The Whistling Heads | New Wave/Post Punk (IT)

The Whistling Heads | Dance Punk (IT)

The Whistling Heads

Dance Punk | IT

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU-based band)


Line-up

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Santino Mondello | Guitar
Samuele Costa | Bass
Giuseppe Arnao “Ziffo” | Drums


Style

A Messina dance-punk band with a wiry guitar attack, a restless rhythm section, and a clear instinct for hooks. Their sound moves from raw art-rock tension into dance-punk propulsion, keeping the urgency of British crank wave and new wave alive without sounding derivative. Sharp, youthful, and physically driven, they turn nervous energy into songs built for both small clubs and international showcases.


Profile

The Whistling Heads are a Messina-based dance-punk band shaped by rehearsal-room intensity, local underground culture, and a fast-developing live identity. Emerging from the Retronouveau orbit, they built their early profile through lean songs charged with alternative rock friction, noise-pop edges, and a youthful sense of tension. Since the first singles and the 2023 debut album Dull Boy, the project has expanded quickly through Italian dates, UK shows, growing international press attention, and the Gabe Gurnsey / Factory Floor remix of “Well…I Mean”.

Their 2025 release Better and Better than Before… widened the frame further with remixes, live cuts, and unreleased material, confirming a band that is no longer interested in staying inside one strict lane. What defines them is the balance between abrasion and melody: angular guitars, elastic basslines, alert drumming, and vocals that channel irony, pressure, and youthful disillusion with directness rather than pose.


Details

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Frontman and co-founder of the project, Alberto Zaccaro is the most visible narrative voice of the band. Public release credits list him as Albert Mud for lyrics, while interviews place him at the centre of the group’s stylistic shift from classic post-punk toward a more dance-punk direction. His delivery gives the songs their tension between sarcasm, anxiety, and immediacy.

Santino Mondello | Guitar
Santino Mondello belongs to the original nucleus that launched the band and remains crucial to its guitar identity. His playing helps define the band’s angular, British-facing language, balancing abrasion with shape and momentum. He has also publicly explained the origin of the name The Whistling Heads, underlining the project’s rooted Messina identity.

Samuele Costa | Bass
Samuele Costa is the bassist whose arrival helped turn an early idea into a stable working band. In interviews he describes the chemistry of the settled line-up as the moment the project became serious. His bass work is central to the spring-loaded grooves and to the more dance-oriented direction of the recent material.

Giuseppe Arnao “Ziffo” | Drums
Known as Ziffo, Giuseppe Arnao is the drummer whose arrival stabilized the line-up that wrote most of Dull Boy. His drumming gives the band lift, bite, and rhythmic discipline, carrying both the nervous post-punk drive and the newer club-leaning accents. He is also regularly present in the band’s public interviews and live presentations.

 


Biography

The Whistling Heads belong to the new Italian wave of bands reclaiming dance-punk as a live language rather than a museum code. Their identity is rooted in Messina, but the project already reads beyond its local scene through a British-facing guitar vocabulary, dance-aware bass movement, and a frontman presence that turns irony and pressure into direct stage communication. The result is a band that can work in clubs, alternative festivals, and showcase circuits with the same sense of urgency.


Discography

October — single — 2022-10
Teenage cliché — single — 2023-03
Shoot Shoot — single — 2023-06
Dull Boy — album — 2023-09-01
Well…I Mean — single — 2024-02
Well…I Mean (Gabe Gurnsey / Factory Floor Remix) — single — 2024-04
Shut Me Up — single — 2024-05
Lullaby Lady — single — 2024-08
Wreck — single — 2025-03
Better and Better than Before… — compilation — 2025-09-13


Quotes

“One of the most interesting acts in today’s Italian underground.”
Stefano Gallone | Rockit | 2023-10-02

“From Messina, beyond the borders of rock.”
Giandomenico Morabito | Musica Intorno | 2023-11-22

“A gripping indie post-punk where electric crash, lively rhythms, and melodic pop taste all come through clearly.”
Gianluca Polverari / Radio Città Aperta | 2023-12-01

“A band who knows exactly how to write a funky indie-rock tune.”
Fred Bambridge | It’s All Indie | 2024-02-12

“They are injecting fresh vitality into that spirit.”
Alice Teeple | Post-Punk.com | 2024-05-27


Reviews

The Whistling Heads: “Dull Boy” recensione / Rockit / Stefano Gallone / 2023-10-02

Dull Boy, The Whistling Heads oltre i confini del rock / Musica Intorno / Giandomenico Morabito / 2023-11-22

Intervista The Whistling Heads ad Alternitalia / Radio Città Aperta / 2023-12-01

The Whistling Heads drop their funky new tune, “Well…I Mean” / It’s All Indie / Fred Bambridge / 2024-02-12

The Whistling Heads – Well…I Mean (Disasters by Choice) / The Big Takeover / Dave Franklin / 2024-02-15

Sicilian Post-Punk Quartet The Whistling Heads Debut Video for “Shut Me Up” / Post-Punk.com / Alice Teeple / 2024-05-27


WHATS GOING ON

Mike Gotthard/Gergo Borlai Group

Mike Gotthard/Gergo Borlai Group | Modern Jazz Fusion (HU)

Mike Gotthard/Gergo Borlai Group

Modern Jazz Fusion | HU

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU Resident band)


Line-up

Mike Gotthard | guitar
Gergő Borlai, Mohini Dey, Jesús Molina, Scott Kinsey, Al Di Meola, Gary Willis, Hadrien Feraud, Anton Davidyants, Kornél Fekete-Kovács, Dániel Szebényi

Martin Gudics | bass
Gergő Borlai, Frank Gambale, Boca Gambale, Tom Schuman, HAUSER, Péter Ferencz, Attila Závodi, Olivér Magán, Marcell Gudics

Erik Tempfli | keyboards
Bori Hegedűs, Petra Gubik, Dániel Görögh, Frankie Látó, Gergő Szakács, Dániel Szebényi, Dávid Kovács, Peta Lukács, Sándor Zsemlye

Gergő Borlai | drums
Scott Kinsey, Gary Willis, Jimmy Haslip, Hadrien Feraud, Nathan East, Bob Mintzer, Al Di Meola, Matthew Garrison, Scott Henderson


Style

A modern fusion quartet led by guitar, where Mike Gotthard’s blues-rock phrasing meets a broader, more fluid jazz grammar. The rhythm section of Gergő Borlai and Martin Gudics drives the project toward an elastic, sharply defined groove able to absorb odd meters without losing immediacy. Erik Tempfli completes the DNA with open harmonic thinking and a contemporary timbral palette: the result is music that is sensual in attack, brutal in energy, and always melodic in design.


Profile

Mike Gotthard/Gergo Borlai Group is the most compact and readable form of Mike Gotthard’s authorial language: a project built on original compositions that move through jazz, blues, rock, and funk without treating genres as fenced territories, but rather as reservoirs of accents, timbres, and dynamics. Around Gotthard’s guitar, the band works through contrasts: tension and singability, rhythmic precision and spontaneity, electric impact and harmonic breadth. Borlai brings international-level metric drive, Gudics holds the center with a mobile, reactive bass voice, while Tempfli opens depth and color through keyboards that can be both structural and narrative. The dominant traits are energetic articulation, a modern fusion harmonic vocabulary, tight interplay, and a clear live-performance vocation: not a simple all-star vehicle, but an ensemble with its own identity, recognizable for its balance of technique, groove, and writing.


Details

Mike Gotthard
A Hungarian guitarist and composer, he forms the expressive center of the project with phrasing that blends blues lyricism, rock attack, and jazz-fusion development. Official and critical sources describe him as an author more interested in musical narrative than in technical display, with a language built on melody, groove, and reciprocal listening. Within the band, he is the main vector of aesthetic direction: themes, dynamic shifts, and formal design remain readable even when the ensemble opens into improvisation.

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.” (György Szentgallay, review of “Intellectual Brutality”, 2016-11-11)

Martin Gudics
A bassist able to move across fusion, songwriter-driven pop, smooth jazz, and high-intensity technical contexts, he brings rhythmic elasticity and structural awareness to the group. His role goes beyond support: he builds links between guitar and drums, keeps metric transitions fluid, and strengthens the groove element without weighing down the texture. Within the band’s DNA, he represents the pole of balance: precise, but always in service of collective musical unity.

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.” (JazzMa.hu, presentation of “BVDA”, 2024-04-17)

Erik Tempfli
A pianist, keyboardist, and Artisjus Award-winning composer, he brings broad harmonic thinking and a timbral awareness that avoids both mere filling and decorative virtuosity. His parts help define the group’s breathing space: pads, organ colors, electric piano textures, and modern comping become tools of architecture rather than simple color. He is the member who most clearly expands the quartet’s tonal horizon and reinforces its melodic-contemporary side.

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.” (JazzMa.hu editorial, 2020-12-12)

Gergő Borlai
An internationally established drummer and composer, Borlai acts as an identity accelerator for the project: rhythmic precision, dynamic control, advanced fusion vocabulary, and the ability to make even the most complex metric turns feel organic. His presence transforms the ensemble from an author-led group into a band with strong performance traction. In the group’s DNA he carries weight both as rhythmic engine and as a marker of prestige: his signature is recognizable in the energy, the clarity of pulse, and the dramatic handling of climaxes.

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.” (Drumeo, 2022-08-19)

 


Biography

Mike Gotthard is a Hungarian guitarist and composer whose work bridges blues phrasing, modern fusion, and a strong live-performance instinct. Gergő Borlai, with an international career spanning hundreds of recordings and top-tier collaborations, brings world-class rhythmic identity and prestige to the ensemble. Together with Martin Gudics and Erik Tempfli, the group delivers a modern jazz fusion format built on compositional clarity, high-impact groove, and advanced interplay.


Discography

Mike Gotthard
Intellectual Brutality — album — 2016
9 Wheels — single — 2021
Flotation — single — 2024
The Electric Shock Live Session — EP — 2025
The Group Live Session — single — 2026
Sensual Brutality — album — 2026
LesMi — single — 2026

Martin Gudics
Ups & Down — album with Peet Project — 2020
Sweet Lemon — album with Peet Project — 2022
Global Warning — Oliver Zisko album featuring Martin Gudics — 2022
Hard to Say Goodbye — single with Dániel Szebényi and Gudics Twins — 2023
Sensual Brutality — album with Mike Gotthard/Gergő Borlai — 2026
LesMi — single with Mike Gotthard/Gergő Borlai — 2026

Erik Tempfli
Altató — song performed at A Dal with Bori Hegedűs — 2021
Anya — single with Bori Hegedűs — 2022
Unalmas felnőtt — single with Bori Hegedűs and Johanna Lengyel — 2022
ReStar — album with Kodály Spicy Jazz — 2025
Sensual Brutality live set with Mike Gotthard Group — repertory documented from 2024 to 2026

Gergő Borlai
17 — album — 1998
Sausage — album — 2004
M.M.M. — album — 2010
ARC Trio — album — 2018
The Missing Song — album — 2020
Burger Joint on Oxnard Street — single — 2023
Monster Pop — single — 2023
A New Normal — single — 2025
Sensual Brutality — album with Mike Gotthard — 2026
LesMi — single with Mike Gotthard — 2026


Quotes

“Misi is a real bomb of energy whose musicality can speak equally to rock lovers and jazz devotees.”
György Szentgallay | JazzMa.hu | 2016-11-11

“The natural lightness of his touch is in perfect harmony with his personality; his playing and musical humour evoke the very greatest.”
JazzMa.hu editorial | 2020-12-12

“By now we can say with pride that Martin Gudics belongs to the elite of bass players not only in his country, but worldwide.”
JazzMa.hu editorial | 2024-04-17

“Gergo has become one of the most exciting up-and-coming drummers today and continues to be recognized with each jaw-dropping solo.”
Drumeo | 2022-08-19


Reviews

Gotthárd Mihály: Intellectual Brutality / JazzMa.hu / György Szentgallay / 2016-11-11

Katartikus elektrosokk Solymáron / JazzMa.hu / Géza Barcsik / 2020-09-15

‘I meet new inspirations almost every day’ / Secret Eclectic / 2021-03-16

Lamantin Jazz Fesztivál szerda / JazzMa.hu / László Czika / 2025-07-04

WHATS GOING ON

Wayne Krantz Power Trio ft. Evan Marien & Josh Dion

WAYNE KRANTZ TRIO ft. EVAN MARIEN & JOSH DION | Fusion Jazz (USA)

WAYNE KRANTZ SUGAR TRIO
ft. Evan Marien & Josh Dion

AVAILABLE IN EUROPE
2025 | MARCH

WayneKrantzPowerTrioftEvanMarienJoshDion WAYNE KRANTZ TRIO ft. EVAN MARIEN & JOSH DION | Fusion Jazz (USA)
WayneKrantzPowerTrioftEvanMarienJoshDion WAYNE KRANTZ TRIO ft. EVAN MARIEN & JOSH DION | Fusion Jazz (USA)
WayneKrantzPowerTrioftEvanMarienJoshDion
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Line up

Wayne Krantz | Guitar

Steely Dan, Michael Brecker, Donald Fagen, Billy Cobham, Chris Potter, David Binney, Carla Bley, Keith Carlock, Tim Lefebvre, Pino Palladino, Vinnie Colaiuta, John Patitucci, Tal Wilkenfeld, Anton Fig, Jeremy Stacey, Paul Stacey, Gabriela Anders, Kenny Wollesen, Nate Wood, Henry Hey, Owen Biddle

Josh Dion | Drums

John Scofield, Wayne Krantz, Bill Evans, Chuck Loeb, Esperanza Spalding, Lucius, Chris Thile

Evan Marien | Bass

Tigran Hamasyan, Tim Miller, Virgil Donati, Elliot Moss, Justin Brown, Allan Holdsworth, Dana Hawkins, Fredrik Thordendal, Plini, Aaron Marshall, J3PO, Cory Wong, Zac Zinger, Button Masher, Miguel Atwood-Ferguson

WAYNE KRANTZ

Wayne KrantzWayne Krantz was born in Corvallis, Oregon. He released his first album, Signals, in 1990, sporting an array of recognized jazz musicians such as Dennis Chambers, Don Alias, Anthony Jackson, and others.
In 1992, he formed a trio with bassist Lincoln Goines and drummer Zach Danziger and recorded two albums with them, Long To Be Loose (1993) and 2 Drink Minimum (1995), a live album, and began playing regularly at the 55 Bar, a jazz club in New York City. In 1996, Krantz released an acoustic album with Leni Stern, dubbed Separate Cages. After playing with Steely Dan for several years, Krantz formed a new trio in 1997 with Tim Lefebvre on bass and Keith Carlock on drums; on June 28, 2007, he played his final regular Thursday night gig at New York’s 55 Bar. As of October and November 2018, he is playing regularly at 55 Bar again with a rotating cast of sidemen.

Wayne Krantz’s first three solo albums were released on the jazz label Enja Records. His next three albums, 1999’s Greenwich Mean, 2003’s Your Basic Live, and 2007’s Your Basic Live ’06 were all released from Wayne’s private website. Like 2 Drink Minimum, these albums are excerpts of various sets at the 55 Bar. These albums also include more use of effects pedals, and are more unscripted and improvised than the previous three. He contributed to Donald Fagen’s release Morph the Cat, and toured with Fagen’s band in early 2006. He was featured on tenor saxophonist Chris Potter’s 2006 release, Underground.

Wayne Krantz signed with record label Abstract Logix to release his first studio record in over fifteen years. Krantz Carlock Lefebvre (2009) features the core trio of Krantz, Carlock on drums and Lefebvre on bass. In 2012, Krantz released Howie 61 (a reference to Bob Dylan’s Highway 61 Revisited), which includes performances by Keith Carlock, James Genus, John Patitucci, Charley Drayton, Tal Wilkenfeld, Vinnie Colaiuta, Anton Fig, Yasushi Miura, Jeremy Stacey, Paul Stacey, Pino Palladino, Gabriela Anders, Kenny Wollesen, Nate Wood, Henry Hey and Owen Biddle. In 2014, Krantz released “Good Piranha/Bad Piranha,” a live-in-the-studio album featuring his two dominant trio combinations at the time: Nate Wood/Keith Carlock and Tim Lefebvre/Nate Wood. The bands each recorded the same four cover songs with radically different improvisational results.

https://www.waynekrantz.com/

EVAN MARIEN

Evan MarienEvan Marien is an award-winning bassist, composer, producer, author, educator, and 3D artist, born and raised in the cornfields of Decatur, Illinois. He graduated from Berklee College of Music in 2009 and has lived in the NYC area since 2010.

Known for his collaborations with drummer Dana Hawkins, he has also performed in the bands of Tigran Hamasyan, Wayne Krantz, Tim Miller, Virgil Donati, Elliot Moss, Justin Brown’s NYEUSI, and was the last bassist to perform in guitar legend Allan Holdsworth’s band.

His latest release, ‘Elysian’ features Dana Hawkins, Tigran Hamasyan, Fredrik Thordendal, Plini, Intervals, J3PO, Tim Miller, Cory Wong, Zac Zinger, Button Masher, and Miguel Atwood-Ferguson.

You can hear his bass playing on numerous albums such as Tigran Hamasyan’s “The Call Within,” Virgil Donati’s “In This Life,” and “Ruination”, and Steve Hunt’s “Connections”.

His playing can also be heard on the Mitski song ‘Nobody,’ for which he received a gold record for participating on the album ‘Be The Cowboy,’ as well as on the songs ‘Should’ve Been Me’ and ‘That’s Our Lamp’ from her most recent album, ‘Laurel Hell’.

In partnership with MadeMusicStudio, Evan has composed music for renowned brands such as AT&T, Lexus, and NPR. Most recently, he won a 2022 CLIO award for composing the sonic logo and anthem for Turner Classic Movies (TCM).

As an author, he has written numerous books about his distinctive Hexatonic method for the bass guitar, as well as created video courses describing his specialized right hand technique. His first book, ‘Transcriptions Vol. 1,’ was an Amazon Best Seller in its first week of release.

Evan is also a part-time faculty member at The New School in New York City, where he specializes in providing private lessons to the next generation of contemporary musicians.

Evan Marien is a MarkBass artist!

Evan Marien

https://www.evanmarien.com/

JOSH DION

Josh DionJosh Dion was born at the tail end of the disco funk era, when popular radio bore the sounds of Quincy Jones, Michael Jackson, and ‘four on the floor’ drum beats! Raised in Storrs, CT, Josh started playing his father’s drums before he even started kindergarten. He grew up playing drums to the simple and beat driven sounds of Nick Mason and Ringo Starr. He also lived across the hall from his older brother, who not only followed the Grateful Dead, but introduced him to Cream at the tender age of seven. Rightfully so, Cream, Zeppelin and the Stones led Dion to Willie Dixon, Robert Johnson and beyond.

A prodigious talent, Josh started playing professionally at age eight and was invited to shed with the UConn Jazz Studies program by the time he was twelve. While he was impressing people with his percussion skills, he was playing piano and singing in his local church, developing talents which would eventually help him stand out even among the world class drummers in whose company he has now found himself.

After a stint in the music program at New Jersey’s William Paterson University, he has made New York City his home. Josh’s college days were greeted by an immersion in the Jam band scene with NYC funk band ulu, who toured the Eastern half of the US. Josh was soon noticed by jazz guitarist Chuck Loeb, who offered Josh an opportunity to be seen and heard by a whole new level of the music audience. From that platform, he has gone on to work with some of the major brand names of the music world: Candy Dulfer, Spyro Gyra, Will Lee, Pat Martino, Jeff Kashiwa, Jason Miles, Anthony Jackson, Edgar Winter, Randy Brecker, Bob James, Eric Marienthal, Til Bronner, Jim Beard, Ivan Lins and on and on.

Meanwhile, Josh Dion has been developing his solo career with the CD releases of the Josh Dion Band (www.joshdionband.net), their debut “Give Love” and the imminent “Josh Dion Band Live.” The Josh Dion Band has another studio release planned for early 2007.

“Give Love” was greeted with effusive praise by the UK’s Drummer magazine, who described it as “Brian Wilson meets Hall and Oates, with possibly Bruce Springsteen looking in and drums that sound like they were recorded at Muscle Shoals Studios. This is a collection of epic songs that build and move as songs used to in the old days when songwriters were exactly that and labels like Motown and Stax were market leaders…Great voice, great drums and great, great tunes…Dion is a young player that is going to create a very big impression indeed. Not only can this fella lay down a super funky beat, but he sings with a soulful voice that totally melts your mind…You are going to be hearing more from this extremely talented young musician…If there is any justice in this world, Dion will be huge.” YEAH!

Josh also enjoys nature-walking, driving, and attending history lectures.

GEAR LIST
Absolute Maple Nouveau
ABD-1518JF 18″x14″
ATT-1512J 12″x8″
AFT-1516 16″x16″
ASD-0545 14″x5.5″
MNS-1470EJ Elvin Jones Signature

https://www.yamaha.com/artists/joshdion.html

DAVIDE PANNOZZO TRIO ft. ETIENNE STADWIJK & CLINT DE GANON

DAVIDE PANNOZZO TRIO | Blues/Funk/Fusion (USA)

Davide Pannozzo Trio | Fusion Jazz-Funk (USA)

AVAILABILITY FOR EUROPE
2025 | September
2026 | TBA

DAVIDE PANNOZZO TRIO
ft. ETIENNE STADWIJK & CLINT DE GANON
DAVIDE PANNOZZO TRIO
ft. ETIENNE STADWIJK & CLINT DE GANON
Davide Pannozzo Trio Title
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Davide Pannozzo | Guitar

Danny Gottlieb, Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Mel Brown, George Benson, David Garfield, Phil Palmer, Nicola Piovani, Steve Jordan, Will Lee, Oleta Adams, Oz Noy, Shawn Pelton

Etienne Stadwijk | Piano

Louis Sclavis, Michel Portal, Tigran Hamasyan, Manu Katché, Youn Sun Nah

Clint De Ganon | Drums

Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, Lizz Wright

A visionary, modern, and emotionally charged project, the Davide Pannozzo Trio blends the language of contemporary jazz with the deep roots of soul, blues, and Afro-American tradition, delivering a sound that is both authentic and strikingly relevant.

DAVIDE PANNOZZO – Guitar and voice
A guitarist, composer, and producer based in New York City, Davide Pannozzo is widely recognized as one of the most influential voices in today’s guitar scene. His collaborations span a long list of music legends, including George Benson, David Garfield, Steve Jordan, Phil Palmer, Will Lee, Oz Noy, Nathan East, Verdine White, Mel Brown, and Oleta Adams. Pannozzo’s refined technique and soulful touch allow him to effortlessly bridge jazz, blues, fusion, and classical influences, forging a unique and immediately recognizable guitar language.

ETIENNE STADWIJK – Piano
A Dutch pianist and keyboardist with Surinamese roots, Etienne Stadwijk is a prominent name on the international scene. Having performed and recorded with Michel Portal, Louis Sclavis, Tigran Hamasyan, Manu Katché, and Youn Sun Nah, he brings to the trio a lyrical, wide-ranging approach that draws from European jazz, world music, and electronic influences. His elegant phrasing and melodic sensitivity offer the perfect counterpoint to Pannozzo’s guitar, creating a musical dialogue rich in nuance.

Link on Discogs: https://www.discogs.com/it/artist/395683-Etienne-Stadwijk

CLINT DE GANON – Drums
A world-class drummer, Clint De Ganon has worked with icons such as Michael Brecker, David Sanborn, Bob Mintzer, Paul Simon, and Lizz Wright. His mastery of groove and his ability to support with finesse or burst into virtuosic energy make him essential to the rhythmic balance of the trio. His playing is tight, inventive, and the beating heart of this project.

Link on Discogs: https://www.discogs.com/it/artist/319912-Clint-De-Ganon

DISCOGRAPHY AND RELEASES
Davide Pannozzo has released a number of critically acclaimed albums, earning praise from international media and radio airplay across Europe and the United States. Notable works include “Born Electric” (2017), recorded in New York with Will Lee, Steve Jordan, and David Garfield, and “Unconditional Love” (2019), an album that seamlessly blends jazz-blues tradition with modern textures, recorded between Italy and the USA. His EP “Blessed” (2021) further defined his artistic identity with standout tracks like “One Heart,” “Talk To Me,” and “Fallin’,” highlighting his talent as a songwriter who fuses technical brilliance with emotional depth. His releases are available on all major digital platforms, and many of his compositions have become staples for new-generation guitarists and instrumental music enthusiasts. With sophisticated arrangements, deep harmonic exploration, and lyrics that touch on universal themes, Pannozzo’s work is a powerful mix of authenticity and innovation.

A DISTINCTIVE ARTISTIC VISION
The Davide Pannozzo Trio stands out for its original repertoire, drawing from the guitarist’s own compositions as well as reimagined classics from the Afro-American tradition. Each performance is a sonic journey combining jazz improvisation, musical storytelling, and refined interplay.

This project marks a new chapter in Pannozzo’s career—one that embraces mature and conscious writing while balancing accessibility and research, emotion and experimentation. The result is music that speaks to all audiences: profound, engaging, elegant, and alive.

ROOTED IN GREATNESS
The trio’s sound is deeply informed by the personal and artistic history of its members. Pannozzo’s long-standing relationships with artists like Pippo Matino, Nathan East, Verdine White, Andrew Gouche, Steve Jordan, and George Benson, as well as his immersion in New York’s high-level music production scene, give the trio a signature touch shaped by direct exposure to some of the world’s most important musicians.

IMPROVISATION, RESEARCH, EMOTION
Live performances are where the trio’s music truly comes to life. No concert is ever the same. Every show is a unique event shaped by real-time interaction among musicians, the acoustics of the venue, and the energy of the audience. The setlist evolves through original pieces, open improvisation, and moments of high emotional intensity.

Pannozzo’s playing merges seamlessly with that of his bandmates in a continuous flow that shifts between introspective ballads, tight grooves, meditative spaces, and collective virtuosity.

A TRIO FOR FESTIVALS, CLUBS, AND GLOBAL STAGES
With its formal elegance, communicative strength, and emotional charge, the Davide Pannozzo Trio is ideally suited for leading stages in today’s international jazz and world music scenes. It’s a project designed for theatres, major festivals, sophisticated jazz clubs, and all venues seeking powerful, heartfelt, and authentic music.

Jeff Berlin 4tet @ Voru Kannel - Lien On Me

Jeff Berlin 4tet @ Voru Kannel – Lien On Me

Jeff Berlin 4tet @ Voru Kannel, (Voru, Estonia)

“Lien On Me”

Jeff Berlin 4tet | SPRING TOUR 2023
Live @ Voru Kannel 04.04.2023

Line up:
Jeff Berlin | Bass
Jorge Vera | Piano
Emilio García | Guitar
Asaf Sirkis | Drums

More about Jeff:

https://www.jeffberlinmusicgroup.com/


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JEFF BERLIN 4TET | SPRING TOUR 2023

JEFF BERLIN 4tet | SPRING TOUR 2023

JEFF BERLIN 4tet

with Emilio García, Jorge Vera and Asaf Sirkis

SPRING TOUR 2023

JEFF BERLIN 4TET | SPRING TOUR 2023

APRIL 4 | EE | Voru @ Voru Kannel

APRIL 5 | FI | Hämeelinna @ Suistoklubi

APRIL 6 | FI | Pori @ Validi Karkia

APRIL 11| IT | Milano @ Blue Note Milano

APRIL 13 | IT | Pescara @ Kabala Club c/ Caffè Letterario 5 Sensi

APRIL 15 | IT | Aversa (CE) @ Lennie Tristano

APRIL 16 | IT | Acquaviva delle Fonti (BA) @ Club 1799 c/ Teatro Luciani

APRIL 17 | IT | Rende (CS) @ Teatro Auditorium “UNICAL”

APRIL 20 | IT | Messina @ Retronouveau

APRIL 21 | IT | CLINIC | Palermo @ Accademia Musicale “Catarsi”

APRIL 22 | IT | Polistena (RC) @ LSS THEATER

APRIL 25 | IT | Firenze @ Jazz Club Firenze

APRIL 27 | IT | Roma @ Auditorium “Parco della Musica”

APRIL 30 | IT | Foggia @ Cantine Arpi

LINKS

JEFF BERLIN 4tet | Fusion Jazz (USA/CL)

https://www.jeffberlinmusicgroup.com/

 

 

Jeff Berlin Trio ft. Jorge Vera & Jose San Martin

JEFF BERLIN Trio ft. Diego Ebbeler & Jose San Martin | Fusion Jazz (USA)

 

JEFF BERLIN Trio ft. Diego Ebbeler & Jose San Martin | Fusion Jazz (USA)

AVAILABILITY FOR EUROPE
2026 | JULY 17th to 31st

 

Line-up

Jeff Berlin | Bass
Bill Bruford, Allan Holdsworth, Yes, Patrick Moraz, David Liebman, Patti Austin, Kazumi Watanabe, George Benson, Dennis Chambers, Scott Henderson

Diego Ebbeler | Piano
Carmen Paris, La Mala Rodriguez, Jorge Pardo, Alain Perez, Perico Sambeat, Javier Malosetti, Bobby Martinez, Lena Burke, Malena Burke, Rui Veloso, Paulinho Lemos, Jerry Gonzalez

José San Martín | Drums
Hugo Fattoruso, Zeca Assumpção, Mauro Senise, Jerry González, Federico Lechner, Luis Salinas, Antonio Serrano, Juan San Martin, Diego Ebbeler, Marcelo Peralta

Style

Contemporary fusion jazz: electric bass up front, piano moving between dense harmony and lyricism, drums speaking an Afro‑Latin vocabulary. Shifting meters, “electric” walking lines, and grooves that change perspective without losing swing. A stage‑built trio: instant dynamics, virtuosity in service of storytelling, tight interplay.

Profile

JEFF BERLIN TRIO is a fusion‑jazz workshop where electricity is not a color, but a grammar. Jeff Berlin’s bass leads melodies and walking lines like a front voice, with the rhythmic clarity of a player shaped by the Bruford/Holdsworth school and still committed to “music before technique.” Diego Ebbeler brings a piano language shaped by flamenco, Latin, jazz and pop settings, with credits including Carmen Paris, La Mala Rodriguez, Jorge Pardo, Alain Perez, Perico Sambeat, Javier Malosetti, Bobby Martinez, Lena Burke, Malena Burke, Rui Veloso, Paulinho Lemos, Jerry Gonzalez. José San Martín completes the triangle with a timbral, narrative approach to drumming: candombe, swing and urban pulses braid into an elastic groove that can hold both unison precision and open improvisation. The project’s DNA is interplay: singing bass lines, mobile harmony, and a drum kit that orchestrates the space.

Details

Jeff Berlin
A key figure in jazz‑rock since the 1970s, he pushed electric bass into a lead role through legato phrasing and uncompromising time. In this trio his sound is both architecture and narrative: walking lines that swing, melodic counterpoint, and improvisations built like a spoken argument.

(“Berlin thinks music… and builds solos that grow according to a musical logic.” Phil Wain, No Treble (via All About Jazz), 2010-09-11)

Diego Ebbeler
A pianist active across flamenco, Latin, jazz and pop settings, he brings rhythmic flexibility, contemporary voicings, and a strong sense of interplay to Jeff Berlin’s trio. His credits include Carmen Paris, La Mala Rodriguez, Jorge Pardo, Alain Perez, Perico Sambeat, Javier Malosetti, Bobby Martinez, Lena Burke, Malena Burke, Rui Veloso, Paulinho Lemos, Jerry Gonzalez.

Selected collaborations: Carmen Paris, La Mala Rodriguez, Jorge Pardo, Alain Perez, Perico Sambeat, Javier Malosetti, Bobby Martinez, Lena Burke, Malena Burke, Rui Veloso, Paulinho Lemos, Jerry Gonzalez.

José San Martín
Uruguayan drummer and percussive colorist, active in Madrid since the early 1990s: he builds layered grooves where Afro‑Latin tradition and swing become a single pulse. His drumming is physical yet controlled, with timbral work on skins and cymbals that supports the melodic line without covering it.

(“His electrifying speed is matched only by a shimmering timbre and a full palette of colors.” Raul Da Gama, Latin Jazz Network, 2017-03-22)

Discography

Jeff Berlin
Champion (1985)
Pump It! (1986)
Taking Notes (1997)
Crossroads (1998)
In Harmony’s Way (2000)
Lumpy Jazz (2004)
Aneurythms/Ace of Bass (2006)
High Standards (2010)
HBC (Henderson-Berlin-Chambers) (2012)
Low Standards (2013)
Random Misfires (2018)
Joe Frazier: Round 3 (30th Anniversary EP) (2018)
Jack Songs (2022)

Diego Ebbeler
Selected collaborations: Carmen Paris, La Mala Rodriguez, Jorge Pardo, Alain Perez, Perico Sambeat, Javier Malosetti, Bobby Martinez, Lena Burke, Malena Burke, Rui Veloso, Paulinho Lemos, Jerry Gonzalez

José San Martín
Tocador (2016)
Entrevías (2022-11-25)

Overview

Jeff Berlin is an American jazz-rock and fusion bassist, composer, and educator whose career has consistently pushed the electric bass beyond its traditional supporting role. Known for a lead-bass concept that treats the instrument as a primary melodic voice, he emerged in the late 1970s at the intersection of progressive rock precision and modern jazz improvisation, then built a parallel reputation as one of the most outspoken advocates for fundamentals-based music education.

Origins

Born in Queens, New York on 1953-01-17, Berlin grew up in a home where music was not an extracurricular activity but a daily language. With an opera-singer father and a pianist mother, he began formal violin study at age five and, by his own accounts in interviews, was recognized early for uncommon musical aptitude, appearing as a young soloist with local orchestras. In his early teens he made a decisive turn to electric bass, initially drawn by the energy of the rock era and the impact of players who proved the bass could lead from the bottom up. The Beatles were a catalyst, and Jack Bruce became a formative compass: Bruce’s sound, phrasing, and imagination set a lifelong benchmark for Berlin’s sense of what a bassist could be.

After the switch, Berlin pursued structured study rather than mythologizing “natural talent”. He attended Berklee College of Music, where the focus on harmony, reading, and professional musicianship aligned with his drive to become fluent in the broader language of jazz, not just the vocabulary of bass technique.

Breakthrough

Berlin’s first wave of professional work came through high-level session and touring situations that demanded both stylistic flexibility and high literacy. In the mid-1970s he worked with major figures on the New York scene and quickly became visible to artists who valued precision and risk in equal measure.

The defining leap arrived in 1977, when drummer Bill Bruford selected Berlin for the Bruford band’s debut recording cycle. Bruford’s environment was a proving ground: intricate compositions, shifting meters, and a jazz-forward improvisational approach inside a progressive-rock frame. Berlin’s bass was not merely supportive. It functioned as a co-equal voice, shaping themes, counterlines, and rhythmic architecture. Across the Bruford years, the combination of technical clarity and melodic assertiveness established Berlin as a distinctive identity in the fusion ecosystem.

From that platform, Berlin’s path intersected with other boundary-pushers. Allan Holdsworth brought him into the guitarist’s orbit for the 1983 album “Road Games”, a context that demanded extreme rhythmic exactness and harmonic agility. Berlin’s work in these settings reinforced a trait that would follow him throughout his career: the ability to sound forward and modern without sacrificing articulation and swing.

Expansions

By the 1980s and into the following decades, Berlin operated in overlapping worlds: high-level sideman work, solo projects, and long arcs of touring with rotating all-star configurations. One of the more famous “what if” moments in rock history also sits in this period. Berlin has stated in interview that he was invited to join Van Halen and declined the offer, a decision that reflects how consistently he has prioritized musical direction over visibility.

He also spent time in the late-1980s live orbit of John McLaughlin’s trio work with percussionist Trilok Gurtu, a setting where the bass chair required both rhythmic authority and the ability to navigate open-form improvisation at speed.

Records

Berlin’s discography as a leader traces a clear artistic profile: the electric bass as narrative engine, the ensemble as an equal conversation, and a language that can pivot from fusion velocity to straight-ahead jazz clarity.

1985 | “Champion”

1986 | “Pump It!”

1997 | “Taking Notes”

1998 | “Crossroads”

2000 | “In Harmony’s Way”

2004 | “Lumpy Jazz”

2006 | “Aneurythms – Ace of Bass”

2010 | “High Standards”

2013 | “Low Standards”

2022 | “Jack Songs”

2022-08-02 | Jeff Berlin Music Group

Among these, “In Harmony’s Way” is often discussed not only for its musical stance but for the story around it: Berlin described running the project independently and directing proceeds toward family medical needs, a reminder that behind the “virtuoso” narrative there has always been an unglamorous human reality. Two decades later, “Jack Songs” became a large-scale artistic statement and personal tribute, built around Berlin’s lifelong connection to Jack Bruce. The project assembled a broad roster of guests and, as Berlin has explained in interviews, moved forward through persistence and self-financing after conventional label interest failed to materialize.

Education

If Berlin’s playing made him a reference point for bassists, his educational work made him a lightning rod. In the early 1980s he relocated to Los Angeles and became involved with the launch of the Bass Institute of Technology at Musicians Institute, helping shape a new institutional model for bass education at a time when the electric bass was only beginning to be treated as a serious academic discipline.

In 1996, Berlin founded The Players School of Music in Clearwater, Florida. The school’s mission stood out in a crowded lesson-marketplace because it positioned fundamentals as the main product: reading, harmony, ear training, time, and musical problem-solving, rather than shortcuts, “methods,” or device-driven practice routines. Berlin’s stance has remained consistent across decades of interviews and writings: techniques matter, but musicianship is the point. That philosophy also made him a prominent columnist and commentator in the bass and guitar press, where his arguments around education, industry myths, and practice culture earned both strong support and strong pushback.

Accolades

Berlin’s recognitions are rooted less in formal trophies and more in peer regard, reader-voted honors, and the depth of his call-sheet. Industry press materials and profiles have repeatedly noted that he was voted the No. 1 Jazz Bassist by readers of Guitar Player magazine, and high-profile artists have publicly praised his musicianship, with quotes often repeating in the broader bass community.

A different kind of recognition is archival: in 2021, Berlin’s story and perspective were added to the NAMM Oral History collection, documenting his views on performance, education, and the working musician’s life.

Milestones

1953 | Born in Queens, New York

1977 | Chosen by Bill Bruford | international breakthrough in the Bruford band

1983 | “Road Games” with Allan Holdsworth

1996 | Founded The Players School of Music | Clearwater, Florida

2013 | Married vocalist and vocal coach Gabriela Sinagra

2021 | Added to the NAMM Oral History collection

2022 | “Jack Songs” | long-form tribute project honoring Jack Bruce’s legacy

Legacy

Jeff Berlin’s significance is not confined to “how fast” or “how clean.” It is the combination of three things that makes his profile durable: a lead-bass vocabulary that remains unmistakably his own, a career built on high-risk musical environments, and an insistence that the path to real freedom on an instrument runs through literacy, listening, and hard work rather than mythology. In that sense, his legacy is both sonic and cultural: he is a player who expanded the bass’s role on stage, and a teacher who refuses to let the instrument’s future be defined by shortcuts.

Discography

Jeff Berlin | Leader
1985 | “Champion
1986 | “Pump It!
1997 | “Taking Notes
1998 | “Crossroads
2000 | “Star Licks Master Sessions: Jeff Berlin” (VHS)
2000 | “In Harmony’s Way
2004 | “Lumpy Jazz
2006 | “Aneurythms/Ace of Bass
2006 | “Bass Logic from the Players School of Music” (DVD)
2010 | “High Standards
2013 | “Low Standards
2022 | “Jack Songs

Jeff Berlin | Sideman
1976 | “The Story of I” (Patrick Moraz)
1976 | “Capricorn Princess” (Esther Phillips)
1976 | “End of a Rainbow” (Patti Austin)
1976 | “Shoogie Wanna Boogie” (David Matthews with Whirlwind)
1977 | “Eye of the Beholder” (Ray Barretto)
1977 | “Light’n Up, Please!” (David Liebman)
1977 | “Satanic” (Ernie Krivda)
1977 | “Feels Good to Me” (Bruford)
1978 | “Montreux Concert” (Don Pullen)
1979 | “Just As I Thought” (David Sancious)
1979 | “One of a Kind” (Bruford)
1980 | “Gradually Going Tornado” (Bruford)
1980 | “Lifelike” (Passport)
1980 | “20th Century Impressions” (Joe Diorio)
1981 | “The Bruford Tapes” (Bruford)
1981 | “Mellow” (Herbie Mann)
1983 | “Road Games” (Allan Holdsworth)
1983 | “Uncle Wonderful” (Janis Ian)
1984 | “Crazy Bird” (Clare Fischer and Salsa Picante)
1985 | “Hurricane” (Shumate-Reno Jazz Quintet)
1986 | “Master Strokes: 1978–1985” (Bruford)
1986 | “Storytime” (T Lavitz)
1987 | “Players” (Henderson-Berlin-Smith-Lavitz)
1987 | “The Spice of Life” (Kazumi Watanabe)
1988 | “The Spice of Life Too” (Kazumi Watanabe)
1993 | “Even Cowgirls Get the Blues” (k.d. lang)
1993 | “An Evening of Yes Music Plus” (Anderson Bruford Wakeman Howe)
1994 | “Nathan” (Nathan Cavaleri Band)
1995 | “The Inner Galactic Fusion Experience” (Richie Kotzen)
1995 | “Playtime” (Michael Zentner)
2002 | “Featuring…” (Novecento)
2006 | “Boston T Party” (Chambers / Berlin / Fiuczynski / Lavitz)
2006 | “Rock goes to College” (Bruford) (DVD)
2012 | “HBC” (Henderson-Berlin-Chambers)
2013 | “My Memories” (Nick Miller)

Jeff’s website: https://www.jeffberlinmusicgroup.com/

Oz Noy Trio

OZ NOY TRIO ft. DENNIS CHAMBERS & JIMMY HASLIP | EU TOUR 2022

OZ NOY TRIO ft. DENNIS CHAMBERS & JIMMY HASLIP

EU TOUR 2022


Ven. 02/12 IT #Roma | CrossRoads Live Club
Dom. 04/12 IT #Bergamo | Druso
Lun. 05/12 HU #Budapest | RaM Theater
Mar. 06/12 IT #Bologna | Bravo Caffè
Mer. 07/12 IT #Forlì | Forum Live Jazz c/ Teatro Dragoni Meldola
Gio. 08/12 IT #Napoli | Teatro Auditorium Salvo D”acquisto
Ven. 09/12 IT #Cosenza | Teatro Auditorium Unical
Dom. 11/12 IT #Bari | Teatro Comunale Luciani di Acquaviva delle Fonti
Mar. 13/12 NL #Zoetermeer | Poppodium Boerderij

Per acquistare i biiglietti:

https://www.bandsintown.com/a/184981-oz-noy


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CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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Dany Noel Trio PROMO VIDEO

Dany Noel Trio | PROMO VIDEO

Dany Noel Trio | PROMO VIDEO

https://youtu.be/sPea38xppOc


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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