Daraa Tribes

DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)

DARAA TRIBES Tribal Fusion & Saharan Blues (MA)

SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS 8 1 DARAA TRIBES | Tribal Fusion & Saharan Blues (MA)
SANDS-8
previous arrow
next arrow

Line-up

Rachid Berazougui | Electric guitar, vocals
Playing For Change (Live Outside); international festival circuits (EU/UK/NA)

Mustapha Aqermim | Rhythm guitar, backing vocals
Collective songwriting; linguistic/organizational bridge in international collaborations

Abdelkebir Saadi | Bass, backing vocals
Grounding rhythm section between Regaga and desert‑blues groove; full‑band live set

Abdelhafid “Hafid” Ami | Percussion (cajón/krakebs), backing vocals
Polyrhythms and ritual patterns (Lkaaba) integrated into an electric set

Mohamed Sabir | Drums
Drummer in the band’s amplified live configuration; adds a more driving full-kit pulse to the groove

Balkhir Razgui | Vocals, percussion (founder, in memoriam)
Founding voice of the project (2014–2024)

Style

Tribal Fusion and Saharan Blues from the palm groves of Tagounite: desert‑guitar riffs, trance percussion and call‑and‑response that turn the stage into a shared rite.

Profile

Daraa Tribes formed in 2014 in Tagounite, an oasis town in Morocco’s Draa Valley: a group of friends from different tribes translating their home’s coexistence into sound. Their “blues of the desert” intertwines Gnawa, Sahraoui, Amazigh and Regaga idioms into a contemporary language—dry, hypnotic electric guitars, a pulsing bass, polyrhythmic percussion and multilingual chorus lines (Darija, Tamazight, Hassani). On stage the band builds by accumulation: circular grooves, minimal variation and tight interplay that draws the audience into a collective dance. After consolidating an international trajectory across festivals and clubs, Daraa Tribes have just wrapped up a UK mini‑tour (Bristol–London–Manchester), reaffirming the project’s high‑intensity live dimension.

Details 

Rachid Berazougui writes and sings part of the repertoire with a desert‑tone electric guitar that leads the set’s hypnosis. (“Immerse yourself in the rich tapestry of sound that is the heartbeat of Daraa Tribes.” Playing For Change, 2025-04-01)

Mustapha Aqermim is a rhythmic and narrative engine: the band’s identity grew “in a circle,” without hierarchy, from sharing traditions. (“We didn’t plan to start a band. We just started playing together…” Matt Ross, Arab News, 2020-08-16)

UK mini‑tour (just concluded): Jam Jar (Bristol, 2026-01-03), Hootananny (Brixton, 2026-01-07), Band on the Wall (Manchester, 2026-01-11).

Sound imprint: desert‑guitar groove with a Gnawa edge—a writing approach that stays danceable even at its most ritual. (“…incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.” Tony Benjamin, Bristol24/7, 2026-01-02)

Discography

  • Alwan (EP, 2017)

  • Igharman (LP, 2018)

  • Zamane (EP, 2019)

  • Lakbayl (single, 2021)

  • Sahara (single, 2022)

  • Torat Vol. 1 (EP, 2024)

MUSIC REVIEWS

Listening Now : Daraa Tribes – Bshara | 2024-02-02
https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/

Torat Vol. 1, au fil du nouvel EP des Daraa Tribes | 2024-01-29
https://djolo.net/torat-vol-1-au-fil-nouvel-ep-daraa-tribes/

BSHARA REVIEW: The Vitality of North African Pastoral Life | 2024-01-25
https://music.coralriff.biz/bshara-vitality-north-african-pastoral-life/

Daraa Tribes Evoke the Vitality of North African Pastoral Life in the Traditional and Saharan Blues Fusion of “Bshara” | 2024-01-24
https://queencitysoundsandart.wordpress.com/2024/01/24/daraa-tribes-evoke-the-vitality-of-north-african-pastoral-life-in-the-traditional-and-saharan-blues-fusion-of-bshara/

Daily Discovery: Daraa Tribes – Bshara | 2024-01-17
https://rhythmpassport.com/daily-discovery-daraa-tribes-bshara/

Daily Discovery: Daraa Tribes – Sahara (Official Video) | 2022-10-18
https://rhythmpassport.com/daily-discovery-daraa-tribes-sahara-official-video/

Joli moment de convivialité dans le Sahara avec la Daraa Tribes | 2022-10-10
https://djolo.net/joli-moment-convivialite-dans-sahara-avec-daraa-tribes/

LAKBAYL | BLOGS’ REVIEWS | 2021-10-17
https://music.coralriff.biz/lakbayl-blog-reviews-single-release/

Toutes les Daraa Tribes se réunissent sur Lakbayl | 2021-10-08
https://djolo.net/toutes-les-daraa-tribes-se-reunissent-sur-lakbayl/

All the Daraa Tribes meet on Lakbayl | REVIEW ON DJOLO | 2021-10-08
https://music.coralriff.biz/all-daraa-tribes-meet-lakbayl-review-on-djolo/

Globalism //4 | 2021-10-04
https://lastdaydeaf.com/globalism-4/

UltraRadar. Nueva música alternativa mundial – Octubre 2021 | 2021-10-01
https://planarteria.com/2021/10/ultraradar-nueva-musica-alternativa-mundial-octubre-2021/

Quotes 

“…incorporate their Moroccan roots into a lilting groove… the edge of the North African Gnawa sounds.”

Tony Benjamin, Bristol 24/7, 2026-01-02) — https://www.bristol247.com/culture/music/bristols-month-in-world-music-january-2026/

“We are delighted to welcome back Daraa Tribes as the celebratory closing act of our first digital festival.”

Liverpool Arab Arts Festival, 2020-07-18) — https://www.arabartsfestival.com/events/daraa-tribes/

“The track… fusing ancient rhythms with contemporary flair… offering listeners a sonic journey.”

Last Day Deaf, 2024-02-02 — https://lastdaydeaf.com/listening-now-daraa-tribes-bshara/


Reviews / articles / profiles

Profiles & bio

UK tour (just concluded)

Live reviews

Torat Vol. 1

TORAT Vol. 1 from DARAA TRIBES is OUT!

TORAT Vol. 1 from DARAA TRIBES is OUT!

Torat Vol. 1

Moroccan desert blues band Daraa Tribes releases their new EP Torat Vol. 1. It is the band’s third EP and third release with label Coral Riff Music.

‘Torat’ means ‘tradition’ in Moroccan Arabic and reflects the ancestral, traditional music that not only influenced this new release, but can be heard through traditional percussion and vocal styles in each song on the EP.

Songs like ‘Bshara’ and ‘Lghram’ come directly from traditional Hassania, Amazigh, and Daraoua ancestral customs found throughout southern Morocco and across North Africa.

This reflection and representation of traditional music is met with an eclectic modern blues/rock style apparent on each track. This is a continuation of Daraa Tribes efforts on each of the band’s previous releases to innovate upon ancestral cultural traditions, using them as a foundation for their creative process.

The band simultaneously released a lyric video for the song ‘Bshara’, translated into both Hassania Arabic and English. This song tells the story of the Aarib tribe, nomadic in origin, and their historical relationship with their surrounding environments. Major themes include a cultural, social, and economic importance placed upon camels, music customs performed by the tribal youth, and greeting other tribal members traveling from Afar. These themes are not just common among nomadic Hassania culture historically in North Africa, but are still very much part of modern cultural life in the Sahara desert of Morocco.

Lakbayl Spotify Playlists

LAKBAYL | Spotify playlists including the single

LAKBAYL | Spotify playlists including the single

https://open.spotify.com/playlist/1QBx96BUHhFqAagGeYyinw

https://open.spotify.com/genre/made-for-x-hub-page

https://open.spotify.com/playlist/1rAzgq9bRN6S0DtQDnbJX9


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

[addthis tool=addthis_horizontal_follow_toolbox]


STANLEY JORDAN POWER 4tet | Crossover Jazz (USA)

STANLEY JORDAN POWER 4tet | Crossover Jazz (USA)

STANLEY JORDAN POWER 4tet

Jazz, Blues, Rock (USA)

IN COLLABORATION WITH MCM

AVAILABILITY FOR EUROPE

2026 | June 22nd to July 11th

Line-up

Stanley Jordan | Guitar and voice
Miles Davis, Herbie Hancock, Phil Lesh, Dave Matthews Band, Kenny Rogers, Dionne Warwick, Carmen McRae, Les Paul, Stanley Clarke, Art Blakey, Quincy Jones, The String Cheese Incident, Umphrey’s McGee, moe.

Laurence Cottle | Bass
Eric Clapton, Brian Eno, Bill Bruford, Buddy Rich Big Band, Alan Parsons Project, Black Sabbath, Mike Oldfield, Tony Iommi, Cozy Powell, Don Airey, Claire Martin

Kornel Horvath | Percussion
Al Di Meola, Chick Corea, Steve Gadd, John Patitucci, Ferenc Snétberger, László Dés, Gábor Dörnyei, Stanley Jordan, Dom Famularo

Gábor Dörnyei | Drums
Stanley Jordan, Kornel Horvath, Dom Famularo, Pete Lockett, Terry Bozzio, Jojo Mayer, Billy Cobham, Gavin Harrison, Ian Paice, Steve Smith, Chris Coleman

OR

Kenwood Dennard | Drums
Miles Davis, Herbie Hancock, Dizzy Gillespie, Pat Martino, Jaco Pastorius, Sting, Maceo Parker, Marcus Miller, Vernon Reid, John Scofield, The Allman Brothers Band, Phish

Style

A front-row view of Stanley Jordan’s two-handed “touch technique” as both a harmonic engine and a singing voice, powered by a drummer’s drummer and a bassist with prog-jazz precision. The trio moves fluently between modern jazz, groove-driven fusion, and song-form reinventions—keeping the pulse elastic while the harmony opens wide.

Profile

Stanley Jordan Trio frames Jordan’s celebrated touch technique—two-handed tapping applied with piano-like independence—as a complete band language, and the addition of Kornel Horvath opens a new spectrum of rhythmic color. Guitar and voice operate as intertwined narratives: chordal counterpoint, melodic lead lines, and sung phrasing share the same breath. Laurence Cottle brings a deep, articulate low-end that can lock into big-band punch or shift into lyrical, compositional bass lines; Kenwood Dennard answers with a polyrhythmic, colorist approach that turns time into texture without losing drive. With Horvath, the rhythm architecture becomes truly three-dimensional: hand drums, shakers and resonant percussion add micro-dynamics, breath, and timbral “hooks,” creating a live sound that can feel orchestral at conversational volume—virtuosic, never clinical, and built for the immediacy of the room.

Details

  • Jordan’s touch-driven language has inspired superlatives for decades. “Genius is a word often tossed around in musical circles, but it has been rightfully applied to Stanley Jordan.” (Leonard Feather, Los Angeles Times, via stanleyjordan.com, 2019-07-30)

  • Cottle is celebrated for his feel and leadership in large-ensemble contexts. “Special plaudits to bassist Laurence Cottle…” (Frank Griffith, London Jazz News, 2017-05-25)

  • Dennard’s drumming is praised for both drive and imagination. “…a rare kind of joyous abandon… his drums play an integral role…” (Timothy J. O’Keefe, All About Jazz, 2009-03-23)

Stanley Jordan — guitar & voice

American guitarist and vocalist Stanley Jordan is a landmark innovator of the two‑handed “touch technique,” applying piano-like independence to harmony and melody on the fretboard. His 1985 breakthrough Magic Touch reached the top of Billboard’s jazz chart for a record 51 weeks and helped define a new mainstream for modern guitar. A relentless touring artist, he has performed in over 60 countries and moves fluently between straight-ahead jazz, pop/rock reinterpretations, and solo, orchestral-style guitar sets. Alongside his band work, Jordan has collaborated widely—appearing with artists from Les Paul to major jam-band stages—and has increasingly connected performance with music-therapy-oriented outreach.

Laurence Cottle — bass

Welsh bassist, composer, arranger, and bandleader Laurence Cottle is a high-level force across jazz, fusion, and rock—valued equally for deep pocket, clean articulation, and a distinctly “compositional” approach to the bass line. Based in London since his formative years, he has worked with major names on both sides of the spectrum: jazz collaborations include Wayne Shorter, Al Jarreau, Peter Erskine and the Buddy Rich Big Band, while rock credits include Black Sabbath, Ian Gillan, Cozy Powell, and Ginger Baker. He has recorded with artists such as Eric Clapton, Van Morrison, Brian Eno, and Mike Oldfield, leads his own Big Band (active since 1998), and is also active in education, including a professorship in jazz bass.

Kenwood Dennard — drums

New York–born drummer, composer, and educator Kenwood “Woody” Dennard is celebrated for a rare blend of deep funk feel, jazz vocabulary, and polyrhythmic imagination—driving a band hard while coloring every bar. His performance and recording history spans modern jazz, fusion, and pop, with credits including Miles Davis and Quincy Jones (Live at Montreux), Sting (Nothing Like the Sun), and work alongside artists such as Dizzy Gillespie, Herbie Hancock, Chick Corea, and George Clinton. A key figure in the Brand X story, he is also recognized for simultaneous multi-instrument performance concepts and for his long-standing educational impact: he served as a Berklee College of Music professor, teaching specialist ensembles including the music of Jimi Hendrix and James Brown.

Kornel Horvath — percussion

Hungary-born percussionist Kornel Horvath is widely recognized for a distinctive blend of traditional hand-percussion craft and modern, high-impact groove language. Best known internationally as one half of the electrifying duo tHUNder Duo with drummer Gábor Dörnyei, he was highlighted as the 2016 “Best Percussionist” winner in MusicRadar’s overview of the world’s leading players. His palette centers on resonant hand drums and uncommon percussion colors—designed to add depth, motion, and air around the beat rather than simply doubling it. Horvath’s work spans contemporary jazz and fusion contexts, including recording credits on Al Di Meola’s Consequence of Chaos, and long-running European collaborations such as Trio Stendhal with Ferenc Snétberger and László Dés. Onstage, his role is equal parts engine and orchestrator: micro-dynamics, timbral hooks, and quick, musical responses that turn the rhythm section into a living arrangement.

Selected discography highlights

  • Stanley JordanMagic Touch (1985), Stolen Moments (1985), Cornucopia (1990), Friends (2014)

  • Kenwood DennardShow No Fear (2018)

  • Brand X (Kenwood Dennard) — Livestock (1977)

Stanley Jordan — Reviews & Features

Stanley Jordan: Live in New York — JazzTimes “A high-energy live reading: independence between lines and chords, elastic timing, and phrasing that always stays singable.” https://jazztimes.com/reviews/albums/stanley-jordan-live-in-new-york/

Stanley Jordan: Friends — JazzTimes “An ‘all-star session’ in a jazz key: guests chosen for musical substance, with Jordan moving naturally between guitar and piano.” https://jazztimes.com/reviews/albums/stanley-jordan-friends/

Stanley Jordan: The Healer — JazzTimes “An in-depth portrait: from life in Sedona to a view of music as a wellness practice, without losing an ounce of sonic curiosity.” https://jazztimes.com/features/profiles/stanley-jordan-the-healer/

Stanley Jordan: “My Spirit Transcends Gender” — JazzTimes “A direct, luminous interview about freedom, authenticity, and identity: music as a space for truth, not a mask.” https://jazztimes.com/features/interviews/stanley-jordan-my-spirit-transcends-gender/

Stanley Jordan’s Solo Guitar for the Soul — JAZZIZ Discovery “A chronicle of solo sets ‘against the stereotypes’: the guitar as an orchestra, balancing timbral control and storytelling.” https://jazzizdiscovery.com/stanley-jordans-solo-guitar-for-the-soul/

Kevin Eubanks/Stanley Jordan: Duets — DownBeat “DownBeat calls it near ‘perfection’: two different personalities in an intimate dialogue where every detail feels inevitable.” https://downbeat.com/reviews/detail/duets

Stanley Jordan: State of Nature — All About Jazz (John Barron) “An enthusiastic review: a ‘well-conceived’ program, highlights and tour-de-force moments, all the way to the dual-action guitar plus piano.” https://www.allaboutjazz.com/state-of-nature-stanley-jordan-mack-avenue-records-review-by-john-barron

Stanley Jordan: Friends — All About Jazz (Larry Taylor) “Wide-ranging versatility: blues, straight-ahead, and classical, with improvisation and virtuosity always serving the tune.” https://www.allaboutjazz.com/friends-stanley-jordan-mack-avenue-records-review-by-larry-taylor

Kevin Eubanks & Stanley Jordan: Duets — All About Jazz (Rob Caldwell) “Instead of ‘fireworks,’ a measured, musical album: two stars choosing listening, space, and phrasing.” https://www.allaboutjazz.com/duets-kevin-eubanks-stanley-jordan-mack-avenue-records-review-by-rob-caldwell

Stanley Jordan: State of Nature — All About Jazz (AAJ Italy Staff) “A critical (and affectionate) look at the comeback: acrobatic technique, ‘unorthodox’ tapping, and a set that reopens the debate about his legacy.” https://www.allaboutjazz.com/state-of-nature-stanley-jordan-mack-avenue-records-review-by-aaji-staff

Stanley Jordan Applies Music to Heal the Body and Mind — All About Jazz (News) “A ‘key’ piece on the therapeutic side: music beyond entertainment, as a practice of care and awareness.” https://www.allaboutjazz.com/news/stanley-jordan-applies-music-to-heal-the-body-and-mind/

State of Nature — SUONO.it “Italian review: the ‘impressive’ effectiveness of touch-tapping in holding harmony and melody together, with an impact that still feels current.” https://content.suono.it/en/music-review/stanley-jordan-state-of-nature/

Friends — SUONO.it “A guest-rich project that brings freshness and expressive variety: Jordan moves between guitar and piano with more balance than in the past.” https://content.suono.it/en/music-review/stanley-jordan-friends/

What feels good: Stanley Jordan sees music as therapy — Times Union “A narrative profile: ‘guitar wizard,’ road and academia, and the idea of music as therapy (without losing its popular dimension).” https://www.timesunion.com/preview/article/What-feels-good-5562020.php

Guitarist Stanley Jordan ’81 Is Sharing His Lauded Techniques — Princeton Alumni Weekly “A crystal-clear explanation of touch-tapping: more notes, more instruments, more sonic planes, and a ‘crystalline’ tone distinct from tradition.” https://paw.princeton.edu/article/guitarist-stanley-jordan-81-sharing-his-lauded-techniques

Stanley Jordan’s Renewed Purpose — KUAF / NPR Music News “Interview plus performance: a recording comeback, personal transformation, and research into the link between music and healing.” https://www.kuaf.com/npr-music-news/2008-07-17/stanley-jordans-renewed-purpose

Stanley Jordan – Part Two (Road Stories) — Hawai‘i Public Radio “A road story full of anecdotes and music: between touring, the studio, and the spectacular simultaneity of guitar plus piano.” https://www.hawaiipublicradio.org/podcast/road-stories/2022-09-23/stanley-jordan-part-two-road-stories-with-dave-lawrence

REVIEW: Jordan Rocks: Stanley Jordan at the Dakota Jazz Club — Twin Cities Arts Reader “Live review from the Dakota: a ‘rock’ night in the best sense, with absolute control, wide dynamics, and a won-over crowd.” https://twincitiesarts.com/2018/02/20/jordan-rocks-stanley-jordan-at-the-dakota-jazz-club/

Stanley Jordan, New Morning, Paris, 9th May 2023 — Music Republic Magazine “Detailed live report: the touch technique as melodic and harmonic independence, and as a palette of timbral ‘colors.’” https://musicrepublicmagazine.com/2023/05/stanley-jordannew-morning-paris-9th-may-2023/

REVIEW: Stanley Jordan. The Jazz Lab, Brunswick — Australian Musician “An enthusiastic chronicle: from an original take on ‘Eleanor Rigby’ to ‘breathtaking’ improvisations that turn time into experience.” https://australianmusician.com.au/review-stanley-jordan-the-jazz-lab-brunswick/

Jordan Plays Jimi: An Interview with Stanley Jordan — The Seattle Star “An interview about the Hendrix project: not ‘just guitar,’ but a human and cultural portrait, with Jordan thinking like a curator and interpreter.” https://www.seattlestar.net/2021/10/jordan-plays-jimi-an-interview-with-stanley-jordan/

Jazz Guitar In The Desert — Jazz Guitar Today “Report/feature: two-hand technique, live activity, and attention to music therapy as a natural extension of his research.” https://jazzguitartoday.com/2022/04/jazz-guitar-in-the-desert-phoenix-arizona/

Record Review (June 1985): Stanley Jordan — DownBeat (PDF, archive) “One of the early ‘historical’ verdicts: Jordan’s guitar is presented as something rare, capable of raising the bar for the scene.” https://www.worldradiohistory.com/Archive-All-Music/DownBeat/80s/85/Down-beat-1985-06.pdf

 

Daraa Tribes Sol Stereo DARAA TRIBES on GRUPERISIMAS, Sol Stereo 97.7 (MX) 29/07/2021, 14:30 UTC-5

DARAA TRIBES on GRUPERISIMAS, Sol Stereo 97.7 (MX) 29/07/2021, 14:30 UTC-5

GRUPERISIMAS presents DARAA TRIBES

DARAA TRIBES | Latin America radio and TV promo tour
Gruperisimas radio show on Sol Stereo 97.7 (MX) in date 29/07/2021, 14:30 UTC-5

DARAA TRIBES on GRUPERISIMAS, Sol Stereo 97.7 (MX)
DARAA TRIBES on GRUPERISIMAS, Sol Stereo 97.7 (MX)

with

HAFRAID IVAN CORAL GÓMEZ

ANDRES CASTILLO, promo officer of Coral Riff in Latin America

ANNA SLAIDINA, Coral Riff agent

MOSTAFA AQERMIM, DARAA TRIBES rhythm guitar


The interview will have place in the 29th July 2021, 14:30 UTC-5

Go to the following link to listen to the interview:

https://www.sol899.com/


ABOUT DARAA TRIBES


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

[addthis tool=addthis_horizontal_follow_toolbox]


Daraa Tribes- Raoud (clip officiel)

Daraa Tribes | Raoud (clip officiel)

DARAA TRIBES

Raoud (clip officiel)

https://youtu.be/qOLZLnrMtKc


Téléchargez EP album single / Download EP album single:

https://inzebox.lnk.to/DaraaTribes-AlwanYD

Abonnez vous à la chaine Daraa Tribes: https://www.youtube.com/channel/UCJ_E3QDxCdZHTVEHe-touGg
Abonnez vous à la chaine In-Zebox.studio: https://www.youtube.com/channel/UCge0cT_i2AArIbKykMjHafA

Premiering our music video for Raoud!
Produced by Louis Tissier http://in-zebox.fr
Sound Engineering Joël Givalla
Thank you to everyone in Tagounite and Mhamid el Ghizlane

“Raoud”, meaning “Thunder”, fuses tribal lyric styles with modern Saharan Blues song composition. The lyrics can best be described as a love letter to rain, typical of tribal traditions in the Sahara, and calls for the sound of thunder to roll over the desert mountains, bringing rain with it and providing life to all living things in the desert.

“Raoud”, qui signifie “tonnerre”, fusionne les styles lyriques tribaux avec la composition de la chanson Sahara Blues moderne. Les paroles peuvent être décrites comme une lettre d’amour à la pluie, typique des traditions tribales au Sahara, et appelle au son du tonnerre à rouler sur les montagnes désertiques, en apportant de la pluie et en apportant vie à tous les êtres vivants dans le désert.


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

[addthis tool=addthis_horizontal_follow_toolbox]


daraa tribes live by night

Daraa Tribes | Live By Night at Kasbah Aitisfoul

Daraa Tribes

Live By Night at Kasbah Aitisfoul


https://youtu.be/Qsh39WRe4Rc



Live Concert filmed and recorded at Kasbah Aitisfoul in Tagounite, Morocco Sound produced by @Hit The Road Music Studio Adrian ‘Ady’ Parzentny

Video produced by Thomas Duncan

Visit Daraa Tribes online: Website: www.daraatribes.com

Facebook: https://www.facebook.com/daraa.tribes/

Instagram: https://www.instagram.com/daraatribes/

Webpage: https://hit-the-road-music.com/

All rights reserved.


WATCH OUR ARTISTS’ VIDEOS:


SUBSCRIBE TO OUR NEWSLETTER


CONTACT

Fabrizio Borgosano

Fabrizio Borgosano
Email: info@coralriff.net
Mobile: +39 340 6953499
Website: https://www.coralriff.biz/

[addthis tool=addthis_horizontal_follow_toolbox]


KURNA CHATA – Żywot popsuty @KURNACHATABAND

KURNA CHATA – Żywot popsuty

Maja Lewicka – lead vocal
Katarzyna Klukowska – lead vocal, flute
Aleksandra Piechota – percussion
Jan Sokolnicki – accordion, backup vocal
Paweł Tomaszewski – acoustic guitar
Maciej Młóciński – double bass

Lyrics – Małgorzata Maj
Music – Kurna Chata
Arrangement – Kurna Chata

Mix & Master – Jarosław Ryfun
Video production – Adam Iwaszkiewicz

http://www.kurnachataband.pl/

TAKE A LOOK TO OUR ARTISTS![frontpage_news widget=”9097″ name=”ARTISTS”]

WATCH MORE VIDEOS:

https://www.coralriff.eu/category/media/video/

KEEP IN TOUCH
Mobiles:
Italy +393406953499
Abroad+4915753335416 (also Whatsapp)
SOCIALS

Skype: Coral Office
Facebook:Profile, Page
LinkedIn: https://de.linkedin.com/in/fabrizio-borgosano-33b90030
YouTube: https://www.youtube.com/channel/UCPOpu-zLvRM5TIKYk7SDQkA
Twitter: @CoralRiffMB
No schema found.

KURNA CHATA – Żywot popsuty @KURNACHATABAND

KURNA CHATA – Żywot popsuty

Maja Lewicka – lead vocal
Katarzyna Klukowska – lead vocal, flute
Aleksandra Piechota – percussion
Jan Sokolnicki – accordion, backup vocal
Paweł Tomaszewski – acoustic guitar
Maciej Młóciński – double bass

Lyrics – Małgorzata Maj
Music – Kurna Chata
Arrangement – Kurna Chata

Mix & Master – Jarosław Ryfun
Video production – Adam Iwaszkiewicz

http://www.kurnachataband.pl/

info / booking : +48 503100157,
email: folkteam@gmail.com

https://youtu.be/3WPoWqIxdXw

TAKE A LOOK TO OUR ARTISTS! [frontpage_news widget=”9097″ name=”ARTISTS”]

WATCH MORE VIDEOS:

https://www.coralriff.eu/category/media/video/

KEEP IN TOUCH
Mobiles:
Italy +393406953499
Abroad+4915753335416 (also Whatsapp)
SOCIALS

Skype: Coral Office
Facebook:Profile, Page
LinkedIn: https://de.linkedin.com/in/fabrizio-borgosano-33b90030
YouTube: https://www.youtube.com/channel/UCPOpu-zLvRM5TIKYk7SDQkA
Twitter: @CoralRiffMB

World Music, Reggae, Latin, Rock, Ethnic & co.

World Music, Reggae, Latin, Rock, Ethnic & co.

[frontpage_news widget=”11109″ name=”World Music, Reggae, Latin, Rock, Ethnic & co.”]

WATCH OUR ARTISTS’ VIDEOS:

[frontpage_news widget=”10573″ name=”Artists’ Videos”]

Back to the roster page | Jazz, World Music, Rock, Reggae and more
Back to the roster page | Jazz, World Music, Rock, Reggae and more
KEEP IN TOUCH

Mobiles:
Italy +393406953499
Abroad +4915753335416 (also Whatsapp)

E-mail: info@coralriff.net

SOCIALS

Skype: Coral Office
Facebook: Profile, Page
LinkedIn: https://de.linkedin.com/in/fabrizio-borgosano-33b90030  
YouTube:
https://www.youtube.com/channel/UCPOpu-zLvRM5TIKYk7SDQkA 
Twitter
@CoralRiffMB