The Whistling Heads | New Wave/Post Punk (IT)

The Whistling Heads | Dance Punk (IT)

The Whistling Heads

Dance Punk | IT

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU-based band)


Line-up

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Santino Mondello | Guitar
Samuele Costa | Bass
Giuseppe Arnao “Ziffo” | Drums


Style

A Messina dance-punk band with a wiry guitar attack, a restless rhythm section, and a clear instinct for hooks. Their sound moves from raw art-rock tension into dance-punk propulsion, keeping the urgency of British crank wave and new wave alive without sounding derivative. Sharp, youthful, and physically driven, they turn nervous energy into songs built for both small clubs and international showcases.


Profile

The Whistling Heads are a Messina-based dance-punk band shaped by rehearsal-room intensity, local underground culture, and a fast-developing live identity. Emerging from the Retronouveau orbit, they built their early profile through lean songs charged with alternative rock friction, noise-pop edges, and a youthful sense of tension. Since the first singles and the 2023 debut album Dull Boy, the project has expanded quickly through Italian dates, UK shows, growing international press attention, and the Gabe Gurnsey / Factory Floor remix of “Well…I Mean”.

Their 2025 release Better and Better than Before… widened the frame further with remixes, live cuts, and unreleased material, confirming a band that is no longer interested in staying inside one strict lane. What defines them is the balance between abrasion and melody: angular guitars, elastic basslines, alert drumming, and vocals that channel irony, pressure, and youthful disillusion with directness rather than pose.


Details

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Frontman and co-founder of the project, Alberto Zaccaro is the most visible narrative voice of the band. Public release credits list him as Albert Mud for lyrics, while interviews place him at the centre of the group’s stylistic shift from classic post-punk toward a more dance-punk direction. His delivery gives the songs their tension between sarcasm, anxiety, and immediacy.

Santino Mondello | Guitar
Santino Mondello belongs to the original nucleus that launched the band and remains crucial to its guitar identity. His playing helps define the band’s angular, British-facing language, balancing abrasion with shape and momentum. He has also publicly explained the origin of the name The Whistling Heads, underlining the project’s rooted Messina identity.

Samuele Costa | Bass
Samuele Costa is the bassist whose arrival helped turn an early idea into a stable working band. In interviews he describes the chemistry of the settled line-up as the moment the project became serious. His bass work is central to the spring-loaded grooves and to the more dance-oriented direction of the recent material.

Giuseppe Arnao “Ziffo” | Drums
Known as Ziffo, Giuseppe Arnao is the drummer whose arrival stabilized the line-up that wrote most of Dull Boy. His drumming gives the band lift, bite, and rhythmic discipline, carrying both the nervous post-punk drive and the newer club-leaning accents. He is also regularly present in the band’s public interviews and live presentations.

 


Biography

The Whistling Heads belong to the new Italian wave of bands reclaiming dance-punk as a live language rather than a museum code. Their identity is rooted in Messina, but the project already reads beyond its local scene through a British-facing guitar vocabulary, dance-aware bass movement, and a frontman presence that turns irony and pressure into direct stage communication. The result is a band that can work in clubs, alternative festivals, and showcase circuits with the same sense of urgency.


Discography

October — single — 2022-10
Teenage cliché — single — 2023-03
Shoot Shoot — single — 2023-06
Dull Boy — album — 2023-09-01
Well…I Mean — single — 2024-02
Well…I Mean (Gabe Gurnsey / Factory Floor Remix) — single — 2024-04
Shut Me Up — single — 2024-05
Lullaby Lady — single — 2024-08
Wreck — single — 2025-03
Better and Better than Before… — compilation — 2025-09-13


Quotes

“One of the most interesting acts in today’s Italian underground.”
Stefano Gallone | Rockit | 2023-10-02

“From Messina, beyond the borders of rock.”
Giandomenico Morabito | Musica Intorno | 2023-11-22

“A gripping indie post-punk where electric crash, lively rhythms, and melodic pop taste all come through clearly.”
Gianluca Polverari / Radio Città Aperta | 2023-12-01

“A band who knows exactly how to write a funky indie-rock tune.”
Fred Bambridge | It’s All Indie | 2024-02-12

“They are injecting fresh vitality into that spirit.”
Alice Teeple | Post-Punk.com | 2024-05-27


Reviews

The Whistling Heads: “Dull Boy” recensione / Rockit / Stefano Gallone / 2023-10-02

Dull Boy, The Whistling Heads oltre i confini del rock / Musica Intorno / Giandomenico Morabito / 2023-11-22

Intervista The Whistling Heads ad Alternitalia / Radio Città Aperta / 2023-12-01

The Whistling Heads drop their funky new tune, “Well…I Mean” / It’s All Indie / Fred Bambridge / 2024-02-12

The Whistling Heads – Well…I Mean (Disasters by Choice) / The Big Takeover / Dave Franklin / 2024-02-15

Sicilian Post-Punk Quartet The Whistling Heads Debut Video for “Shut Me Up” / Post-Punk.com / Alice Teeple / 2024-05-27


WHATS GOING ON

Mike Gotthard/Gergo Borlai Group

MIKE GOTTHARD/GERGO BORLAI Group | Modern Jazz Fusion (HU)

Mike Gotthard/Gergo Borlai Group

Modern Jazz Fusion | HU

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU Resident band)


Line-up

Mike Gotthard | guitar
Gergő Borlai, Mohini Dey, Jesús Molina, Scott Kinsey, Al Di Meola, Gary Willis, Hadrien Feraud, Anton Davidyants, Kornél Fekete-Kovács, Dániel Szebényi

Martin Gudics | bass
Gergő Borlai, Frank Gambale, Boca Gambale, Tom Schuman, HAUSER, Péter Ferencz, Attila Závodi, Olivér Magán, Marcell Gudics

Erik Tempfli | keyboards
Bori Hegedűs, Petra Gubik, Dániel Görögh, Frankie Látó, Gergő Szakács, Dániel Szebényi, Dávid Kovács, Peta Lukács, Sándor Zsemlye

Gergő Borlai | drums
Scott Kinsey, Gary Willis, Jimmy Haslip, Hadrien Feraud, Nathan East, Bob Mintzer, Al Di Meola, Matthew Garrison, Scott Henderson


Style

A modern fusion quartet led by guitar, where Mike Gotthard’s blues-rock phrasing meets a broader, more fluid jazz grammar. The rhythm section of Gergő Borlai and Martin Gudics drives the project toward an elastic, sharply defined groove able to absorb odd meters without losing immediacy. Erik Tempfli completes the DNA with open harmonic thinking and a contemporary timbral palette: the result is music that is sensual in attack, brutal in energy, and always melodic in design.


Profile

Mike Gotthard/Gergo Borlai Group is the most compact and readable form of Mike Gotthard’s authorial language: a project built on original compositions that move through jazz, blues, rock, and funk without treating genres as fenced territories, but rather as reservoirs of accents, timbres, and dynamics. Around Gotthard’s guitar, the band works through contrasts: tension and singability, rhythmic precision and spontaneity, electric impact and harmonic breadth. Borlai brings international-level metric drive, Gudics holds the center with a mobile, reactive bass voice, while Tempfli opens depth and color through keyboards that can be both structural and narrative. The dominant traits are energetic articulation, a modern fusion harmonic vocabulary, tight interplay, and a clear live-performance vocation: not a simple all-star vehicle, but an ensemble with its own identity, recognizable for its balance of technique, groove, and writing.


Details

Mike Gotthard
A Hungarian guitarist and composer, he forms the expressive center of the project with phrasing that blends blues lyricism, rock attack, and jazz-fusion development. Official and critical sources describe him as an author more interested in musical narrative than in technical display, with a language built on melody, groove, and reciprocal listening. Within the band, he is the main vector of aesthetic direction: themes, dynamic shifts, and formal design remain readable even when the ensemble opens into improvisation.

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.” (György Szentgallay, review of “Intellectual Brutality”, 2016-11-11)

Martin Gudics
A bassist able to move across fusion, songwriter-driven pop, smooth jazz, and high-intensity technical contexts, he brings rhythmic elasticity and structural awareness to the group. His role goes beyond support: he builds links between guitar and drums, keeps metric transitions fluid, and strengthens the groove element without weighing down the texture. Within the band’s DNA, he represents the pole of balance: precise, but always in service of collective musical unity.

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.” (JazzMa.hu, presentation of “BVDA”, 2024-04-17)

Erik Tempfli
A pianist, keyboardist, and Artisjus Award-winning composer, he brings broad harmonic thinking and a timbral awareness that avoids both mere filling and decorative virtuosity. His parts help define the group’s breathing space: pads, organ colors, electric piano textures, and modern comping become tools of architecture rather than simple color. He is the member who most clearly expands the quartet’s tonal horizon and reinforces its melodic-contemporary side.

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.” (JazzMa.hu editorial, 2020-12-12)

Gergő Borlai
An internationally established drummer and composer, Borlai acts as an identity accelerator for the project: rhythmic precision, dynamic control, advanced fusion vocabulary, and the ability to make even the most complex metric turns feel organic. His presence transforms the ensemble from an author-led group into a band with strong performance traction. In the group’s DNA he carries weight both as rhythmic engine and as a marker of prestige: his signature is recognizable in the energy, the clarity of pulse, and the dramatic handling of climaxes.

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.” (Drumeo, 2022-08-19)

 


Biography

Mike Gotthard is a Hungarian guitarist and composer whose work bridges blues phrasing, modern fusion, and a strong live-performance instinct. Gergő Borlai, with an international career spanning hundreds of recordings and top-tier collaborations, brings world-class rhythmic identity and prestige to the ensemble. Together with Martin Gudics and Erik Tempfli, the group delivers a modern jazz fusion format built on compositional clarity, high-impact groove, and advanced interplay.


Discography

Mike Gotthard
Intellectual Brutality — album — 2016
9 Wheels — single — 2021
Flotation — single — 2024
The Electric Shock Live Session — EP — 2025
The Group Live Session — single — 2026
Sensual Brutality — album — 2026
LesMi — single — 2026

Martin Gudics
Ups & Down — album with Peet Project — 2020
Sweet Lemon — album with Peet Project — 2022
Global Warning — Oliver Zisko album featuring Martin Gudics — 2022
Hard to Say Goodbye — single with Dániel Szebényi and Gudics Twins — 2023
Sensual Brutality — album with Mike Gotthard/Gergő Borlai — 2026
LesMi — single with Mike Gotthard/Gergő Borlai — 2026

Erik Tempfli
Altató — song performed at A Dal with Bori Hegedűs — 2021
Anya — single with Bori Hegedűs — 2022
Unalmas felnőtt — single with Bori Hegedűs and Johanna Lengyel — 2022
ReStar — album with Kodály Spicy Jazz — 2025
Sensual Brutality live set with Mike Gotthard Group — repertory documented from 2024 to 2026

Gergő Borlai
17 — album — 1998
Sausage — album — 2004
M.M.M. — album — 2010
ARC Trio — album — 2018
The Missing Song — album — 2020
Burger Joint on Oxnard Street — single — 2023
Monster Pop — single — 2023
A New Normal — single — 2025
Sensual Brutality — album with Mike Gotthard — 2026
LesMi — single with Mike Gotthard — 2026


Quotes

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.”
György Szentgallay | JazzMa.hu | 2016-11-11

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.”
JazzMa.hu editorial | 2020-12-12

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.”
JazzMa.hu editorial | 2024-04-17

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.”
Drumeo | 2022-08-19


Reviews

Gotthárd Mihály: Intellectual Brutality / JazzMa.hu / György Szentgallay / 2016-11-11

Katartikus elektrosokk Solymáron / JazzMa.hu / Géza Barcsik / 2020-09-15

‘I meet new inspirations almost every day’ / Secret Eclectic / 2021-03-16

Lamantin Jazz Fesztivál szerda / JazzMa.hu / László Czika / 2025-07-04

WHATS GOING ON

Mikah Maquá | IndiePop/Rock (NL)

Mikah Maquá | Quirky Alt-Pop Rock (NL)

Mikah Maquá

Quirky Alt-Pop Rock | NL

AVAILABILITY FOR EUROPE

2026-2027 | July 1st, 2026 to December 31st, 2027


Line-up

Mikah Maquá | Voice
Fay Arapatsani | Drums
Federica Fornaro | Guitar
SiYu Liu | Keys


Shortly about Mikah

Mikah Maquá stands out for her sharp songwriting, turning vulnerability, irony and neurodivergent self-awareness into catchy, emotionally direct indie-pop. A two-time finalist of the European Music Contest in the singer-songwriter category (2018 and 2021), she was also selected for the Hedon Beurs 2025 development trajectory. In 2026 she released her debut EP people pleaser with support from Music Support Overijssel, confirming her as a rising voice with both personality and momentum.

Style

Confessional indie-pop with the nerve of alt-rock and the bounce of spring-loaded guitars. Retro-leaning keys and sharp backbeats keep the songs moving between irony, tension, and release. The band DNA is intimate but not soft: melodic, emotionally direct, and built for dynamic live lift.


Profile

Mikah Maquá sits where diaristic indie-pop meets wiry alternative rock. The center of gravity is a voice-first songwriting identity shaped by confession, irony, and emotional overshare, then pushed outward by a rhythm section that favors momentum over polish and by guitar work with a rougher art-rock edge. Fay Arapatsani brings physicality and dark-toned dynamic contrast from an art-pop and heavy-alt background; Federica Fornaro widens the harmonic field with psych, prog, and jazz-adjacent color, adding grain, tension, and movement rather than decorative texture. With keys functioning as both glue and counterpoint, the project lands in a sweet spot between catchy hooks and nervous energy: retro synth flashes, springy riffs, abrupt emotional pivots, and a live interplay that turns vulnerability into impact.


Details

Mikah Maquá
Dutch-Canadian singer-songwriter Maaike Girardin fronts the project with a writing voice built on self-exposure, humor, and emotional contradiction. Public profiles consistently frame the material around neurodivergence, people-pleasing, awkward love stories, and revenge-fantasy wit, but the songs stay hook-led rather than purely confessional. Production and release history point to a collaborative studio axis with Lennert Klaui, giving the project a polished but still elastic alt-pop frame. Live, the material is built to scale from intimate confession to sharp collective lift.

“Her relatable yet catchy pop songs let vulnerability collide with brutality.” (Hedon Zwolle event text, 2026-01-22)

Fay Arapatsani
Athens-born and based in Utrecht, Fay Arapatsani brings a drummer-songwriter sensibility that favors weight, contour, and dramatic pacing. Her public bio maps a path from early piano study into drums, composition, and darker art-pop writing, with threads of ethnic jazz, pop, fusion, and electronics. That background translates well inside Mikah Maquá’s frame: she can support hook-based material while adding urgency, asymmetry, and a harder emotional undercurrent.

“The Greek artist carries the set with her powerful rock voice, which she can take impressively high.” (Rogier van Nierop, 3voor12 Leiden, 2025-12-23)

Federica Fornaro
Federica Fornaro adds the project’s rougher guitar grain. Her documented work with Basiliscus P points to a player comfortable with psych rock, prog structures, 1990s alternative edges, and jazz-adjacent openness, which makes her especially useful in a band that needs songs to move beyond pure singer-songwriter framing. She is less about ornamental lead lines than about shape, texture, and expansion: widening choruses, introducing friction, and giving hooks a more physical body.

“A talented and eclectic Messina band.” (Nadia Cornetti, Off Topic Magazine, 2022-12-21)

SiYu Liu
SiYu Liu is the keys chair in this lineup. In band-DNA terms, the role is important: keys soften transitions, reinforce hooks, and connect the project’s retro-pop sheen to its more nervous rock edge. Public-facing January 2026 band posts identify the keys position as Sharon Liu under the handle @cactusinpoppy, so this profile keeps the role in the lineup while avoiding unverified biographical or discographic claims beyond its ensemble function.


 


Biography

Mikah Maquá is the project of Dutch-Canadian songwriter Maaike Girardin, building songs around awkward honesty, pop immediacy, and emotional whiplash. Public-facing bios and event texts consistently frame the act as a mix of retro synths, springy guitars, and catchy songwriting that turns vulnerability, humor, and instability into hooks built for the stage rather than the diary page.


Discography

Mikah Maquá
Singles: something to remember (2025), wish you were dead (2025), ADHD (mental break-up) (2025), someone else (2026), HELLO?! (2026). EP: people pleaser (2026).

Fay Arapatsani
Single: Hardpill (2024). EP: will I go under (2024). With Amalphi: album Acheron I (2019), EP Valley – Serpent – Womb (2023).

Federica Fornaro
With Basiliscus P: album Placenta (2017), singles Urban Safari (2022) and Magenta (2022), album Spuma (2022). Feature: Giadar, Mirror in the Mirror feat. Federica Fornaro (2022). Additional credited appearance: La Stanza della Nonna, Dove gli occhi non possono arrivare (2019).

SiYu Liu
No public discography could be independently verified under the supplied name.


Quotes

  • “Her relatable yet catchy pop songs let vulnerability collide with brutality.” Hedon Zwolle, 2026-01-22
  • “The Dutch-Canadian artist makes a mix of retro synths, springy guitars and catchy pop songs.” Poppunt Overijssel, 2026-01-22
  • “This band has the most unique sound of the evening.” Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • “The Greek artist carries the set with her powerful rock voice, which she can take impressively high.” Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • “A talented and eclectic Messina band.” Nadia Cornetti, Off Topic Magazine, 2022-12-21
  • “A more mature, experimental, complex and enveloping sound.” Laura Lipari, LetteraEmme, 2022-10-13

Reviews

  • Mikah Maquá brengt met hulp van MSO debuut EP uit – Poppunt Overijssel – 2026-01-20 – https://poppuntoverijssel.nl/mikah-maqua-brengt-met-hulp-van-mso-debuut-ep-uit/
  • Van zangles in De Meerpaal naar eigen muziek: Mikah Maquá’s muzikale reis – FlevoPost – 2025-12-24 – https://flevopost.nl/dronten/van-zangles-in-de-meerpaal-naar-eigen-muziek-mikah-maqua-s-muzikale-reis-47898303.html
  • MIKAH MAQUÁ – Hedon Zwolle – 2026-01-22 – https://www.hedon-zwolle.nl/voorstelling/32766/mikah-maqua
  • Formula Indie Schedule 5th to 11st January 2026 – European Indie Music Network – 2026-01-05 – https://euroindiemusic.info/2026/01/05/formula-indie-schedule-5th-to-11st-january-2026/
  • Euro Indie Music Chart 3.26 – European Indie Music Network – 2026-01-27 – https://euroindiemusic.info/2026/01/27/euro-indie-music-chart-3-26/
  • Douze points voor Griekenland – 3voor12 Leiden | Rogier van Nierop – 2025-12-23 – https://3voor12.vpro.nl/lokaal/leiden/artikelen/overzicht/2025/december/Nobel-Award-2025-finale.html
  • Basiliscus P – Spuma (Tuma Records/The Orchard, 2022) – Off Topic Magazine | Nadia Cornetti – 2022-12-21 – https://offtopicmagazine.net/2022/12/21/basiliscus-p-spuma/
  • Urban Safari: il nuovo singolo dei Basiliscus P in uscita il 13 ottobre 2022 – LetteraEmme | Laura Lipari – 2022-10-13 – https://www.letteraemme.it/urban-safari-il-nuovo-singolo-dei-basiliscus-p-in-uscita-il-13-ottobre-2022/
  • Interview – Basiliscus P – Indie-Roccia | Smoking Area – 2022-09-08 – https://www.indie-roccia.it/interviste/interview-basiliscus-p/

WHAT’S GOING ON

https://www.coralriff.biz/events/

BOOKING REQUEST

Davide Pannozzo ft. Etienne Stadwijk & Steve Ferrone

DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)

DAVIDE PANNOZZO Trio

ft.

ETIENNE STADWIJK & STEVE FERRONE

Soul-Funk Blues Fusion | USA

AVAILABILITY FOR EUROPE

2026 | October 15th to 27th

DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3
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Line-up

Davide Pannozzo | Guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Matt Schofield, Oz Noy, Robben Ford

Etienne Stadwijk | Piano, keyboards, synth bass
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Nona Hendryx, Harry Belafonte

Steve Ferrone | Drums
Tom Petty and the Heartbreakers, Average White Band, Eric Clapton, Duran Duran, George Harrison, Chaka Khan, Michael Jackson


Style

Contemporary blues wired into funk and jazz, with modern arrangements and a true stage-first drive. An iconic rhythm engine and a keyboard chair that can become bass: a trio that sounds like a full band. Set for October 2026, the music moves between wide grooves, singable themes, and high-intensity improvisation without losing song focus.


Profile

Davide Pannozzo leads an essential yet ambitious trio: guitar and vocals up front, with an expanded sound built on the idea of orchestrating every tune. The palette is modern blues, shot through with fusion accents and a decisive funk pulse; improvisation never becomes an end in itself, but stays narrative, shaping dynamics, timbre, and forward motion. Etienne Stadwijk works in textures and counterlines, switching between piano and keyboards while deploying a deep synth bass that redraws the balance of the band: the bass role turns mobile, harmonic, and rhythmic all at once. Steve Ferrone brings the authority of decades at the top of international rock and R&B: timing, weight, and space, with an elasticity that keeps the trio tight and always breathing. The result is high-voltage music rooted in tradition and designed for the present.


Details

Davide Pannozzo | Guitar, vocals
Classical training with an electric identity: a singing phrasing, controlled attack, and a vocabulary that crosses modern blues with jazz sensibility. In original material he favors clear themes and open-ended codas, letting the solo become a second verse. In trio format, the guitar carries melody and harmony without losing rhythmic weight.

“Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” (Will Lee, GUITARlab Blog, 2018-12-04)

Etienne Stadwijk | Piano, keyboards, synth bass
Pianist and keyboardist with Surinamese roots, Berklee training, and a New York base. His signature is the balance between European voicings, world colors, and an R&B-born sense of pocket. In this project he is also the harmonic bass, shaping synth-bass lines that give body and direction to the groove.

“The band was very tight, with really successful solos… (including Stadwijk’s).” (Maciek Pysz, London Jazz News, 2013-10-08)

Steve Ferrone | Drums
A benchmark for solidity and musicality: heavy hits when needed, but above all control of dynamics. His drumming connects rock, funk, and pop through a precise idea of space, letting the song breathe. In trio, he is the engine that makes every density shift feel inevitable, from raw blues to wide-open fusion.

“Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” (Joe Bosso, MusicRadar, 2010-08-26)


 


Biography

Davide Pannozzo is an Italian guitarist, singer-songwriter, producer, and educator whose work connects blues roots, soul dynamics, and jazz-informed phrasing. Based between Europe and the United States, he has collaborated with players such as Steve Ferrone, Will Lee, Oz Noy, and David Garfield, building a profile that combines songwriter instinct, groove awareness, and a modern electric guitar voice designed for both records and the stage.


Discography

Davide Pannozzo
Albums/EPs: Born Electric; A Portrait of Jimi Hendrix; Unconditional Love; Room for Joy. Singles: Be Blessed; Keep On Loving You; Love Is a Simple Thing; Without You, Once Again; St. Louis Blues; Imagine; Plug It In; Leroy’s Blues; The Thrill Is Gone; Christmas In New York.

Etienne Stadwijk
Albums/EPs: Lagos Pepper Soup; To Love Again -…; Olatuja; Waltz for Eli. Singles: Then Why?!; Wig Glue.

Steve Ferrone
Albums/EPs: It Up: Steve Ferrone and Friends Live at La Ve Lee; More Head (Steve Ferrone’s Farm Fur); Steve Ferrone & Friends Live; Steve Ferrone & Friends Mo’Live.


Quotes

  • “Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” Will Lee, GUITARlab Blog, 2018-12-04
  • “If you like Eric Johnson, Robben Ford, Carl Verheyen, Jeff Beck and Eric Clapton, then this album and this cool cat are definitely for you.” Simon Redley, Music Republic Magazine, 2017-10-19
  • “Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” Joe Bosso, MusicRadar, 2010-08-26
  • “The band was very tight, with really successful solos… (including Stadwijk’s).” Maciek Pysz, London Jazz News, 2013-10-08
  • “Keyboardist and producer Etienne Stadwijk has released a powerful and moving track…” A.A. Cristi, BroadwayWorld, 2020-06-22
  • “An outstanding album, Steve Ferrone & Friends Live…” Planet Drum, 2014-09-16

Reviews

  • Davide Pannozzo & Loud Stuff – Born Electric – Bman’s Blues Report – 2012-04-18 – https://bmansbluesreport.com/2012/04/18/davide-pannozzo-loud-stuff-born-electric-new-release-review/
  • Davide Pannozzo – Unconditional Love – Music Republic Magazine | Simon Redley – 2017-10-19 – https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
  • Celebrated guitarist Davide Pannozzo releases new single Be Blessed – Rock and Blues Muse – 2022-07-07 – https://www.rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
  • Review: Richard Bona at Pizza Express – London Jazz News | Maciek Pysz – 2013-10-08 – https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
  • Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate – BroadwayWorld | A.A. Cristi – 2020-06-22 – https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622
  • Tom Petty drummer Steve Ferrone talks groove, Charlie Watts and more – MusicRadar | Joe Bosso – 2010-08-26 – https://www.musicradar.com/news/drums/tom-petty-drummer-steve-ferrone-talks-groove-charlie-watts-and-more-289800
  • Steve Ferrone and Friends Live with Tracktion 5 – Planet Drum – 2014-09-16 – https://www.planet-drum.com/steve-ferrone-and-friends-live-with-tracktion-5/

BOOKING REQUEST

MATT VON RODERICK Trio ft. Dominique Di Piazza & Joel Taylor

MATT VON RODERICK Trio ft. DOMINIQUE DI PIAZZA & JOEL TAYLOR | Contemporary Jazz (USA)

MATT VON RODERICK Trio

ft. Dominique Di Piazza & Joel Taylor

Contemporary Jazz | USA

AVAILABILITY FOR EUROPE

2026 | OCTOBER 27th to NOVEMBER 8th


Line-up

Matt Von Roderick | Trumpet, vocals
Jon Batiste, Brad Mehldau, Dionne Warwick, Neil Diamond, Saturday Night Live Band, Super Furry Animals

Dominique Di Piazza | Bass
John McLaughlin, Trilok Gurtu, Bireli Lagrene, Dennis Chambers, Didier Lockwood, Andre Ceccarelli, Gordon Beck, Vic Juris, U. Srinivas, Zakir Hussain

Joel Taylor | Drums
Allan Holdsworth, Al Di Meola, Joe Sample, Michael Buble, Stanley Clarke, Herb Alpert, Frank Gambale, Brian Bromberg, Yanni, Andy Summers


Style

A contemporary jazz trio where lyric trumpet-and-voice phrasing meets chordal bass design and high-definition drums. The language moves between intimate songcraft, modal lift, and fusion-grade momentum without losing warmth. Elegant on the surface, restless underneath: this is ensemble jazz built on tone, propulsion, and real-time dialogue.


Profile

Led by Matt Von Roderick’s trumpet-and-voice language, this trio projects a modern jazz identity that balances lyricism, uplift, and edge. Dominique Di Piazza shifts the bass from foundation to harmonic co-author: chordal attack, rapid articulation, and a singing upper register give the ensemble unusual vertical depth. Joel Taylor supplies the architectural frame, combining fusion-trained clarity with the restraint of a first-call accompanist. The resulting band DNA is airy but precise, melodic yet electrically charged: open forms, strong hook-awareness, and a pulse that can pivot from brushed intimacy to high-definition propulsion without breaking the narrative line.

In practical terms, this is a project that can work in jazz clubs, crossover series, and contemporary festival settings alike, because its center of gravity is not genre display but communicative improvisation, ensemble intelligence, and tone-led storytelling.


Details

Matt Von Roderick
Matt Von Roderick brings a highly personal front-line language rooted in jazz trumpet, crooning lyricism, and vocal-trumpet multiphonics. His profile combines conservatory pedigree with stagecraft: he can phrase like a singer, shape atmosphere like an arranger, and still land a melody with straight-ahead clarity. The effect is both classic and post-genre, with an emotional directness that keeps experimentation accessible.

“Fresh, innovative, and just plain different.” (Woodrow Wilkins, All About Jazz, 2005-10-13)

Dominique Di Piazza
Dominique Di Piazza remains one of the rare electric bassists who can alter an ensemble’s harmonic geometry in real time. His right-hand technique, chordal reach, and fast upper-register articulation make the bass function as both engine and second harmonic instrument. In this trio context, he expands the music from support into co-composition, bringing Mediterranean color, fusion fluency, and deep improvisational authority.

“One of the truly important electric-bassists of our time.” (Damian Erskine, Bass Musician Magazine, 2009-02-01)

Joel Taylor
Joel Taylor is the kind of drummer who gives sophisticated projects both polish and momentum. His language is clean, clear, adaptable, and structurally intelligent: strong time, exact cymbal definition, and a refined sense of when to drive and when to leave air. In this line-up, he acts less as commentator than as force-shaper, translating complex motion into flow.

“Possessing a clean, clear, punchy style that he can adapt to any environment.” (Ken Micallef, Modern Drummer, 2019-12-27)


 


Biography

Los Angeles-based trumpeter, vocalist, songwriter, producer, and educator Matt Von Roderick has built a genre-crossing profile that connects jazz trumpet tradition, crooner phrasing, and modern songwriting. He studied at New York University through the Vilar Global Fellowship in the Performing Arts, where he worked with trumpet master Mark Gould, former chair of brass at both the Metropolitan Opera and Juilliard. Active across jazz and contemporary settings, he has developed a signature language that moves fluidly from standards and lyric balladry to post-genre original work while keeping melody, atmosphere, and emotional directness at the center.


Discography

Matt Von Roderick
Albums: So It Goes (2005), So It Goes (2007), A Book Of Five Rings (2008), Hero’s Journey (2016), Celestial Heart (2023), The Perfect Storm (2025). Singles and EPs: Signs (2025), See Me (2025), Coexistence (2025), Wind on My Face (2025), I’m Old Fashioned (2026).

Dominique Di Piazza
Albums: Spiritual Hymns (2002), Seven Steps To Heaven (2003), Front Page (2004), Princess Sita (2008), Living Hope (2016), Il canto delle montagne (2016), Travel (2021). Singles and EPs: Rain in Seoul (2023).

Joel Taylor
Verified recording credits: Tribute by Yanni, Jaco by Brian Bromberg, Basses Loaded by Brian Bromberg.


Quotes

  • “Fresh, innovative, and just plain different.” Woodrow Wilkins, All About Jazz, 2005-10-13
  • “Among a group of young jazz composers who are unafraid to step beyond traditional constraints.” Celeste Sunderland, All About Jazz, 2005-12-13
  • “Few have the mastery of their chosen instrument that Dominique Di Piazza has displayed throughout his career.” Damian Erskine, Bass Musician Magazine, 2009-02-01
  • “Possessing a clean, clear, punchy style that he can adapt to any environment.” Ken Micallef, Modern Drummer, 2019-12-27
  • “A drummer dripping with impeccable touch and timing.” Sea of Tranquility, 2017-05-07

Reviews

  • Matt Shulman: So It Goes – All About Jazz – Woodrow Wilkins – 2005-10-13 – https://www.allaboutjazz.com/so-it-goes-matt-shulman-jaggo-records-review-by-woodrow-wilkins
  • Matt Shulman: So It Goes – All About Jazz – Celeste Sunderland – 2005-12-13 – https://www.allaboutjazz.com/so-it-goes-matt-shulman-jaggo-records-review-by-celeste-sunderland
  • Matt Von Roderick: Hero’s Journey – Jazz Weekly – 2016-07-18 – https://jazzweekly.com/2016/07/matt-von-roderick-heros-journey/
  • Matt Von Roderick Celestial Heart – Making A Scene – 2023-07-21 – https://www.makingascene.org/matt-von-roderick-celestial-heart/
  • Front Page: Front Page – All About Jazz – Walter Kolosky – 2004-01-12 – https://www.allaboutjazz.com/front-page-front-page-sunnyside-records-review-by-walter-kolosky
  • Dominique di Piazza: Spiritual Hymns – All About Jazz – Phil DiPietro – 2002-05-14 – https://www.allaboutjazz.com/spiritual-hymns-dominique-di-piazza-canaan-music-review-by-phil-dipietro
  • Dominique di Piazza: Princess Sita – All About Jazz – Phil DiPietro – 2008-08-19 – https://www.allaboutjazz.com/princess-sita-dominique-di-piazza-picanto-records-review-by-phil-dipietro
  • Joel Taylor – Modern Drummer – Ken Micallef – 2019-12-27 – https://www.moderndrummer.com/article/february-2020-joel-taylor/

BOOKING REQUEST

Pedro Makay

Pedro Makay | World Music/Folk/Songwriter (ES)

Pedro Makay

Songwriter, World Music, Folk (ES)

PedroMakay12 Pedro Makay | World Music/Folk/Songwriter (ES)
PedroMakay12 Pedro Makay | World Music/Folk/Songwriter (ES)
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Pedro Makay was born in Bilbao. In childhood he received his first musical experience in piano lessons and at 13 he started playing Spanish guitar. In a trip to Jamaica with his family, while visiting a friend in Negril he’s introduced to Caribbean rhythms, reggae and calypso which would become inspirational to his music.

In Bilbao a reputed gypsy guitarist, Jose Cortes, introduces him to flamenco and teaches him the repetition and discipline necessary to improve and perfect his technique on flamenco guitar. Then he started composing.

In 2007 he recorded his first album by the name of Pedro Makay with Carlos Velasco, Teddy Baxter and Daniel Amat. That same year he traveled to Buenos Aires where he lived the following 4 years. He studies harmony/composition with Rino Rafanelli, singing with Silvia Gaddi and acting with Lito Cruz. In BA he presents his album playing gigs in night clubs, cabarets, theaters and cultural centers in the Buenos Aires scene, promoting his music in radio stations and television.



In 2010 he records in Argentina his second album, Ojos Negros, with the producer Andres Mayo and musicians Gustavo “El Polaco” Goyeneche, Gabriel Costa, Daniel Leis, Ervin Stutz, Alejo Von der Pahlen and Juanjo “El Chaqueño” Martinez. The record was listed in the Latin Grammy Awards, under the categories of “Album of the year” and “Best New Artist”.

In 2012 he returns to Spain, where he continued his musical career in Madrid, offering concerts in mythical halls such as Sala Barco, El Juglar, Café la Palma, the Berlin Café and Sala Clamores with the participation of Mali, griot Fousseni Fakoly, Abba Suso, griot from Gambia and Cuban singer Lazaro Armenteros, grandson of Benny Moré, as well as appearing in European venues, Beograde, Seville, Bologna, Milan, Venice, Rome and many more.

In Lavapies, an intensely active cultural and multi ethnical neighbourhood of Madrid, where he lives (a European Greenwich Village where all cultures of the world converge) is an important source of inspirational influence in his music.

Since 2016 he has participated in prestigious Italian Music Festivals: The Riccia Folk Festival, The Fiesta Global of Montefabbri Festival and the Bertinoro Festival, amongst others. In 2020 he played at Alkantara Fest – international Folk & World Music Festival, in Sicily, and in 2021 he signed with the Italian label Caligola Records and releases his new album “Colores”, presenting it in various events and Festivals such as the Ravenna Festival of Cultures and the Songwriting Festival in Venice.

“Colores” is an eight song album of own compositions inspired by popular roots and born through musical encounters, experiences and intense collaborations with musicians of diverse cultures. Recorded live in collaboration with, amongst others, Norman Hogue, Miron Rafajlovic, Abba Suso, Roberto Lorenzo, Aboubakar Syla, Pancho Brañas, “Colores” could best be described as offering a “World Music”style.



REVIEWS

“Colores, an accomplished album full of vibrant rhythms, great for dancing, which we could include in the WORLD MUSIC genre and is crossing beyond our frontiers with Pedro and his band participating in different Music Festivals and International Events”.

Tato Puerto, En Un Mundo Feliz.


“A cheerful and fresh job; different from most of the records in circulation today … Spain, Africa, Caribbean, North America, all the “Colores” of world music in a work that to ascribe to the “world music” genre would perhaps be an understatement: listen to it, there are eight hypnotic songs and engaging, which will not leave you indifferent!“.

Jazz It.


“Original and brilliant mix of: afro-cuban, jazz, funk, blues and rock…with taste and talent, injection of sunny joy“.

Eugenio Mirti, Jazzespresso.


“Colourful album, vital, fresh and greatly optimistic”.

Sonia Frias, Entrelares. Círculo de Bellas Artes


“Bright and fresh music is greatly danceable and in favor of the public”.

Lola Martinez, Artesfera. Radio 3.


“A high level show with great compositions”.

La Noche en Vivo.




BUY COLORES!


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CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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Coral Riff Music

CORAL RIFF MUSIC | The label side of Coral Riff

CORAL RIFF MUSIC

The label side of Coral Riff


DTAcacia1 CORAL RIFF MUSIC | The label side of Coral Riff
DTAcacia1 CORAL RIFF MUSIC | The label side of Coral Riff
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We’re proud to announce the opening of the publishing branch of Coral Riff Management: CORAL RIFF MUSIC!

We’re equally proud to declare that the copyright of all the music we publish and distribute will be entrusted to Soundreef, the Italian collecting society based in London.


WHY SOUNDREEF

This is not the result of a partnership, we have never talked about establishing this type of relationship until now, but a choice of nature not only of utility and convenience for business purposes but also of work ethic. We believe that their fight against the arrogance of the various national monopolistic collecting societies is good and fair and we are proud to rely on them and the seriousness of the professionals who are part of this young but already great reality.


FIRST RELEASE

On Friday 01.10.2021 Coral Riff Music is gonna be out with its FIRST RELEASE, “LAKBAYL” (The Tribes), the new single of DARAA TRIBES!

DARAA TRIBES is our band from the #Sahara desert, playing a beautiful #music they use to define as Saharan blues, tribal fusion.

The single will be accompanied by a brand #new amazing musicvideo filmed with musicians from the various tribes from which each member of the band comes.

A wonderful story of music, #inclusion and celebration of cultural and #ethnic diversity.

See you on the first October, stay tuned! 😉


COUNTDOWN

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CORAL RIFF MUSIC WEBSITE


Follow DARAA TRIBES on Spotify!


WATCH OUR ARTISTS’ VIDEOS:


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CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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TJLT PROMO VIDEO

TJLT with Felix and Julius PASTORIUS and JL SANTACRUZ | TJLT PROMO VIDEO

TJLT with Felix and Julius PASTORIUS and JL SANTACRUZ

TJLT PROMO VIDEO

https://youtu.be/t0NAkrMvcMA


TJLT PROMO VIDEO: Video with a selection of some of the best live moments of the band at their concerts from 2019 until today.

Felix Pastorius – Bass

Julius Pastorius – Drums

Jose Luis Santacruz – Soprano Sax

Felix Pastorius, Julius Pastorius and José Luis Santacruz, move in a context of interpretation and improvisation based on mutual listening, in which any of them can take the initiative within a concept of creative freedom taken to the maximum degree of sophistication. The components of the trio have such understanding and knowledge of the complex and beautiful compositions of Jaco Pastorius.

They can play in the different structural parts of the work changing the order or in it,bringing them back with the most unexpected riffs generating a constant surprise and assuring with their virtuosity an enjoyment of a high level concert.

For more infos and booking:


THROUGH JACO LEGACY TOUR 2021


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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