DAVIDE PANNOZZO Trio ft Etienne Stadwijk & SHAWN PELTON

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)

DAVIDE PANNOZZO Trio
ft. ETIENNE STADWIJK & SHAWN PELTON
Soul/Funk/Blues (USA)

AVAILABILITY FOR EUROPE

2027 | MARCH

DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & SHAWN PELTON | Soul-Funk / Blues (IT/USA)
DAVIDEPANNOZZOTrioftEtienneStadwijkSHAWNPELTON
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Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton | Soul-Funk / Blues | IT/USA

Line-up

Davide Pannozzo | guitar, vocals
George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, Carl Verheyen, Clifford Carter, Davide Rossi

Etienne Stadwijk | keyboards
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, KJ Denhert, Raul Midón, Michael Olatuja, Alicia Olatuja

Shawn Pelton | drums
Saturday Night Live, Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, The Brecker Brothers

Style

Contemporary blues and New York soul-funk, with guitar and vocals at the center, orchestral keyboards, and studio-band drums.

The trio works through essentials: clear riffs, mobile harmonies, bass implied by the keyboards, and a groove that always remains readable.

Pannozzo’s writing becomes a compact live format spanning electric blues, jazz-fusion, and soulful songwriting.

Profile

Davide Pannozzo Trio ft. Etienne Stadwijk & Shawn Pelton reduces the architecture of the quartet to a more essential form without losing sonic breadth. Pannozzo’s guitar and voice guide the melodic narrative; Stadwijk expands the harmonic field through piano, keyboards, voicings, and supporting lines; Pelton builds the pocket with precise, elastic, deeply musical drumming. The result is a trio that does not try to fill every space, but organizes it: blues remains the grammatical center, while soul-funk, jazz-fusion, and contemporary songwriting define color, dynamics, and direction. The interplay thrives on immediate response, volume control, and a strong sense of form. This is a band designed for the stage: direct, articulate, and able to preserve the weight of the groove in a lean configuration.

Details

Davide Pannozzo | guitar, vocals. Leader of the project, Pannozzo brings a vocal guitar style rooted in blues and filtered through jazz harmony, tonal control, and songwriter craft. Sources document collaborations with George Benson, Steve Jordan, David Garfield, Phil Palmer, Robben Ford, Oz Noy, and Carl Verheyen; Rock & Blues Muse also notes the Emergenza European Acoustic Festival 2009 and Groove Master Award 2010. Carl Verheyen wrote in 2017: “Tone just drips from Davide’s fingers.”

Etienne Stadwijk | keyboards. A keyboardist and producer, Stadwijk acts as the trio’s harmonic architect: Rhodes, piano, organ, synths, voicings, and countermelodies expand the guitar and can also sustain the bass’s rhythmic and harmonic function. A New York-based Berklee graduate, he is documented alongside Paul Simon, Maxwell, Marcus Miller, Richard Bona, Harry Belafonte, Nona Hendryx, and Michael Olatuja. London Jazz News highlighted the tightness of Richard Bona’s band and Stadwijk’s solos in 2013.

Shawn Pelton | drums. Pelton is the trio’s dynamic engine: controlled backbeat, ghost notes, session precision, and the ability to give weight to the groove without making it rigid. A drummer with the Saturday Night Live band since 1992, he has recorded or performed with Sheryl Crow, Bob Dylan, Bruce Springsteen, Billy Joel, Elton John, Van Morrison, Rod Stewart, David Byrne, and The Brecker Brothers. International Musician captured his working method in 2024: “They say the harder you work, the luckier you can be.”

Discography

Davide Pannozzo: Born Electric, A Portrait of Jimi Hendrix, Unconditional Love, and Room for Joy; recent singles and releases include Be Blessed, Keep On Loving You, Love Is a Simple Thing, Without You, Once Again, St. Louis Blues, Imagine, Plug It In, Leroy’s Blues, The Thrill Is Gone, Christmas In New York, and The Subway Song. His documented discography centers on modern blues, melodic phrasing, songwriting, and New York production.

Etienne Stadwijk: Then Why?! as a single under his own name; official credits connected with Michael Olatuja’s Lagos Pepper Soup, Alicia and Michael Olatuja’s Olatuja, and Jonah David’s Waltz for Eli include Fender Rhodes, organ, keyboards, and writing. His discography crosses jazz, soul, gospel, world music, and contemporary vocal production.

Shawn Pelton: selected discography as a session drummer and long-standing musician with Saturday Night Live, The Brecker Brothers, Shawn Colvin, Sheryl Crow, David Byrne, Rosanne Cash, William Bell, Ray Charles, and New York’s television and live circuit. Sources document his presence on Grammy-winning albums and high-profile pop, rock, soul, and roots productions.

Quotes

“Tone just drips from Davide’s fingers.” — Carl Verheyen; guitarist and session musician, quoted in Music Republic Magazine’s review of Unconditional Love; Music Republic Magazine; 2017-10-19; source

“Be Blessed is a chill instrumental that overflows with understated emotion and casts its shadow somewhere between the upscale blues of Robben Ford and the deep melodicism of Duke Ellington.” — Martine Ehrenclou; Rock & Blues Muse; 2022-07-07; source

“Every note serves the song. Every phrase is placed with intention.” — Rock & Blues Muse; article on The Subway Song; 2026-04-13; source

“The band was very tight, with very nice solos from Greeblatt and Stadwjik.” — Maciek Pysz; London Jazz News; 2013-10-08; source

“Injustice of any kind is something that affects me deeply on many levels.” — Etienne Stadwijk; BroadwayWorld; 2020-06-22; source

“They say the harder you work, the luckier you can be.” — Shawn Pelton; International Musician; 2024-09-01; source

Reviews

Davide Pannozzo Releases ‘The Subway Song’ New Single — Rock & Blues Muse; Martine Ehrenclou; 2026-04-13;
rockandbluesmuse.com
An article on The Subway Song, described as contemporary blues with expressive vocals, melodic guitar, and narrative space. It positions Pannozzo as a modern writer more interested in phrasing, intention, and song form than in technical density alone.

Celebrated Guitarist Davide Pannozzo Releases New Single “Be Blessed” — Rock & Blues Muse; Martine Ehrenclou; 2022-07-07;
rockandbluesmuse.com
An article on the soulful, melodic, jazz-inflected instrumental Be Blessed. It also traces Pannozzo’s path through awards, EmArcy/Universal releases, and international collaborations.

Davide Pannozzo: Unconditional Love — Music Republic Magazine; Simon Redley; 2017-10-19;
musicrepublicmagazine.com
A 5/5 review presenting Unconditional Love as an album centered on blues, fusion, and soul feel. It highlights Pannozzo’s tone, writing, and connection with the New York scene.

Review: Richard Bona at Pizza Expres — London Jazz News; Maciek Pysz; 2013-10-08;
londonjazznews.com
A live review of Richard Bona’s group with Etienne Stadwijk on keyboards and piano. It praises the band’s tightness, audience response, and Stadwijk’s solos, documenting his ability to support both groove and improvisation.

Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate — BroadwayWorld; A.A. Cristi; 2020-06-22;
broadwayworld.com
An article on Then Why?!, presenting Stadwijk as a keyboardist, producer, and socially engaged writer active across recording, production, and live performance.

The Ultimate Union Gig: Live from New York on a Saturday Night — International Musician; 2024-09-01;
internationalmusician.org
A profile of Shawn Pelton and his role in the Saturday Night Live band, focused on method, discipline, versatility, and pressure management in live television.

#269 Shawn Pelton – Drummer for SNL, Sheryl Crow, Session Great, and More! — Discussions in Percussion; Damon Grant; 2022-02-23;
discussionsinpercussion.com
A podcast interview covering Pelton’s career with Saturday Night Live, session work, rhythmic programming, Live From Daryl’s House, and recordings with major artists.

Reviewed: Jonah David | Adrian Galante | Mingus — Jazz Journal; John White; 2025-06-11;
jazzjournal.co.uk
A review including Jonah David’s Waltz for Eli, a project featuring Etienne Stadwijk on keyboards and in the writing credits, supporting his profile in contemporary melodic jazz.

Mikah Maquá | IndiePop/Rock (NL)

Mikah Maquá | Quirky Alt-Pop Rock (NL)

Mikah Maquá

Quirky Alt-Pop Rock | NL

AVAILABILITY FOR EUROPE

2026-2027 | July 1st, 2026 to December 31st, 2027


Line-up

Mikah Maquá | Voice
Fay Arapatsani | Drums
Federica Fornaro | Guitar
SiYu Liu | Keys


Shortly about Mikah

Mikah Maquá stands out for her sharp songwriting, turning vulnerability, irony and neurodivergent self-awareness into catchy, emotionally direct indie-pop. A two-time finalist of the European Music Contest in the singer-songwriter category (2018 and 2021), she was also selected for the Hedon Beurs 2025 development trajectory. In 2026 she released her debut EP people pleaser with support from Music Support Overijssel, confirming her as a rising voice with both personality and momentum.

Style

Confessional indie-pop with the nerve of alt-rock and the bounce of spring-loaded guitars. Retro-leaning keys and sharp backbeats keep the songs moving between irony, tension, and release. The band DNA is intimate but not soft: melodic, emotionally direct, and built for dynamic live lift.


Profile

Mikah Maquá sits where diaristic indie-pop meets wiry alternative rock. The center of gravity is a voice-first songwriting identity shaped by confession, irony, and emotional overshare, then pushed outward by a rhythm section that favors momentum over polish and by guitar work with a rougher art-rock edge. Fay Arapatsani brings physicality and dark-toned dynamic contrast from an art-pop and heavy-alt background; Federica Fornaro widens the harmonic field with psych, prog, and jazz-adjacent color, adding grain, tension, and movement rather than decorative texture. With keys functioning as both glue and counterpoint, the project lands in a sweet spot between catchy hooks and nervous energy: retro synth flashes, springy riffs, abrupt emotional pivots, and a live interplay that turns vulnerability into impact.


Details

Mikah Maquá
Dutch-Canadian singer-songwriter Maaike Girardin fronts the project with a writing voice built on self-exposure, humor, and emotional contradiction. Public profiles consistently frame the material around neurodivergence, people-pleasing, awkward love stories, and revenge-fantasy wit, but the songs stay hook-led rather than purely confessional. Production and release history point to a collaborative studio axis with Lennert Klaui, giving the project a polished but still elastic alt-pop frame. Live, the material is built to scale from intimate confession to sharp collective lift.

“Her relatable yet catchy pop songs let vulnerability collide with brutality.” (Hedon Zwolle event text, 2026-01-22)

Fay Arapatsani
Athens-born and based in Utrecht, Fay Arapatsani brings a drummer-songwriter sensibility that favors weight, contour, and dramatic pacing. Her public bio maps a path from early piano study into drums, composition, and darker art-pop writing, with threads of ethnic jazz, pop, fusion, and electronics. That background translates well inside Mikah Maquá’s frame: she can support hook-based material while adding urgency, asymmetry, and a harder emotional undercurrent.

“The Greek artist carries the set with her powerful rock voice, which she can take impressively high.” (Rogier van Nierop, 3voor12 Leiden, 2025-12-23)

Federica Fornaro
Federica Fornaro adds the project’s rougher guitar grain. Her documented work with Basiliscus P points to a player comfortable with psych rock, prog structures, 1990s alternative edges, and jazz-adjacent openness, which makes her especially useful in a band that needs songs to move beyond pure singer-songwriter framing. She is less about ornamental lead lines than about shape, texture, and expansion: widening choruses, introducing friction, and giving hooks a more physical body.

“A talented and eclectic Messina band.” (Nadia Cornetti, Off Topic Magazine, 2022-12-21)

SiYu Liu
SiYu Liu is the keys chair in this lineup. In band-DNA terms, the role is important: keys soften transitions, reinforce hooks, and connect the project’s retro-pop sheen to its more nervous rock edge. Public-facing January 2026 band posts identify the keys position as Sharon Liu under the handle @cactusinpoppy, so this profile keeps the role in the lineup while avoiding unverified biographical or discographic claims beyond its ensemble function.


 


Biography

Mikah Maquá is the project of Dutch-Canadian songwriter Maaike Girardin, building songs around awkward honesty, pop immediacy, and emotional whiplash. Public-facing bios and event texts consistently frame the act as a mix of retro synths, springy guitars, and catchy songwriting that turns vulnerability, humor, and instability into hooks built for the stage rather than the diary page.


Discography

Mikah Maquá
Singles: something to remember (2025), wish you were dead (2025), ADHD (mental break-up) (2025), someone else (2026), HELLO?! (2026). EP: people pleaser (2026).

Fay Arapatsani
Single: Hardpill (2024). EP: will I go under (2024). With Amalphi: album Acheron I (2019), EP Valley – Serpent – Womb (2023).

Federica Fornaro
With Basiliscus P: album Placenta (2017), singles Urban Safari (2022) and Magenta (2022), album Spuma (2022). Feature: Giadar, Mirror in the Mirror feat. Federica Fornaro (2022). Additional credited appearance: La Stanza della Nonna, Dove gli occhi non possono arrivare (2019).

SiYu Liu
No public discography could be independently verified under the supplied name.


Quotes

  • “Her relatable yet catchy pop songs let vulnerability collide with brutality.” Hedon Zwolle, 2026-01-22
  • “The Dutch-Canadian artist makes a mix of retro synths, springy guitars and catchy pop songs.” Poppunt Overijssel, 2026-01-22
  • “This band has the most unique sound of the evening.” Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • “The Greek artist carries the set with her powerful rock voice, which she can take impressively high.” Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • “A talented and eclectic Messina band.” Nadia Cornetti, Off Topic Magazine, 2022-12-21
  • “A more mature, experimental, complex and enveloping sound.” Laura Lipari, LetteraEmme, 2022-10-13

Reviews

  • Mikah Maquá brengt met hulp van MSO debuut EP uit – Poppunt Overijssel – 2026-01-20 – https://poppuntoverijssel.nl/mikah-maqua-brengt-met-hulp-van-mso-debuut-ep-uit/
  • Van zangles in De Meerpaal naar eigen muziek: Mikah Maquá’s muzikale reis – FlevoPost – 2025-12-24 – https://flevopost.nl/dronten/van-zangles-in-de-meerpaal-naar-eigen-muziek-mikah-maqua-s-muzikale-reis-47898303.html
  • MIKAH MAQUÁ – Hedon Zwolle – 2026-01-22 – https://www.hedon-zwolle.nl/voorstelling/32766/mikah-maqua
  • Formula Indie Schedule 5th to 11st January 2026 – European Indie Music Network – 2026-01-05 – https://euroindiemusic.info/2026/01/05/formula-indie-schedule-5th-to-11st-january-2026/
  • Euro Indie Music Chart 3.26 – European Indie Music Network – 2026-01-27 – https://euroindiemusic.info/2026/01/27/euro-indie-music-chart-3-26/
  • Douze points voor Griekenland – 3voor12 Leiden | Rogier van Nierop – 2025-12-23 – https://3voor12.vpro.nl/lokaal/leiden/artikelen/overzicht/2025/december/Nobel-Award-2025-finale.html
  • Basiliscus P – Spuma (Tuma Records/The Orchard, 2022) – Off Topic Magazine | Nadia Cornetti – 2022-12-21 – https://offtopicmagazine.net/2022/12/21/basiliscus-p-spuma/
  • Urban Safari: il nuovo singolo dei Basiliscus P in uscita il 13 ottobre 2022 – LetteraEmme | Laura Lipari – 2022-10-13 – https://www.letteraemme.it/urban-safari-il-nuovo-singolo-dei-basiliscus-p-in-uscita-il-13-ottobre-2022/
  • Interview – Basiliscus P – Indie-Roccia | Smoking Area – 2022-09-08 – https://www.indie-roccia.it/interviste/interview-basiliscus-p/

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