The Whistling Heads | New Wave/Post Punk (IT)

The Whistling Heads | Dance Punk (IT)

The Whistling Heads

Dance Punk | IT

AVAILABILITY FOR EUROPE

2026/27 | Dates upon request (EU-based band)


Line-up

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Santino Mondello | Guitar
Samuele Costa | Bass
Giuseppe Arnao “Ziffo” | Drums


Style

A Messina dance-punk band with a wiry guitar attack, a restless rhythm section, and a clear instinct for hooks. Their sound moves from raw art-rock tension into dance-punk propulsion, keeping the urgency of British crank wave and new wave alive without sounding derivative. Sharp, youthful, and physically driven, they turn nervous energy into songs built for both small clubs and international showcases.


Profile

The Whistling Heads are a Messina-based dance-punk band shaped by rehearsal-room intensity, local underground culture, and a fast-developing live identity. Emerging from the Retronouveau orbit, they built their early profile through lean songs charged with alternative rock friction, noise-pop edges, and a youthful sense of tension. Since the first singles and the 2023 debut album Dull Boy, the project has expanded quickly through Italian dates, UK shows, growing international press attention, and the Gabe Gurnsey / Factory Floor remix of “Well…I Mean”.

Their 2025 release Better and Better than Before… widened the frame further with remixes, live cuts, and unreleased material, confirming a band that is no longer interested in staying inside one strict lane. What defines them is the balance between abrasion and melody: angular guitars, elastic basslines, alert drumming, and vocals that channel irony, pressure, and youthful disillusion with directness rather than pose.


Details

Alberto Zaccaro aka Albert Mud | Vocals, guitar
Frontman and co-founder of the project, Alberto Zaccaro is the most visible narrative voice of the band. Public release credits list him as Albert Mud for lyrics, while interviews place him at the centre of the group’s stylistic shift from classic post-punk toward a more dance-punk direction. His delivery gives the songs their tension between sarcasm, anxiety, and immediacy.

Santino Mondello | Guitar
Santino Mondello belongs to the original nucleus that launched the band and remains crucial to its guitar identity. His playing helps define the band’s angular, British-facing language, balancing abrasion with shape and momentum. He has also publicly explained the origin of the name The Whistling Heads, underlining the project’s rooted Messina identity.

Samuele Costa | Bass
Samuele Costa is the bassist whose arrival helped turn an early idea into a stable working band. In interviews he describes the chemistry of the settled line-up as the moment the project became serious. His bass work is central to the spring-loaded grooves and to the more dance-oriented direction of the recent material.

Giuseppe Arnao “Ziffo” | Drums
Known as Ziffo, Giuseppe Arnao is the drummer whose arrival stabilized the line-up that wrote most of Dull Boy. His drumming gives the band lift, bite, and rhythmic discipline, carrying both the nervous post-punk drive and the newer club-leaning accents. He is also regularly present in the band’s public interviews and live presentations.

 


Biography

The Whistling Heads belong to the new Italian wave of bands reclaiming dance-punk as a live language rather than a museum code. Their identity is rooted in Messina, but the project already reads beyond its local scene through a British-facing guitar vocabulary, dance-aware bass movement, and a frontman presence that turns irony and pressure into direct stage communication. The result is a band that can work in clubs, alternative festivals, and showcase circuits with the same sense of urgency.


Discography

October — single — 2022-10
Teenage cliché — single — 2023-03
Shoot Shoot — single — 2023-06
Dull Boy — album — 2023-09-01
Well…I Mean — single — 2024-02
Well…I Mean (Gabe Gurnsey / Factory Floor Remix) — single — 2024-04
Shut Me Up — single — 2024-05
Lullaby Lady — single — 2024-08
Wreck — single — 2025-03
Better and Better than Before… — compilation — 2025-09-13


Quotes

“One of the most interesting acts in today’s Italian underground.”
Stefano Gallone | Rockit | 2023-10-02

“From Messina, beyond the borders of rock.”
Giandomenico Morabito | Musica Intorno | 2023-11-22

“A gripping indie post-punk where electric crash, lively rhythms, and melodic pop taste all come through clearly.”
Gianluca Polverari / Radio Città Aperta | 2023-12-01

“A band who knows exactly how to write a funky indie-rock tune.”
Fred Bambridge | It’s All Indie | 2024-02-12

“They are injecting fresh vitality into that spirit.”
Alice Teeple | Post-Punk.com | 2024-05-27


Reviews

The Whistling Heads: “Dull Boy” recensione / Rockit / Stefano Gallone / 2023-10-02

Dull Boy, The Whistling Heads oltre i confini del rock / Musica Intorno / Giandomenico Morabito / 2023-11-22

Intervista The Whistling Heads ad Alternitalia / Radio Città Aperta / 2023-12-01

The Whistling Heads drop their funky new tune, “Well…I Mean” / It’s All Indie / Fred Bambridge / 2024-02-12

The Whistling Heads – Well…I Mean (Disasters by Choice) / The Big Takeover / Dave Franklin / 2024-02-15

Sicilian Post-Punk Quartet The Whistling Heads Debut Video for “Shut Me Up” / Post-Punk.com / Alice Teeple / 2024-05-27


WHATS GOING ON

Mikah Maquá | IndiePop/Rock (NL)

Mikah Maquá | Quirky Alt-Pop Rock (NL)

Mikah Maquá

Quirky Alt-Pop Rock | NL

AVAILABILITY FOR EUROPE

2026-2027 | July 1st, 2026 to December 31st, 2027


Line-up

Mikah Maquá | Voice
Fay Arapatsani | Drums
Federica Fornaro | Guitar
SiYu Liu | Keys


Shortly about Mikah

Mikah Maquá stands out for her sharp songwriting, turning vulnerability, irony and neurodivergent self-awareness into catchy, emotionally direct indie-pop. A two-time finalist of the European Music Contest in the singer-songwriter category (2018 and 2021), she was also selected for the Hedon Beurs 2025 development trajectory. In 2026 she released her debut EP people pleaser with support from Music Support Overijssel, confirming her as a rising voice with both personality and momentum.

Style

Confessional indie-pop with the nerve of alt-rock and the bounce of spring-loaded guitars. Retro-leaning keys and sharp backbeats keep the songs moving between irony, tension, and release. The band DNA is intimate but not soft: melodic, emotionally direct, and built for dynamic live lift.


Profile

Mikah Maquá sits where diaristic indie-pop meets wiry alternative rock. The center of gravity is a voice-first songwriting identity shaped by confession, irony, and emotional overshare, then pushed outward by a rhythm section that favors momentum over polish and by guitar work with a rougher art-rock edge. Fay Arapatsani brings physicality and dark-toned dynamic contrast from an art-pop and heavy-alt background; Federica Fornaro widens the harmonic field with psych, prog, and jazz-adjacent color, adding grain, tension, and movement rather than decorative texture. With keys functioning as both glue and counterpoint, the project lands in a sweet spot between catchy hooks and nervous energy: retro synth flashes, springy riffs, abrupt emotional pivots, and a live interplay that turns vulnerability into impact.


Details

Mikah Maquá
Dutch-Canadian singer-songwriter Maaike Girardin fronts the project with a writing voice built on self-exposure, humor, and emotional contradiction. Public profiles consistently frame the material around neurodivergence, people-pleasing, awkward love stories, and revenge-fantasy wit, but the songs stay hook-led rather than purely confessional. Production and release history point to a collaborative studio axis with Lennert Klaui, giving the project a polished but still elastic alt-pop frame. Live, the material is built to scale from intimate confession to sharp collective lift.

“Her relatable yet catchy pop songs let vulnerability collide with brutality.” (Hedon Zwolle event text, 2026-01-22)

Fay Arapatsani
Athens-born and based in Utrecht, Fay Arapatsani brings a drummer-songwriter sensibility that favors weight, contour, and dramatic pacing. Her public bio maps a path from early piano study into drums, composition, and darker art-pop writing, with threads of ethnic jazz, pop, fusion, and electronics. That background translates well inside Mikah Maquá’s frame: she can support hook-based material while adding urgency, asymmetry, and a harder emotional undercurrent.

“The Greek artist carries the set with her powerful rock voice, which she can take impressively high.” (Rogier van Nierop, 3voor12 Leiden, 2025-12-23)

Federica Fornaro
Federica Fornaro adds the project’s rougher guitar grain. Her documented work with Basiliscus P points to a player comfortable with psych rock, prog structures, 1990s alternative edges, and jazz-adjacent openness, which makes her especially useful in a band that needs songs to move beyond pure singer-songwriter framing. She is less about ornamental lead lines than about shape, texture, and expansion: widening choruses, introducing friction, and giving hooks a more physical body.

“A talented and eclectic Messina band.” (Nadia Cornetti, Off Topic Magazine, 2022-12-21)

SiYu Liu
SiYu Liu is the keys chair in this lineup. In band-DNA terms, the role is important: keys soften transitions, reinforce hooks, and connect the project’s retro-pop sheen to its more nervous rock edge. Public-facing January 2026 band posts identify the keys position as Sharon Liu under the handle @cactusinpoppy, so this profile keeps the role in the lineup while avoiding unverified biographical or discographic claims beyond its ensemble function.


 


Biography

Mikah Maquá is the project of Dutch-Canadian songwriter Maaike Girardin, building songs around awkward honesty, pop immediacy, and emotional whiplash. Public-facing bios and event texts consistently frame the act as a mix of retro synths, springy guitars, and catchy songwriting that turns vulnerability, humor, and instability into hooks built for the stage rather than the diary page.


Discography

Mikah Maquá
Singles: something to remember (2025), wish you were dead (2025), ADHD (mental break-up) (2025), someone else (2026), HELLO?! (2026). EP: people pleaser (2026).

Fay Arapatsani
Single: Hardpill (2024). EP: will I go under (2024). With Amalphi: album Acheron I (2019), EP Valley – Serpent – Womb (2023).

Federica Fornaro
With Basiliscus P: album Placenta (2017), singles Urban Safari (2022) and Magenta (2022), album Spuma (2022). Feature: Giadar, Mirror in the Mirror feat. Federica Fornaro (2022). Additional credited appearance: La Stanza della Nonna, Dove gli occhi non possono arrivare (2019).

SiYu Liu
No public discography could be independently verified under the supplied name.


Quotes

  • “Her relatable yet catchy pop songs let vulnerability collide with brutality.” Hedon Zwolle, 2026-01-22
  • “The Dutch-Canadian artist makes a mix of retro synths, springy guitars and catchy pop songs.” Poppunt Overijssel, 2026-01-22
  • “This band has the most unique sound of the evening.” Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • “The Greek artist carries the set with her powerful rock voice, which she can take impressively high.” Rogier van Nierop, 3voor12 Leiden, 2025-12-23
  • “A talented and eclectic Messina band.” Nadia Cornetti, Off Topic Magazine, 2022-12-21
  • “A more mature, experimental, complex and enveloping sound.” Laura Lipari, LetteraEmme, 2022-10-13

Reviews

  • Mikah Maquá brengt met hulp van MSO debuut EP uit – Poppunt Overijssel – 2026-01-20 – https://poppuntoverijssel.nl/mikah-maqua-brengt-met-hulp-van-mso-debuut-ep-uit/
  • Van zangles in De Meerpaal naar eigen muziek: Mikah Maquá’s muzikale reis – FlevoPost – 2025-12-24 – https://flevopost.nl/dronten/van-zangles-in-de-meerpaal-naar-eigen-muziek-mikah-maqua-s-muzikale-reis-47898303.html
  • MIKAH MAQUÁ – Hedon Zwolle – 2026-01-22 – https://www.hedon-zwolle.nl/voorstelling/32766/mikah-maqua
  • Formula Indie Schedule 5th to 11st January 2026 – European Indie Music Network – 2026-01-05 – https://euroindiemusic.info/2026/01/05/formula-indie-schedule-5th-to-11st-january-2026/
  • Euro Indie Music Chart 3.26 – European Indie Music Network – 2026-01-27 – https://euroindiemusic.info/2026/01/27/euro-indie-music-chart-3-26/
  • Douze points voor Griekenland – 3voor12 Leiden | Rogier van Nierop – 2025-12-23 – https://3voor12.vpro.nl/lokaal/leiden/artikelen/overzicht/2025/december/Nobel-Award-2025-finale.html
  • Basiliscus P – Spuma (Tuma Records/The Orchard, 2022) – Off Topic Magazine | Nadia Cornetti – 2022-12-21 – https://offtopicmagazine.net/2022/12/21/basiliscus-p-spuma/
  • Urban Safari: il nuovo singolo dei Basiliscus P in uscita il 13 ottobre 2022 – LetteraEmme | Laura Lipari – 2022-10-13 – https://www.letteraemme.it/urban-safari-il-nuovo-singolo-dei-basiliscus-p-in-uscita-il-13-ottobre-2022/
  • Interview – Basiliscus P – Indie-Roccia | Smoking Area – 2022-09-08 – https://www.indie-roccia.it/interviste/interview-basiliscus-p/

WHAT’S GOING ON

https://www.coralriff.biz/events/

BOOKING REQUEST

MATT VON RODERICK Trio ft. Dominique Di Piazza & Joel Taylor

MATT VON RODERICK Trio ft. Dominique Di Piazza & Joel Taylor | Contemporary Jazz (USA)

MATT VON RODERICK Trio

ft. Dominique Di Piazza & Joel Taylor

Contemporary Jazz | USA

AVAILABILITY FOR EUROPE

2026 | 18/30 November


Line-up

Matt Von Roderick | Trumpet, vocals
Jon Batiste, Brad Mehldau, Dionne Warwick, Neil Diamond, Saturday Night Live Band, Super Furry Animals

Dominique Di Piazza | Bass
John McLaughlin, Trilok Gurtu, Bireli Lagrene, Dennis Chambers, Didier Lockwood, Andre Ceccarelli, Gordon Beck, Vic Juris, U. Srinivas, Zakir Hussain

Joel Taylor | Drums
Allan Holdsworth, Al Di Meola, Joe Sample, Michael Buble, Stanley Clarke, Herb Alpert, Frank Gambale, Brian Bromberg, Yanni, Andy Summers


Style

A contemporary jazz trio where lyric trumpet-and-voice phrasing meets chordal bass design and high-definition drums. The language moves between intimate songcraft, modal lift, and fusion-grade momentum without losing warmth. Elegant on the surface, restless underneath: this is ensemble jazz built on tone, propulsion, and real-time dialogue.


Profile

Led by Matt Von Roderick’s trumpet-and-voice language, this trio projects a modern jazz identity that balances lyricism, uplift, and edge. Dominique Di Piazza shifts the bass from foundation to harmonic co-author: chordal attack, rapid articulation, and a singing upper register give the ensemble unusual vertical depth. Joel Taylor supplies the architectural frame, combining fusion-trained clarity with the restraint of a first-call accompanist. The resulting band DNA is airy but precise, melodic yet electrically charged: open forms, strong hook-awareness, and a pulse that can pivot from brushed intimacy to high-definition propulsion without breaking the narrative line.

In practical terms, this is a project that can work in jazz clubs, crossover series, and contemporary festival settings alike, because its center of gravity is not genre display but communicative improvisation, ensemble intelligence, and tone-led storytelling.


Details

Matt Von Roderick
Matt Von Roderick brings a highly personal front-line language rooted in jazz trumpet, crooning lyricism, and vocal-trumpet multiphonics. His profile combines conservatory pedigree with stagecraft: he can phrase like a singer, shape atmosphere like an arranger, and still land a melody with straight-ahead clarity. The effect is both classic and post-genre, with an emotional directness that keeps experimentation accessible.

“Fresh, innovative, and just plain different.” (Woodrow Wilkins, All About Jazz, 2005-10-13)

Dominique Di Piazza
Dominique Di Piazza remains one of the rare electric bassists who can alter an ensemble’s harmonic geometry in real time. His right-hand technique, chordal reach, and fast upper-register articulation make the bass function as both engine and second harmonic instrument. In this trio context, he expands the music from support into co-composition, bringing Mediterranean color, fusion fluency, and deep improvisational authority.

“One of the truly important electric-bassists of our time.” (Damian Erskine, Bass Musician Magazine, 2009-02-01)

Joel Taylor
Joel Taylor is the kind of drummer who gives sophisticated projects both polish and momentum. His language is clean, clear, adaptable, and structurally intelligent: strong time, exact cymbal definition, and a refined sense of when to drive and when to leave air. In this line-up, he acts less as commentator than as force-shaper, translating complex motion into flow.

“Possessing a clean, clear, punchy style that he can adapt to any environment.” (Ken Micallef, Modern Drummer, 2019-12-27)


 


Biography

Los Angeles-based trumpeter, vocalist, songwriter, producer, and educator Matt Von Roderick has built a genre-crossing profile that connects jazz trumpet tradition, crooner phrasing, and modern songwriting. He studied at New York University through the Vilar Global Fellowship in the Performing Arts, where he worked with trumpet master Mark Gould, former chair of brass at both the Metropolitan Opera and Juilliard. Active across jazz and contemporary settings, he has developed a signature language that moves fluidly from standards and lyric balladry to post-genre original work while keeping melody, atmosphere, and emotional directness at the center.


Discography

Matt Von Roderick
Albums: So It Goes (2005), So It Goes (2007), A Book Of Five Rings (2008), Hero’s Journey (2016), Celestial Heart (2023), The Perfect Storm (2025). Singles and EPs: Signs (2025), See Me (2025), Coexistence (2025), Wind on My Face (2025), I’m Old Fashioned (2026).

Dominique Di Piazza
Albums: Spiritual Hymns (2002), Seven Steps To Heaven (2003), Front Page (2004), Princess Sita (2008), Living Hope (2016), Il canto delle montagne (2016), Travel (2021). Singles and EPs: Rain in Seoul (2023).

Joel Taylor
Verified recording credits: Tribute by Yanni, Jaco by Brian Bromberg, Basses Loaded by Brian Bromberg.


Quotes

  • “Fresh, innovative, and just plain different.” Woodrow Wilkins, All About Jazz, 2005-10-13
  • “Among a group of young jazz composers who are unafraid to step beyond traditional constraints.” Celeste Sunderland, All About Jazz, 2005-12-13
  • “Few have the mastery of their chosen instrument that Dominique Di Piazza has displayed throughout his career.” Damian Erskine, Bass Musician Magazine, 2009-02-01
  • “Possessing a clean, clear, punchy style that he can adapt to any environment.” Ken Micallef, Modern Drummer, 2019-12-27
  • “A drummer dripping with impeccable touch and timing.” Sea of Tranquility, 2017-05-07

Reviews

  • Matt Shulman: So It Goes – All About Jazz – Woodrow Wilkins – 2005-10-13 – https://www.allaboutjazz.com/so-it-goes-matt-shulman-jaggo-records-review-by-woodrow-wilkins
  • Matt Shulman: So It Goes – All About Jazz – Celeste Sunderland – 2005-12-13 – https://www.allaboutjazz.com/so-it-goes-matt-shulman-jaggo-records-review-by-celeste-sunderland
  • Matt Von Roderick: Hero’s Journey – Jazz Weekly – 2016-07-18 – https://jazzweekly.com/2016/07/matt-von-roderick-heros-journey/
  • Matt Von Roderick Celestial Heart – Making A Scene – 2023-07-21 – https://www.makingascene.org/matt-von-roderick-celestial-heart/
  • Front Page: Front Page – All About Jazz – Walter Kolosky – 2004-01-12 – https://www.allaboutjazz.com/front-page-front-page-sunnyside-records-review-by-walter-kolosky
  • Dominique di Piazza: Spiritual Hymns – All About Jazz – Phil DiPietro – 2002-05-14 – https://www.allaboutjazz.com/spiritual-hymns-dominique-di-piazza-canaan-music-review-by-phil-dipietro
  • Dominique di Piazza: Princess Sita – All About Jazz – Phil DiPietro – 2008-08-19 – https://www.allaboutjazz.com/princess-sita-dominique-di-piazza-picanto-records-review-by-phil-dipietro
  • Joel Taylor – Modern Drummer – Ken Micallef – 2019-12-27 – https://www.moderndrummer.com/article/february-2020-joel-taylor/

BOOKING REQUEST

Ari Hoenig Trio | Contemporary Jazz, Neo-bop, Post-bop (USA)

ARI HOENIG TRIO | Contemporary Jazz, Neo-bop, Post-bop (USA)

Ari Hoenig Trio

Contemporary Jazz, Neo-bop, Post-bop (USA)

AVAILABILITY FOR EUROPE
2026 | April, July, October/November
AriHoenigTrio ARI HOENIG TRIO | Contemporary Jazz, Neo-bop, Post-bop (USA)
AriHoenigTrio ARI HOENIG TRIO | Contemporary Jazz, Neo-bop, Post-bop (USA)
AriHoenigTrio
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Line-up

Ari Hoenig | Drums
Jean‑Michel Pilc, Kenny Werner, Pat Martino, Joshua Redman, Wayne Krantz, Richard Bona, Chris Potter, Shirley Scott

Gadi Lehavi | Piano
Ravi Coltrane, Chick Corea, Bobby McFerrin, Ron Carter, Kurt Rosenwinkel, Eddie Gomez

Ben Tiberio | Double Bass
Joel Ross, María Grand, Veronica Swift, Immanuel Wilkins, Shai Maestro, Ben Wendel, Aaron Goldberg

Style

A drummer‑led trio where melody and rhythm are inseparable: Hoenig’s metric imagination sings from the kit.
Lehavi supplies a luminous, Jarrett‑to‑Corea‑tinged lyricism that floats yet speaks with intent.
Tiberio anchors with supple time, modern counter‑lines and a sonorous, singing tone.

Overall profile

Philadelphia‑born drummer/composer Ari Hoenig has long redefined the drum set as a melodic instrument; in this trio he crystallizes that vision with Gadi Lehavi (piano) and Ben Tiberio (double bass). Across Golden Treasures (2022) and Tea for Three (2024) the group frames standards and originals with elastic time, conversational counterpoint and a keen sense of narrative. The language is contemporary jazz—post‑/neo‑bop vocabulary, modal hues and polyrhythmic design—yet the touch remains song‑driven. Hoenig’s lines arc and resolve; Lehavi shades harmony with airy voicings and singing right‑hand rhetoric; Tiberio balances clarity and weight, often guiding form with melodic bass motion. The group’s “band DNA” emphasizes Rhythm/Groove (metric modulation; odd‑meter fluency), Interplay/Roles (leader as melodic voice; chamber‑like listening) and Harmonic Vocabulary (post‑bop with modal‑chromatic color). The result is a trio sound that moves from tight inner clock to widescreen lyricism, built for audiences that prize both sophistication and heart.

Member details

Ari Hoenig — Drums
Melodic drumming, polyrhythms and metric modulations are central to Hoenig’s compositional voice. With this working trio he refines a chamber‑like, dialogue‑first approach documented on Golden Treasures (2022) and Tea for Three (2024). Expect shifting forms, clear song shapes and drum melodies that sing. (“A convergence of three exceptional musical personalities whose creativity, connection and dialogic interplay deserve repeated opportunities.” — Artur Moral, All About Jazz, 2025‑05‑20)

Gadi Lehavi — Piano
Tel‑Aviv–born, New York–based pianist whose lyricism and touch align with the Jarrett/Corea lineage while remaining personal. A close associate of Ravi Coltrane and selected by Chick Corea for JALC’s “Musicians of the Future,” Lehavi brings floating time, luminous voicings and agile, singing lines. (“The lightest‑touch piano trio one can imagine… a case of the caress rather than the assault.” — Sebastian Scotney, LondonJazzNews, 2016‑05‑15)

Ben Tiberio — Double Bass
A modern, song‑aware bassist heard with Joel Ross, Veronica Swift and Immanuel Wilkins, and as a leader on Rare Peace (2021). His sound couples round acoustic presence with articulate counter‑melody; time feels both grounded and elastic. (“The bassist and composer Ben Tiberio delivers an exceptional debut here.” — Take Effect Reviews, 2022‑04‑01)

Discography

  • Golden Treasures — Ari Hoenig Trio (Fresh Sound New Talent, 2022)

  • Tea for Three — Ari Hoenig Trio (Fresh Sound New Talent, 2024)

Quotes

Ari Hoenig

“A convergence of three exceptional musical personalities whose creativity, connection and dialogic interplay deserve repeated opportunities.”  Artur Moral, All About Jazz, 2025‑05‑20 — https://www.allaboutjazz.com/tea-for-three-ari-hoenig-fresh-sound-new-talent

“A big‑band celebration… as thrilling and cool as taking a deep dive in someone else’s pool… focusing a well‑deserved spotlight on Hoenig’s voice.” Ed Enright, DownBeat (Editors’ Picks), 2022‑05‑01 — https://downbeat.com/reviews/editorspicks/2022-05

“The trio… a fluid, unified vibe… all elements leaping together into the fray… while still swinging.” Dusty Groove (album blurb), 2024‑12‑13 https://www.dustygroove.com/item/221596/Ari-Hoenig%3ATea-For-Three

Gadi Lehavi

“The lightest‑touch piano trio one can imagine… the caress rather than the assault.”  Sebastian Scotney, LondonJazzNews, 2016‑05‑15 — https://londonjazznews.com/2016/05/15/round-up-review-second-day-of-inntoene-2016-austria-al-foster-quartet-gadi-lehavi-trio-marcio-faraco-ruthie-foster-bruno-heinen-and-kristian-borring-etc/

“A major rising force on piano… known for revelatory work with Ravi Coltrane.”  Rusty Aceves, SFJAZZ — On The Corner, 2024‑07‑18 — https://www.sfjazz.org/onthecorner/articles/five-things-you-should-know-about-gadi-lehavi/

“Israeli‑born prodigy… invited at thirteen to play with Coltrane at the Village Vanguard and Birdland.” All About Jazz (SFJAZZ review), 2022‑05‑10 — https://www.allaboutjazz.com/ravi-coltrane-at-sfjazz-center-ravi-coltrane

Ben Tiberio

“The bassist and composer Ben Tiberio delivers an exceptional debut here… a diverse and well thought‑out listen.”  Take Effect Reviews, 2022‑04‑01 — https://takeeffectreviews.com/april-2022/2022/4/1/ben-tiberio

“Tiberio plays mostly upright bass… I really love that sound.” Sea of Tranquility, 2021‑12‑27 — https://www.seaoftranquility.org/reviews.php?id=23414&op=showcontent

Personnel on Joel Ross’ KingMaker: Immanuel Wilkins (alto sax), Jeremy Corren (piano), Benjamin Tiberio (bass), Jeremy Dutton (drums)… DownBeat (review credits), 2019‑05‑03 — https://downbeat.com/reviews/detail/kingmaker


Reviews

Ari Hoenig: Tea For Three — Album Review / All About Jazz / Artur Moral / 2025‑05‑20 / https://www.allaboutjazz.com/tea-for-three-ari-hoenig-fresh-sound-new-talent

Editors’ Picks May 2022: Ben Markley Big Band with Ari Hoenig — Ari’s Funhouse / DownBeat / Ed Enright / 2022‑05‑01 / https://downbeat.com/reviews/editorspicks/2022-05

Pared‑back jazz drumming from Ari Hoenig and his fine trio / Marlbank / — / 2024‑12‑20 / https://marlbank.net/2024/12/20/pared-back-jazz-drumming-from-ari-hoenig-and-his-fine-trio/

Tea for Three — Album page / Fresh Sound New Talent (Blue Sounds) / — / 2024‑12‑13 / https://www.freshsoundrecords.com/ari-hoenig-albums/57444-tea-for-three-digipack.html

Golden Treasures — Album page / All About Jazz / — / 2022‑01‑06 / https://www.allaboutjazz.com/album/golden-treasures-ari-hoenig

Ari Hoenig: Golden Treasures / Jazz Journal / François van de Linde / 2022‑08‑30 / https://jazzjournal.co.uk/2022/08/30/ari-hoenig-golden-treasures/

ROUND‑UP REVIEW: Inntöne 2016 — Gadi Lehavi Trio / LondonJazzNews / Sebastian Scotney / 2016‑05‑15 / https://londonjazznews.com/2016/05/15/round-up-review-second-day-of-inntoene-2016-austria-al-foster-quartet-gadi-lehavi-trio-marcio-faraco-ruthie-foster-bruno-heinen-and-kristian-borring-etc/

Five Things You Should Know About Gadi Lehavi / SFJAZZ (On The Corner) / Rusty Aceves / 2024‑07‑18 / https://www.sfjazz.org/onthecorner/articles/five-things-you-should-know-about-gadi-lehavi/

Ravi Coltrane at SFJAZZ Center / All About Jazz / — / 2022‑05‑10 / https://www.allaboutjazz.com/ravi-coltrane-at-sfjazz-center-ravi-coltrane

Ben Tiberio — Rare Peace (review) / Take Effect Reviews / — / 2022‑04‑01 / https://takeeffectreviews.com/april-2022/2022/4/1/ben-tiberio

Tiberio, Ben: Rare Peace / Sea of Tranquility / — / 2021‑12‑27 / https://www.seaoftranquility.org/reviews.php?id=23414&op=showcontent

Vibraphonist Joel Ross to release debut KingMaker / Blue Note (press) / — / 2019‑03‑29 / https://www.bluenote.com/vibraphonist-joel-ross-to-release-debut-album-kingmaker-out-may-3/

Complete Discography — Ari Hoenig / Official site / — / 2025‑10‑03 (accessed) / https://www.arihoenig.com/complete-discography

Electric Lady Tereza Rais

ELECTRIC LADY | Rock (CZ)

ELECTRIC LADY | Rock (CZ)
Guitar shredder and singer

AVAILABILITY FOR EUROPE
2026 | Upon request (EU resident band)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY logoleft ELECTRIC LADY | Rock (CZ)
ELECTRICLADY_logoleft
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Line-up

Tereza Rays | Guitar, voice

Kenney Jones, Paul Bond, Nigel Lowis, Ivan Král, Kirk Covington, Rytmus

Cayman | Bass

Canaima, Lucie “Vigly” Jeníčková, Jan “Nedy” Nedoma, Richard “Rítcha” Karel, Marcel “Marco” Kříž

Robin Evans | Drums

PROSE (UK), Kyle Francis Falc, Neeve Zahra, Twelve24, Blinding Talent

Style

Riff-first rock trio built for the stage: short-fuse energy, big hooks, no filler. Blues-rock grit with arena-ready choruses, Hendrix-era swagger, and modern punch. A locked rhythm engine under a frontwoman who writes, arranges, and drives the narrative.

Profile

Electric Lady are a lean, high-voltage trio fronted by guitarist–vocalist and songwriter Tereza Rays. Their sound sits where blues-rock muscle meets modern hard-rock immediacy: tight, riff-driven verses that open into melodic choruses built to travel. The band’s DNA is all about articulation and impact—crisp guitar attack, a bass line that stays warm and physical, and drums that hit with straight-ahead authority while leaving space for vocal phrasing.

On record and on stage, Electric Lady move like a single unit: the rhythm section locks into a punchy pocket, while the guitar alternates between dirty groove and bright, singing leads. References to classic rock icons are present in the tone and swagger, but the writing keeps the focus on direct storytelling and cathartic release.

Details

Tereza Rays | Guitar, voice Writer-arranger at the center of the project, shaping songs around riff clarity and vocal urgency. A blues-rock foundation with a modern, radio-ready sense of structure and hook placement. Known for an assertive stage presence where lead lines stay melodic even at full distortion. Recent studio and live work connects her to high-profile UK production and legacy-rock circles. “Vocalist and guitarist Tereza Rays is a tour de force… Her vocals soared and dipped with effortless control.” (Sara Harding, MetalTalk, 2025-09-11)

Cayman | Bass A bassist who prioritizes weight and glue: round low-end, steady drive, and quick dynamic shifts. Brings a band-player mindset—supporting riffs, reinforcing choruses, and tightening transitions. Comfortable in power-trio arrangements where every note has to hold the room. A background in rock projects beyond Electric Lady feeds a grounded, performance-forward feel. “Cayman on bass and Robin Evans on drums match Tereza’s energy and power… share the same undeniable love for creating music.” (Mariam Atef, Rock Era Magazine, 2025-07-13)

Robin Evans | Drums A drummer built for forward motion: firm backbeat, confident accents, and clean, driving fills. Keeps the groove anchored while staying responsive to vocal phrasing and guitar pushes. Balances punch with economy—no excess, just momentum and control. Active across multiple UK rock contexts, bringing a seasoned live sensibility to the trio. “Riffs blasted through this venue, while Evans and Cayman locked into the groove.” (Sara Harding, MetalTalk, 2025-09-11)

Discography

Tereza Rays Storm (single/EP, 2013) Electrical (album, 2015) Wicked (EP, 2018) Trilogy (project, 2020–2021): Rebelia, Politica, Influenza (singles) Stand Up (single, 2022) I’m Done (I’ve Had Enough) (single, 2025-06-27) One Way Ticket (single, 2025-07-25) I Must Let You Go (single, 2025-09-12)

Cayman Go Down The Way (Canaima, album, 2011-05-01) Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

Robin Evans Storm (Electric Lady, single/EP, 2013) Electrical (Electric Lady, album, 2015) Wicked (Electric Lady, EP, 2018) Trilogy (Electric Lady, project, 2020–2021) Stand Up (Electric Lady, single, 2022) I’m Done (I’ve Had Enough) (Electric Lady, single, 2025-06-27) One Way Ticket (Electric Lady, single, 2025-07-25) I Must Let You Go (Electric Lady, single, 2025-09-12)

 

Members Quotes

Tereza Rays

  • “Vocalist and guitarist Tereza Rays is a tour de force.” — Sara Harding, MetalTalk, 2025‑09‑11.
  • “A rousing rock energy dazzles… Tereza Rays’ vocals stir with a dynamic appeal.” — Mike Mineo, Obscure Sound, 2025‑08‑07.
  • “A middle finger in the air… a reminder of why rock and roll will never die.” — Natalie Patrick, EARMILK, 2025‑07‑11.
  • “With ‘I’m Done’, she doesn’t just perform the song—she lives it.” — Music‑News (Underground), 2025‑08‑08.

Robin Evans

  • “…propelled by Robin Evans’ relentless drumming…” — LOCK Magazine, 2025‑07‑07.
  • “Cayman on Bass and Robin Evans on Drums match Tereza’s energy and power.” — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Cayman

  • “…and Cayman’s grumbling bass lines.” — LOCK Magazine, 2025‑07‑07.
  • Cayman on Bass… match[es] Tereza’s energy and power.” — Mariam Atef, Rock Era Magazine, 2025‑07‑13.

Reviews & Interviews

“Electric Lady, Dylan Gers & Bitchin’ Hour — A Tantalising Triple At The Black Heart” • MetalTalk • Sara Harding • 2025‑09‑11

https://www.metaltalk.net/gig-review-electric-lady-dylan-gers-and-bitchin-hour-a-tantalising-triple-at-the-black-heart.php

“Five Artists You Need to Hear” • Rolling Stone UK • Alex Ford • 2025‑07‑29

https://www.rollingstone.co.uk/culture/five-new-artists-to-watch-52472/

“Electric Lady return with their explosive new single ‘I’m Done (I’ve Had Enough)’” • LOCK Magazine • Lock Editor • 2025‑07‑07

https://www.lockmag.co.uk/electric-lady-return-with-their-explosive-new-single-im-done-ive-had-enough/

“Electric Lady Drops Fiery New Single ‘I’m Done (I’ve Had Enough)’” • TotalNtertainment • Jo Forrest • 2025‑07‑07

https://www.totalntertainment.com/music/electric-lady-drops-fiery-new-single-im-done-ive-had-enough/
“Electric Lady shares a uprising with ‘I’m Done (I’ve Had Enough)’” • EARMILK • Natalie Patrick • 2025‑07‑11

https://earmilk.com/2025/07/11/electric-lady-shares-a-uprising-with-im-done-ive-had-enough/

“Electric Lady — ‘I’m Done (I’ve Had Enough)’” • Obscure Sound • Mike Mineo • 2025‑08‑07

https://www.obscuresound.com/2025/08/electric-lady-im-done-ive-had-enough/

“Electric Lady drops fiery new single ‘I’m Done (I’ve Had Enough)’” • Music‑News (Underground) • Staff • 2025‑08‑08

https://www.music-news.com/news/Underground/183584/Electric-Lady-drops-fiery-new-single-I-m-Done-I-ve-Had-Enough

“Electric Lady Reigniting Fire in the Rock N Roll Scene” • Rock Era Magazine • Mariam Atef • 2025‑07‑13

https://rockeramagazine.com/electric-lady-im-done/

Event: Electric Lady — The Black Heart, London (hosted by Elles Bailey) • Our Black Heart (venue listing) • 2025‑09‑09

https://www.ourblackheart.com/events/2025/9/9/electric-lady

Czech Centre Recommends: Electric Lady @ The Black Heart • Czech Centre London • 2025‑08‑12

https://london.czechcentres.cz/en/blog/2025/08/electric-lady

Artist page / releases • Apple Music • 2025

https://music.apple.com/us/artist/electric-lady/424289152

Single page: “I’m Done (I’ve Had Enough)” • Apple Music • 2025‑06‑27

https://music.apple.com/gb/song/im-done-ive-had-enough/1816434462

Single upload: “One Way Ticket” (audio) • YouTube Music • 2025‑07‑25

https://www.youtube.com/watch?v=o4ROksdsClg

Ibanez Artists: Tereza Rays • Ibanez • profile

https://www.ibanez.com/eu/artists/detail/1662.html

Electrical (album) — release note • MusicGlue • 2015‑04‑01

https://www.musicglue.com/electric-lady/products/electrical

Electrical (album) — Bandcamp about • Bandcamp • 2015

https://electric-lady.bandcamp.com/album/electrical


BIO

Tereza Rays (ELECTRIC LADY) is a guitarist and singer who was born in the Czech Republic on February 6, 1987 in the Czech Republic. She is the exclusive author of her compositions, lyricist and music arranger, she participates in the current production with producer Roman Rossi – manager. She recorded her debut album in Texas in 2014. Tereza is currently a corporate player of Ibanez and Blackstar, in the past she represented Fender. She has collaborated with many Czech and foreign artists.

She started playing the guitar thanks to the music of Jimi Hendrix. Tereza was born in Kladno and at the age of 15 she started playing the guitar and singing, her parents didn’t support her music much. However, Tereza went her own way and after the founding of the band Electric Lady she recorded many musical successes not only at home, but also abroad. Even this year, 2022, we announced concerts around the world, not only in the USA, but also in Poland, England, Norway, the Czech Republic and Slovakia. Tereza also performed at VIP private events in Russia, at the announcement of music awards “REALNA PREMIE”, etc.

The band was founded in 2013 with the emergence of the single “Storm”, which also reached the European MTV or Russian Music Box, where they even placed 3 clips in monthly rotations. The band plays guitar, bass, drums Tereza flew to New Orleans the same year, where she performs on the streets in small clubs for 3 months, after returning to the Czech Republic she wins the international blues competition Blues Aperitif for young talents. Subsequent years later, as a winner, she performed at Blues Alive in the Czech Republic and Poland. In 2015, she released her debut album “Electrical”, which she went on to record at the invitation of drummer Kirk Covington to the USA in Texas. She completed and released musical material in the Czech Republic and became a corporate player of the world-famous brand Fender.

In 2016, the band went on tour with the Czech popular band Mandrage and performed across Czech Republic and Slovakia. That same year, Tereza collaborated with Ivan Kral on the song “A Part Of My Heart.” That same year, the band performed in front of American bassist NIK WEST and Eric Gales.

In 2020, Electric Lady releases her largest and most expensive musical, Trilogy 2020, under the auspices of the Nemoros Agency and a collaboration with KOBALT, on which Tereza collaborated not only with English producer Nigel Lowis.In 2021, Tereza became a corporate player of the IBANEZ and BLACKSTAR brands, several concerts around the world, participation in the USA at this summit and other events in the USA are planned.

Fanck Biyong

Franck Biyong | Afrobeat/Electronic/Jazz/Rock

FRANCK BIYONG

Afrobeat, Electronic, Jazz, Rock

AVAILABILITY FOR EUROPE

2026-2027 | April 1st, 2026 to December 31st, 2027


Fanck Biyong
Fanck Biyong
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Franck Biyong is available with two different amazing projects:
Franck Biyong & Lipombe Jazz (Afrobeat-AfroJazz) and Afrobrainz (Electronic-Funk-Rock)

LIPOMBE JAZZ (Afrobeat-AfroJazz)

Lipombe Jazz is the more organic, Afro-jazz oriented branch of Franck Biyong’s creative universe: a project built around African groove, ensemble writing and a strong narrative impulse. Conceived as a meeting point between Afrobeat, Afro-jazz and Cameroonian musical memory, it develops a warm, ritualistic and cinematic sound, blending tradition with a contemporary outlook. On Ibolo Ini, that identity comes into focus through layered rhythm, rich timbral depth and a distinctly pan-African sense of motion.

AFROBRAINZ (Electronic-Funk-Rock)

Afrobrainz is Franck Biyong’s alternative Afro-electro-rock project, where electronic funk, guitar-driven rock energy and African rhythmic language meet in a consciously crossover form. Built within his broader Afrolectric vision, the project pushes toward a sharper, more urban and more amplified sound, combining groove, distortion, hooks and pan-African pulse. Afrobrainz presents Biyong in his most electric mode: forward-looking, rhythmically charged and designed to connect club energy with live-band intensity.

ABOUT

Franck Biyong’s solo project turns Afrobeat lineage, Afro-rock guitar language and futurist production into one highly individual signature. It moves between makossa pulse, electric funk, psychedelic rock and jazz-minded arrangement without losing dance-floor intent. The result is Afrolectric: historically rooted, rhythm-forward and sonically restless.

Profile

Franck Biyong is a Cameroonian composer, guitarist, bandleader and producer whose work bridges African rhythmic memory with an adventurous electric language. Raised across Gabon, Nigeria and Côte d’Ivoire before settling in the UK as a teenager, and trained at the National Institute of Arts in Abidjan, he developed a musical identity shaped equally by West and Central African traditions, rock guitar culture and forward-looking studio experimentation. As the creator of the Afrolectric sound, Biyong has built a catalogue that stretches from the early Massak records to recent releases such as Moonwatching 2, Radio Masoda and Struggle 4 Money. His artistic profile combines the historical awareness of an archivist, the instinct of a groove architect and the appetite of a sonic explorer. The result is music that can sound ceremonial, urban, psychedelic and political at once, while remaining unmistakably African in pulse and perspective.

Details

Franck Biyong stands out for the way he treats the electric guitar as both lead voice and textural engine. His writing often connects African rhythmic structures to rock tension, jazz openness and cinematic arrangement. Across albums, singles and collaborative projects, he has built a language that is as concerned with memory and lineage as it is with modernity, distortion and motion. That balance makes him a compelling proposition for festivals, theatres, listening venues and editorial platforms looking for an African artist with a clear signature rather than a generic crossover profile.

“The way Franck Biyong composes is unlike any other musician you will find.”
(Sinusoidal Music, review of Moonwatching 2*, 2023-12-19)*

Releases

Albums 2006 — Realms of Atlantis
2007 — Haiti Market
2008 — Spirits into Sounds
2009 — Rhythms of Our Memory
2010 — Visions of Kamerun
2010 — Voodoolectric Ground
2011 — Jazz & Africa: Knowledge Identity Reconstruction
2011 — Meeting the Basic Needs of the People
2012 — Ki I Ye Yi
2015 — Moonwatching
2017 — Afro Bikutsi Live!
2018 — Evening Prayer
2019 — The Lamp, Light and Eye of God
2019 — Afro Galactic Spaceway
2019 — Ibolo Ini (with Lipombe Jazz)
2021 — Celestial Navigation Suite
2021 — The Afrovision Secret
2022 — Kunde
2023 — Moonwatching 2
2024 — Radio Masoda

EPs and singles 2011 — Power of Brain
2012 — C.F.A Music
2012 — 21.12.2012 (Truth or Lies?)
2015 — I.T.T. (International Thief Thief)
2015 — End of the Road
2015 — Liyomba Church
2020 — Trouble
2023 — Silence Is Music (with Florie Namir)
2024 — Oladipo (feat. Chief Udoh Essiet & Tony Allen)
2024 — Lipanda (feat. Mary May)
2024 — Jela Kubwa Na Viboko (feat. Aint4perfect) [Aint4Perfect Remix]
2024 — Radio Masoda (Remixed)
2025 — Struggle 4 Money

Citations

“We are delighted to be presenting ‘Radio Masoda’, the brilliant new album by the Cameroonian master musician and composer Franck Biyong.”
Tangential Music press text, mirrored on EthnoCloud
2024-06-22
https://ethnocloud.com/Franck_Biyong/?blog=2256

“Franck Biyong’s album, Radio Masoda is a remarkable tribute to the classic era of African music.”
Tyler Bennet, World Music Central
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

“The way Franck Biyong composes is unlike any other musician you will find.”
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

“Now delving into the world of electronic rock with a definitive African flavour, Franck’s spectacular electric guitar riffs and modern sound mean he’s certainly one to keep an eye on.”
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

“But most of the album is upbeat and ‘Diamane Abele’ is another dancefloor killer and ‘Elephant Rumble’ is exactly what it says on the tin.”
Gerry Hectic, You and the Music
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Reviews

Franck Biyong: “I just want to tear down the barrier that separates African music from the mainstream”
Songlines
Daniel Brown
2024-06-13
https://www.songlines.co.uk/features/franck-biyong-i-just-want-to-tear-down-the-barrier-that-separates-african-music-from-the-mainstream

Review: Franck Biyong – Radio Masoda (Tangential Music)
You and the Music
Gerry Hectic
2024-07-29
https://www.youandthemusic.com/2024/07/review-franck-biyong-radio-masoda.html

Franck Biyong’s Radio Masoda – A Tribute to African Music’s Golden Era
World Music Central
Tyler Bennet
2024-11-15
https://worldmusiccentral.org/franck-biyongs-radio-masoda-a-tribute-to-african-musics-golden-era/

Review: Franck Biyong – Radio Masoda Remixed (Tangential Music)
You and the Music
Gerry Hectic
2024-10-15
https://www.youandthemusic.com/2024/10/review-franck-biyong-radio-masoda.html

Franck Biyong shows us his afroelectric mould taking shape with his album, “Moonwatching 2”
Sinusoidal Music
2023-12-19
https://sinusoidalmusic.com/reviews/franck-biyong-shows-us-his-afroelectric-mould-taking-shape-with-his-album-moonwatching-2/

Cameroon guitarist releases new video
Music In Africa
Music In Africa
2015-05-29
https://www.musicinafrica.net/magazine/cameroon-guitarist-releases-new-video

Check

Canvas delivered (combined profile, citations, reviews) → Status: OK
No placeholders (TBD, PCH, “Member 2”, etc.) → Status: OK
Section titles in H4, 1–2 words, without numbers and without parentheses → Status: OK
Line-up in the correct format (Name|Instrument in bold; collaborations in italics; no bullets; no labels such as “Collaborations:”) → Status: OK
Single, coherent language throughout → Status: OK
No links inside the Project Profile body → Status: OK
Citations/reviews with dates in YYYY-MM-DD format where available → Status: OK
Final Sources box present separately → Status: OK

http://www.franckbiyong.net/


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