been publicly singled out by Vai as a rare “blue-moon” discovery—and introduced as his “favorite new young guitar player.”
Daniele Gottardo’s catalog is shaped by long-form composition for electric guitar, where orchestration, counterpoint, and modern harmony become structural elements. The writing favors clarity under pressure: layered voices and designed dynamics that keep dense material readable.
“Once in a blue moon… I come across a guitar talent that is truly stimulating to me… Daniele Gottardo is one of those people.” (Steve Vai, Vai.com, 2014-04-25)
Nicolò Vese approaches the bass as a shared-role instrument: opening harmonic space, doubling and counterlining with intent, shifting between foundation and thematic voice without breaking the groove.
Giuseppe Risitano balances precision and air: strong time feel when the architecture needs a spine, and elastic dynamics when the arrangement asks for depth and perspective.
INkBlot Label: Daniele Gottardo Release date: 2022-10-31
Giant Nuts (Daniele Gottardo & The Nuts) Label: Self-released Release date: 2016-05-01
Non Temperato Label: Self-released Release date: 2014-03-15
Frenzy of Ecstasy Label: Digital Nations Release date: 2010-03-15
Now’s the Time Label: Daniele Gottardo Release date: 2025-04-18
Four On Six Label: Daniele Gottardo Release date: 2025-02-07
Liadov – Mazurka in F minor, Op. 57 No. 3 Label: Daniele Gottardo Release date: 2023-10-13
My Favorite Things Label: Daniele Gottardo Release date: 2023-02-24
Ziprexa’s Lake (2022 Remaster) Label: Daniele Gottardo Release date: 2022-12-23
Spirals Label: Daniele Gottardo Release date: 2022-07-29
Bittersweetness Label: Daniele Gottardo Release date: 2022-07-01
Blue Salt Label: Daniele Gottardo Release date: 2022-05-27
The Little Match Girl (Orchestral Version) Label: Daniele Gottardo Release date: 2015-03-01
“His technique is stunning… the harmonic/melodic atmospheres he creates have unique qualities.” — Steve Vai, Vai.com post, 2014-04-25 — https://www.vai.com/danielle-gottardo/
“He has an elegant touch, stunning intonation, innovational style, and he honors the melody.” — Steve Vai, statement quoted by Guitar World, 2017-01-26 — https://www.guitarworld.com/artists/steve-vai-reveals-his-favorite-new-guitar-player-video
“It definitely cheers me up when I hear… players who have something unique and distinctive to say.” — Guthrie Govan, interview with Sonic State Amped, 2013-06-21 — https://sonicstate.com/amped/2013/06/21/interview-guthrie-govan-talks-about-the-new-aristocrats-album/
“His tapping game is off the charts.” — Phil Weller, Guitar World (Apex Breed tour news), 2025-12-22 — https://www.guitarworld.com/artists/concerts-gigs-tours/apex-breed-tour-2025
“Italian guitar virtuoso… combines… with mind-blowing modern-rock guitar techniques.” — Oscar Jordan, Vintage Guitar, 2023-01 (issue) — https://www.vintageguitar.com/49501/daniele-gottardo/
Reviews
Steve Vai Reveals His Favorite New Guitar Player — Guitar World — Christopher Scapelliti — 2017-01-26 — https://www.guitarworld.com/artists/steve-vai-reveals-his-favorite-new-guitar-player-video
Meet Daniele Gottardo, Steve Vai’s favorite new young guitar player — Guitar World — Mark McStea — 2023-05-16 — https://www.guitarworld.com/features/danielle-gottardo-inkblot
Messina – “Daniele Gottardo Trio” live al Retronouveau di Messina1 — Radio Medua — 2025-09-15 — https://www.radiomedua.it/news/messina-daniele-gottardo-trio-live-al-retronouveau-di-messina1/
Daniele Gottardo Trio in concerto al Retronouveau — The Messineser — 2025-09-16 — https://themessineser.it/daniele-gottardo-trio-in-concerto-al-retronouveau/
Daniele Gottardo – Frenzy Of Ecstasy — SpazioRock — Fabio Milano — 2011-06-07 — https://www.spaziorock.it/archivio/recensione.php?id=1919
Daniele Gottardo: Non Temperato (2014) album review — Rockbook.hu — (author not listed) — (date not displayed on page) — https://www.rockbook.hu/hirek/daniele-gottardo-non-temperato-2014-album-review
NEW ALBUMS (Album of the Month: Daniele Gottardo – INkBlot, 10/10) — Guitar Techniques (Pocketmags) — JS — (issue month shown: February 2023; exact day not displayed) — https://pocketmags.com/es/guitar-techniques-magazine/february-2023/articles/new-albums
Daniele Gottardo: “I remember thinking Yngwie Malmsteen’s playing was amazing, and I wondered if the scalloped neck was his secret” — Guitar World — Mark McStea — 2023-05-16 — https://www.guitarworld.com/features/danielle-gottardo-inkblot
Daniele Gottardo — Vintage Guitar — Oscar Jordan — (issue month shown: January 2023; exact day not displayed) — https://www.vintageguitar.com/49501/daniele-gottardo/
Daniele Gottardo – Frenzy Of Ecstasy — Metallized.it — (author/date not accessible via current fetch) — https://www.metallized.it/recensione.php?id=3402
Daniele Gottardo – Frenzy Of Ecstasy — Metalwave.it — (author/date not accessible via current fetch) — https://www.metalwave.it/recensione.php?id=3207
Website: https://officialdanielegottardo.com/
What’s going on: https://www.coralriff.biz/events/






























Davide Pannozzo | Guitar
Danny Gottlieb, Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Mel Brown, George Benson, David Garfield, Phil Palmer, Nicola Piovani, Steve Jordan, Will Lee, Oleta Adams, Oz Noy, Shawn Pelton
Etienne Stadwijk | Piano
Louis Sclavis, Michel Portal, Tigran Hamasyan, Manu Katché, Youn Sun Nah
Clint De Ganon | Drums
Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, Lizz Wright
A visionary, modern, and emotionally charged project, the Davide Pannozzo Trio blends the language of contemporary jazz with the deep roots of soul, blues, and Afro-American tradition, delivering a sound that is both authentic and strikingly relevant.
DAVIDE PANNOZZO – Guitar and voice
A guitarist, composer, and producer based in New York City, Davide Pannozzo is widely recognized as one of the most influential voices in today’s guitar scene. His collaborations span a long list of music legends, including George Benson, David Garfield, Steve Jordan, Phil Palmer, Will Lee, Oz Noy, Nathan East, Verdine White, Mel Brown, and Oleta Adams. Pannozzo’s refined technique and soulful touch allow him to effortlessly bridge jazz, blues, fusion, and classical influences, forging a unique and immediately recognizable guitar language.
ETIENNE STADWIJK – Piano
A Dutch pianist and keyboardist with Surinamese roots, Etienne Stadwijk is a prominent name on the international scene. Having performed and recorded with Michel Portal, Louis Sclavis, Tigran Hamasyan, Manu Katché, and Youn Sun Nah, he brings to the trio a lyrical, wide-ranging approach that draws from European jazz, world music, and electronic influences. His elegant phrasing and melodic sensitivity offer the perfect counterpoint to Pannozzo’s guitar, creating a musical dialogue rich in nuance.
Link on Discogs: https://www.discogs.com/it/artist/395683-Etienne-Stadwijk
CLINT DE GANON – Drums
A world-class drummer, Clint De Ganon has worked with icons such as Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, and Lizz Wright. His mastery of groove and his ability to support with finesse or burst into virtuosic energy make him essential to the rhythmic balance of the trio. His playing is tight, inventive, and the beating heart of this project.
Link on Discogs: https://www.discogs.com/it/artist/319912-Clint-De-Ganon
DISCOGRAPHY AND RELEASES
Davide Pannozzo has released a number of critically acclaimed albums, earning praise from international media and radio airplay across Europe and the United States. Notable works include “Born Electric” (2017), recorded in New York with Will Lee, Steve Jordan, and David Garfield, and “Unconditional Love” (2019), an album that seamlessly blends jazz-blues tradition with modern textures, recorded between Italy and the USA. His EP “Blessed” (2021) further defined his artistic identity with standout tracks like “One Heart,” “Talk To Me,” and “Fallin’,” highlighting his talent as a songwriter who fuses technical brilliance with emotional depth. His releases are available on all major digital platforms, and many of his compositions have become staples for new-generation guitarists and instrumental music enthusiasts. With sophisticated arrangements, deep harmonic exploration, and lyrics that touch on universal themes, Pannozzo’s work is a powerful mix of authenticity and innovation.
A DISTINCTIVE ARTISTIC VISION
The Davide Pannozzo Trio stands out for its original repertoire, drawing from the guitarist’s own compositions as well as reimagined classics from the Afro-American tradition. Each performance is a sonic journey combining jazz improvisation, musical storytelling, and refined interplay.
This project marks a new chapter in Pannozzo’s career—one that embraces mature and conscious writing while balancing accessibility and research, emotion and experimentation. The result is music that speaks to all audiences: profound, engaging, elegant, and alive.
ROOTED IN GREATNESS
The trio’s sound is deeply informed by the personal and artistic history of its members. Pannozzo’s long-standing relationships with artists like Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Steve Jordan, and George Benson, as well as his immersion in New York’s high-level music production scene, give the trio a signature touch shaped by direct exposure to some of the world’s most important musicians.
IMPROVISATION, RESEARCH, EMOTION
Live performances are where the trio’s music truly comes to life. No concert is ever the same. Every show is a unique event shaped by real-time interaction among musicians, the acoustics of the venue, and the energy of the audience. The setlist evolves through original pieces, open improvisation, and moments of high emotional intensity.
Pannozzo’s playing merges seamlessly with that of his bandmates in a continuous flow that shifts between introspective ballads, tight grooves, meditative spaces, and collective virtuosity.
A TRIO FOR FESTIVALS, CLUBS, AND GLOBAL STAGES
With its formal elegance, communicative strength, and emotional charge, the Davide Pannozzo Trio is ideally suited for leading stages in today’s international jazz and world music scenes. It’s a project designed for theatres, major festivals, sophisticated jazz clubs, and all venues seeking powerful, heartfelt, and authentic music.