The Whistling Heads | New Wave/Post Punk (IT)

The Whistling Heads | Dance Punk (IT)

The Whistling Heads

Dance Punk | IT

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU-based band)


Line-up

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Santino Mondello | Guitar
Samuele Costa | Bass
Giuseppe Arnao ā€œZiffoā€ | Drums


Style

A Messina dance-punk band with a wiry guitar attack, a restless rhythm section, and a clear instinct for hooks. Their sound moves from raw art-rock tension into dance-punk propulsion, keeping the urgency of British crank wave and new wave alive without sounding derivative. Sharp, youthful, and physically driven, they turn nervous energy into songs built for both small clubs and international showcases.


Profile

The Whistling Heads are a Messina-based dance-punk band shaped by rehearsal-room intensity, local underground culture, and a fast-developing live identity. Emerging from the Retronouveau orbit, they built their early profile through lean songs charged with alternative rock friction, noise-pop edges, and a youthful sense of tension. Since the first singles and the 2023 debut album Dull Boy, the project has expanded quickly through Italian dates, UK shows, growing international press attention, and the Gabe Gurnsey / Factory Floor remix of ā€œWell…I Meanā€.

Their 2025 release Better and Better than Before… widened the frame further with remixes, live cuts, and unreleased material, confirming a band that is no longer interested in staying inside one strict lane. What defines them is the balance between abrasion and melody: angular guitars, elastic basslines, alert drumming, and vocals that channel irony, pressure, and youthful disillusion with directness rather than pose.


Details

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Frontman and co-founder of the project, Alberto Zaccaro is the most visible narrative voice of the band. Public release credits list him as Albert Mud for lyrics, while interviews place him at the centre of the group’s stylistic shift from classic post-punk toward a more dance-punk direction. His delivery gives the songs their tension between sarcasm, anxiety, and immediacy.

Santino Mondello | Guitar
Santino Mondello belongs to the original nucleus that launched the band and remains crucial to its guitar identity. His playing helps define the band’s angular, British-facing language, balancing abrasion with shape and momentum. He has also publicly explained the origin of the name The Whistling Heads, underlining the project’s rooted Messina identity.

Samuele Costa | Bass
Samuele Costa is the bassist whose arrival helped turn an early idea into a stable working band. In interviews he describes the chemistry of the settled line-up as the moment the project became serious. His bass work is central to the spring-loaded grooves and to the more dance-oriented direction of the recent material.

Giuseppe Arnao ā€œZiffoā€ | Drums
Known as Ziffo, Giuseppe Arnao is the drummer whose arrival stabilized the line-up that wrote most of Dull Boy. His drumming gives the band lift, bite, and rhythmic discipline, carrying both the nervous post-punk drive and the newer club-leaning accents. He is also regularly present in the band’s public interviews and live presentations.

 


Biography

The Whistling Heads belong to the new Italian wave of bands reclaiming dance-punk as a live language rather than a museum code. Their identity is rooted in Messina, but the project already reads beyond its local scene through a British-facing guitar vocabulary, dance-aware bass movement, and a frontman presence that turns irony and pressure into direct stage communication. The result is a band that can work in clubs, alternative festivals, and showcase circuits with the same sense of urgency.


Discography

October — single — 2022-10
Teenage clichĆ© — single — 2023-03
Shoot Shoot — single — 2023-06
Dull Boy — album — 2023-09-01
Well…I Mean — single — 2024-02
Well…I Mean (Gabe Gurnsey / Factory Floor Remix) — single — 2024-04
Shut Me Up — single — 2024-05
Lullaby Lady — single — 2024-08
Wreck — single — 2025-03
Better and Better than Before… — compilation — 2025-09-13


Quotes

ā€œOne of the most interesting acts in today’s Italian underground.ā€
Stefano Gallone | Rockit | 2023-10-02

ā€œFrom Messina, beyond the borders of rock.ā€
Giandomenico Morabito | Musica Intorno | 2023-11-22

ā€œA gripping indie post-punk where electric crash, lively rhythms, and melodic pop taste all come through clearly.ā€
Gianluca Polverari / Radio CittĆ  Aperta | 2023-12-01

ā€œA band who knows exactly how to write a funky indie-rock tune.ā€
Fred Bambridge | It’s All Indie | 2024-02-12

ā€œThey are injecting fresh vitality into that spirit.ā€
Alice Teeple | Post-Punk.com | 2024-05-27


Reviews

The Whistling Heads: ā€œDull Boyā€ recensione / Rockit / Stefano Gallone / 2023-10-02

Dull Boy, The Whistling Heads oltre i confini del rock / Musica Intorno / Giandomenico Morabito / 2023-11-22

Intervista The Whistling Heads ad Alternitalia / Radio CittĆ  Aperta / 2023-12-01

The Whistling Heads drop their funky new tune, ā€œWell…I Meanā€ / It’s All Indie / Fred Bambridge / 2024-02-12

The Whistling Heads – Well…I Mean (Disasters by Choice) / The Big Takeover / Dave Franklin / 2024-02-15

Sicilian Post-Punk Quartet The Whistling Heads Debut Video for ā€œShut Me Upā€ / Post-Punk.com / Alice Teeple / 2024-05-27


WHATS GOING ON

Mikah MaquĆ” | IndiePop/Rock (NL)

Mikah MaquĆ” | Quirky Alt-Pop Rock (NL)

Mikah MaquĆ”

Quirky Alt-Pop Rock | NL

AVAILABILITY FOR EUROPE

2026-2027 | July 1st, 2026 to December 31st, 2027


Line-up

Mikah MaquĆ” | Voice
Fay Arapatsani | Drums
Federica Fornaro | Guitar
SiYu Liu | Keys


Shortly about Mikah

Mikah MaquĆ” stands out for her sharp songwriting, turning vulnerability, irony and neurodivergent self-awareness into catchy, emotionally direct indie-pop. A two-time finalist of the European Music Contest in the singer-songwriter category (2018 and 2021), she was also selected for the Hedon Beurs 2025 development trajectory. In 2026 she released her debut EP people pleaser with support from Music Support Overijssel, confirming her as a rising voice with both personality and momentum.

Style

Confessional indie-pop with the nerve of alt-rock and the bounce of spring-loaded guitars. Retro-leaning keys and sharp backbeats keep the songs moving between irony, tension, and release. The band DNA is intimate but not soft: melodic, emotionally direct, and built for dynamic live lift.


Profile

Mikah MaquĆ” sits where diaristic indie-pop meets wiry alternative rock. The center of gravity is a voice-first songwriting identity shaped by confession, irony, and emotional overshare, then pushed outward by a rhythm section that favors momentum over polish and by guitar work with a rougher art-rock edge. Fay Arapatsani brings physicality and dark-toned dynamic contrast from an art-pop and heavy-alt background; Federica Fornaro widens the harmonic field with psych, prog, and jazz-adjacent color, adding grain, tension, and movement rather than decorative texture. With keys functioning as both glue and counterpoint, the project lands in a sweet spot between catchy hooks and nervous energy: retro synth flashes, springy riffs, abrupt emotional pivots, and a live interplay that turns vulnerability into impact.


Details

Mikah MaquĆ”
Dutch-Canadian singer-songwriter Maaike Girardin fronts the project with a writing voice built on self-exposure, humor, and emotional contradiction. Public profiles consistently frame the material around neurodivergence, people-pleasing, awkward love stories, and revenge-fantasy wit, but the songs stay hook-led rather than purely confessional. Production and release history point to a collaborative studio axis with Lennert Klaui, giving the project a polished but still elastic alt-pop frame. Live, the material is built to scale from intimate confession to sharp collective lift.

ā€œHer relatable yet catchy pop songs let vulnerability collide with brutality.ā€ (Hedon Zwolle event text, 2026-01-22)

Fay Arapatsani
Athens-born and based in Utrecht, Fay Arapatsani brings a drummer-songwriter sensibility that favors weight, contour, and dramatic pacing. Her public bio maps a path from early piano study into drums, composition, and darker art-pop writing, with threads of ethnic jazz, pop, fusion, and electronics. That background translates well inside Mikah MaquÔ’s frame: she can support hook-based material while adding urgency, asymmetry, and a harder emotional undercurrent.

ā€œThe Greek artist carries the set with her powerful rock voice, which she can take impressively high.ā€ (Rogier van Nierop, 3voor12 Leiden, 2025-12-23)

Federica Fornaro
Federica Fornaro adds the project’s rougher guitar grain. Her documented work with Basiliscus P points to a player comfortable with psych rock, prog structures, 1990s alternative edges, and jazz-adjacent openness, which makes her especially useful in a band that needs songs to move beyond pure singer-songwriter framing. She is less about ornamental lead lines than about shape, texture, and expansion: widening choruses, introducing friction, and giving hooks a more physical body.

ā€œA talented and eclectic Messina band.ā€ (Nadia Cornetti, Off Topic Magazine, 2022-12-21)

SiYu Liu
SiYu Liu is the keys chair in this lineup. In band-DNA terms, the role is important: keys soften transitions, reinforce hooks, and connect the project’s retro-pop sheen to its more nervous rock edge. Public-facing January 2026 band posts identify the keys position as Sharon Liu under the handle @cactusinpoppy, so this profile keeps the role in the lineup while avoiding unverified biographical or discographic claims beyond its ensemble function.


 


Biography

Mikah MaquĆ” is the project of Dutch-Canadian songwriter Maaike Girardin, building songs around awkward honesty, pop immediacy, and emotional whiplash. Public-facing bios and event texts consistently frame the act as a mix of retro synths, springy guitars, and catchy songwriting that turns vulnerability, humor, and instability into hooks built for the stage rather than the diary page.


Discography

Mikah MaquĆ”
Singles: something to remember (2025), wish you were dead (2025), ADHD (mental break-up) (2025), someone else (2026), HELLO?! (2026). EP: people pleaser (2026).

Fay Arapatsani
Single: Hardpill (2024). EP: will I go under (2024). With Amalphi: album Acheron I (2019), EP Valley – Serpent – Womb (2023).

Federica Fornaro
With Basiliscus P: album Placenta (2017), singles Urban Safari (2022) and Magenta (2022), album Spuma (2022). Feature: Giadar, Mirror in the Mirror feat. Federica Fornaro (2022). Additional credited appearance: La Stanza della Nonna, Dove gli occhi non possono arrivare (2019).

SiYu Liu
No public discography could be independently verified under the supplied name.


Quotes

  • ā€œHer relatable yet catchy pop songs let vulnerability collide with brutality.ā€ Hedon Zwolle, 2026-01-22
  • ā€œThe Dutch-Canadian artist makes a mix of retro synths, springy guitars and catchy pop songs.ā€ Poppunt Overijssel, 2026-01-22
  • ā€œThis band has the most unique sound of the evening.ā€ Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • ā€œThe Greek artist carries the set with her powerful rock voice, which she can take impressively high.ā€ Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • ā€œA talented and eclectic Messina band.ā€ Nadia Cornetti, Off Topic Magazine, 2022-12-21
  • ā€œA more mature, experimental, complex and enveloping sound.ā€ Laura Lipari, LetteraEmme, 2022-10-13

Reviews

  • Mikah MaquĆ” brengt met hulp van MSO debuut EP uit – Poppunt Overijssel – 2026-01-20 – https://poppuntoverijssel.nl/mikah-maqua-brengt-met-hulp-van-mso-debuut-ep-uit/
  • Van zangles in De Meerpaal naar eigen muziek: Mikah MaquÔ’s muzikale reis – FlevoPost – 2025-12-24 – https://flevopost.nl/dronten/van-zangles-in-de-meerpaal-naar-eigen-muziek-mikah-maqua-s-muzikale-reis-47898303.html
  • MIKAH MAQUƁ – Hedon Zwolle – 2026-01-22 – https://www.hedon-zwolle.nl/voorstelling/32766/mikah-maqua
  • Formula Indie Schedule 5th to 11st January 2026 – European Indie Music Network – 2026-01-05 – https://euroindiemusic.info/2026/01/05/formula-indie-schedule-5th-to-11st-january-2026/
  • Euro Indie Music Chart 3.26 – European Indie Music Network – 2026-01-27 – https://euroindiemusic.info/2026/01/27/euro-indie-music-chart-3-26/
  • Douze points voor Griekenland – 3voor12 Leiden | Rogier van Nierop – 2025-12-23 – https://3voor12.vpro.nl/lokaal/leiden/artikelen/overzicht/2025/december/Nobel-Award-2025-finale.html
  • Basiliscus P – Spuma (Tuma Records/The Orchard, 2022) – Off Topic Magazine | Nadia Cornetti – 2022-12-21 – https://offtopicmagazine.net/2022/12/21/basiliscus-p-spuma/
  • Urban Safari: il nuovo singolo dei Basiliscus P in uscita il 13 ottobre 2022 – LetteraEmme | Laura Lipari – 2022-10-13 – https://www.letteraemme.it/urban-safari-il-nuovo-singolo-dei-basiliscus-p-in-uscita-il-13-ottobre-2022/
  • Interview – Basiliscus P – Indie-Roccia | Smoking Area – 2022-09-08 – https://www.indie-roccia.it/interviste/interview-basiliscus-p/

WHAT’S GOING ON

https://www.coralriff.biz/events/

BOOKING REQUEST

Mugre | PostPunk, Rock (AG)

MUGRE | PostPunk, Rock (AG)

Mugre | PostPunk, Rock (AG)

AVAILABILITY FOR EUROPE

MAY 7th to 29th

Line-up

JazmĆ­n Esquivel | Guitar & vocals
Lucy PatanƩ, Paula Maffƭa, Los Alces, Leo Sujatovich, Juanito El Cantor, Pol Nada

SofĆ­a Naara Malagrino | Drums & vocals
Lucy PatanƩ, Mariana Michi, TomƔs Viola, Valentƭn Basso, Eugenia Sasso

Mariana Michi | Bass & vocals
Julieta Venegas, Lito Vitale, Nahuel Briones, Axel Krygier, Michelle Blades, Barbie Williams, Axel Mark, Tweety GonzƔlez

Style

Post‑punk/punk‑rock power trio with three interlocking lead vocals. Dry, driving groove; angular guitar and melodic bass push songs from sweetness to abrasion in seconds. Everyday lyrics with a political undertow and sharp humor—built for the live room, recorded like it.

Profile

MUGRE is a Buenos Aires-based post‑punk/punk‑rock power trio formed in 2015 by JazmĆ­n Esquivel, SofĆ­a Naara Malagrino and Mariana Michi. Three voices share the lead: hooks arrive as a chant, an argument, or a punchline, always riding tight drums, angular guitar and a bass line that refuses to stay in the background. Their 2024 full‑length SOMOS PROFESIONALES (Twitin Records), produced by Tweety GonzĆ”lez, captures the band as it works: close to live, with arrangements kept lean and decisions made fast. Across ten songs, everyday scenes open into a political undercurrent—humor, desire, break‑ups and boundaries—without losing the adrenaline of the underground rooms where they grew up. On stage, MUGRE reads as one compact instrument: rhythmic precision, hard stops, and sudden turns from sweetness to abrasion, built for sweat, pogo and sing‑along.

Details

JazmĆ­n Esquivel
Songwriter-guitarist with a pop instinct sharpened by post‑punk economy: short forms, tight melodic curves, and lyrics that turn the everyday into subtext. Her phrasing favors contrast—soft lead lines against hard edges—so the guitars can both cut and sing. Outside the trio she moves through acoustic and producer-led contexts, feeding MUGRE with new harmonic ā€œtoysā€ and vocal colors. In the band, she anchors narrative direction: voice, riff and scene-setting in one gesture.

(ā€œMariana Michi and JazmĆ­n Esquivel rock hard without losing the glamour.ā€ Rolling Stone en EspaƱol, 2024-10-12)

SofĆ­a Naara Malagrino
A drummer-vocalist who thinks like an arranger: she controls density with silence, accents and sudden accelerations. Her playing stays dry and forward, giving the trio’s three voices a clean grid to lock into. In the studio and on stage she treats timbre as structure—pads, textures and dynamic shifts as part of the song. In MUGRE she is the cut: the decisive pulse that makes the band feel compact and volatile.

Mariana Michi
A bassist-producer whose lines carry melody as much as weight, pushing songs forward without losing shape. Her sound favors groove with intention: tight repetition, then one turn that changes the whole picture. She brings a production ear to the trio—how a part sits, how a chorus lifts, how the low end tells the story. In MUGRE she balances impulse and control, making the band’s contrasts feel deliberate rather than accidental.

(ā€œMariana Michi and JazmĆ­n Esquivel rock hard without losing the glamour.ā€ Rolling Stone en EspaƱol, 2024-10-12)

Discography

MUGRE

  • Emocionando a la gente (EP, 2018; Bandcamp release 2020)

  • FURIA BEBE (single, 2019)

  • No te perdono (single, 2019)

  • Gracias por cuidar el Equipo (album, 2019)

  • La santĆ­sima trinidad (EP, 2023)

  • SALTEMOS MOLINETES (single, 2024)

  • SOMOS PROFESIONALES (album, 2024)

JazmĆ­n Esquivel

  • EP (EP, 2016)

  • Las Historias (EP, 2017)

  • PĆŗrpura (album, 2018)

  • PuƱal (single, 2020)

  • Medianoche Radio Club (album, 2021)

  • y regalamelo (single, 2021)

  • Misiones (Dos Lobas Remix) (single, 2022)

  • yo no trabajo para nadie, solo trabajo para mĆ­ (single, 2022)

  • RELƁMPAGOS (single, 2025)

  • la forma (single, 2025)

  • LA HORA NARANJA (album, 2025)

SofĆ­a Naara

  • Uno [OHDIOSA] (EP, 2017)

  • RĆ”pido [OHDIOSA] (EP, 2018)

  • RaĆ­z (Mi propio invento) (album, 2021)

  • Las Torpezas (album, 2022)

  • Las Torpezas en la Intimidad (Acoustic) [feat. Eugenia Sasso] (single, 2024)

  • Las torpezas en la intimidad (album, 2024)

  • VĆ©rtigo (album, 2025)

Mariana Michi

  • Cayó el Valiente (album, 2018)

  • Baile Inaugural – Sesión en Vivo (single, 2019)

  • No Somos Reyes – Sesión en Vivo (single, 2019)

  • Ruidos Programados en vivo en La Tangente (single, 2020)

  • LA PAZ OBLIGADA (EP, 2020)

  • LA PAZ OBLIGADA II (EP, 2020)

  • HIJO DE CAMPEONES (album, 2021)

  • No Sentir Nada (single, 2021)

  • NUNCA DA IGUAL (album, 2023)

  • Atada (single, 2023)

  • Admiración (single, 2023)

  • Repatriarme (single, 2023)

  • Sombras y Noches (single, 2024)

  • Sesión āš”ļø en Vivo (EP, 2024)

  • El Derrumbe (single, 2025)

  • PoesĆ­a completa (single, 2025)

  • La noche interminable (album, 2025)

  • Vos no sos uno de ellos (album, 2025)

Ā 

Quotes

Ā 

Reviews

Daraa Tribes

DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)

DARAA TRIBES Tribal Fusion & Saharan Blues (MA)

SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS-8
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Line-up

Rachid Berazougui | Electric guitar, vocals
Playing For Change (Live Outside); international festival circuits (EU/UK/NA)

Mustapha Aqermim | Rhythm guitar, backing vocals
Collective songwriting; linguistic/organizational bridge in international collaborations

Abdelkebir Saadi | Bass, backing vocals
Grounding rhythm section between Regaga and desert‑blues groove; full‑band live set

Abdelhafid ā€œHafidā€ Ami | Percussion (cajón/krakebs), backing vocals
Polyrhythms and ritual patterns (Lkaaba) integrated into an electric set

Mohamed Sabir | Drums
Drummer in the band’s amplified live configuration; adds a more driving full-kit pulse to the groove

Balkhir Razgui | Vocals, percussion (founder, in memoriam)
Founding voice of the project (2014–2024)

Style

Tribal Fusion and Saharan Blues from the palm groves of Tagounite: desert‑guitar riffs, trance percussion and call‑and‑response that turn the stage into a shared rite.

Profile

Daraa Tribes formed in 2014 in Tagounite, an oasis town in Morocco’s Draa Valley: a group of friends from different tribes translating their home’s coexistence into sound. Their ā€œblues of the desertā€ intertwines Gnawa, Sahraoui, Amazigh and Regaga idioms into a contemporary language—dry, hypnotic electric guitars, a pulsing bass, polyrhythmic percussion and multilingual chorus lines (Darija, Tamazight, Hassani). On stage the band builds by accumulation: circular grooves, minimal variation and tight interplay that draws the audience into a collective dance. After consolidating an international trajectory across festivals and clubs, Daraa Tribes have just wrapped up a UK mini‑tour (Bristol–London–Manchester), reaffirming the project’s high‑intensity live dimension.

DetailsĀ 

• Rachid Berazougui writes and sings part of the repertoire with a desert‑tone electric guitar that leads the set’s hypnosis. (ā€œImmerse yourself in the rich tapestry of sound that is the heartbeat of Daraa Tribes.ā€ Playing For Change, 2025-04-01)

• Mustapha Aqermim is a rhythmic and narrative engine: the band’s identity grew ā€œin a circle,ā€ without hierarchy, from sharing traditions. (ā€œWe didn’t plan to start a band. We just started playing togetherā€¦ā€ Matt Ross, Arab News, 2020-08-16)

• UK mini‑tour (just concluded): Jam Jar (Bristol, 2026-01-03), Hootananny (Brixton, 2026-01-07), Band on the Wall (Manchester, 2026-01-11).

• Sound imprint: desert‑guitar groove with a Gnawa edge—a writing approach that stays danceable even at its most ritual. (ā€œā€¦incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.ā€ Tony Benjamin, Bristol24/7, 2026-01-02)

Discography

  • Alwan (EP, 2017)

  • Igharman (LP, 2018)

  • Zamane (EP, 2019)

  • Lakbayl (single, 2021)

  • Sahara (single, 2022)

  • Torat Vol. 1 (EP, 2024)

MUSIC REVIEWS

Listening Now : Daraa Tribes – Bshara | 2024-02-02
https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/

Torat Vol. 1, au fil du nouvel EP des Daraa Tribes | 2024-01-29
https://djolo.net/torat-vol-1-au-fil-nouvel-ep-daraa-tribes/

BSHARA REVIEW: The Vitality of North African Pastoral Life | 2024-01-25
https://music.coralriff.biz/bshara-vitality-north-african-pastoral-life/

Daraa Tribes Evoke the Vitality of North African Pastoral Life in the Traditional and Saharan Blues Fusion of ā€œBsharaā€ | 2024-01-24
https://queencitysoundsandart.wordpress.com/2024/01/24/daraa-tribes-evoke-the-vitality-of-north-african-pastoral-life-in-the-traditional-and-saharan-blues-fusion-of-bshara/

Daily Discovery: Daraa Tribes – Bshara | 2024-01-17
https://rhythmpassport.com/daily-discovery-daraa-tribes-bshara/

Daily Discovery: Daraa Tribes – Sahara (Official Video) | 2022-10-18
https://rhythmpassport.com/daily-discovery-daraa-tribes-sahara-official-video/

Joli moment de convivialitƩ dans le Sahara avec la Daraa Tribes | 2022-10-10
https://djolo.net/joli-moment-convivialite-dans-sahara-avec-daraa-tribes/

LAKBAYL | BLOGS’ REVIEWS | 2021-10-17
https://music.coralriff.biz/lakbayl-blog-reviews-single-release/

Toutes les Daraa Tribes se rƩunissent sur Lakbayl | 2021-10-08
https://djolo.net/toutes-les-daraa-tribes-se-reunissent-sur-lakbayl/

All the Daraa Tribes meet on Lakbayl | REVIEW ON DJOLO | 2021-10-08
https://music.coralriff.biz/all-daraa-tribes-meet-lakbayl-review-on-djolo/

Globalism //4 | 2021-10-04
https://lastdaydeaf.com/globalism-4/

UltraRadar. Nueva mĆŗsica alternativa mundial – Octubre 2021 | 2021-10-01
https://planarteria.com/2021/10/ultraradar-nueva-musica-alternativa-mundial-octubre-2021/

QuotesĀ 

ā€œā€¦incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.ā€

Tony Benjamin, Bristol 24/7, 2026-01-02) — https://www.bristol247.com/culture/music/bristols-month-in-world-music-january-2026/

ā€œWe are delighted to welcome back Daraa Tribes as the celebratory closing act of our first digital festival.ā€

Liverpool Arab Arts Festival, 2020-07-18) — https://www.arabartsfestival.com/events/daraa-tribes/

ā€œThe track… fusing ancient rhythms with contemporary flair… offering listeners a sonic journey.ā€

Last Day Deaf, 2024-02-02 — https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/


Reviews / articles / profiles

Profiles & bio

UK tour (just concluded)

Live reviews

Electric Lady Tereza Rais

ELECTRIC LADY | Rock (CZ)

ELECTRIC LADY | Rock (CZ)
Guitar shredder and singer

AVAILABILITY FOR EUROPE
2026 | Upon request (EU resident band)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY_logoleft
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Line-up

Tereza Rays | Guitar, voice

Kenney Jones, Paul Bond, Nigel Lowis, Ivan KrƔl, Kirk Covington, Rytmus

Cayman | Bass

Canaima, Lucie ā€œViglyā€ JenƭčkovĆ”, Jan ā€œNedyā€ Nedoma, Richard ā€œRĆ­tchaā€ Karel, Marcel ā€œMarcoā€ Kříž

Robin Evans | Drums

PROSE (UK), Kyle Francis Falc, Neeve Zahra, Twelve24, Blinding Talent

Style

Riff-first rock trio built for the stage: short-fuse energy, big hooks, no filler. Blues-rock grit with arena-ready choruses, Hendrix-era swagger, and modern punch. A locked rhythm engine under a frontwoman who writes, arranges, and drives the narrative.

Profile

Electric Lady are a lean, high-voltage trio fronted by guitarist–vocalist and songwriter Tereza Rays. Their sound sits where blues-rock muscle meets modern hard-rock immediacy: tight, riff-driven verses that open into melodic choruses built to travel. The band’s DNA is all about articulation and impact—crisp guitar attack, a bass line that stays warm and physical, and drums that hit with straight-ahead authority while leaving space for vocal phrasing.

On record and on stage, Electric Lady move like a single unit: the rhythm section locks into a punchy pocket, while the guitar alternates between dirty groove and bright, singing leads. References to classic rock icons are present in the tone and swagger, but the writing keeps the focus on direct storytelling and cathartic release.

Details

Tereza Rays | Guitar, voice Writer-arranger at the center of the project, shaping songs around riff clarity and vocal urgency. A blues-rock foundation with a modern, radio-ready sense of structure and hook placement. Known for an assertive stage presence where lead lines stay melodic even at full distortion. Recent studio and live work connects her to high-profile UK production and legacy-rock circles. ā€œVocalist and guitarist Tereza Rays is a tour de force… Her vocals soared and dipped with effortless control.ā€ (Sara Harding, MetalTalk, 2025-09-11)

Cayman | Bass A bassist who prioritizes weight and glue: round low-end, steady drive, and quick dynamic shifts. Brings a band-player mindset—supporting riffs, reinforcing choruses, and tightening transitions. Comfortable in power-trio arrangements where every note has to hold the room. A background in rock projects beyond Electric Lady feeds a grounded, performance-forward feel. ā€œCayman on bass and Robin Evans on drums match Tereza’s energy and power… share the same undeniable love for creating music.ā€ (Mariam Atef, Rock Era Magazine, 2025-07-13)

Robin Evans | Drums A drummer built for forward motion: firm backbeat, confident accents, and clean, driving fills. Keeps the groove anchored while staying responsive to vocal phrasing and guitar pushes. Balances punch with economy—no excess, just momentum and control. Active across multiple UK rock contexts, bringing a seasoned live sensibility to the trio. ā€œRiffs blasted through this venue, while Evans and Cayman locked into the groove.ā€ (Sara Harding, MetalTalk, 2025-09-11)

Discography

Tereza Rays Storm (single/EP, 2013) Electrical (album, 2015) Wicked (EP, 2018) Trilogy (project, 2020–2021): Rebelia, Politica, Influenza (singles) Stand Up (single, 2022) I’m Done (I’ve Had Enough) (single, 2025-06-27) One Way Ticket (single, 2025-07-25) I Must Let You Go (single, 2025-09-12)

Cayman Go Down The Way (Canaima, album, 2011-05-01) Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

Robin Evans Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

Ā 

Members Quotes

Tereza Rays

  • ā€œVocalist and guitarist Tereza Rays is a tour de force.ā€ — Sara Harding, MetalTalk, 2025‑09‑11.
  • ā€œA rousing rock energy dazzles… Tereza Rays’ vocals stir with a dynamic appeal.ā€ — Mike Mineo, Obscure Sound, 2025‑08‑07.
  • ā€œA middle finger in the air… a reminder of why rock and roll will never die.ā€ — Natalie Patrick, EARMILK, 2025‑07‑11.
  • ā€œWith ā€˜I’m Done’, she doesn’t just perform the song—she lives it.ā€ — Music‑News (Underground), 2025‑08‑08.

Robin Evans

  • ā€œā€¦propelled by Robin Evans’ relentless drummingā€¦ā€ — LOCK Magazine, 2025‑07‑07.
  • ā€œCayman on Bass and Robin Evans on Drums match Tereza’s energy and power.ā€ — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Cayman

  • ā€œā€¦and Cayman’s grumbling bass lines.ā€ — LOCK Magazine, 2025‑07‑07.
  • ā€œCayman on Bass… match[es] Tereza’s energy and power.ā€ — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Reviews & Interviews

• ā€œElectric Lady, Dylan Gers & Bitchin’ Hour — A Tantalising Triple At The Black Heartā€ • MetalTalk • Sara Harding • 2025‑09‑11

https://www.metaltalk.net/gig-review-electric-lady-dylan-gers-and-bitchin-hour-a-tantalising-triple-at-the-black-heart.php

• ā€œFive Artists You Need to Hearā€ • Rolling Stone UK • Alex Ford • 2025‑07‑29

https://www.rollingstone.co.uk/culture/five-new-artists-to-watch-52472/

• ā€œElectric Lady return with their explosive new single ā€˜I’m Done (I’ve Had Enough)ā€™ā€ • LOCK Magazine • Lock Editor • 2025‑07‑07

https://www.lockmag.co.uk/electric-lady-return-with-their-explosive-new-single-im-done-ive-had-enough/

• ā€œElectric Lady Drops Fiery New Single ā€˜I’m Done (I’ve Had Enough)ā€™ā€ • TotalNtertainment • Jo Forrest • 2025‑07‑07

https://www.totalntertainment.com/music/electric-lady-drops-fiery-new-single-im-done-ive-had-enough/
• ā€œElectric Lady shares a uprising with ā€˜I’m Done (I’ve Had Enough)ā€™ā€ • EARMILK • Natalie Patrick • 2025‑07‑11

https://earmilk.com/2025/07/11/electric-lady-shares-a-uprising-with-im-done-ive-had-enough/

• ā€œElectric Lady — ā€˜I’m Done (I’ve Had Enough)ā€™ā€ • Obscure Sound • Mike Mineo • 2025‑08‑07

https://www.obscuresound.com/2025/08/electric-lady-im-done-ive-had-enough/

• ā€œElectric Lady drops fiery new single ā€˜I’m Done (I’ve Had Enough)ā€™ā€ • Music‑News (Underground) • Staff • 2025‑08‑08

https://www.music-news.com/news/Underground/183584/Electric-Lady-drops-fiery-new-single-I-m-Done-I-ve-Had-Enough

• ā€œElectric Lady Reigniting Fire in the Rock N Roll Sceneā€ • Rock Era Magazine • Mariam Atef • 2025‑07‑13

https://rockeramagazine.com/electric-lady-im-done/

• Event: Electric Lady — The Black Heart, London (hosted by Elles Bailey) • Our Black Heart (venue listing) • 2025‑09‑09

https://www.ourblackheart.com/events/2025/9/9/electric-lady

• Czech Centre Recommends: Electric Lady @ The Black Heart • Czech Centre London • 2025‑08‑12

https://london.czechcentres.cz/en/blog/2025/08/electric-lady

• Artist page / releases • Apple Music • 2025

https://music.apple.com/us/artist/electric-lady/424289152

• Single page: ā€œI’m Done (I’ve Had Enough)ā€ • Apple Music • 2025‑06‑27

https://music.apple.com/gb/song/im-done-ive-had-enough/1816434462

• Single upload: ā€œOne Way Ticketā€ (audio) • YouTube Music • 2025‑07‑25

https://www.youtube.com/watch?v=o4ROksdsClg

• Ibanez Artists: Tereza Rays • Ibanez • profile

https://www.ibanez.com/eu/artists/detail/1662.html

• Electrical (album) — release note • MusicGlue • 2015‑04‑01

https://www.musicglue.com/electric-lady/products/electrical

• Electrical (album) — Bandcamp about • Bandcamp • 2015

https://electric-lady.bandcamp.com/album/electrical


BIO

Tereza Rays (ELECTRIC LADY) is a guitarist and singer who was born in the Czech Republic on February 6, 1987 in the Czech Republic. She is the exclusive author of her compositions, lyricist and music arranger, she participates in the current production with producer Roman Rossi – manager. She recorded her debut album in Texas in 2014. Tereza is currently a corporate player of Ibanez and Blackstar, in the past she represented Fender. She has collaborated with many Czech and foreign artists.

She started playing the guitar thanks to the music of Jimi Hendrix. Tereza was born in Kladno and at the age of 15 she started playing the guitar and singing, her parents didn’t support her music much. However, Tereza went her own way and after the founding of the band Electric Lady she recorded many musical successes not only at home, but also abroad. Even this year, 2022, we announced concerts around the world, not only in the USA, but also in Poland, England, Norway, the Czech Republic and Slovakia. Tereza also performed at VIP private events in Russia, at the announcement of music awards “REALNA PREMIE”, etc.

The band was founded in 2013 with the emergence of the single “Storm”, which also reached the European MTV or Russian Music Box, where they even placed 3 clips in monthly rotations. The band plays guitar, bass, drums Tereza flew to New Orleans the same year, where she performs on the streets in small clubs for 3 months, after returning to the Czech Republic she wins the international blues competition Blues Aperitif for young talents. Subsequent years later, as a winner, she performed at Blues Alive in the Czech Republic and Poland. In 2015, she released her debut album “Electrical”, which she went on to record at the invitation of drummer Kirk Covington to the USA in Texas. She completed and released musical material in the Czech Republic and became a corporate player of the world-famous brand Fender.

In 2016, the band went on tour with the Czech popular band Mandrage and performed across Czech Republic and Slovakia. That same year, Tereza collaborated with Ivan Kral on the song ā€œA Part Of My Heart.ā€ That same year, the band performed in front of American bassist NIK WEST and Eric Gales.

In 2020, Electric Lady releases her largest and most expensive musical, Trilogy 2020, under the auspices of the Nemoros Agency and a collaboration with KOBALT, on which Tereza collaborated not only with English producer Nigel Lowis.In 2021, Tereza became a corporate player of the IBANEZ and BLACKSTAR brands, several concerts around the world, participation in the USA at this summit and other events in the USA are planned.

Al Alma

AL ALMA | Indie-songwriter (NL)

AL ALMA | Indie-Songwriter (CA)

AVAILABILITY FOR EUROPE

2025 | Upon request

2025 06 1013 54 39 AlAlma AL ALMA | Indie-songwriter (NL)
2025 06 1013 54 39 AlAlma AL ALMA | Indie-songwriter (NL)
2025-06-1013_54_39-AlAlma
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Line Up:

Maaike Girardin | Vocals, Author
Dutch-Canadian singer-songwriter with a dreamy timbre and poetic lyrics

Alberto Ammendolia | Guitar
Sicilian guitarist, arranger, sound designer

Alba Vivaldi Huuse | Violin
Norwegian-Spanish violinist, emotional and cinematic melodies

AL ALMA is an international folk-pop trio that combines a taste for travel, storytelling and sonic intimacy. The voice of Maaike Girardin, a Dutch-Canadian singer-songwriter with a nomadic sensibility, intertwines with the rhythmic and dreamy guitars of Alberto Ammendolia (Sicily) and the vibrant and cinematic melodies of Alba Vivaldi Huuse’s violin (Norway-Spain).

Since 2024, the group has been performing under the name *AL ALMA* – ā€œTo the soulā€ in Spanish – offering an immersive live experience, made of evocative soundscapes and lyrics that tell emotions while traveling.

Their music evokes the desire to get in a car without knowing where you will go.

For those who love Lizzy McAlpine, Maro, Phoebe Bridgers.

MAAIKE GIRARDIN

Maaike Girardin is a Dutch Canadian singer and songwriter who travels the world with her music. Her signature voice, full of feminine sensitivity, discusses hidden thoughts, confessions and broken hearts, which she conveys with charm to her listener as an expert by experience.
Maaike invites you to relive her physical and emotional journeys, but this time through her poetic lyrics and folky guitar playing. In recent years, Maaike has played on stages all over the world, including in Israel, Vietnam and Australia. She collaborated with many musicians of different nationalities and genres. Performances at the Swedish embassy in Hanoi and the Blue Note Jazz Club in Milan are moments she can look back on with pride.
She has something personal. She introduces you to her world. She is naked and shares her emotions. She shares who she really is. It doesn’t sound like anyone else. She is only Maaike Girardin. This is what an artist does. – Dariana Koumanova Conductor of the Sanremo Festival Orchestra.
Maaike Girardin has won multiple awards at the Artist Voice Music conference in Italy. In the summer of 2019 she returned to the Netherlands to devote herself full-time to her music in combination with her Songwriting studies at the Rock Academy. Maaike is currently working on her debut album with Italian guitarist Alberto Ammendolia, which will be released in 2022. This year she is in the national final of Tour Music Fest (Rome, Italy) for the second time. She also played at the Circolo Festival, KRANG festival in the Netherlands, and Wonderest festival in Hungary this year. Her ambition is to touch as many souls as possible with her music and to relive the connection between people.

Fanck Biyong

Franck Biyong | Afrobeat/Electronic/Jazz/Rock

FRANCK BIYONG

Afrobeat, Electronic, Jazz, Rock

AVAILABILITY FOR EUROPE

2026-2027 | April 1st, 2026 to December 31st, 2027


Fanck Biyong
Fanck Biyong
FranckBiyong1
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Franck Biyong is available with two different amazing projects:
Franck Biyong & Lipombe Jazz (Afrobeat-AfroJazz) and Afrobrainz (Electronic-Funk-Rock)

LIPOMBE JAZZĀ (Afrobeat-AfroJazz)

Lipombe Jazz is the more organic, Afro-jazz oriented branch of Franck Biyong’s creative universe: a project built around African groove, ensemble writing and a strong narrative impulse. Conceived as a meeting point between Afrobeat, Afro-jazz and Cameroonian musical memory, it develops a warm, ritualistic and cinematic sound, blending tradition with a contemporary outlook. On Ibolo Ini, that identity comes into focus through layered rhythm, rich timbral depth and a distinctly pan-African sense of motion.

AFROBRAINZĀ (Electronic-Funk-Rock)

Afrobrainz is Franck Biyong’s alternative Afro-electro-rock project, where electronic funk, guitar-driven rock energy and African rhythmic language meet in a consciously crossover form. Built within his broader Afrolectric vision, the project pushes toward a sharper, more urban and more amplified sound, combining groove, distortion, hooks and pan-African pulse. Afrobrainz presents Biyong in his most electric mode: forward-looking, rhythmically charged and designed to connect club energy with live-band intensity.

ABOUT

Franck Biyong’s solo project turns Afrobeat lineage, Afro-rock guitar language and futurist production into one highly individual signature. It moves between makossa pulse, electric funk, psychedelic rock and jazz-minded arrangement without losing dance-floor intent. The result is Afrolectric: historically rooted, rhythm-forward and sonically restless.

Profile

Franck Biyong is a Cameroonian composer, guitarist, bandleader and producer whose work bridges African rhythmic memory with an adventurous electric language. Raised across Gabon, Nigeria and CĆ“te d’Ivoire before settling in the UK as a teenager, and trained at the National Institute of Arts in Abidjan, he developed a musical identity shaped equally by West and Central African traditions, rock guitar culture and forward-looking studio experimentation. As the creator of the Afrolectric sound, Biyong has built a catalogue that stretches from the early Massak records to recent releases such as Moonwatching 2, Radio Masoda and Struggle 4 Money. His artistic profile combines the historical awareness of an archivist, the instinct of a groove architect and the appetite of a sonic explorer. The result is music that can sound ceremonial, urban, psychedelic and political at once, while remaining unmistakably African in pulse and perspective.

Details

Franck Biyong stands out for the way he treats the electric guitar as both lead voice and textural engine. His writing often connects African rhythmic structures to rock tension, jazz openness and cinematic arrangement. Across albums, singles and collaborative projects, he has built a language that is as concerned with memory and lineage as it is with modernity, distortion and motion. That balance makes him a compelling proposition for festivals, theatres, listening venues and editorial platforms looking for an African artist with a clear signature rather than a generic crossover profile.

ā€œThe way Franck Biyong composes is unlike any other musician you will find.ā€
(Sinusoidal Music, review of Moonwatching 2*, 2023-12-19)*

Releases

Albums 2006 — Realms of Atlantis
2007 — Haiti Market
2008 — Spirits into Sounds
2009 — Rhythms of Our Memory
2010 — Visions of Kamerun
2010 — Voodoolectric Ground
2011 — Jazz & Africa: Knowledge Identity Reconstruction
2011 — Meeting the Basic Needs of the People
2012 — Ki I Ye Yi
2015 — Moonwatching
2017 — Afro Bikutsi Live!
2018 — Evening Prayer
2019 — The Lamp, Light and Eye of God
2019 — Afro Galactic Spaceway
2019 — Ibolo Ini (with Lipombe Jazz)
2021 — Celestial Navigation Suite
2021 — The Afrovision Secret
2022 — Kunde
2023 — Moonwatching 2
2024 — Radio Masoda

EPs and singles 2011 — Power of Brain
2012 — C.F.A Music
2012 — 21.12.2012 (Truth or Lies?)
2015 — I.T.T. (International Thief Thief)
2015 — End of the Road
2015 — Liyomba Church
2020 — Trouble
2023 — Silence Is Music (with Florie Namir)
2024 — Oladipo (feat. Chief Udoh Essiet & Tony Allen)
2024 — Lipanda (feat. Mary May)
2024 — Jela Kubwa Na Viboko (feat. Aint4perfect) [Aint4Perfect Remix]
2024 — Radio Masoda (Remixed)
2025 — Struggle 4 Money

Citations

ā€œWe are delighted to be presenting ā€˜Radio Masoda’, the brilliant new album by the Cameroonian master musician and composer Franck Biyong.ā€
Tangential Music press text, mirrored on EthnoCloud
2024-06-22
https://ethnocloud.com/Franck_Biyong/?blog=2256

ā€œFranck Biyong’s album, Radio Masoda is a remarkable tribute to the classic era of African music.ā€
Tyler Bennet, World Music Central
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

ā€œThe way Franck Biyong composes is unlike any other musician you will find.ā€
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

ā€œNow delving into the world of electronic rock with a definitive African flavour, Franck’s spectacular electric guitar riffs and modern sound mean he’s certainly one to keep an eye on.ā€
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

ā€œBut most of the album is upbeat and ā€˜Diamane Abele’ is another dancefloor killer and ā€˜Elephant Rumble’ is exactly what it says on the tin.ā€
Gerry Hectic, You and the Music
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Reviews

Franck Biyong: ā€œI just want to tear down the barrier that separates African music from the mainstreamā€
Songlines
Daniel Brown
2024-06-13
https://www.songlines.co.uk/features/franck-biyong-i-just-want-to-tear-down-the-barrier-that-separates-african-music-from-the-mainstream

Review: Franck Biyong – Radio Masoda (Tangential Music)
You and the Music
Gerry Hectic
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Franck Biyong’s Radio Masoda – A Tribute to African Music’s Golden Era
World Music Central
Tyler Bennet
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

Review: Franck Biyong – Radio Masoda Remixed (Tangential Music)
You and the Music
Gerry Hectic
2024-10-15
https://www.youandthemusic.com/2024/10/review-franck-biyong-radio-masoda.html

Franck Biyong shows us his afroelectric mould taking shape with his album, ā€œMoonwatching 2ā€
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

Cameroon guitarist releases new video
Music In Africa
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

Check

Canvas delivered (combined profile, citations, reviews) → Status: OK
No placeholders (TBD, PCH, ā€œMember 2ā€, etc.) → Status: OK
Section titles in H4, 1–2 words, without numbers and without parentheses → Status: OK
Line-up in the correct format (Name|Instrument in bold; collaborations in italics; no bullets; no labels such as ā€œCollaborations:ā€) → Status: OK
Single, coherent language throughout → Status: OK
No links inside the Project Profile body → Status: OK
Citations/reviews with dates in YYYY-MM-DD format where available → Status: OK
Final Sources box present separately → Status: OK

http://www.franckbiyong.net/


WHAT’S GOING ON

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Femi Koya | Afro Jazz, Afro Beat, World Music

Femi Koya | Afro Jazz, Afro Beat, World Music (ZA)

Femi Koya

Afro Jazz, Afro Beat, World Music


Femi Koya | Afro Jazz, Afro Beat, World Music
Femi Koya | Afro Jazz, Afro Beat, World Music
Femi Koya | Afro Jazz, Afro Beat, World Music
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Femi Koya BIO

A story of migration from the West to the South – resonates in his music, which creates a conscious dialogue between West African and South African sounds. This musical fusion demonstrates the path to a new and culturally integrated Africa in which a common heritage is reinforced to meet the needs of today’s world. His quest is for African unity at a time when he believes Africa should claim its rightful and proud place in the world.

Femi Koya’s debut album ā€œJust in Newtown” is evidence of the rich melodies that result from this fusion. Through his versatility on the saxophone, he breathes new life into African world music. ā€œIbaā€ meaning ā€œHomageā€ is the title of Femi Koya’s album which was launched in August 2015. The Iba album also calls for African unity and makes a plea for human rights to be respected. But the album also celebrates Africa’s love of life with infectious dance numbers that bring fans to their feet. His Iba album also features the Soweto Gospel Choir, Pops Mohamed, Stompie Manana, Prince Lengoase and Kenny Mataba and poetry by Pitika Ntuli and Lisa Combrinck.

His 2018 album ā€œVillage Afrobeatā€ is an African party, jazzed up with Afrobeats horn arrangements, with talking drum and percussions driving the African heartbeat. Songs such as Babalawo, Lerato, Alo and Kongo enable new generations to understand the significance of African unity as well as providing a nostalgic look at village culture and its life lessons.
The songs tell stories of what happens in villages and especially in fables, with animals like the tortoise, the role of the town criers, village men and women as part of the whole village lifestyle. The songs also depict nature, fertility, rituals, change of seasons and traditions essential to village life. 2019, he is re – releasing a remix EP ā€œOri Miā€ and Single ā€œIbaā€ in June 2019 following with a world tour.

His musical influences include Fela Kuti, Bob Marley, Manu di Bango, Hugh Masekela,Baaba Maal and Sonny Rollins. He has shared the stage with Youssou N’dour and Yvonne Chaka Chaka at the CAF (Confederation of African Football Awards) in Lagos and with John Legend in his first South African tour in Cape Town. He performed alongside the king of Juju music, Sunny Ade, at the Glo launch in the Republic of Benin. Other colourful festivals featured Femi Koya’s acrobatic music, where he performed alongside the Wynton Marsalis, Oliver Mtukudzi, Habib Koite, Salif Keita, Baaba Maal. He has recorded with Simphiwe Dana, Pops Mohamed ,Yvonne Chaka Chaka, and performed with Baaba Maal, Angelique Kidjo, Wizkid just to mention a few.
Other events where Femi Koya has laid his marks include, RSA Department of Arts and Culture and dedicated a song to the Haitian people. Femi Koya was part of the Radio 2000 song for Madiba. Starred the Joburg Theatre Africa day celebrations 2015, paid tribute to Fela Kuti with Lura of Cape Verde, Abena Koomson NY/Ghana, Lira and Ringo Madlingozi of South Africa.

LATEST RELEASE: “Technology”

https://electromodeza.lnk.to/TechnologyAr


VIDEOS


MUSIC


PROMO AND TECHNICAL MATERIAL

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CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

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