The Whistling Heads | New Wave/Post Punk (IT)

The Whistling Heads | Dance Punk (IT)

The Whistling Heads

Dance Punk | IT

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU-based band)


Line-up

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Santino Mondello | Guitar
Samuele Costa | Bass
Giuseppe Arnao “Ziffo” | Drums


Style

A Messina dance-punk band with a wiry guitar attack, a restless rhythm section, and a clear instinct for hooks. Their sound moves from raw art-rock tension into dance-punk propulsion, keeping the urgency of British crank wave and new wave alive without sounding derivative. Sharp, youthful, and physically driven, they turn nervous energy into songs built for both small clubs and international showcases.


Profile

The Whistling Heads are a Messina-based dance-punk band shaped by rehearsal-room intensity, local underground culture, and a fast-developing live identity. Emerging from the Retronouveau orbit, they built their early profile through lean songs charged with alternative rock friction, noise-pop edges, and a youthful sense of tension. Since the first singles and the 2023 debut album Dull Boy, the project has expanded quickly through Italian dates, UK shows, growing international press attention, and the Gabe Gurnsey / Factory Floor remix of “Well…I Mean”.

Their 2025 release Better and Better than Before… widened the frame further with remixes, live cuts, and unreleased material, confirming a band that is no longer interested in staying inside one strict lane. What defines them is the balance between abrasion and melody: angular guitars, elastic basslines, alert drumming, and vocals that channel irony, pressure, and youthful disillusion with directness rather than pose.


Details

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Frontman and co-founder of the project, Alberto Zaccaro is the most visible narrative voice of the band. Public release credits list him as Albert Mud for lyrics, while interviews place him at the centre of the group’s stylistic shift from classic post-punk toward a more dance-punk direction. His delivery gives the songs their tension between sarcasm, anxiety, and immediacy.

Santino Mondello | Guitar
Santino Mondello belongs to the original nucleus that launched the band and remains crucial to its guitar identity. His playing helps define the band’s angular, British-facing language, balancing abrasion with shape and momentum. He has also publicly explained the origin of the name The Whistling Heads, underlining the project’s rooted Messina identity.

Samuele Costa | Bass
Samuele Costa is the bassist whose arrival helped turn an early idea into a stable working band. In interviews he describes the chemistry of the settled line-up as the moment the project became serious. His bass work is central to the spring-loaded grooves and to the more dance-oriented direction of the recent material.

Giuseppe Arnao “Ziffo” | Drums
Known as Ziffo, Giuseppe Arnao is the drummer whose arrival stabilized the line-up that wrote most of Dull Boy. His drumming gives the band lift, bite, and rhythmic discipline, carrying both the nervous post-punk drive and the newer club-leaning accents. He is also regularly present in the band’s public interviews and live presentations.

 


Biography

The Whistling Heads belong to the new Italian wave of bands reclaiming dance-punk as a live language rather than a museum code. Their identity is rooted in Messina, but the project already reads beyond its local scene through a British-facing guitar vocabulary, dance-aware bass movement, and a frontman presence that turns irony and pressure into direct stage communication. The result is a band that can work in clubs, alternative festivals, and showcase circuits with the same sense of urgency.


Discography

October — single — 2022-10
Teenage cliché — single — 2023-03
Shoot Shoot — single — 2023-06
Dull Boy — album — 2023-09-01
Well…I Mean — single — 2024-02
Well…I Mean (Gabe Gurnsey / Factory Floor Remix) — single — 2024-04
Shut Me Up — single — 2024-05
Lullaby Lady — single — 2024-08
Wreck — single — 2025-03
Better and Better than Before… — compilation — 2025-09-13


Quotes

“One of the most interesting acts in today’s Italian underground.”
Stefano Gallone | Rockit | 2023-10-02

“From Messina, beyond the borders of rock.”
Giandomenico Morabito | Musica Intorno | 2023-11-22

“A gripping indie post-punk where electric crash, lively rhythms, and melodic pop taste all come through clearly.”
Gianluca Polverari / Radio Città Aperta | 2023-12-01

“A band who knows exactly how to write a funky indie-rock tune.”
Fred Bambridge | It’s All Indie | 2024-02-12

“They are injecting fresh vitality into that spirit.”
Alice Teeple | Post-Punk.com | 2024-05-27


Reviews

The Whistling Heads: “Dull Boy” recensione / Rockit / Stefano Gallone / 2023-10-02

Dull Boy, The Whistling Heads oltre i confini del rock / Musica Intorno / Giandomenico Morabito / 2023-11-22

Intervista The Whistling Heads ad Alternitalia / Radio Città Aperta / 2023-12-01

The Whistling Heads drop their funky new tune, “Well…I Mean” / It’s All Indie / Fred Bambridge / 2024-02-12

The Whistling Heads – Well…I Mean (Disasters by Choice) / The Big Takeover / Dave Franklin / 2024-02-15

Sicilian Post-Punk Quartet The Whistling Heads Debut Video for “Shut Me Up” / Post-Punk.com / Alice Teeple / 2024-05-27


WHATS GOING ON

Ari Hoenig Trio | Contemporary Jazz, Neo-bop, Post-bop (USA)

ARI HOENIG TRIO | Contemporary Jazz, Neo-bop, Post-bop (USA)

Ari Hoenig Trio

Contemporary Jazz, Neo-bop, Post-bop (USA)

AVAILABILITY FOR EUROPE
2026 | April, July, October/November
AriHoenigTrio ARI HOENIG TRIO | Contemporary Jazz, Neo-bop, Post-bop (USA)
AriHoenigTrio ARI HOENIG TRIO | Contemporary Jazz, Neo-bop, Post-bop (USA)
AriHoenigTrio
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Line-up

Ari Hoenig | Drums
Jean‑Michel Pilc, Kenny Werner, Pat Martino, Joshua Redman, Wayne Krantz, Richard Bona, Chris Potter, Shirley Scott

Gadi Lehavi | Piano
Ravi Coltrane, Chick Corea, Bobby McFerrin, Ron Carter, Kurt Rosenwinkel, Eddie Gomez

Ben Tiberio | Double Bass
Joel Ross, María Grand, Veronica Swift, Immanuel Wilkins, Shai Maestro, Ben Wendel, Aaron Goldberg

Style

A drummer‑led trio where melody and rhythm are inseparable: Hoenig’s metric imagination sings from the kit.
Lehavi supplies a luminous, Jarrett‑to‑Corea‑tinged lyricism that floats yet speaks with intent.
Tiberio anchors with supple time, modern counter‑lines and a sonorous, singing tone.

Overall profile

Philadelphia‑born drummer/composer Ari Hoenig has long redefined the drum set as a melodic instrument; in this trio he crystallizes that vision with Gadi Lehavi (piano) and Ben Tiberio (double bass). Across Golden Treasures (2022) and Tea for Three (2024) the group frames standards and originals with elastic time, conversational counterpoint and a keen sense of narrative. The language is contemporary jazz—post‑/neo‑bop vocabulary, modal hues and polyrhythmic design—yet the touch remains song‑driven. Hoenig’s lines arc and resolve; Lehavi shades harmony with airy voicings and singing right‑hand rhetoric; Tiberio balances clarity and weight, often guiding form with melodic bass motion. The group’s “band DNA” emphasizes Rhythm/Groove (metric modulation; odd‑meter fluency), Interplay/Roles (leader as melodic voice; chamber‑like listening) and Harmonic Vocabulary (post‑bop with modal‑chromatic color). The result is a trio sound that moves from tight inner clock to widescreen lyricism, built for audiences that prize both sophistication and heart.

Member details

Ari Hoenig — Drums
Melodic drumming, polyrhythms and metric modulations are central to Hoenig’s compositional voice. With this working trio he refines a chamber‑like, dialogue‑first approach documented on Golden Treasures (2022) and Tea for Three (2024). Expect shifting forms, clear song shapes and drum melodies that sing. (“A convergence of three exceptional musical personalities whose creativity, connection and dialogic interplay deserve repeated opportunities.” — Artur Moral, All About Jazz, 2025‑05‑20)

Gadi Lehavi — Piano
Tel‑Aviv–born, New York–based pianist whose lyricism and touch align with the Jarrett/Corea lineage while remaining personal. A close associate of Ravi Coltrane and selected by Chick Corea for JALC’s “Musicians of the Future,” Lehavi brings floating time, luminous voicings and agile, singing lines. (“The lightest‑touch piano trio one can imagine… a case of the caress rather than the assault.” — Sebastian Scotney, LondonJazzNews, 2016‑05‑15)

Ben Tiberio — Double Bass
A modern, song‑aware bassist heard with Joel Ross, Veronica Swift and Immanuel Wilkins, and as a leader on Rare Peace (2021). His sound couples round acoustic presence with articulate counter‑melody; time feels both grounded and elastic. (“The bassist and composer Ben Tiberio delivers an exceptional debut here.” — Take Effect Reviews, 2022‑04‑01)

Discography

  • Golden Treasures — Ari Hoenig Trio (Fresh Sound New Talent, 2022)

  • Tea for Three — Ari Hoenig Trio (Fresh Sound New Talent, 2024)

Quotes

Ari Hoenig

“A convergence of three exceptional musical personalities whose creativity, connection and dialogic interplay deserve repeated opportunities.”  Artur Moral, All About Jazz, 2025‑05‑20 — https://www.allaboutjazz.com/tea-for-three-ari-hoenig-fresh-sound-new-talent

“A big‑band celebration… as thrilling and cool as taking a deep dive in someone else’s pool… focusing a well‑deserved spotlight on Hoenig’s voice.” Ed Enright, DownBeat (Editors’ Picks), 2022‑05‑01 — https://downbeat.com/reviews/editorspicks/2022-05

“The trio… a fluid, unified vibe… all elements leaping together into the fray… while still swinging.” Dusty Groove (album blurb), 2024‑12‑13 https://www.dustygroove.com/item/221596/Ari-Hoenig%3ATea-For-Three

Gadi Lehavi

“The lightest‑touch piano trio one can imagine… the caress rather than the assault.”  Sebastian Scotney, LondonJazzNews, 2016‑05‑15 — https://londonjazznews.com/2016/05/15/round-up-review-second-day-of-inntoene-2016-austria-al-foster-quartet-gadi-lehavi-trio-marcio-faraco-ruthie-foster-bruno-heinen-and-kristian-borring-etc/

“A major rising force on piano… known for revelatory work with Ravi Coltrane.”  Rusty Aceves, SFJAZZ — On The Corner, 2024‑07‑18 — https://www.sfjazz.org/onthecorner/articles/five-things-you-should-know-about-gadi-lehavi/

“Israeli‑born prodigy… invited at thirteen to play with Coltrane at the Village Vanguard and Birdland.” All About Jazz (SFJAZZ review), 2022‑05‑10 — https://www.allaboutjazz.com/ravi-coltrane-at-sfjazz-center-ravi-coltrane

Ben Tiberio

“The bassist and composer Ben Tiberio delivers an exceptional debut here… a diverse and well thought‑out listen.”  Take Effect Reviews, 2022‑04‑01 — https://takeeffectreviews.com/april-2022/2022/4/1/ben-tiberio

“Tiberio plays mostly upright bass… I really love that sound.” Sea of Tranquility, 2021‑12‑27 — https://www.seaoftranquility.org/reviews.php?id=23414&op=showcontent

Personnel on Joel Ross’ KingMaker: Immanuel Wilkins (alto sax), Jeremy Corren (piano), Benjamin Tiberio (bass), Jeremy Dutton (drums)… DownBeat (review credits), 2019‑05‑03 — https://downbeat.com/reviews/detail/kingmaker


Reviews

Ari Hoenig: Tea For Three — Album Review / All About Jazz / Artur Moral / 2025‑05‑20 / https://www.allaboutjazz.com/tea-for-three-ari-hoenig-fresh-sound-new-talent

Editors’ Picks May 2022: Ben Markley Big Band with Ari Hoenig — Ari’s Funhouse / DownBeat / Ed Enright / 2022‑05‑01 / https://downbeat.com/reviews/editorspicks/2022-05

Pared‑back jazz drumming from Ari Hoenig and his fine trio / Marlbank / — / 2024‑12‑20 / https://marlbank.net/2024/12/20/pared-back-jazz-drumming-from-ari-hoenig-and-his-fine-trio/

Tea for Three — Album page / Fresh Sound New Talent (Blue Sounds) / — / 2024‑12‑13 / https://www.freshsoundrecords.com/ari-hoenig-albums/57444-tea-for-three-digipack.html

Golden Treasures — Album page / All About Jazz / — / 2022‑01‑06 / https://www.allaboutjazz.com/album/golden-treasures-ari-hoenig

Ari Hoenig: Golden Treasures / Jazz Journal / François van de Linde / 2022‑08‑30 / https://jazzjournal.co.uk/2022/08/30/ari-hoenig-golden-treasures/

ROUND‑UP REVIEW: Inntöne 2016 — Gadi Lehavi Trio / LondonJazzNews / Sebastian Scotney / 2016‑05‑15 / https://londonjazznews.com/2016/05/15/round-up-review-second-day-of-inntoene-2016-austria-al-foster-quartet-gadi-lehavi-trio-marcio-faraco-ruthie-foster-bruno-heinen-and-kristian-borring-etc/

Five Things You Should Know About Gadi Lehavi / SFJAZZ (On The Corner) / Rusty Aceves / 2024‑07‑18 / https://www.sfjazz.org/onthecorner/articles/five-things-you-should-know-about-gadi-lehavi/

Ravi Coltrane at SFJAZZ Center / All About Jazz / — / 2022‑05‑10 / https://www.allaboutjazz.com/ravi-coltrane-at-sfjazz-center-ravi-coltrane

Ben Tiberio — Rare Peace (review) / Take Effect Reviews / — / 2022‑04‑01 / https://takeeffectreviews.com/april-2022/2022/4/1/ben-tiberio

Tiberio, Ben: Rare Peace / Sea of Tranquility / — / 2021‑12‑27 / https://www.seaoftranquility.org/reviews.php?id=23414&op=showcontent

Vibraphonist Joel Ross to release debut KingMaker / Blue Note (press) / — / 2019‑03‑29 / https://www.bluenote.com/vibraphonist-joel-ross-to-release-debut-album-kingmaker-out-may-3/

Complete Discography — Ari Hoenig / Official site / — / 2025‑10‑03 (accessed) / https://www.arihoenig.com/complete-discography

Fanck Biyong

Franck Biyong | Afrobeat/Electronic/Jazz/Rock

FRANCK BIYONG

Afrobeat, Electronic, Jazz, Rock

AVAILABILITY FOR EUROPE

2026-2027 | April 1st, 2026 to December 31st, 2027


Fanck Biyong
Fanck Biyong
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Franck Biyong is available with two different amazing projects:
Franck Biyong & Lipombe Jazz (Afrobeat-AfroJazz) and Afrobrainz (Electronic-Funk-Rock)

LIPOMBE JAZZ (Afrobeat-AfroJazz)

Lipombe Jazz is the more organic, Afro-jazz oriented branch of Franck Biyong’s creative universe: a project built around African groove, ensemble writing and a strong narrative impulse. Conceived as a meeting point between Afrobeat, Afro-jazz and Cameroonian musical memory, it develops a warm, ritualistic and cinematic sound, blending tradition with a contemporary outlook. On Ibolo Ini, that identity comes into focus through layered rhythm, rich timbral depth and a distinctly pan-African sense of motion.

AFROBRAINZ (Electronic-Funk-Rock)

Afrobrainz is Franck Biyong’s alternative Afro-electro-rock project, where electronic funk, guitar-driven rock energy and African rhythmic language meet in a consciously crossover form. Built within his broader Afrolectric vision, the project pushes toward a sharper, more urban and more amplified sound, combining groove, distortion, hooks and pan-African pulse. Afrobrainz presents Biyong in his most electric mode: forward-looking, rhythmically charged and designed to connect club energy with live-band intensity.

ABOUT

Franck Biyong’s solo project turns Afrobeat lineage, Afro-rock guitar language and futurist production into one highly individual signature. It moves between makossa pulse, electric funk, psychedelic rock and jazz-minded arrangement without losing dance-floor intent. The result is Afrolectric: historically rooted, rhythm-forward and sonically restless.

Profile

Franck Biyong is a Cameroonian composer, guitarist, bandleader and producer whose work bridges African rhythmic memory with an adventurous electric language. Raised across Gabon, Nigeria and Côte d’Ivoire before settling in the UK as a teenager, and trained at the National Institute of Arts in Abidjan, he developed a musical identity shaped equally by West and Central African traditions, rock guitar culture and forward-looking studio experimentation. As the creator of the Afrolectric sound, Biyong has built a catalogue that stretches from the early Massak records to recent releases such as Moonwatching 2, Radio Masoda and Struggle 4 Money. His artistic profile combines the historical awareness of an archivist, the instinct of a groove architect and the appetite of a sonic explorer. The result is music that can sound ceremonial, urban, psychedelic and political at once, while remaining unmistakably African in pulse and perspective.

Details

Franck Biyong stands out for the way he treats the electric guitar as both lead voice and textural engine. His writing often connects African rhythmic structures to rock tension, jazz openness and cinematic arrangement. Across albums, singles and collaborative projects, he has built a language that is as concerned with memory and lineage as it is with modernity, distortion and motion. That balance makes him a compelling proposition for festivals, theatres, listening venues and editorial platforms looking for an African artist with a clear signature rather than a generic crossover profile.

“The way Franck Biyong composes is unlike any other musician you will find.”
(Sinusoidal Music, review of Moonwatching 2*, 2023-12-19)*

Releases

Albums 2006 — Realms of Atlantis
2007 — Haiti Market
2008 — Spirits into Sounds
2009 — Rhythms of Our Memory
2010 — Visions of Kamerun
2010 — Voodoolectric Ground
2011 — Jazz & Africa: Knowledge Identity Reconstruction
2011 — Meeting the Basic Needs of the People
2012 — Ki I Ye Yi
2015 — Moonwatching
2017 — Afro Bikutsi Live!
2018 — Evening Prayer
2019 — The Lamp, Light and Eye of God
2019 — Afro Galactic Spaceway
2019 — Ibolo Ini (with Lipombe Jazz)
2021 — Celestial Navigation Suite
2021 — The Afrovision Secret
2022 — Kunde
2023 — Moonwatching 2
2024 — Radio Masoda

EPs and singles 2011 — Power of Brain
2012 — C.F.A Music
2012 — 21.12.2012 (Truth or Lies?)
2015 — I.T.T. (International Thief Thief)
2015 — End of the Road
2015 — Liyomba Church
2020 — Trouble
2023 — Silence Is Music (with Florie Namir)
2024 — Oladipo (feat. Chief Udoh Essiet & Tony Allen)
2024 — Lipanda (feat. Mary May)
2024 — Jela Kubwa Na Viboko (feat. Aint4perfect) [Aint4Perfect Remix]
2024 — Radio Masoda (Remixed)
2025 — Struggle 4 Money

Citations

“We are delighted to be presenting ‘Radio Masoda’, the brilliant new album by the Cameroonian master musician and composer Franck Biyong.”
Tangential Music press text, mirrored on EthnoCloud
2024-06-22
https://ethnocloud.com/Franck_Biyong/?blog=2256

“Franck Biyong’s album, Radio Masoda is a remarkable tribute to the classic era of African music.”
Tyler Bennet, World Music Central
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

“The way Franck Biyong composes is unlike any other musician you will find.”
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

“Now delving into the world of electronic rock with a definitive African flavour, Franck’s spectacular electric guitar riffs and modern sound mean he’s certainly one to keep an eye on.”
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

“But most of the album is upbeat and ‘Diamane Abele’ is another dancefloor killer and ‘Elephant Rumble’ is exactly what it says on the tin.”
Gerry Hectic, You and the Music
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Reviews

Franck Biyong: “I just want to tear down the barrier that separates African music from the mainstream”
Songlines
Daniel Brown
2024-06-13
https://www.songlines.co.uk/features/franck-biyong-i-just-want-to-tear-down-the-barrier-that-separates-african-music-from-the-mainstream

Review: Franck Biyong – Radio Masoda (Tangential Music)
You and the Music
Gerry Hectic
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Franck Biyong’s Radio Masoda – A Tribute to African Music’s Golden Era
World Music Central
Tyler Bennet
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

Review: Franck Biyong – Radio Masoda Remixed (Tangential Music)
You and the Music
Gerry Hectic
2024-10-15
https://www.youandthemusic.com/2024/10/review-franck-biyong-radio-masoda.html

Franck Biyong shows us his afroelectric mould taking shape with his album, “Moonwatching 2”
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

Cameroon guitarist releases new video
Music In Africa
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

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Line-up in the correct format (Name|Instrument in bold; collaborations in italics; no bullets; no labels such as “Collaborations:”) → Status: OK
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http://www.franckbiyong.net/


WHAT’S GOING ON

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