DAVIDE PANNOZZO Trio ft Etienne Stadwijk & SHAWN PELTON

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)

DAVIDE PANNOZZO Trio
ft. ETIENNE STADWIJK & SHAWN PELTON
Soul/Funk/Blues (USA)

AVAILABILITY FOR EUROPE

2027 | MARCH

DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON
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Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton | Soul-Funk / Blues | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, with guitar and vocals at the center, orchestral keyboards, and studio-band drums.

The trio works through essentials: clear riffs, mobile harmonies, bass implied by the keyboards, and a groove that always remains readable.

Pannozzo’s writing becomes a compact live format spanning electric blues, jazz-fusion, and soulful songwriting.

Profile

Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton reduces the architecture of the quartet to a more essential form without losing sonic breadth. Pannozzo’s guitar and voice guide the melodic narrative; Stadwijk expands the harmonic field through piano, keyboards, voicings, and supporting lines; Pelton builds the pocket with precise, elastic, deeply musical drumming. The result is a trio that does not try to fill every space, but organizes it: blues remains the grammatical center, while soul-funk, jazz-fusion, and contemporary songwriting define color, dynamics, and direction. The interplay thrives on immediate response, volume control, and a strong sense of form. This is a band designed for the stage: direct, articulate, and able to preserve the weight of the groove in a lean configuration.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar style rooted in blues and filtered through jazz harmony, tonal control, and songwriter craft. Sources document collaborations with George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Carl Verheyen wrote in 2017: “Tone just drips from Davide’s fingers.”

Etienne Stadwijk | keyboards. A keyboardist and producer, Stadwijk acts as the trio’s harmonic architect: Rhodes, piano, organ, synths, voicings, and countermelodies expand the guitar and can also sustain the bass’s rhythmic and harmonic function. A New York-based Berklee graduate, he is documented alongside Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News highlighted the tightness of Richard Bona’s band and Stadwijk’s solos in 2013.

Shawn Pelton | drums. Pelton is the trio’s dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to give weight to the groove without making it rigid. A drummer with the Saturday Night Live band since 1992, he has recorded or performed with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, and The Brecker Brothers. International Musician captured his working method in 2024: “They say the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, and Room for Joy; recent singles and releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, St. Louis Blues, Imagine, Plug It In, Leroy’s Blues, The Thrill Is Gone, Christmas In New York, and The Subway Song. His documented discography centers on modern blues, melodic phrasing, songwriting, and New York production.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Shawn Pelton: selected discography as a session drummer and long-standing musician with Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, and New York’s television and live circuit. Sources document his presence on Grammy-winning albums and high-profile pop, rock, soul, and roots productions.

Quotes

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; source

“Be Blessed is a chill instrumental that overflows with understated emotion and casts its shadow somewhere between the upscale blues of Robben Ford and the deep melodicism of Duke Ellington.” — Martine Ehrenclou; Rock & Blues Muse; 2022-07-07; source

“Every note serves the song. Every phrase is placed with intention.” — Rock & Blues Muse; article on The Subway Song; 2026-04-13; source

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; London Jazz News; 2013-10-08; source

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; BroadwayWorld; 2020-06-22; source

“They say the harder you work, the luckier you can be.” — Shawn Pelton; International Musician; 2024-09-01; source

Reviews

Davide Pannozzo Releases ‘The Subway Song’ New Single — Rock & Blues Muse; Martine Ehrenclou; 2026-04-13;
rockandbluesmuse.com
An article on The Subway Song, described as contemporary blues with expressive vocals, melodic guitar, and narrative space. It positions Pannozzo as a modern writer more interested in phrasing, intention, and song form than in technical density alone.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
rockandbluesmuse.com
An article on the soulful, melodic, jazz-inflected instrumental Be Blessed. It also traces Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Davide Pannozzo: Unconditional Love — Music Republic Magazine; Simon Redley; 2017-10-19;
musicrepublicmagazine.com
A 5/5 review presenting Unconditional Love as an album centered on blues, fusion, and soul feel. It highlights Pannozzo’s tone, writing, and connection with the New York scene.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
londonjazznews.com
A live review of Richard Bona’s group with Etienne Stadwijk on keyboards and piano. It praises the band’s tightness, audience response, and Stadwijk’s solos, documenting his ability to support both groove and improvisation.

Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate — BroadwayWorld; A.A. Cristi; 2020-06-22;
broadwayworld.com
An article on Then Why?!, presenting Stadwijk as a keyboardist, producer, and socially engaged writer active across recording, production, and live performance.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; 2024-09-01;
internationalmusician.org
A profile of Shawn Pelton and his role in the Saturday Night Live band, focused on method, discipline, versatility, and pressure management in live television.

#269 Shawn Pelton – Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
discussionsinpercussion.com
A podcast interview covering Pelton’s career with Saturday Night Live, session work, rhythmic programming, Live From Daryl’s House, and recordings with major artists.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
jazzjournal.co.uk
A review including Jonah David’s Waltz for Eli, a project featuring Etienne Stadwijk on keyboards and in the writing credits, supporting his profile in contemporary melodic jazz.

Davide Pannozzo 4tet ft Etienne Stadwijk Will Lee Shawn Pelton DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4tet ft. ETIENNE STADWIJK, WILL LEE & SHAWN PELTON | Blues / Soul-Funk (IT/USA)

DAVIDE PANNOZZO 4TET

AVAILABILITY FOR EUROPE
2027 | JULY

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton
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Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton | Blues / Soul-Funk | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Will Lee | bass, vocals
David Letterman, The Brecker Brothers, The 24th Street Band, Horace Silver, Bette Midler, Barry Manilow, George Benson, James Brown, Aretha Franklin, Pat Metheny

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, shaped by a singing guitar voice, deep bass pocket, harmonic keyboards, and studio-grade drums.

The quartet works around the pocket: clear riffs, compact instrumental voices, disciplined improvisation, and a groove that stays physically readable.

Pannozzo’s writing becomes a high-definition live format where electric blues, jazz-fusion, and soulful song form remain connected.

Profile

Davide Pannozzo 4tet ft. Etienne Stadwijk, Will Lee & Shawn Pelton places Pannozzo’s guitar writing inside a distinctly New York rhythmic language. The sound moves between modern blues, soul-funk, and jazz-fusion: the guitar carries the melodic narrative, Stadwijk widens the harmonic frame through keyboards and counterlines, Lee turns bass into both propulsion and song, and Pelton locks the band with a dry, elastic studio-band pocket. This is not a project built on résumé display, but on balance: song forms are clear, improvisation stays conversational, dynamics breathe, and every player leaves space for the collective attack. The result is a compact live unit with the authority of major session musicians and the directness of a band that can make blues feel current without nostalgia.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar tone rooted in blues and filtered through jazz harmony, controlled attack, and melodic phrasing. Sources document collaborations with George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Will Lee wrote in 2017 that, when hearing Pannozzo’s music, “there is something special going on.”

Etienne Stadwijk | keyboards. Stadwijk functions as the harmonic architect of the quartet: piano, keyboards, voicings, pads, and counterlines extend the guitar while keeping the groove open. A New York-based Berklee graduate, he is documented with Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News described Richard Bona’s band with Stadwijk as “very tight,” highlighting “very nice solos.”

Will Lee | bass, vocals. Lee is the melodic and rhythmic center of the band: elastic lines, studio timing, backing vocals, and a feel that makes the bass both foundation and hook. LA Phil documents his work with Dreams, Horace Silver, The Brecker Brothers, The 24th Street Band, the David Letterman house bands, and more than 1,700 studio dates with artists including Aretha Franklin, George Benson, Billy Joel, Pat Metheny, James Brown, and Paul McCartney. In this quartet he supplies authority, song sense, and funk architecture.

Shawn Pelton | drums. Pelton is the dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to keep blues, funk, and fusion loose without letting the pocket blur. Remo and International Musician document his long-running role with Saturday Night Live and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, Pink, and The Brecker Brothers. His method is summarized by his own line: “the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, Room for Joy; singles and recent releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, Shufflin’ NYC, Christmas In New York, and The Subway Song. Unconditional Love is documented as a New York album produced by Steve Jordan and Will Lee, with contributions from Shawn Pelton and other scene musicians.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His documented discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Will Lee: OH! and Love, Gratitude & Other Distractions as solo projects; albums with The 24th Street Band including The 24th Street Band, Bokutachi, and Share Your Dreams; official discography and biographical sources also place him with Dreams, The Brecker Brothers, Horace Silver, George Benson, Chaka Khan, Billy Joel, Bette Midler, Pat Metheny, James Brown, and a long list of studio recordings.

Shawn Pelton: selected official and documented work as session drummer and band member includes Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, Bob Dylan-related Hank Williams tribute recordings, and many Grammy-winning or high-profile studio projects. His discography is best understood as a first-call session and live-TV body of work rather than a leader catalogue.

Quotes

“There are very few artists these days that can inspire and are filled with inspiration and great ideas, Davide Pannozzo is one of them. When you first hear his music, you know there is something special going on…” — Will Lee; bassist and producer, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/

“As soon as the Beatles showed up on the Ed Sullivan Show, I knew what I wanted to do.” — Will Lee; interview by Jon Liebman; For Bass Players Only; 2010-05-31; https://forbassplayersonly.com/interview-will-lee/

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; live review of Richard Bona Group; London Jazz News; 2013-10-08; https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; statement on Then Why?!; BroadwayWorld; 2020-06-22; https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622

“They say the harder you work, the luckier you can be.” — Shawn Pelton; profile-interview The Ultimate Union Gig: Live from New York on a Saturday Night; International Musician; 2024-09-01; https://internationalmusician.org/shawn-pelton/

Reviews

Davide Pannozzo: Unconditional Love (Unconditional Love Global Publishing) 19th October 2017 — Music Republic Magazine; Simon Redley; 2017-10-19;
https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
A 5/5 review presenting Unconditional Love as a New York-recorded album around blues, fusion, and soul feel, with Steve Jordan and Will Lee as producers/players. The article highlights Pannozzo’s tone, writing, and the presence of Will Lee and Shawn Pelton in the album sound.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
https://rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
Article on Be Blessed, produced by Steve Jordan and featuring Will Lee on bass, Clifford Carter on keyboards, and Davide Rossi on strings. It also reconstructs Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
Live review of Richard Bona’s quartet with Etienne Stadwijk on keyboards and piano. It praises the tightness of the band and Stadwijk’s solos, useful for positioning him as a keyboardist who can support groove and improvisation at the same time.

Will Lee talks life after Letterman — For Bass Players Only; Jon Liebman; 2021-10-25;
https://forbassplayersonly.com/will-lee/
Interview-article revisiting Will Lee’s career after the Late Show, with references to Horace Silver, The Brecker Brothers, Billy Cobham, David Bowie, James Brown, Robben Ford, Bette Midler, Barry Manilow, and his solo work.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; IM; 2024-09-01;
https://internationalmusician.org/shawn-pelton/
Profile on Shawn Pelton and his role in the Saturday Night Live band, focused on discipline, versatility, live television pressure, and session-musician survival skills. It frames his drumming as a balance of flexibility, groove culture, and broadcast precision.

#269 Shawn Pelton- Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
https://www.discussionsinpercussion.com/home/2022/2/22/269-shawn-pelton-drummer-for-snl-sheryl-crow-john-eddie-and-more
Podcast-interview covering Pelton’s SNL work, session career, programming skills, Live From Daryl’s House, CBS Orchestra substitutions, and recordings with Sheryl Crow, Bob Dylan, Bruce Springsteen, Elton John, Billy Joel, David Byrne, and Grammy-winning albums.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
https://jazzjournal.co.uk/2025/06/11/reviewed-jonah-david-adrian-galante-mingus/
Review that includes Jonah David’s Waltz for Eli, a project documenting Etienne Stadwijk on keyboards and in the writing credits. It helps support his profile as a harmonic and textural player in contemporary jazz contexts.

Bobby Sparks

BOBBY SPARKS II | Fusion Jazz (USA)

BOBBY SPARKS II

AVAILABILITY FOR EUROPE
2026 | OCTOBER 27th TO NOVEMBER 15th

2027 | MAY
ITALIAN EXCLUSIVE

Bobby1 BOBBY SPARKS II | Fusion Jazz (USA)
Bobby1 BOBBY SPARKS II | Fusion Jazz (USA)
Bobby1
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Bobby Sparks II | Jazz-Funk / Fusion | USA

Line-up

Bobby Sparks II | keys
Snarky Puppy, Prince, Herbie Hancock, Ray Charles, Nelly Furtado, Marcus Miller, Kirk Franklin, St. Vincent, Tower of Power, Lizz Wright

Jay McK / Justin “Jay Mack” McKinney | bass
Ghost-Note, Erykah Badu, Kirk Franklin, MonoNeon, Chaka Khan, Fred Hammond, Bobby Brown, Liv Warfield, Bobby Sparks II, GLOW

Keith Anderson | sax
Roy Hargrove, Marcus Miller, Les McCann, Erykah Badu, Kirk Franklin, Kanye West, Prince, Paul Jackson Jr., Bobby Sparks II, The RH Factor

Cam Lee | guitar
Nile Rodgers, Musiq Soulchild, Bobby Sparks II

DeAnthony McGee | EWI
Bobby Sparks II, Kirk Franklin, Michael McDonald, Joe Sample, Snarky Puppy

Adarian Roberts | drums
Bobby Sparks II, Tye Tribbett, Kirk Franklin, Anita Baker, The Crusaders, D’Angelo

Style

Vintage-key funk, gospel harmony and Texas jazz-fusion pressure, led from a fortress of organs, synths, Rhodes and Clavinet.

A rhythm section built for deep pocket, elastic backbeat and sudden gear-shifts, with bass and drums pushing the band toward body-level impact.

Sax, guitar and EWI expand the music into a high-voltage Black American continuum: blues, church, fusion, soul, hip-hop, funk opera.

Profile

Bobby Sparks II’s live project is not a keyboard showcase with accompaniment: it is a pressure system of groove, church harmony, jazz freedom and analog electricity. Sparks leads from the center, shaping Hammond, Rhodes, Clavinet, synths and sound-design into a dense orchestral field, while Jay McK and Adarian Roberts keep the music physical, flexible and dangerous. Keith Anderson brings the Roy Hargrove/RH Factor lineage into the front line, Cam Lee adds clipped funk guitar and R&B color, and DeAnthony McGee’s EWI opens a synthetic horn register that suits Sparks’ futuristic vocabulary. The result is a band that treats funk as architecture: heavy in the pocket, open in form, saturated in timbre, and built for improvisation without losing the body.

Details

Bobby Sparks II | keys. Leader, composer and producer, Sparks is the project’s harmonic and timbral engine. His language connects gospel voicings, Texas blues, jazz-funk, Prince-derived funk, analog synthesis and orchestral sound design. Verified work includes Snarky Puppy, Kirk Franklin, Roy Hargrove’s RH Factor, Marcus Miller, Herbie Hancock, Ray Charles, St. Vincent and Lizz Wright. In interview, he has described gospel as the source of his harmonic ear and Prince as a decisive inspiration.

Jay McK / Justin “Jay Mack” McKinney | bass. Low-end anchor and groove stabilizer, Jay McK gives the band the rounded, syncopated floor needed for Sparks’ dense keyboard architecture. Public sources identify him with Ghost-Note and list collaborations or credits connected to Erykah Badu, Kirk Franklin, MonoNeon, Chaka Khan, Fred Hammond, Bobby Brown and Liv Warfield. His role in this project is to keep the pocket wide while leaving space for Sparks’ rhythmic displacements and left-hand synth-bass gestures.

Keith Anderson | sax. Front-line saxophonist with a Dallas/RH Factor profile, Anderson brings a vocal, blues-rooted horn voice into Sparks’ high-density funk. Verified associations include Roy Hargrove, Marcus Miller, Les McCann, Erykah Badu, Kirk Franklin, Kanye West and Prince-related contexts, with credits on RH Factor recordings. In the band, he works as a melodic counterweight: gritty tenor/alto phrasing, call-and-response energy and direct links to the neo-soul/jazz-funk language Sparks helped shape.

Cam Lee | guitar. The current French ticketing material identifies the guitarist as Cam Lee, while management material lists “Cam” with Nile Rodgers and Musiq Soulchild. In this ensemble, the guitar chair is functional and coloristic: rhythmic chanks, R&B glue, blues-rock bite and tight comping around Sparks’ organ and Clavinet. Because public documentation is limited, no additional collaborations are added beyond those verified in current project materials.

DeAnthony McGee | EWI. McGee supplies the band’s most explicitly electronic wind color. Sources list him as EWI player in Bobby Sparks II’s live band and connect him with Kirk Franklin, Michael McDonald, Joe Sample and Snarky Puppy-related contexts. His role is not decorative: the EWI extends the horn section into synth-like bends, vocal phrasing, pitch manipulation and futuristic solo textures that match Sparks’ analog-electronic vocabulary.

Adarian Roberts | drums. Roberts is the live band’s young rhythmic engine, documented in Bobby Sparks II line-ups and reviewed live as a strikingly focused drummer. Management and venue materials connect him with Tye Tribbett, Kirk Franklin, Anita Baker, The Crusaders and D’Angelo. His function is to make the band move: deep pocket, gospel chops, responsive accents and enough propulsion to hold long-form funk-fusion structures together.

Discography

Bobby Sparks II: as leader, Schizophrenia: The Yang Project (2019) and Paranoia (2022). Verified associated recordings include Roy Hargrove/The RH Factor’s Hard Groove (2003), Strength (2004) and Distractions (2006), plus Snarky Puppy-related credits including Culcha Vulcha and Immigrance as reported in artist/booking biographies.

Jay McK / Justin “Jay Mack” McKinney: verified public credits include bass on Bobby Sparks II’s Paranoia material and Liv Warfield’s “Edge” (2023). Touring/live documentation also places him with Ghost-Note and Bobby Sparks II. No leader discography was verified from accessible public sources.

Keith Anderson: verified discographic credits include Les McCann’s Listen Up! (1995), The RH Factor’s Hard Groove (2003) and Distractions (2006), plus Bobby Sparks II’s Schizophrenia: The Yang Project and Paranoia contexts. Public artist biographies also list his own releases Diversity and Let’s Roll.

Cam Lee: no principal leader discography was verified from accessible public sources. Current live documentation verifies his guitar chair in Bobby Sparks II’s band and management material lists collaborations with Nile Rodgers and Musiq Soulchild.

DeAnthony McGee: no principal leader discography was verified from accessible public sources. Current live and ticketing documentation verifies him as EWI player in Bobby Sparks II’s band, with listed associations including Kirk Franklin, Michael McDonald, Joe Sample and Snarky Puppy.

Adarian Roberts: no principal leader discography was verified from accessible public sources. Current live documentation verifies him as drummer in Bobby Sparks II’s band, with public listings connecting him to Tye Tribbett, Kirk Franklin, Anita Baker, The Crusaders and D’Angelo.

Quotes

“Gospel music got me into harmony.” — Bobby Sparks II; interview by Charles Waring; Soul and Jazz and Funk; 2019-04-05; https://www.soulandjazzandfunk.com/interviews/all-aboard-the-battlespark-galactica-bobby-sparks-ii-talks-schizophrenia-chilli-sauce-and-prince/

“I’m a student of all music.” — Bobby Sparks II; interview by Charles Waring; Soul and Jazz and Funk; 2019-04-05; https://www.soulandjazzandfunk.com/interviews/all-aboard-the-battlespark-galactica-bobby-sparks-ii-talks-schizophrenia-chilli-sauce-and-prince/

“He’s my biggest inspiration.” — Bobby Sparks II on Prince; interview by Charles Waring; Soul and Jazz and Funk; 2019-04-05; https://www.soulandjazzandfunk.com/interviews/all-aboard-the-battlespark-galactica-bobby-sparks-ii-talks-schizophrenia-chilli-sauce-and-prince/

Reviews

CD REVIEW: Bobby Sparks II – Schizophrenia: The Yang Project — London Jazz News; Rob Mallows; 2019-03-04;
https://londonjazznews.com/2019/03/04/cd-review-bobby-sparks-ii-schizophrenia-the-yang-project/
The review frames Sparks’ debut as a powerful double album of funk, jazz and fusion, praising the quality of the playing and collaborators while noting that a tighter edit would have made the work stronger.

Bobby Sparks II: Schizophrenia: The Yang Project — All About Jazz; Roger Farbey; 2019-03-19;
https://www.allaboutjazz.com/schizophrenia-the-yang-project-bobby-sparks-ii-delta-review-by-roger-farbey
Farbey presents the album as an extraordinary, genre-wide debut, emphasizing Sparks’ gospel and jazz foundations, the breadth of the writing and the large-scale Black music vocabulary behind the record.

Bobby Sparks II ‘Paranoia’ 3LP/2CD (Leopard) 4/5 — UK Vibe; Imran Mirza; 2022-06-17;
https://ukvibe.org/album_reviews/bobby-sparks-ii/
The review treats Paranoia as a grand, all-encompassing funk-opera project, connecting it to Sparks’ Snarky Puppy and RH Factor background and highlighting its broad palette across soul, funk, jazz, gospel, blues, hip-hop and orchestral writing.

Bobby Sparks II – Paranoia — Jazz Views; George Cole; 2022-10-12;
https://jazzviews.net/bobby-sparks-ii-paranoia/
Cole describes Paranoia as an ambitious, wide-ranging album with superb musicianship, noting Sparks’ affinity for 1970s synth technology, high-energy jazz-fusion workouts and a huge cast of leading players.

Wayne Krantz Power Trio ft. Evan Marien & Josh Dion

WAYNE KRANTZ TRIO ft. EVAN MARIEN & JOSH DION | Fusion Jazz (USA)

WAYNE KRANTZ SUGAR TRIO
ft. Evan Marien & Josh Dion

AVAILABLE IN EUROPE
2025 | MARCH

WayneKrantzPowerTrioftEvanMarienJoshDion WAYNE KRANTZ TRIO ft. EVAN MARIEN & JOSH DION | Fusion Jazz (USA)
WayneKrantzPowerTrioftEvanMarienJoshDion WAYNE KRANTZ TRIO ft. EVAN MARIEN & JOSH DION | Fusion Jazz (USA)
WayneKrantzPowerTrioftEvanMarienJoshDion
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Line up

Wayne Krantz | Guitar

Steely Dan, Michael Brecker, Donald Fagen, Billy Cobham, Chris Potter, David Binney, Carla Bley, Keith Carlock, Tim Lefebvre, Pino Palladino, Vinnie Colaiuta, John Patitucci, Tal Wilkenfeld, Anton Fig, Jeremy Stacey, Paul Stacey, Gabriela Anders, Kenny Wollesen, Nate Wood, Henry Hey, Owen Biddle

Josh Dion | Drums

John Scofield, Wayne Krantz, Bill Evans, Chuck Loeb, Esperanza Spalding, Lucius, Chris Thile

Evan Marien | Bass

Tigran Hamasyan, Tim Miller, Virgil Donati, Elliot Moss, Justin Brown, Allan Holdsworth, Dana Hawkins, Fredrik Thordendal, Plini, Aaron Marshall, J3PO, Cory Wong, Zac Zinger, Button Masher, Miguel Atwood-Ferguson

WAYNE KRANTZ

Wayne KrantzWayne Krantz was born in Corvallis, Oregon. He released his first album, Signals, in 1990, sporting an array of recognized jazz musicians such as Dennis Chambers, Don Alias, Anthony Jackson, and others.
In 1992, he formed a trio with bassist Lincoln Goines and drummer Zach Danziger and recorded two albums with them, Long To Be Loose (1993) and 2 Drink Minimum (1995), a live album, and began playing regularly at the 55 Bar, a jazz club in New York City. In 1996, Krantz released an acoustic album with Leni Stern, dubbed Separate Cages. After playing with Steely Dan for several years, Krantz formed a new trio in 1997 with Tim Lefebvre on bass and Keith Carlock on drums; on June 28, 2007, he played his final regular Thursday night gig at New York’s 55 Bar. As of October and November 2018, he is playing regularly at 55 Bar again with a rotating cast of sidemen.

Wayne Krantz’s first three solo albums were released on the jazz label Enja Records. His next three albums, 1999’s Greenwich Mean, 2003’s Your Basic Live, and 2007’s Your Basic Live ’06 were all released from Wayne’s private website. Like 2 Drink Minimum, these albums are excerpts of various sets at the 55 Bar. These albums also include more use of effects pedals, and are more unscripted and improvised than the previous three. He contributed to Donald Fagen’s release Morph the Cat, and toured with Fagen’s band in early 2006. He was featured on tenor saxophonist Chris Potter’s 2006 release, Underground.

Wayne Krantz signed with record label Abstract Logix to release his first studio record in over fifteen years. Krantz Carlock Lefebvre (2009) features the core trio of Krantz, Carlock on drums and Lefebvre on bass. In 2012, Krantz released Howie 61 (a reference to Bob Dylan’s Highway 61 Revisited), which includes performances by Keith Carlock, James Genus, John Patitucci, Charley Drayton, Tal Wilkenfeld, Vinnie Colaiuta, Anton Fig, Yasushi Miura, Jeremy Stacey, Paul Stacey, Pino Palladino, Gabriela Anders, Kenny Wollesen, Nate Wood, Henry Hey and Owen Biddle. In 2014, Krantz released “Good Piranha/Bad Piranha,” a live-in-the-studio album featuring his two dominant trio combinations at the time: Nate Wood/Keith Carlock and Tim Lefebvre/Nate Wood. The bands each recorded the same four cover songs with radically different improvisational results.

https://www.waynekrantz.com/

EVAN MARIEN

Evan MarienEvan Marien is an award-winning bassist, composer, producer, author, educator, and 3D artist, born and raised in the cornfields of Decatur, Illinois. He graduated from Berklee College of Music in 2009 and has lived in the NYC area since 2010.

Known for his collaborations with drummer Dana Hawkins, he has also performed in the bands of Tigran Hamasyan, Wayne Krantz, Tim Miller, Virgil Donati, Elliot Moss, Justin Brown’s NYEUSI, and was the last bassist to perform in guitar legend Allan Holdsworth’s band.

His latest release, ‘Elysian’ features Dana Hawkins, Tigran Hamasyan, Fredrik Thordendal, Plini, Intervals, J3PO, Tim Miller, Cory Wong, Zac Zinger, Button Masher, and Miguel Atwood-Ferguson.

You can hear his bass playing on numerous albums such as Tigran Hamasyan’s “The Call Within,” Virgil Donati’s “In This Life,” and “Ruination”, and Steve Hunt’s “Connections”.

His playing can also be heard on the Mitski song ‘Nobody,’ for which he received a gold record for participating on the album ‘Be The Cowboy,’ as well as on the songs ‘Should’ve Been Me’ and ‘That’s Our Lamp’ from her most recent album, ‘Laurel Hell’.

In partnership with MadeMusicStudio, Evan has composed music for renowned brands such as AT&T, Lexus, and NPR. Most recently, he won a 2022 CLIO award for composing the sonic logo and anthem for Turner Classic Movies (TCM).

As an author, he has written numerous books about his distinctive Hexatonic method for the bass guitar, as well as created video courses describing his specialized right hand technique. His first book, ‘Transcriptions Vol. 1,’ was an Amazon Best Seller in its first week of release.

Evan is also a part-time faculty member at The New School in New York City, where he specializes in providing private lessons to the next generation of contemporary musicians.

Evan Marien is a MarkBass artist!

Evan Marien

https://www.evanmarien.com/

JOSH DION

Josh DionJosh Dion was born at the tail end of the disco funk era, when popular radio bore the sounds of Quincy Jones, Michael Jackson, and ‘four on the floor’ drum beats! Raised in Storrs, CT, Josh started playing his father’s drums before he even started kindergarten. He grew up playing drums to the simple and beat driven sounds of Nick Mason and Ringo Starr. He also lived across the hall from his older brother, who not only followed the Grateful Dead, but introduced him to Cream at the tender age of seven. Rightfully so, Cream, Zeppelin and the Stones led Dion to Willie Dixon, Robert Johnson and beyond.

A prodigious talent, Josh started playing professionally at age eight and was invited to shed with the UConn Jazz Studies program by the time he was twelve. While he was impressing people with his percussion skills, he was playing piano and singing in his local church, developing talents which would eventually help him stand out even among the world class drummers in whose company he has now found himself.

After a stint in the music program at New Jersey’s William Paterson University, he has made New York City his home. Josh’s college days were greeted by an immersion in the Jam band scene with NYC funk band ulu, who toured the Eastern half of the US. Josh was soon noticed by jazz guitarist Chuck Loeb, who offered Josh an opportunity to be seen and heard by a whole new level of the music audience. From that platform, he has gone on to work with some of the major brand names of the music world: Candy Dulfer, Spyro Gyra, Will Lee, Pat Martino, Jeff Kashiwa, Jason Miles, Anthony Jackson, Edgar Winter, Randy Brecker, Bob James, Eric Marienthal, Til Bronner, Jim Beard, Ivan Lins and on and on.

Meanwhile, Josh Dion has been developing his solo career with the CD releases of the Josh Dion Band (www.joshdionband.net), their debut “Give Love” and the imminent “Josh Dion Band Live.” The Josh Dion Band has another studio release planned for early 2007.

“Give Love” was greeted with effusive praise by the UK’s Drummer magazine, who described it as “Brian Wilson meets Hall and Oates, with possibly Bruce Springsteen looking in and drums that sound like they were recorded at Muscle Shoals Studios. This is a collection of epic songs that build and move as songs used to in the old days when songwriters were exactly that and labels like Motown and Stax were market leaders…Great voice, great drums and great, great tunes…Dion is a young player that is going to create a very big impression indeed. Not only can this fella lay down a super funky beat, but he sings with a soulful voice that totally melts your mind…You are going to be hearing more from this extremely talented young musician…If there is any justice in this world, Dion will be huge.” YEAH!

Josh also enjoys nature-walking, driving, and attending history lectures.

GEAR LIST
Absolute Maple Nouveau
ABD-1518JF 18″x14″
ATT-1512J 12″x8″
AFT-1516 16″x16″
ASD-0545 14″x5.5″
MNS-1470EJ Elvin Jones Signature

https://www.yamaha.com/artists/joshdion.html

DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT

DANIELE GOTTARDO TRIO | Polyphonic Jazz Rock (USA)

DANIELE GOTTARDO TRIO

Polyphonic Jazz Rock (USA)

AVAILABILITY

2026 | OCTOBER 1st to 17th

DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT
DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT
DANIELE GOTTARDO TRIO - (USA) ROCK - JAZZ NO TEXT
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Line Up

Daniele Gottardo | Guitar

Joe Satriani, Steve Vai, Paul Gilbert, Guthrie Govan, Greg Howe, Eric Johnson, Zakk Wylde, Nuno Bettencourt, Richie Kotzen, Billy Sheehan

Nicolò Vese | Bass

Daniele Liverani, Federico Vese, Gabriele Bullita, Nico Di Battista, James Senese, Orchestra Sinfonica di Sanremo, Ne Obliviscaris, Caligula’s Horse

Giuseppe Risitano | Drums

Enrico Rava, Paolo Fresu, Stefano Di Battista, Fabrizio Bosso, Tullio De Piscopo, Maria Pia De Vito, Gianluca Petrella, Roberto Gatto, Danilo Rea, Rita Marcotulli

Style

Polyphonic jazz-rock where the electric guitar behaves like a full ensemble voice. Contrapuntal writing, modern harmony, odd-meter architecture and wide-screen dynamics. Virtuosity always serving form and narrative.

Profile

Daniele Gottardo Trio is built around a rare premise: the guitar is treated as orchestration. Gottardo’s writing layers melodic lead lines with inner voices, counterpoint and chamber-like voicings, then locks them into contemporary grooves where rock drive and jazz articulation coexist without compromise. The sound stays clear and composed even at high intensity—less a soloist with accompaniment, more three musicians sharing multiple roles at once.

That polyphonic idea extends to the rhythm section. Bassist Nicolò Vese expands the harmonic field through counterlines, register shifts and chordal color, moving between supportive foundation and melodic engine with a modern prog-fusion touch. Drummer Giuseppe Risitano completes the architecture with a contemporary-jazz approach to time and dynamics: a precise pocket when needed, open texture when the arrangement calls for air, and an instinct for shaping transitions as part of the form.

The band’s signature sits at the intersection of modern fusion and progressive attitude: intricate voicings, tight rhythmic design, and a cinematic sense of arc.

Recognition

Often cited as included by Steve Vai among the world’s “Top 10 Emerging Guitarists”, Daniele Gottardo has also been publicly singled out by Vai as a rare “blue-moon” discovery—and introduced as his “favorite new young guitar player.”

Details

Daniele Gottardo’s catalog is shaped by long-form composition for electric guitar, where orchestration, counterpoint, and modern harmony become structural elements. The writing favors clarity under pressure: layered voices and designed dynamics that keep dense material readable.

“Once in a blue moon… I come across a guitar talent that is truly stimulating to me… Daniele Gottardo is one of those people.” (Steve Vai, Vai.com, 2014-04-25)

Nicolò Vese approaches the bass as a shared-role instrument: opening harmonic space, doubling and counterlining with intent, shifting between foundation and thematic voice without breaking the groove.

Giuseppe Risitano balances precision and air: strong time feel when the architecture needs a spine, and elastic dynamics when the arrangement asks for depth and perspective.

Discography

Albums

INkBlot Label: Daniele Gottardo Release date: 2022-10-31

Giant Nuts (Daniele Gottardo & The Nuts) Label: Self-released Release date: 2016-05-01

Non Temperato Label: Self-released Release date: 2014-03-15

Frenzy of Ecstasy Label: Digital Nations Release date: 2010-03-15

Singles

Now’s the Time Label: Daniele Gottardo Release date: 2025-04-18

Four On Six Label: Daniele Gottardo Release date: 2025-02-07

Liadov – Mazurka in F minor, Op. 57 No. 3 Label: Daniele Gottardo Release date: 2023-10-13

My Favorite Things Label: Daniele Gottardo Release date: 2023-02-24

Ziprexa’s Lake (2022 Remaster) Label: Daniele Gottardo Release date: 2022-12-23

Spirals Label: Daniele Gottardo Release date: 2022-07-29

Bittersweetness Label: Daniele Gottardo Release date: 2022-07-01

Blue Salt Label: Daniele Gottardo Release date: 2022-05-27

The Little Match Girl (Orchestral Version) Label: Daniele Gottardo Release date: 2015-03-01

Quotes

“His technique is stunning… the harmonic/melodic atmospheres he creates have unique qualities.” — Steve Vai, Vai.com post, 2014-04-25 — https://www.vai.com/danielle-gottardo/

“He has an elegant touch, stunning intonation, innovational style, and he honors the melody.” — Steve Vai, statement quoted by Guitar World, 2017-01-26 — https://www.guitarworld.com/artists/steve-vai-reveals-his-favorite-new-guitar-player-video

“It definitely cheers me up when I hear… players who have something unique and distinctive to say.” — Guthrie Govan, interview with Sonic State Amped, 2013-06-21 — https://sonicstate.com/amped/2013/06/21/interview-guthrie-govan-talks-about-the-new-aristocrats-album/

“His tapping game is off the charts.” — Phil Weller, Guitar World (Apex Breed tour news), 2025-12-22 — https://www.guitarworld.com/artists/concerts-gigs-tours/apex-breed-tour-2025

“Italian guitar virtuoso… combines… with mind-blowing modern-rock guitar techniques.” — Oscar Jordan, Vintage Guitar, 2023-01 (issue) — https://www.vintageguitar.com/49501/daniele-gottardo/

Reviews

Steve Vai Reveals His Favorite New Guitar Player — Guitar World — Christopher Scapelliti — 2017-01-26 — https://www.guitarworld.com/artists/steve-vai-reveals-his-favorite-new-guitar-player-video

Meet Daniele Gottardo, Steve Vai’s favorite new young guitar player — Guitar World — Mark McStea — 2023-05-16 — https://www.guitarworld.com/features/danielle-gottardo-inkblot

Messina – “Daniele Gottardo Trio” live al Retronouveau di Messina1 — Radio Medua — 2025-09-15 — https://www.radiomedua.it/news/messina-daniele-gottardo-trio-live-al-retronouveau-di-messina1/

Daniele Gottardo Trio in concerto al Retronouveau — The Messineser — 2025-09-16 — https://themessineser.it/daniele-gottardo-trio-in-concerto-al-retronouveau/

Daniele Gottardo – Frenzy Of Ecstasy — SpazioRock — Fabio Milano — 2011-06-07 — https://www.spaziorock.it/archivio/recensione.php?id=1919

Daniele Gottardo: Non Temperato (2014) album review — Rockbook.hu — (author not listed) — (date not displayed on page) — https://www.rockbook.hu/hirek/daniele-gottardo-non-temperato-2014-album-review

NEW ALBUMS (Album of the Month: Daniele Gottardo – INkBlot, 10/10) — Guitar Techniques (Pocketmags) — JS — (issue month shown: February 2023; exact day not displayed) — https://pocketmags.com/es/guitar-techniques-magazine/february-2023/articles/new-albums

Daniele Gottardo: “I remember thinking Yngwie Malmsteen’s playing was amazing, and I wondered if the scalloped neck was his secret” — Guitar World — Mark McStea — 2023-05-16 — https://www.guitarworld.com/features/danielle-gottardo-inkblot

Daniele Gottardo — Vintage Guitar — Oscar Jordan — (issue month shown: January 2023; exact day not displayed) — https://www.vintageguitar.com/49501/daniele-gottardo/

Daniele Gottardo – Frenzy Of Ecstasy — Metallized.it — (author/date not accessible via current fetch) — https://www.metallized.it/recensione.php?id=3402

Daniele Gottardo – Frenzy Of Ecstasy — Metalwave.it — (author/date not accessible via current fetch) — https://www.metalwave.it/recensione.php?id=3207

 

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & CLINT DE GANON

DAVIDE PANNOZZO TRIO | Blues/Funk/Fusion (USA)

Davide Pannozzo Trio | Fusion Jazz-Funk (USA)

AVAILABILITY FOR EUROPE
2025 | September
2026 | TBA

DAVIDE PANNOZZO TRIO
ft. ETIENNE STADWIJK & CLINT DE GANON
DAVIDE PANNOZZO TRIO
ft. ETIENNE STADWIJK & CLINT DE GANON
Davide Pannozzo Trio Title
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Davide Pannozzo | Guitar

Danny Gottlieb, Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Mel Brown, George Benson, David Garfield, Phil Palmer, Nicola Piovani, Steve Jordan, Will Lee, Oleta Adams, Oz Noy, Shawn Pelton

Etienne Stadwijk | Piano

Louis Sclavis, Michel Portal, Tigran Hamasyan, Manu Katché, Youn Sun Nah

Clint De Ganon | Drums

Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, Lizz Wright

A visionary, modern, and emotionally charged project, the Davide Pannozzo Trio blends the language of contemporary jazz with the deep roots of soul, blues, and Afro-American tradition, delivering a sound that is both authentic and strikingly relevant.

DAVIDE PANNOZZO – Guitar and voice
A guitarist, composer, and producer based in New York City, Davide Pannozzo is widely recognized as one of the most influential voices in today’s guitar scene. His collaborations span a long list of music legends, including George Benson, David Garfield, Steve Jordan, Phil Palmer, Will Lee, Oz Noy, Nathan East, Verdine White, Mel Brown, and Oleta Adams. Pannozzo’s refined technique and soulful touch allow him to effortlessly bridge jazz, blues, fusion, and classical influences, forging a unique and immediately recognizable guitar language.

ETIENNE STADWIJK – Piano
A Dutch pianist and keyboardist with Surinamese roots, Etienne Stadwijk is a prominent name on the international scene. Having performed and recorded with Michel Portal, Louis Sclavis, Tigran Hamasyan, Manu Katché, and Youn Sun Nah, he brings to the trio a lyrical, wide-ranging approach that draws from European jazz, world music, and electronic influences. His elegant phrasing and melodic sensitivity offer the perfect counterpoint to Pannozzo’s guitar, creating a musical dialogue rich in nuance.

Link on Discogs: https://www.discogs.com/it/artist/395683-Etienne-Stadwijk

CLINT DE GANON – Drums
A world-class drummer, Clint De Ganon has worked with icons such as Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, and Lizz Wright. His mastery of groove and his ability to support with finesse or burst into virtuosic energy make him essential to the rhythmic balance of the trio. His playing is tight, inventive, and the beating heart of this project.

Link on Discogs: https://www.discogs.com/it/artist/319912-Clint-De-Ganon

DISCOGRAPHY AND RELEASES
Davide Pannozzo has released a number of critically acclaimed albums, earning praise from international media and radio airplay across Europe and the United States. Notable works include “Born Electric” (2017), recorded in New York with Will Lee, Steve Jordan, and David Garfield, and “Unconditional Love” (2019), an album that seamlessly blends jazz-blues tradition with modern textures, recorded between Italy and the USA. His EP “Blessed” (2021) further defined his artistic identity with standout tracks like “One Heart,” “Talk To Me,” and “Fallin’,” highlighting his talent as a songwriter who fuses technical brilliance with emotional depth. His releases are available on all major digital platforms, and many of his compositions have become staples for new-generation guitarists and instrumental music enthusiasts. With sophisticated arrangements, deep harmonic exploration, and lyrics that touch on universal themes, Pannozzo’s work is a powerful mix of authenticity and innovation.

A DISTINCTIVE ARTISTIC VISION
The Davide Pannozzo Trio stands out for its original repertoire, drawing from the guitarist’s own compositions as well as reimagined classics from the Afro-American tradition. Each performance is a sonic journey combining jazz improvisation, musical storytelling, and refined interplay.

This project marks a new chapter in Pannozzo’s career—one that embraces mature and conscious writing while balancing accessibility and research, emotion and experimentation. The result is music that speaks to all audiences: profound, engaging, elegant, and alive.

ROOTED IN GREATNESS
The trio’s sound is deeply informed by the personal and artistic history of its members. Pannozzo’s long-standing relationships with artists like Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Steve Jordan, and George Benson, as well as his immersion in New York’s high-level music production scene, give the trio a signature touch shaped by direct exposure to some of the world’s most important musicians.

IMPROVISATION, RESEARCH, EMOTION
Live performances are where the trio’s music truly comes to life. No concert is ever the same. Every show is a unique event shaped by real-time interaction among musicians, the acoustics of the venue, and the energy of the audience. The setlist evolves through original pieces, open improvisation, and moments of high emotional intensity.

Pannozzo’s playing merges seamlessly with that of his bandmates in a continuous flow that shifts between introspective ballads, tight grooves, meditative spaces, and collective virtuosity.

A TRIO FOR FESTIVALS, CLUBS, AND GLOBAL STAGES
With its formal elegance, communicative strength, and emotional charge, the Davide Pannozzo Trio is ideally suited for leading stages in today’s international jazz and world music scenes. It’s a project designed for theatres, major festivals, sophisticated jazz clubs, and all venues seeking powerful, heartfelt, and authentic music.