8
Mar, 2026
Mike Gotthard/Gergo Borlai Group

Mike Gotthard/Gergo Borlai Group | Modern Jazz Fusion (HU)

Mike Gotthard/Gergo Borlai Group

Modern Jazz Fusion | HU

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU Resident band)

Line-up

Mike Gotthard | guitar
Gergő Borlai, Mohini Dey, Jesús Molina, Scott Kinsey, Al Di Meola, Gary Willis, Hadrien Feraud, Anton Davidyants, Kornél Fekete-Kovács, Dániel Szebényi

Martin Gudics | bass
Gergő Borlai, Frank Gambale, Boca Gambale, Tom Schuman, HAUSER, Péter Ferencz, Attila Závodi, Olivér Magán, Marcell Gudics

Erik Tempfli | keyboards
Bori Hegedűs, Petra Gubik, Dániel Görögh, Frankie Látó, Gergő Szakács, Dániel Szebényi, Dávid Kovács, Peta Lukács, Sándor Zsemlye

Gergő Borlai | drums
Scott Kinsey, Gary Willis, Jimmy Haslip, Hadrien Feraud, Nathan East, Bob Mintzer, Al Di Meola, Matthew Garrison, Scott Henderson

Style

A modern fusion quartet led by guitar, where Mike Gotthard’s blues-rock phrasing meets a broader, more fluid jazz grammar. The rhythm section of Gergő Borlai and Martin Gudics drives the project toward an elastic, sharply defined groove able to absorb odd meters without losing immediacy. Erik Tempfli completes the DNA with open harmonic thinking and a contemporary timbral palette: the result is music that is sensual in attack, brutal in energy, and always melodic in design.

Profile

Mike Gotthard/Gergo Borlai Group is the most compact and readable form of Mike Gotthard’s authorial language: a project built on original compositions that move through jazz, blues, rock, and funk without treating genres as fenced territories, but rather as reservoirs of accents, timbres, and dynamics. Around Gotthard’s guitar, the band works through contrasts: tension and singability, rhythmic precision and spontaneity, electric impact and harmonic breadth. Borlai brings international-level metric drive, Gudics holds the center with a mobile, reactive bass voice, while Tempfli opens depth and color through keyboards that can be both structural and narrative. The dominant traits are energetic articulation, a modern fusion harmonic vocabulary, tight interplay, and a clear live-performance vocation: not a simple all-star vehicle, but an ensemble with its own identity, recognizable for its balance of technique, groove, and writing.

Details

Mike Gotthard
A Hungarian guitarist and composer, he forms the expressive center of the project with phrasing that blends blues lyricism, rock attack, and jazz-fusion development. Official and critical sources describe him as an author more interested in musical narrative than in technical display, with a language built on melody, groove, and reciprocal listening. Within the band, he is the main vector of aesthetic direction: themes, dynamic shifts, and formal design remain readable even when the ensemble opens into improvisation.

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.” (György Szentgallay, review of “Intellectual Brutality”, 2016-11-11)

Martin Gudics
A bassist able to move across fusion, songwriter-driven pop, smooth jazz, and high-intensity technical contexts, he brings rhythmic elasticity and structural awareness to the group. His role goes beyond support: he builds links between guitar and drums, keeps metric transitions fluid, and strengthens the groove element without weighing down the texture. Within the band’s DNA, he represents the pole of balance: precise, but always in service of collective musical unity.

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.” (JazzMa.hu, presentation of “BVDA”, 2024-04-17)

Erik Tempfli
A pianist, keyboardist, and Artisjus Award-winning composer, he brings broad harmonic thinking and a timbral awareness that avoids both mere filling and decorative virtuosity. His parts help define the group’s breathing space: pads, organ colors, electric piano textures, and modern comping become tools of architecture rather than simple color. He is the member who most clearly expands the quartet’s tonal horizon and reinforces its melodic-contemporary side.

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.” (JazzMa.hu editorial, 2020-12-12)

Gergő Borlai
An internationally established drummer and composer, Borlai acts as an identity accelerator for the project: rhythmic precision, dynamic control, advanced fusion vocabulary, and the ability to make even the most complex metric turns feel organic. His presence transforms the ensemble from an author-led group into a band with strong performance traction. In the group’s DNA he carries weight both as rhythmic engine and as a marker of prestige: his signature is recognizable in the energy, the clarity of pulse, and the dramatic handling of climaxes.

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.” (Drumeo, 2022-08-19)

 

Biography

Mike Gotthard is a Hungarian guitarist and composer whose work bridges blues phrasing, modern fusion, and a strong live-performance instinct. Gergő Borlai, with an international career spanning hundreds of recordings and top-tier collaborations, brings world-class rhythmic identity and prestige to the ensemble. Together with Martin Gudics and Erik Tempfli, the group delivers a modern jazz fusion format built on compositional clarity, high-impact groove, and advanced interplay.

Discography

Mike Gotthard
Intellectual Brutality — album — 2016
9 Wheels — single — 2021
Flotation — single — 2024
The Electric Shock Live Session — EP — 2025
The Group Live Session — single — 2026
Sensual Brutality — album — 2026
LesMi — single — 2026

Martin Gudics
Ups & Down — album with Peet Project — 2020
Sweet Lemon — album with Peet Project — 2022
Global Warning — Oliver Zisko album featuring Martin Gudics — 2022
Hard to Say Goodbye — single with Dániel Szebényi and Gudics Twins — 2023
Sensual Brutality — album with Mike Gotthard/Gergő Borlai — 2026
LesMi — single with Mike Gotthard/Gergő Borlai — 2026

Erik Tempfli
Altató — song performed at A Dal with Bori Hegedűs — 2021
Anya — single with Bori Hegedűs — 2022
Unalmas felnőtt — single with Bori Hegedűs and Johanna Lengyel — 2022
ReStar — album with Kodály Spicy Jazz — 2025
Sensual Brutality live set with Mike Gotthard Group — repertory documented from 2024 to 2026

Gergő Borlai
17 — album — 1998
Sausage — album — 2004
M.M.M. — album — 2010
ARC Trio — album — 2018
The Missing Song — album — 2020
Burger Joint on Oxnard Street — single — 2023
Monster Pop — single — 2023
A New Normal — single — 2025
Sensual Brutality — album with Mike Gotthard — 2026
LesMi — single with Mike Gotthard — 2026

Quotes

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.”
György Szentgallay | JazzMa.hu | 2016-11-11

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.”
JazzMa.hu editorial | 2020-12-12

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.”
JazzMa.hu editorial | 2024-04-17

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.”
Drumeo | 2022-08-19

Reviews

Gotthárd Mihály: Intellectual Brutality / JazzMa.hu / György Szentgallay / 2016-11-11

Katartikus elektrosokk Solymáron / JazzMa.hu / Géza Barcsik / 2020-09-15

‘I meet new inspirations almost every day’ / Secret Eclectic / 2021-03-16

Lamantin Jazz Fesztivál szerda / JazzMa.hu / László Czika / 2025-07-04

WHATS GOING ON

7
Mar, 2026
Davide Pannozzo ft. Etienne Stadwijk & Steve Ferrone

DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)

DAVIDE PANNOZZO Trio

ft.

ETIENNE STADWIJK & STEVE FERRONE

Soul-Funk Blues Fusion | USA

AVAILABILITY FOR EUROPE

2026 | October 15th to 27th

DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3 DAVIDE PANNOZZO Trio ft. ETIENNE STADWIJK & STEVE FERRONE | Soul-Funk Blues Fusion (USA)
DavidePannozzo3
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Line-up

Davide Pannozzo | Guitar, vocals
George Benson, Steve Jordan, Will Lee, David Garfield, Phil Palmer, Matt Schofield, Oz Noy, Robben Ford

Etienne Stadwijk | Piano, keyboards, synth bass
Paul Simon, Maxwell, Marcus Miller, Richard Bona, Nona Hendryx, Harry Belafonte

Steve Ferrone | Drums
Tom Petty and the Heartbreakers, Average White Band, Eric Clapton, Duran Duran, George Harrison, Chaka Khan, Michael Jackson

Style

Contemporary blues wired into funk and jazz, with modern arrangements and a true stage-first drive. An iconic rhythm engine and a keyboard chair that can become bass: a trio that sounds like a full band. Set for October 2026, the music moves between wide grooves, singable themes, and high-intensity improvisation without losing song focus.

Profile

Davide Pannozzo leads an essential yet ambitious trio: guitar and vocals up front, with an expanded sound built on the idea of orchestrating every tune. The palette is modern blues, shot through with fusion accents and a decisive funk pulse; improvisation never becomes an end in itself, but stays narrative, shaping dynamics, timbre, and forward motion. Etienne Stadwijk works in textures and counterlines, switching between piano and keyboards while deploying a deep synth bass that redraws the balance of the band: the bass role turns mobile, harmonic, and rhythmic all at once. Steve Ferrone brings the authority of decades at the top of international rock and R&B: timing, weight, and space, with an elasticity that keeps the trio tight and always breathing. The result is high-voltage music rooted in tradition and designed for the present.

Details

Davide Pannozzo | Guitar, vocals
Classical training with an electric identity: a singing phrasing, controlled attack, and a vocabulary that crosses modern blues with jazz sensibility. In original material he favors clear themes and open-ended codas, letting the solo become a second verse. In trio format, the guitar carries melody and harmony without losing rhythmic weight.

“Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” (Will Lee, GUITARlab Blog, 2018-12-04)

Etienne Stadwijk | Piano, keyboards, synth bass
Pianist and keyboardist with Surinamese roots, Berklee training, and a New York base. His signature is the balance between European voicings, world colors, and an R&B-born sense of pocket. In this project he is also the harmonic bass, shaping synth-bass lines that give body and direction to the groove.

“The band was very tight, with really successful solos… (including Stadwijk’s).” (Maciek Pysz, London Jazz News, 2013-10-08)

Steve Ferrone | Drums
A benchmark for solidity and musicality: heavy hits when needed, but above all control of dynamics. His drumming connects rock, funk, and pop through a precise idea of space, letting the song breathe. In trio, he is the engine that makes every density shift feel inevitable, from raw blues to wide-open fusion.

“Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” (Joe Bosso, MusicRadar, 2010-08-26)

 

Biography

Davide Pannozzo is an Italian guitarist, singer-songwriter, producer, and educator whose work connects blues roots, soul dynamics, and jazz-informed phrasing. Based between Europe and the United States, he has collaborated with players such as Steve Ferrone, Will Lee, Oz Noy, and David Garfield, building a profile that combines songwriter instinct, groove awareness, and a modern electric guitar voice designed for both records and the stage.

Discography

Davide Pannozzo
Albums/EPs: Born Electric; A Portrait of Jimi Hendrix; Unconditional Love; Room for Joy. Singles: Be Blessed; Keep On Loving You; Love Is a Simple Thing; Without You, Once Again; St. Louis Blues; Imagine; Plug It In; Leroy’s Blues; The Thrill Is Gone; Christmas In New York.

Etienne Stadwijk
Albums/EPs: Lagos Pepper Soup; To Love Again -…; Olatuja; Waltz for Eli. Singles: Then Why?!; Wig Glue.

Steve Ferrone
Albums/EPs: It Up: Steve Ferrone and Friends Live at La Ve Lee; More Head (Steve Ferrone’s Farm Fur); Steve Ferrone & Friends Live; Steve Ferrone & Friends Mo’Live.

Quotes

  • “Today there are very few artists who can inspire and be full of ideas: Davide Pannozzo is one of them. From the first listen you know something special is happening…” Will Lee, GUITARlab Blog, 2018-12-04
  • “If you like Eric Johnson, Robben Ford, Carl Verheyen, Jeff Beck and Eric Clapton, then this album and this cool cat are definitely for you.” Simon Redley, Music Republic Magazine, 2017-10-19
  • “Over the past four decades, Ferrone’s taste, timing and impeccable groove have served him extremely well…” Joe Bosso, MusicRadar, 2010-08-26
  • “The band was very tight, with really successful solos… (including Stadwijk’s).” Maciek Pysz, London Jazz News, 2013-10-08
  • “Keyboardist and producer Etienne Stadwijk has released a powerful and moving track…” A.A. Cristi, BroadwayWorld, 2020-06-22
  • “An outstanding album, Steve Ferrone & Friends Live…” Planet Drum, 2014-09-16

Reviews

  • Davide Pannozzo & Loud Stuff – Born Electric – Bman’s Blues Report – 2012-04-18 – https://bmansbluesreport.com/2012/04/18/davide-pannozzo-loud-stuff-born-electric-new-release-review/
  • Davide Pannozzo – Unconditional Love – Music Republic Magazine | Simon Redley – 2017-10-19 – https://musicrepublicmagazine.com/2017/10/davide-pannozzo-unconditional-love-unconditional-love-global-publishing-19th-october-2017/
  • Celebrated guitarist Davide Pannozzo releases new single Be Blessed – Rock and Blues Muse – 2022-07-07 – https://www.rockandbluesmuse.com/2022/07/07/celebrated-guitarist-davide-pannozzo-releases-new-single-be-blessed/
  • Review: Richard Bona at Pizza Express – London Jazz News | Maciek Pysz – 2013-10-08 – https://londonjazznews.com/2013/10/08/review-richard-bona-at-pizza-expres/
  • Multi-Instrumentalist and Producer Etienne Stadwijk Releases a Powerful Response to the Current Social Climate – BroadwayWorld | A.A. Cristi – 2020-06-22 – https://www.broadwayworld.com/article/Multi-Instrumentalist-and-Producer-Etienne-Stadwijk-Releases-a-Powerful-Response-to-the-Current-Social-Climate-20200622
  • Tom Petty drummer Steve Ferrone talks groove, Charlie Watts and more – MusicRadar | Joe Bosso – 2010-08-26 – https://www.musicradar.com/news/drums/tom-petty-drummer-steve-ferrone-talks-groove-charlie-watts-and-more-289800
  • Steve Ferrone and Friends Live with Tracktion 5 – Planet Drum – 2014-09-16 – https://www.planet-drum.com/steve-ferrone-and-friends-live-with-tracktion-5/

BOOKING REQUEST

22
Jan, 2026
Dany Noel Cuban Collective — Detalles | Cuban Jazz / Latin Jazz (CU/ES)

Dany Noel Cuban Collective — Detalles | Cuban Jazz / Latin Jazz (CU/ES)

Dany Noel Cuban Collective

Cuban Jazz / Latin Jazz (CU/ES)

 AVAILABILITY FOR EUROPE
2026 | July / August / September

Style

A journey of fusion from the heart of Cuban Latin Jazz: Afro-Cuban pulse, modern harmony and funk propulsion—DETALLES turns micro-textures into big emotion, on record and on stage.

Profile

Recognized as one of the most versatile and expressive bassists on the international scene, Dany Noel is a key figure in the evolution of contemporary Latin Jazz. Originally from Cuba, he is a bassist and composer who has found his voice within the vibrant world of Latin Jazz. With a strong background in both traditional Cuban music and contemporary jazz, he has been part of major ensembles both on the island and internationally.

He stands out for his virtuosity, rhythmic sensitivity, and his ability to craft a unique musical language—one where Afro-Cuban roots meet jazz, flamenco, funk, and wider world-music colours. In his latest project, DETALLES, Dany Noel offers a sonic fusion that transcends genres, blending Latin Jazz with Afro-Cuban elements and funk. This work highlights not only his prowess as a bassist but also his vision as a producer and architect of a contemporary proposal full of nuance, colour, and emotion.

DETALLES is an invitation to listen beyond the obvious: to dive into the textures of rhythm and harmony, and to rediscover the richness of Cuban music from a modern, global perspective. More than just an album, it is a musical statement where technical precision meets heartfelt emotion. Each piece is carefully crafted to showcase the beauty of the small, the intimate, the essential. Dany Noel leads from the bass with elegance—also with his voice—and with the rhythmic drive that defines his signature.

Originally conceived as a trio recording, the project explores subtleties of rhythm and melody with a modern, minimalist aesthetic. In its live version, DETALLES evolves into something bigger: a vibrant collective experience with a full band of eight musicians on stage. With the expanded line-up, the music becomes a thrilling performance—where improvisation, polyrhythms and the energy of live interplay connect the audience to the pure essence of contemporary Latin fusion.

Details

DETALLES blends Latin Jazz with Afro-Cuban elements and funk, balancing technical precision with a direct emotional narrative.

Studio-born as a trio-minded concept with a modern, minimalist aesthetic, the repertoire expands live into a full-band set that amplifies energy, polyrhythm and real-time interaction.

The live format features bass and voice at the centre, surrounded by piano, electric guitar, trumpet, drums, percussion and two backing vocalists—built for call-and-response, groove development and open improvisation.

(“Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02)

Line-up

Dany Noel | Bass & Voice
Cuban-born bassist/composer; bass-led writing, vocal phrasing and Afro-Cuban rhythmic drive at the core of the project.

Adrián Esteves | Piano
Modern voicings and montuno-derived comping; harmonic colour and rhythmic propulsion.

Dani Morales | Drums
Drum-set architecture that shifts between tight funk articulation and open Latin-jazz swing.

Haime Vázquez | Congas
Afro-Cuban percussion layers, tumbao-support and conversational accents with the drum set.

Raúl Venegas | Guitar
Electric-guitar colours: rhythmic hooks, counterlines, and textural support for the melodic writing.

Julio Rigal | Trumpet
Brass lead voice: melodic statements, bright call-and-response and improvisational lift.

Agnese | Backing Vocals
Vocal textures and rhythmic unisons; expands the chorus dimension of the live set.

Elizabeth | Backing Vocals
Backing-vocal power and phrasing; reinforces the groove and opens timbral contrast in the arrangements.

Discography Highlights

DETALLES (album, 2024)

Intercambio (album, 2022)

Haciendo Camino (album, 2020)

Por la Habana (album, 2017)

Tinta Unida (album, 2013)

CONFIDENCE (album, 2013 — with Dario Chiazzolino)

Proposición (album, 2011)

Dime Si Tú Sabes (album, 2006 — as Duo Chocolate)

Mi Sentir (album, 2007)

QUOTES

  1. “Noel was ripping through a fast solo while simultaneously vocalising it.” — Sebastian Scotney, London Jazz News, 2016-10-02

  2. (Translation) “The bottom-end of things is held firm by the superb rumbling of Dany Noel’s bass lines.” — Raul Da Gama, Latin Jazz Network, 2020-12-10

  3. “The accompaniment … is punchy and crisp on a wide soundstage …” — Peghead Nation (review), 2020-09-12

  4. (Translation) “I started playing at the age of 10… and I don’t think I’ll ever stop as long as I have the strength.” — Dany Noel (quoted), Laura Lipari, LetteraEmme, 2022-05-18

  5. (Translation) “Dany Noel Cuban project — Detalles …” — WhatsApp message (provided by user), 2026-01-21

REVIEWS / ARTICLES

REVIEW: Alex Wilson and Friends at the 2016 London Latin Jazz Festival — London Jazz News — Sebastian Scotney — 2016-10-02

David Broza: en Casa Limón — Latin Jazz Network — Raul Da Gama — 2020-12-10

David Broza Celebrates the Spanish Guitar — Peghead Nation — 2020-09-12

Article: Dany Noel presents “Intercambio” at Retronoveau (Thursday jazz night) — LetteraEmme — Laura Lipari — 2022-05-18

Article: Dany Noel Confluence Trio at “Il Torrione” (Oct 21) — Informagiovani Ferrara — 2023-10-19

City programme announcement: “Madrid, a Christmas postcard” fills the city with music… — madrid.es — 2025-11-21

City programme announcement: Madrid lives a Christmas full of music and tradition — madrid.es — 2025-12-12

Track page: “Briga · Dany Noel (Detalles)” — YouTube (Provided to YouTube by CDBaby) — 2024-04-08

Internal / provided material: “EN — Dany Noel Band — Detalles” (PDF, undated)

BOOKING REQUEST
31
Dec, 2023
Electric Lady Tereza Rais

ELECTRIC LADY | Rock (CZ)

ELECTRIC LADY | Rock (CZ)
Guitar shredder and singer

AVAILABILITY FOR EUROPE
2026 | Upon request (EU resident band)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY_logoleft
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Line-up

Tereza Rays | Guitar, voice

Kenney Jones, Paul Bond, Nigel Lowis, Ivan Král, Kirk Covington, Rytmus

Cayman | Bass

Canaima, Lucie “Vigly” Jeníčková, Jan “Nedy” Nedoma, Richard “Rítcha” Karel, Marcel “Marco” Kříž

Robin Evans | Drums

PROSE (UK), Kyle Francis Falc, Neeve Zahra, Twelve24, Blinding Talent

Style

Riff-first rock trio built for the stage: short-fuse energy, big hooks, no filler. Blues-rock grit with arena-ready choruses, Hendrix-era swagger, and modern punch. A locked rhythm engine under a frontwoman who writes, arranges, and drives the narrative.

Profile

Electric Lady are a lean, high-voltage trio fronted by guitarist–vocalist and songwriter Tereza Rays. Their sound sits where blues-rock muscle meets modern hard-rock immediacy: tight, riff-driven verses that open into melodic choruses built to travel. The band’s DNA is all about articulation and impact—crisp guitar attack, a bass line that stays warm and physical, and drums that hit with straight-ahead authority while leaving space for vocal phrasing.

On record and on stage, Electric Lady move like a single unit: the rhythm section locks into a punchy pocket, while the guitar alternates between dirty groove and bright, singing leads. References to classic rock icons are present in the tone and swagger, but the writing keeps the focus on direct storytelling and cathartic release.

Details

Tereza Rays | Guitar, voice Writer-arranger at the center of the project, shaping songs around riff clarity and vocal urgency. A blues-rock foundation with a modern, radio-ready sense of structure and hook placement. Known for an assertive stage presence where lead lines stay melodic even at full distortion. Recent studio and live work connects her to high-profile UK production and legacy-rock circles. “Vocalist and guitarist Tereza Rays is a tour de force… Her vocals soared and dipped with effortless control.” (Sara Harding, MetalTalk, 2025-09-11)

Cayman | Bass A bassist who prioritizes weight and glue: round low-end, steady drive, and quick dynamic shifts. Brings a band-player mindset—supporting riffs, reinforcing choruses, and tightening transitions. Comfortable in power-trio arrangements where every note has to hold the room. A background in rock projects beyond Electric Lady feeds a grounded, performance-forward feel. “Cayman on bass and Robin Evans on drums match Tereza’s energy and power… share the same undeniable love for creating music.” (Mariam Atef, Rock Era Magazine, 2025-07-13)

Robin Evans | Drums A drummer built for forward motion: firm backbeat, confident accents, and clean, driving fills. Keeps the groove anchored while staying responsive to vocal phrasing and guitar pushes. Balances punch with economy—no excess, just momentum and control. Active across multiple UK rock contexts, bringing a seasoned live sensibility to the trio. “Riffs blasted through this venue, while Evans and Cayman locked into the groove.” (Sara Harding, MetalTalk, 2025-09-11)

Discography

Tereza Rays Storm (single/EP, 2013) Electrical (album, 2015) Wicked (EP, 2018) Trilogy (project, 2020–2021): Rebelia, Politica, Influenza (singles) Stand Up (single, 2022) I’m Done (I’ve Had Enough) (single, 2025-06-27) One Way Ticket (single, 2025-07-25) I Must Let You Go (single, 2025-09-12)

Cayman Go Down The Way (Canaima, album, 2011-05-01) Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

Robin Evans Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

 

Members Quotes

Tereza Rays

  • “Vocalist and guitarist Tereza Rays is a tour de force.” — Sara Harding, MetalTalk, 2025‑09‑11.
  • “A rousing rock energy dazzles… Tereza Rays’ vocals stir with a dynamic appeal.” — Mike Mineo, Obscure Sound, 2025‑08‑07.
  • “A middle finger in the air… a reminder of why rock and roll will never die.” — Natalie Patrick, EARMILK, 2025‑07‑11.
  • “With ‘I’m Done’, she doesn’t just perform the song—she lives it.” — Music‑News (Underground), 2025‑08‑08.

Robin Evans

  • “…propelled by Robin Evans’ relentless drumming…” — LOCK Magazine, 2025‑07‑07.
  • “Cayman on Bass and Robin Evans on Drums match Tereza’s energy and power.” — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Cayman

  • “…and Cayman’s grumbling bass lines.” — LOCK Magazine, 2025‑07‑07.
  • “Cayman on Bass… match[es] Tereza’s energy and power.” — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Reviews & Interviews

• “Electric Lady, Dylan Gers & Bitchin’ Hour — A Tantalising Triple At The Black Heart” • MetalTalk • Sara Harding • 2025‑09‑11

https://www.metaltalk.net/gig-review-electric-lady-dylan-gers-and-bitchin-hour-a-tantalising-triple-at-the-black-heart.php

• “Five Artists You Need to Hear” • Rolling Stone UK • Alex Ford • 2025‑07‑29

https://www.rollingstone.co.uk/culture/five-new-artists-to-watch-52472/

• “Electric Lady return with their explosive new single ‘I’m Done (I’ve Had Enough)’” • LOCK Magazine • Lock Editor • 2025‑07‑07

https://www.lockmag.co.uk/electric-lady-return-with-their-explosive-new-single-im-done-ive-had-enough/

• “Electric Lady Drops Fiery New Single ‘I’m Done (I’ve Had Enough)’” • TotalNtertainment • Jo Forrest • 2025‑07‑07

https://www.totalntertainment.com/music/electric-lady-drops-fiery-new-single-im-done-ive-had-enough/
• “Electric Lady shares a uprising with ‘I’m Done (I’ve Had Enough)’” • EARMILK • Natalie Patrick • 2025‑07‑11

https://earmilk.com/2025/07/11/electric-lady-shares-a-uprising-with-im-done-ive-had-enough/

• “Electric Lady — ‘I’m Done (I’ve Had Enough)’” • Obscure Sound • Mike Mineo • 2025‑08‑07

https://www.obscuresound.com/2025/08/electric-lady-im-done-ive-had-enough/

• “Electric Lady drops fiery new single ‘I’m Done (I’ve Had Enough)’” • Music‑News (Underground) • Staff • 2025‑08‑08

https://www.music-news.com/news/Underground/183584/Electric-Lady-drops-fiery-new-single-I-m-Done-I-ve-Had-Enough

• “Electric Lady Reigniting Fire in the Rock N Roll Scene” • Rock Era Magazine • Mariam Atef • 2025‑07‑13

https://rockeramagazine.com/electric-lady-im-done/

• Event: Electric Lady — The Black Heart, London (hosted by Elles Bailey) • Our Black Heart (venue listing) • 2025‑09‑09

https://www.ourblackheart.com/events/2025/9/9/electric-lady

• Czech Centre Recommends: Electric Lady @ The Black Heart • Czech Centre London • 2025‑08‑12

https://london.czechcentres.cz/en/blog/2025/08/electric-lady

• Artist page / releases • Apple Music • 2025

https://music.apple.com/us/artist/electric-lady/424289152

• Single page: “I’m Done (I’ve Had Enough)” • Apple Music • 2025‑06‑27

https://music.apple.com/gb/song/im-done-ive-had-enough/1816434462

• Single upload: “One Way Ticket” (audio) • YouTube Music • 2025‑07‑25

https://www.youtube.com/watch?v=o4ROksdsClg

• Ibanez Artists: Tereza Rays • Ibanez • profile

https://www.ibanez.com/eu/artists/detail/1662.html

• Electrical (album) — release note • MusicGlue • 2015‑04‑01

https://www.musicglue.com/electric-lady/products/electrical

• Electrical (album) — Bandcamp about • Bandcamp • 2015

https://electric-lady.bandcamp.com/album/electrical

BIO

Tereza Rays (ELECTRIC LADY) is a guitarist and singer who was born in the Czech Republic on February 6, 1987 in the Czech Republic. She is the exclusive author of her compositions, lyricist and music arranger, she participates in the current production with producer Roman Rossi – manager. She recorded her debut album in Texas in 2014. Tereza is currently a corporate player of Ibanez and Blackstar, in the past she represented Fender. She has collaborated with many Czech and foreign artists.

She started playing the guitar thanks to the music of Jimi Hendrix. Tereza was born in Kladno and at the age of 15 she started playing the guitar and singing, her parents didn’t support her music much. However, Tereza went her own way and after the founding of the band Electric Lady she recorded many musical successes not only at home, but also abroad. Even this year, 2022, we announced concerts around the world, not only in the USA, but also in Poland, England, Norway, the Czech Republic and Slovakia. Tereza also performed at VIP private events in Russia, at the announcement of music awards “REALNA PREMIE”, etc.

The band was founded in 2013 with the emergence of the single “Storm”, which also reached the European MTV or Russian Music Box, where they even placed 3 clips in monthly rotations. The band plays guitar, bass, drums Tereza flew to New Orleans the same year, where she performs on the streets in small clubs for 3 months, after returning to the Czech Republic she wins the international blues competition Blues Aperitif for young talents. Subsequent years later, as a winner, she performed at Blues Alive in the Czech Republic and Poland. In 2015, she released her debut album “Electrical”, which she went on to record at the invitation of drummer Kirk Covington to the USA in Texas. She completed and released musical material in the Czech Republic and became a corporate player of the world-famous brand Fender.

In 2016, the band went on tour with the Czech popular band Mandrage and performed across Czech Republic and Slovakia. That same year, Tereza collaborated with Ivan Kral on the song “A Part Of My Heart.” That same year, the band performed in front of American bassist NIK WEST and Eric Gales.

In 2020, Electric Lady releases her largest and most expensive musical, Trilogy 2020, under the auspices of the Nemoros Agency and a collaboration with KOBALT, on which Tereza collaborated not only with English producer Nigel Lowis.In 2021, Tereza became a corporate player of the IBANEZ and BLACKSTAR brands, several concerts around the world, participation in the USA at this summit and other events in the USA are planned.

Website: https://en.electriclady.cz/

EPK: https://www.blindingtalent.com/epk/electric-lady

What’s going on: https://www.coralriff.biz/events/

4
Aug, 2023
DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & CLINT DE GANON

DAVIDE PANNOZZO TRIO | Blues/Funk/Fusion (USA)

Davide Pannozzo Trio | Fusion Jazz-Funk (USA)

AVAILABILITY FOR EUROPE
2025 | September
2026 | TBA

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & CLINT DE GANON
DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & CLINT DE GANON
Davide Pannozzo Trio Title
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Davide Pannozzo | Guitar

Danny Gottlieb, Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Mel Brown, George Benson, David Garfield, Phil Palmer, Nicola Piovani, Steve Jordan, Will Lee, Oleta Adams, Oz Noy, Shawn Pelton

Etienne Stadwijk | Piano

Louis Sclavis, Michel Portal, Tigran Hamasyan, Manu Katché, Youn Sun Nah

Clint De Ganon | Drums

Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, Lizz Wright

A visionary, modern, and emotionally charged project, the Davide Pannozzo Trio blends the language of contemporary jazz with the deep roots of soul, blues, and Afro-American tradition, delivering a sound that is both authentic and strikingly relevant.

DAVIDE PANNOZZO – Guitar and voice
A guitarist, composer, and producer based in New York City, Davide Pannozzo is widely recognized as one of the most influential voices in today’s guitar scene. His collaborations span a long list of music legends, including George Benson, David Garfield, Steve Jordan, Phil Palmer, Will Lee, Oz Noy, Nathan East, Verdine White, Mel Brown, and Oleta Adams. Pannozzo’s refined technique and soulful touch allow him to effortlessly bridge jazz, blues, fusion, and classical influences, forging a unique and immediately recognizable guitar language.

ETIENNE STADWIJK – Piano
A Dutch pianist and keyboardist with Surinamese roots, Etienne Stadwijk is a prominent name on the international scene. Having performed and recorded with Michel Portal, Louis Sclavis, Tigran Hamasyan, Manu Katché, and Youn Sun Nah, he brings to the trio a lyrical, wide-ranging approach that draws from European jazz, world music, and electronic influences. His elegant phrasing and melodic sensitivity offer the perfect counterpoint to Pannozzo’s guitar, creating a musical dialogue rich in nuance.

Link on Discogs: https://www.discogs.com/it/artist/395683-Etienne-Stadwijk

CLINT DE GANON – Drums
A world-class drummer, Clint De Ganon has worked with icons such as Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, and Lizz Wright. His mastery of groove and his ability to support with finesse or burst into virtuosic energy make him essential to the rhythmic balance of the trio. His playing is tight, inventive, and the beating heart of this project.

Link on Discogs: https://www.discogs.com/it/artist/319912-Clint-De-Ganon

DISCOGRAPHY AND RELEASES
Davide Pannozzo has released a number of critically acclaimed albums, earning praise from international media and radio airplay across Europe and the United States. Notable works include “Born Electric” (2017), recorded in New York with Will Lee, Steve Jordan, and David Garfield, and “Unconditional Love” (2019), an album that seamlessly blends jazz-blues tradition with modern textures, recorded between Italy and the USA. His EP “Blessed” (2021) further defined his artistic identity with standout tracks like “One Heart,” “Talk To Me,” and “Fallin’,” highlighting his talent as a songwriter who fuses technical brilliance with emotional depth. His releases are available on all major digital platforms, and many of his compositions have become staples for new-generation guitarists and instrumental music enthusiasts. With sophisticated arrangements, deep harmonic exploration, and lyrics that touch on universal themes, Pannozzo’s work is a powerful mix of authenticity and innovation.

A DISTINCTIVE ARTISTIC VISION
The Davide Pannozzo Trio stands out for its original repertoire, drawing from the guitarist’s own compositions as well as reimagined classics from the Afro-American tradition. Each performance is a sonic journey combining jazz improvisation, musical storytelling, and refined interplay.

This project marks a new chapter in Pannozzo’s career—one that embraces mature and conscious writing while balancing accessibility and research, emotion and experimentation. The result is music that speaks to all audiences: profound, engaging, elegant, and alive.

ROOTED IN GREATNESS
The trio’s sound is deeply informed by the personal and artistic history of its members. Pannozzo’s long-standing relationships with artists like Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Steve Jordan, and George Benson, as well as his immersion in New York’s high-level music production scene, give the trio a signature touch shaped by direct exposure to some of the world’s most important musicians.

IMPROVISATION, RESEARCH, EMOTION
Live performances are where the trio’s music truly comes to life. No concert is ever the same. Every show is a unique event shaped by real-time interaction among musicians, the acoustics of the venue, and the energy of the audience. The setlist evolves through original pieces, open improvisation, and moments of high emotional intensity.

Pannozzo’s playing merges seamlessly with that of his bandmates in a continuous flow that shifts between introspective ballads, tight grooves, meditative spaces, and collective virtuosity.

A TRIO FOR FESTIVALS, CLUBS, AND GLOBAL STAGES
With its formal elegance, communicative strength, and emotional charge, the Davide Pannozzo Trio is ideally suited for leading stages in today’s international jazz and world music scenes. It’s a project designed for theatres, major festivals, sophisticated jazz clubs, and all venues seeking powerful, heartfelt, and authentic music.

13
Jan, 2022
Fanck Biyong

Franck Biyong | Afrobeat/Electronic/Jazz/Rock

FRANCK BIYONG

Afrobeat, Electronic, Jazz, Rock

AVAILABILITY FOR EUROPE

2026-2027 | April 1st, 2026 to December 31st, 2027

Fanck Biyong
Fanck Biyong
FranckBiyong1
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Franck Biyong is available with two different amazing projects:
Franck Biyong & Lipombe Jazz (Afrobeat-AfroJazz) and Afrobrainz (Electronic-Funk-Rock)

LIPOMBE JAZZ (Afrobeat-AfroJazz)

Lipombe Jazz is the more organic, Afro-jazz oriented branch of Franck Biyong’s creative universe: a project built around African groove, ensemble writing and a strong narrative impulse. Conceived as a meeting point between Afrobeat, Afro-jazz and Cameroonian musical memory, it develops a warm, ritualistic and cinematic sound, blending tradition with a contemporary outlook. On Ibolo Ini, that identity comes into focus through layered rhythm, rich timbral depth and a distinctly pan-African sense of motion.

AFROBRAINZ (Electronic-Funk-Rock)

Afrobrainz is Franck Biyong’s alternative Afro-electro-rock project, where electronic funk, guitar-driven rock energy and African rhythmic language meet in a consciously crossover form. Built within his broader Afrolectric vision, the project pushes toward a sharper, more urban and more amplified sound, combining groove, distortion, hooks and pan-African pulse. Afrobrainz presents Biyong in his most electric mode: forward-looking, rhythmically charged and designed to connect club energy with live-band intensity.

ABOUT

Franck Biyong’s solo project turns Afrobeat lineage, Afro-rock guitar language and futurist production into one highly individual signature. It moves between makossa pulse, electric funk, psychedelic rock and jazz-minded arrangement without losing dance-floor intent. The result is Afrolectric: historically rooted, rhythm-forward and sonically restless.

Profile

Franck Biyong is a Cameroonian composer, guitarist, bandleader and producer whose work bridges African rhythmic memory with an adventurous electric language. Raised across Gabon, Nigeria and Côte d’Ivoire before settling in the UK as a teenager, and trained at the National Institute of Arts in Abidjan, he developed a musical identity shaped equally by West and Central African traditions, rock guitar culture and forward-looking studio experimentation. As the creator of the Afrolectric sound, Biyong has built a catalogue that stretches from the early Massak records to recent releases such as Moonwatching 2, Radio Masoda and Struggle 4 Money. His artistic profile combines the historical awareness of an archivist, the instinct of a groove architect and the appetite of a sonic explorer. The result is music that can sound ceremonial, urban, psychedelic and political at once, while remaining unmistakably African in pulse and perspective.

Details

Franck Biyong stands out for the way he treats the electric guitar as both lead voice and textural engine. His writing often connects African rhythmic structures to rock tension, jazz openness and cinematic arrangement. Across albums, singles and collaborative projects, he has built a language that is as concerned with memory and lineage as it is with modernity, distortion and motion. That balance makes him a compelling proposition for festivals, theatres, listening venues and editorial platforms looking for an African artist with a clear signature rather than a generic crossover profile.

“The way Franck Biyong composes is unlike any other musician you will find.”
(Sinusoidal Music, review of Moonwatching 2*, 2023-12-19)*

Releases

Albums 2006 — Realms of Atlantis
2007 — Haiti Market
2008 — Spirits into Sounds
2009 — Rhythms of Our Memory
2010 — Visions of Kamerun
2010 — Voodoolectric Ground
2011 — Jazz & Africa: Knowledge Identity Reconstruction
2011 — Meeting the Basic Needs of the People
2012 — Ki I Ye Yi
2015 — Moonwatching
2017 — Afro Bikutsi Live!
2018 — Evening Prayer
2019 — The Lamp, Light and Eye of God
2019 — Afro Galactic Spaceway
2019 — Ibolo Ini (with Lipombe Jazz)
2021 — Celestial Navigation Suite
2021 — The Afrovision Secret
2022 — Kunde
2023 — Moonwatching 2
2024 — Radio Masoda

EPs and singles 2011 — Power of Brain
2012 — C.F.A Music
2012 — 21.12.2012 (Truth or Lies?)
2015 — I.T.T. (International Thief Thief)
2015 — End of the Road
2015 — Liyomba Church
2020 — Trouble
2023 — Silence Is Music (with Florie Namir)
2024 — Oladipo (feat. Chief Udoh Essiet & Tony Allen)
2024 — Lipanda (feat. Mary May)
2024 — Jela Kubwa Na Viboko (feat. Aint4perfect) [Aint4Perfect Remix]
2024 — Radio Masoda (Remixed)
2025 — Struggle 4 Money

Citations

“We are delighted to be presenting ‘Radio Masoda’, the brilliant new album by the Cameroonian master musician and composer Franck Biyong.”
Tangential Music press text, mirrored on EthnoCloud
2024-06-22
https://ethnocloud.com/Franck_Biyong/?blog=2256

“Franck Biyong’s album, Radio Masoda is a remarkable tribute to the classic era of African music.”
Tyler Bennet, World Music Central
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

“The way Franck Biyong composes is unlike any other musician you will find.”
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

“Now delving into the world of electronic rock with a definitive African flavour, Franck’s spectacular electric guitar riffs and modern sound mean he’s certainly one to keep an eye on.”
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

“But most of the album is upbeat and ‘Diamane Abele’ is another dancefloor killer and ‘Elephant Rumble’ is exactly what it says on the tin.”
Gerry Hectic, You and the Music
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Reviews

Franck Biyong: “I just want to tear down the barrier that separates African music from the mainstream”
Songlines
Daniel Brown
2024-06-13
https://www.songlines.co.uk/features/franck-biyong-i-just-want-to-tear-down-the-barrier-that-separates-african-music-from-the-mainstream

Review: Franck Biyong – Radio Masoda (Tangential Music)
You and the Music
Gerry Hectic
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Franck Biyong’s Radio Masoda – A Tribute to African Music’s Golden Era
World Music Central
Tyler Bennet
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

Review: Franck Biyong – Radio Masoda Remixed (Tangential Music)
You and the Music
Gerry Hectic
2024-10-15
https://www.youandthemusic.com/2024/10/review-franck-biyong-radio-masoda.html

Franck Biyong shows us his afroelectric mould taking shape with his album, “Moonwatching 2”
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

Cameroon guitarist releases new video
Music In Africa
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

Check

Canvas delivered (combined profile, citations, reviews) → Status: OK
No placeholders (TBD, PCH, “Member 2”, etc.) → Status: OK
Section titles in H4, 1–2 words, without numbers and without parentheses → Status: OK
Line-up in the correct format (Name|Instrument in bold; collaborations in italics; no bullets; no labels such as “Collaborations:”) → Status: OK
Single, coherent language throughout → Status: OK
No links inside the Project Profile body → Status: OK
Citations/reviews with dates in YYYY-MM-DD format where available → Status: OK
Final Sources box present separately → Status: OK

http://www.franckbiyong.net/

WHAT’S GOING ON

https://www.coralriff.biz/events/

BOOKING REQUEST

30
Oct, 2021
Max The Sax - Funky, Electrionic (AT)

Max The Sax | Funky, Electronic (AT)

Max The Sax | Funky, Electronic (AT)

Max The Sax | Funky, Electronic (AT)
Max The Sax | Funky, Electronic (AT)
Max The Sax | Funky, Electronic (AT)
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MAX THE SAX – who rose to fame as the former sax player of the Parov Stelar Band – is taking the club scene by storm with his new and fresh solo project: a funky saxophone, drums and the extra portion of electronic beats.
December 18th 1985, Markus Ecklmayr was born to take the stage and face the crowds all around the world by blowing generously in his golden saxophone. He started to practice at the age of 11 years and studied at the Anton Bruckner University in Linz.

MAX THE SAX presents himself now afresh with his very best own material. He is a person full of power, energy and love for what he does. And this infects the crowds and his thousands of fans and followers around the world. He sets himself apart with his unique saxophone improvisations and explosive shows, which transport his authenticity and genuine passion across well beyond the stage.

CAREER

Max The Sax was born as a child of a family of musicians; his father is a tubist and electric bassist, his older brother drummer, who studied music in Vienna, In the family music has been played almost every day, stylistically between big band – and Funk a la Tower of Power, At 17, he became a member of the band “Soulpower”.

While studying at the Anton Bruckner Private University in Linz, Harry Sokal and Florian Bramböck, who plays for many years in the Vienna Art Orchestra, provided him with the necessary tools. His role models ranged from Ray Charles and James Brown to Bruno Mars, dr. Dre and Mr. Scruff; saxophonists like Cannonball Adderley, John Coltrane, Charlie Parker, Hank Mobley, Maceo Parker and Michael Brecker influenced him, Through the encounter with drummer Hans Jürgen Bart Ecklmayr came to the funk formation “Düsenfried and the Stuffgivers”. At this time Ecklmayr also took on the stage name “Max The Sax”. 40 tracks and three albums were created, in 2017 the band split up. In parallel, Max The Sax 2005 began his collaboration with Parov Stelar, Together, the project toured throughout Europe, Asia, America and at well-known festivals such as the Glastonbury Festival, the Montreux Jazz Festival, the Sziget Festival, the Danube Island Festival Vienna, the Chiemsee Summer, the Gurtenfestival, the Hurricane Festival, theSouthside Festival or the Batumi Festival. For ten years, Max The Sax was a saxophonist, frontman and co-composer of some of Parov Stelar’s tracks shaping the project.

The Parov Stelar project at Voestalpine Klangwolke came about on his initiative. In addition, Max The Sax also played with many other, very different bands and musicians, including La Rochelle Band, Hubert Tubbs, Hot Pants Road Club, Cleo Panther, Dorretta Carter, Basement Freaks, Lee Anduze, Timothy Auld, Jerry di Monza, Anna F, Raphael Wressnig & The Soul Gift Band, Bart & Baker, LMT Connection, Grant Laszlo, Nick Hollywood (White Minsk), Gabriel & Castellon, Ryan Zoidis (Lettuce), Bruckner Orchestra Linz, Ben Rodenburg ( Bakermat), Peter Cruseder, Tyrrell, Roland Schwarz, DJ Maestro (Blue Note Trip) and Cayetano. Since 2014 came the work with The Max Boogaloos, here was played only with acoustic instruments.

In the summer of 2016, Max The Sax played as support for Maroon 5 in Georgia, 2017 at festivals with Bad Religion or Cro in Austria and Germany, In early October 2017, he opened the musical season of the basketball league in Munich’s Audi Dome for FC Bayern Munich.

LINKS

http://www.maxthesax.at/home/

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www.facebook.com/maxthesax

www.instagram.com/maxthesax_official

https://www.instagram.com/maxthesax_records/

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PROMO AND TECHNICAL MATERIAL

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MAX THE SAX VIDEOS

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Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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6
Sep, 2021
Camera Soul | Soul, Funky, Jazz (IT)

Camera Soul | Soul/Funky/Jazz (IT)

Camera Soul

Soul, Funky, Jazz (IT)

Camera Soul | Soul, Funky, Jazz (IT)
Camera Soul | Soul, Funky, Jazz (IT)
Camera Soul | Soul, Funky, Jazz (IT)
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Pippo Lombardo (Piano)

Alex Milella (Guitar)

Fabio Delle Foglie (drums)

Beppe Sequestro (bass)

Maria Enrica Lotesoriere (vocals)

CAMERA SOUL is a powerful jazz-funk ensemble, produced by Mr. Marco Rossi of Azzurra Music (Verona) and released and marketed in the Americas by Kathryn Ballard Shut of TIMKAT Entertainment (Denver, Colorado). Inspired by legendary horn line, soul, R&B, and jazz-fusion artists such as Earth, Wind and Fire, The Commodores, Tower of Power, and Stevie Wonder, as well as neo-soul grooves by Incognito, Erykah Badu, and Jamiroquai, the group is based out of southern Italy (Bari), and led by veteran composer-arranger brothers Piero and Pippo Lombardo.

Camera Soul’s distinctive sound is further defined by the sweet and soulful voice of lead vocalist Maria Enrica Lotesoriere (Dress Code – 2015 and Connections – 2017) and formerly by Serena Brancale on the group’s first two albums (Words Don’t Speak – 2011 and Not For Ordinary People – 2013). The group features a world-class lineup of studio and live performance musicians, including Pippo Lombardo (piano), Beppe Sequestro (bass), Antonio Tosques (lead guitar, 2015-present), Francesco Palmitessa (lead guitar, 2011-2013), Gianluca Cardellichio (rhythm guitar, 2011-2014), Liviana Ferri (percussion), Fabio Delle Foglie (drums, 2014-present), Mimmo Campanale (drums, 2011-2013), Daniele Scannapieco and Bruno Tassone (tenor sax), Gianfranco Campagnoli and Alberto Di Leone (trumpet), and Piero Dotti and Elio Arcieri (background vocals). Camera Soul has released four studio albums – Words Don’t Speak (2011), Not For Ordinary People (2013), Dress Code (2015), and now, Connections (2017). Each album delivers powerful jazz-funk, neo-soul, progressive Jazz, and a mixture of genres that have earned the group international critical acclaim, as well as worldwide distribution in Europe, America, and Japan. 2016 proved to be another explosive year of growth for Italian jazz-funk supergroup CAMERA SOUL, which kicked off with the band’s debut at the internationally famous Umbria Winter Jazz Fest #23 in Orvieto, Italy, in the province that shares its name — and in the same mountainous province which this past summer would experience mass devastation thanks to several major earthquakes.

The festival, which showcased Camera Soul alongside jazz greats such as Kurt Elling and Big Band, as well as Portland-based neo-soul star Jarrod Lawson and The Good People, ended on January 3, 2016. Once complete, the group headed into the studio to begin recording its fourth studio album, “Connections” (Azzurra Music), set to release worldwide on both CD and digital versions on January 25, 2017. With each effort since 2011, the group’s leaders, composer-brothers Piero and Pippo Lombardo, strive to raise both the musical and story bar. With “Connections”, their longest and most robust album to date, Camera Soul offers 18 tracks that feature five instrumental interludes and thirteen full-length songs, all in deep tribute and memory of one of the composers’ unquestioningly pervasive influences: producer, musician, and co-founder of Earth, Wind and Fire, Mr. Maurice White, whom the world lost this past year. In addition to honoring Mr. White, the Lombardo brothers chose the album’s title and theme, “Connections”, to be a continuous story arc of human interaction that reaches into every track and delves into the various ways that we affect each other daily. For example, on dance anthem, “Help Yourself”, lead vocalist Maria Enrica Lotesoriere encourages her mate to ‘Help yourself to find your happiness’, as she refuses to be the sole source of it. “Black Cat”, a darkly funky trip, evokes a Stevie Wonder-esque mood of people bowing to old superstitions – “A black cat / Under the ladder … / A broken mirror / On Friday 13 …” And while there are certainly tales of various “love connections” about, “No Such Thing” specifically relates an unwanted, first-date connection who cannot seem to “take the hint” that there is no future relationship to be had. After a month of pleading, the driving chorus finally demands, “Hey! / Leave me ‘lone / Shuffle off! / Find a home!”

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LINKS

Privato: Privato: Home

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PROMO AND TECHNICAL MATERIAL

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CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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